The Oxford critical and cultural history of modernist magazines 3,1 Europe 1880 - 1940 ; 1
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| 245 | 1 | 0 | |a The Oxford critical and cultural history of modernist magazines |n 3,1 |p Europe 1880 - 1940 ; 1 |c ed. by Peter Brooker and Andrew Thacker |
| 250 | |a 1. ed. | ||
| 264 | 1 | |a Oxford [u.a.] |b Oxford Univ. Press |c 2013 | |
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| adam_text | The third of three volumes devoted to the cultural history of modernist magazines in
Britain, North America, and Europe, this collection contains fifty-six original essays on the
role of little magazines’ and independent periodicals in Europe in the period 1880—1940.
It demonstrates how these publications were instrumental in founding and advancing
developments in European modernism and the avant-garde.
The expert discussion of approaching 300 magazines is accompanied by an illuminating variety
of cover images and will significantly extend and strengthen the understanding of modernism
and modernity. The chapters are organised into eight main sections with contextual introduc-
ine cultures. Introductions and
у magazines in the bmmder formations associated
, аШ C^^tructivism in a period
rs combíne Ш eluc
ymbolism,
social and geo-political change. Individual essays, situated in relation to
metropolitan centres, bring focussed attention to a range of celebrated and less well-known
magazinesy iiicluding Le Chat Noir, La Revue blanche, Le festin dEsope, La Nouvelle Revue
Frangaise, La Revolution Surrealiste, Documents, M^e Stifl, Ftlika L cerfta, Eneijgie %Iovei ^lin^en^.
Exlex, flamman, Der Blaue Reiter, Der Sturm, Dér. Di
ReD, Zenit, Ma, Contimporanul, Formisci, Zdroj, Lerfl and Ftovy^Lef.
Vo maire, kot,
The magazines disclose a world where the material constraints of costs, internal rivalries, and
I anxieties over censorship ran alongside the excitement of new work, collaboration on á itiëw
manifesto, and the birth of a new movement. This collection therefore confirms the value of
magazine cuèiare to the expanding field of moc^^t studies, providing a rich and hitherto
under-exa^athed resource which helps bring to Míe the dynamics out of which the modernist
Ived.
avant-gare
; щ ■ Щ
CONTENTS
List ofIllustrations and Maps xxi
List of Contributors xxxi
General Introduction: Modernity, Modernisms, Magazines i
PETER BROOKER
PART I. FRANCE
introduction 25
1. Performing Writing: Le Chat Noir (1881-95); Le Courrier français
(1884-1913); GilBlas illustré (1891-1903); and Les (1897-8) 38
DIANA SCHIAU-BOTEA
2. The ‘Little Magazine’ as Publishing Success: Le Scapin (1885-6);
La Pléiade (1886-90) ; and Le Mercure de France (1889-1965) 60
ALEXIA KALANTZIS
3. Between Symbolism and Avant-Garde Poetics: La Plume (1889-1905);
L’Ermitage (1890-1906); and La Revue blanche (1890-1903) 76
ELISA GRILU AND EVANGHELIA STEAD
4. Modem Classicism: La Nouvelle Revue française (1909-43)
and Commerce (1924-32) 101
ANNE-RACHEL HERMETET
5. Apollinaire and ‘the New Spirit’: Le festin d’Esope (1903);
Les Soirées de Paris (1912-14); and L’élan (1915-16) 120
WILLARD BOHN
6. After Apollinaire: SIC (1916-19); Nord-Sud (1917-18);
and L’Esprit Nouveau (1920-5) 143
SIMON DELL
XIV
CONTENTS
7. Proto-Dada: The New York Connection: The Ridgefield Gazook
(1915); The Blind Man (1917); Rongwrong (1917); 3^2(1917); TNT
(1919) ; and New York Dada (1921) 160
DAVID HOPKINS
8. Dadas Paris Season: 391 (1919—24); Cannibale (1920); Projecteur
(1920) ; Dada (1920—1); and Le Cœur à Barbe (1922) 180
RUTH HEMUS
9. Eclecticism and its Discontents: Les Ecrits nouveaux (1917—22) and
La Revue européenne (1923—31) 203
JOHN ATTRIDGE
10. ‘What Can the Surrealists Do?’: Littérature (1919—24); La Révolution
surréaliste (1924—9); and Le Surréalisme au service de la révolution
(1930-3) * 219
RAYMOND SPITERI
H A Shameless, Indecent Saintliness’: Documents (1929—31) and
Acéphale (1936—9) 244
ERIC ROBERTSON
12. Dangerous Games and New Mythologies: Cercle et Carré (1930);
Art Concret (1930); Abstraction-Création (1932—5); and Minotaure (1933—9) 265
J ED RASULA
PART IL THE LOW COUNTRIES
Introduction 289
13. ‘The Will to Style’: The Dutch Contribution to the Avant-Garde:
Leiden: De Stijl (1917—32), Mécano (1922—3); Amsterdam: Wendingen
(1918—32), iio (1927—9); and Groningen: The Next Call (1923—6) 293
SASCHA BRU
14. Antwerp Circles: Languages, Locality, and Internationalism:
Ontwaking (1896, 1901—io); De Boomgaard (1909—11); Résurrection
(1917—18); Het Roode Zeil (1920); Selection (1920—33); Ruimte (1920—1);
Het Overzichi (1921—5); De Driehoek (1925—6); Lumière (1919—23);
and Ça Ira (1920—3) 313
DAPHNÉ DE MARNEFFE
15. ‘Streetscape of New Districts Permeated by the Fresh Scent of
Cement’: Brussels, the Avant-Garde, and Internationalism: La Jeune
Belgique (1881—97); LArt Moderne (1881—1914); La Société Nouvelle
(1884-97); Van Nu en Straks (1893-4,1896-1901); LArt Libre (1919-22);
CONTENTS
Signaux (1921, earl y title of Le Disque Vert, 1922-54); 7 Arts
(1922-8); and Variétés (1928—30)
FRANCIS MUS AND HANS VANDEVOORDE
PART III. SPAIN AND PORTUGAL
Introduction
16. Madrid: Questioning the Avant-Garde: Helios (1903—4); El Nuevo
Mercurio (1907); Prometeo (1908—12); Los Quijotes (1915—18);
Cosmópolis (1919-22); Grecia (1918-20); Ultra (1921-2); Ambos
(1923); Litoral (1926—7, 1929); Mediodia (1926-9); Carmeny Lola
(1927—9); La Gaceta Literaria (1927-32); and Gallo (1928)
LORI COLE
17. ‘Noucentisme’ and the Avant-Garde in Barcelona (1916—36):
Revista nova (1914, 1916-17); 391 (1917); Troços (1916, 1917—18);
Un enemic del poble (1917—19); Arc-voltaic (1918); Proa (1921);
LAmic de les arts (1926—8); and Hèlix (1929—30)
GEOFFREY WEST
18. Modernist Magazines in Portugal: Orpheu and its Legacy: Orpheu
(1915); Exilio (1916); Centauro (1916); Portugal Futurista (1917);
Contemporânea (1915, 1922—6); Athena (1924—5); Sudoeste (1935);
Presença (1927—38,1939-40 [1977])
CLARA ROCHA
PART IV. ITALY
Introduction
19. Political and Aesthetic Transgressions: Florentine Reviews à la
mode: Il Marzocco (1896—1932); Il Regno (1903—5); Il Leonardo
(1903—7); Hermes (1904); and La Voce (1908-14)
FRANCESCA BILLIANI
20. Past-Loving Florence and the Temptations of Futurism: Lacerba
(1913—15); Quartiere Latino (1913-14); Lit alia futurista (1916-18);
and La Vraie Italie (1919-20)
LUCA SOMIGLI
XVI
CONTENTS
2i* The Return to Order in Florence: II Selvaggio (1924—43);
Il Frontespizio (1929—40); Pègaso (1929—33); and Campo di Marte
(1938-9) 491
MARIANA AGUIRRE
22* Milan, thè ‘Rivista’, and thè Deprovincialization of Italy: Le Papyrus
(1894—6); Poesia (1905-9); Il Convegno (1920-40); Pan (1933-5); and
Corrente di vita giovanile (1938—40) 511
ERIC BULSON
23* Bizantium and Emporium: Fine secolo Magazines in Rome and Milan:
Fanfulla della Domenica (1879—1919); Cronaca Bizantina (1881—6);
Il Convito (1895—1907); Cronaca dArte (1890—2); Vita Moderna
(1892-5); and Emporium (1895-1964) 536
VIVIEN GREENE
I
24. Futurist Periodicals in Rome (1916—39):. From Effervescence to
Disillusionment: Avanscoperta (1916—17); Cronache d attualità
(1916—22); Noi (1917—25); Roma futurista (1918—20); Dinamo: Rivista
futurista (1919); Il Futurismo/Le Futurisme (1922—31); La Ruota dentata
(1927); 2000: Giornale della rivoluzione artistica (1929); Futurismo
(1932—3); Sant Elia (1933-4); and Artecrazia (1934-9) 560
CHRIS MICHAELIDES
25. The Old Was Dying But thè New Could Not Be Born:
Revolutionary Magazines in Turin: Energie Nove (1918—20);
L Ordine Nuovo (1919—20); Rivoluzione Liberale (1922—4); and
Il Baretti (1924—6) 589
ARIANNA BOVE
PART V. SCANDINAVIA
Introduction 613
26. Copenhagen: From thè Ivory Tower to Street Activism: Ny Jord
(1888—9); Taarnet{ 1893-4); UngtBlod{ 1895-6); Vagten (1899—1900);
Klingen (1917—20); Kværnen (1920); Buen (1924—5); Sirius (1924—5);
Kritisk Revy (1926-8); Baalet (1921-2); Bjerget (1923); Pressen
(1923—4); Imorgen (1925, 1927); Clarté (1926—7); Monde
(1928—31); linien (1934-9); and konkretion (1935—6) 618
BJARNE SØNDERGAARD BENDTSEN
27. Norway: The Province and its Metropolites: Impressionisten
(1886—90); Exlex (1919-20); and PLAN (1933-6) 643
EIRIK VASSENDEN
CONTENTS
28. Crossing Borders: Modernism in Sweden and the Swedish-Speaking
Part of Finland: Thalia (1909—13); Ny konst (1915); flamman
(1917—21); Ultra (1922); Quosego (1928-9); kontakt {1931); Spektrum
(1931-3); and Karavan (1934-5)
MATS JANSSON
PART VI. GERMANY, AUSTRIA, SWITZERLAND
Introduction
29. Reality and Utopia in Munichs Premier Magazines: Simplicissimus
(1896-1944) and Jugend (1896-1940)
TIMOTHY W. HILES
30. ‘There You Have Munich’: Der Blaue Reiter (1912); Revolution (1913);
and Der Weg (1919)
JESSICA HORSLEY
31. Between Art and Activism: Pan (1895-1900, 1910—15); Die weissen
Blätter (1913—21); Dos neue Pathos (1913-19); and Marsyas (1917-19)
ANDREAS KRAMER
32. A Criticai Mass for Modernism in Berlin: Der Sturm (1910-32);
Die Aktion (1911—32); and Sturm-Bühne (1918—19)
DOUGLAS BRENT MCBRIDE
33. Transi tions: From Expressionism to Dada: Neue Jugend (1914,
1916—17); Die freie Strasse (1915-18); and Club Dada (1918)
CHRISTIAN WEIKOP
34. Berlin Dada and the Carnivalesque: Jedermann sein eigner Fussball
(1919) and Der Dada (1919—20)
CHRISTIAN WEIKOP
35. Radical Left Magazines in Berlin: Die Pleite (1919,1923—4);
Der Gegner (1919-22); Der blutige Ernst (1919); Der Knüppel
(1923-7); Eulenspiegel (1928-31); and AIZ/VI (1924-38)
SABINE T. KRIEBEL
36. ‘Not to Adorn Life But to Organize It * Veshch. Gegenstand. Objet:
Revue Internationale de Vart moderne (1922) and G (1923—6)
STEPHEN BURY
37. The Magazine of Enduring Value’: Der Querschnitt (1921—36)
and the World of Illustrated Magazines
ERIKA ESAU
XVIII
CONTENTS
38. Dresden: Collectivity is Dead, Long Live Mankind’: Der Komet
(1918—19); Menschen (1918—21); and Neue Blätter für Kunst und
Dichtung (1918—21)
KATHLEEN CHAPMAN
39. Kiel and Hamburg: Radical ‘Bildungsbürgertum’: Die Schöne
Rarität (1917—19); Die Rote Erde (1919-23); Der Sturmreiter (1919-20);
and Kündung (1921)
TIMOTHY O. BENSON
40. Cologne: The Magazine as Artistic and Political Imperative:
Der Ventilator (1919); Bulletin D (1919); die schammade (1920);
Stupid (1920); and a bis z (1929—33)
LYNETTE ROTH
41. Hanover: ‘True Art’ and ‘True Dada’: Das Hohe Ufer (1919—20);
Der Zweemann (1919—20); Der Marstall (1^20); and Merz
(1923-32)
DOROTHEA DIETRICH
42. Frankfurt, Leipzig, and Dessau: ‘neue typographie’—The New
Face of a New World: das neue frankfurt (1926—33) and die neue
linie (1929—43)
PATRICK RÖSSLER
43. Vienna’s ‘Holy Spring and Beyond: Ver Sacrum (1898—1903);
Almanach der Wiener Werkstätte (1911); Hohe Warte (1904—9);
and Deutsche Kunst und Dekoration (1897—1932)
DIANE SILVERTHORNE
44. From the Hapsburg Empire to the Holocaust: Die Fackel
(1899—1936) and Der Brenner (1910—54)
EDWARD TIMMS
45. The Avant-Garde in Swiss Exile 1914—20: Der Mistral (1915);
Sirius (1915—16); Cabaret Voltaire (1916); Dada (1917—19); 391
(no. 8,1918); Der Zeltweg (1919); and Almanach der Freien
Zeitung (1918)
DEBBIE LEWER
PART VIL EAST-CENTRAL EUROPE
Introduction
46. The View from Prague: Moderní revue (1894—1925); Volné smery
(1896—1949); Umelecký mésíčník (1911—14); Revolučnísborník
888
905
925
947
96 9
992
1014
1032
1059
CONTENTS
XIX
Devetsil (1922); Život (1922); Disk (1923—5); Pásmo (1924—6); and
ReD (1927—31)
NICHOLAS SAWICKI
47. Avant-Garde Periodicals in the Yugoslavian Crucible: Zenit (Zagreb
1921—3, Belgrade 1924—6); Zagreb: Dada-Jok (1922), Dada-Tank
(1922), Dada Jazz (1922); Novi Sad: Ut (1922-5); Ljubljana: Svetokret
(1921); Rdecipilot (1922); and Tank (1927)
LAUREL SEELY VOLODER AND TYRUS MILLER
48. The Avant-Garde in Budapest and in Exile in Vienna: A Tett
(1915-16); Ma (Budapest 1916-19, Vienna 1920-5); Egység (1922-4);
Akasztott Ember (1922); 2x2 (1922); Ék (1923-4); Is (1924); 363 (1925);
Dokumentum (1926—7); and Munka (1928—39)
EVA FORGÁCS AND TYRUS MILLER
49. Romania: ‘Windows toward the Wesť: New Forms and the ‘Poetry
of True Life’: Revista celor ľ alti (1908); Insula (1912); Chemarea
(1912); Contimporanul (1922-32); 75 HP (1924); Punct (1924-5 );
Integral (1925-8); Urmuz (1925); and unu (1928—33)
IRINA LIVEZEANU
50. Cracow and Warsaw: Becoming the Avant-Garde: Rydwan
(first series 1912-14); Maski (1918—19); Wianki (1919—22); Formiści
(1919—21); Nowa Sztuka (1921—2); Zwrotnica (first series 1922—3);
and Blok (1924—6)
PRZEMYSŁAW STRÓŻEK
51. Poznań and Łódź: National Modernism and the International
Avant-Garde: Zdrój (1917—22); Yung-Yidish (1919); and Tel-Awiw
(1919-21)
LIDIA GŁUCHOWSKA
PART VIIL RUSSIA, THE SOVIET UNION, AND UKRAINE
Introduction
52. St Petersburg/Petrograd/Leningrad: From Aesthetes to
Revolutionaries: Mir Iskusstva (1898-1904); Apollon (1909-17);
Studiya Impressionistov (1910); Soyuz Molodezhi (1912—13); and
Iskusstvo Kommuny (1918—19)
CHRISTINA LODDER WITH PETER HELLYER
IO74
IO99
II28
II57
1184
1208
I237
1248
XX
CONTE3STTS
53* Modernism Upheld: Moscow Journals of Art and Literatúre:
Vésy (1904—9); Iskusstvo (1905); Zolotoe Rúno (1906—9); and
Mäkovets (19 zz)
OLEG MININ
54. From Futurist Iconoclasm to Socialist Construction: Ftiturisíy.
Pervyi zhurnal russkikh futuristov (1914); Lef: Levy i front iskusstv
(19Z3—5); Novyi Lef{ 19Z7—8); and Internatsionaľnaya
Literatúre (1933—45)
CH R í stína lodder
55. A Riŕt on the Left Front?5: Lef{ 19Z3—5) and Na postu (19Z3—5)
EMILY FINER
56. From under Imperiál Eyes in Kyiv and Kharkiv Magazines:
Ukrainska khata (1909—14); Muzahet (1919); Mystetstvo (1919);
Katafalk iskusstva (19zz); Semafor u maibutnie (19zz); Honh
komunkuľta (19Z4); Nová generatsiia (19Z7—30); and Avangard:
Almanakh proletárskykh myttsiv Novoi generatsii (1930)
OLEH S. IL3STYTZKYJ
Select Bibliography
Index
iz 76
1Z99
1319
1341
1363
14Z9
|
| any_adam_object | 1 |
| author2 | Brooker, Peter 1944- Thacker, Andrew 1962- |
| author2_role | edt edt |
| author2_variant | p b pb a t at |
| author_GND | (DE-588)171991486 (DE-588)1163955515 |
| author_facet | Brooker, Peter 1944- Thacker, Andrew 1962- |
| building | Verbundindex |
| bvnumber | BV040933784 |
| ctrlnum | (OCoLC)844052018 (DE-599)BVBBV040933784 |
| edition | 1. ed. |
| era | Geschichte 1880-1940 gnd |
| era_facet | Geschichte 1880-1940 |
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| geographic | Europa (DE-588)4015701-5 gnd |
| geographic_facet | Europa |
| id | DE-604.BV040933784 |
| illustrated | Illustrated |
| indexdate | 2025-02-03T17:41:49Z |
| institution | BVB |
| isbn | 9780199681303 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-025912697 |
| oclc_num | 844052018 |
| open_access_boolean | |
| owner | DE-20 DE-188 DE-19 DE-BY-UBM DE-703 DE-12 DE-255 DE-384 |
| owner_facet | DE-20 DE-188 DE-19 DE-BY-UBM DE-703 DE-12 DE-255 DE-384 |
| physical | XXXII, 690 S. Ill., Kt. |
| publishDate | 2013 |
| publishDateSearch | 2013 |
| publishDateSort | 2013 |
| publisher | Oxford Univ. Press |
| record_format | marc |
| spellingShingle | The Oxford critical and cultural history of modernist magazines Zeitschrift (DE-588)4067488-5 gnd |
| subject_GND | (DE-588)4067488-5 (DE-588)4015701-5 |
| title | The Oxford critical and cultural history of modernist magazines |
| title_auth | The Oxford critical and cultural history of modernist magazines |
| title_exact_search | The Oxford critical and cultural history of modernist magazines |
| title_full | The Oxford critical and cultural history of modernist magazines 3,1 Europe 1880 - 1940 ; 1 ed. by Peter Brooker and Andrew Thacker |
| title_fullStr | The Oxford critical and cultural history of modernist magazines 3,1 Europe 1880 - 1940 ; 1 ed. by Peter Brooker and Andrew Thacker |
| title_full_unstemmed | The Oxford critical and cultural history of modernist magazines 3,1 Europe 1880 - 1940 ; 1 ed. by Peter Brooker and Andrew Thacker |
| title_short | The Oxford critical and cultural history of modernist magazines |
| title_sort | the oxford critical and cultural history of modernist magazines europe 1880 1940 1 |
| topic | Zeitschrift (DE-588)4067488-5 gnd |
| topic_facet | Zeitschrift Europa |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025912697&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025912697&sequence=000002&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV035191116 |
| work_keys_str_mv | AT brookerpeter theoxfordcriticalandculturalhistoryofmodernistmagazines31 AT thackerandrew theoxfordcriticalandculturalhistoryofmodernistmagazines31 |