Computer-generated 3D-visualisations in archaeology between added value and deception

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1. Verfasser: Wittur, Joyce (VerfasserIn)
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Sprache:English
Veröffentlicht: Oxford Archaeopress 2013
Schriftenreihe:BAR International Series 2463
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Datensatz im Suchindex

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adam_text Contents 1 Preface 1 1.1 Personal motivation ............................................. 1 1.2 Acknowledgements ............................................. 1 2 Introduction 3 2.1 Study aim .................................................. 3 2.2 Approach taken ............................................... 3 2.2.1 Casestudies ............................................. 4 2.2.2 Model creation and preservation ................................. 5 2.3 General information ............................................ 5 3 Definitions 7 4 Trends in the application of virtual models in archaeology 9 4.1 The beginnings: 1983 - 1993........................................ 9 4.2 Critical voices: 1994-2000......................................... 10 4.3 The boom years: 1996-2002........................................ 13 4.4 End of the discussion? Since 2003.................................................. 13 5 Some ethical problems 15 5.1 Awareness of ethical issues ........................................ 16 5.2 Ethical and theoretical problems ................................................... 16 5.3 What are these models? .......................................... 17 5.3.1 Surrogates? ............................................. 17 5.3.2 Simulations? ............................................. 17 iii 5.3.3 Communication devices? ..................................... 18 5.3.4 Hyperreal?.............................................. 18 5.3.5 Simulacra? .............................................. 18 5.3.6 Mimesis? ............................................... 19 5.4 Authenticity and objectivity ........................................ 20 5.5 Model applications ............................................. 20 5.5.1 Modelling aims ........................................... 20 5.5.2 Technical feasibility ......................................... 22 5.5.3 Entertainment ............................................ 23 5.5.4 Models of excavations and extant remains for documentation, simulation and research ...................................... 23 5.5.4.1 Excavation reconstruction ............................... 24 5.5.4.2 Excavation simulation .................................. 25 5.5.4.3 Re-assembling sites ................................... 26 5.5.5 Communication ........................................... 26 5.5.6 Front-end .............................................. 29 5.5.7 Analysis ............................................... 30 5.5.7.1 Structure ......................................... 30 5.5.7.2 Surface models combined with additional data ................... 31 5.5.7.3 Explanation or comprehension of data ........................ 32 5.5.7.4 Change .......................................... 32 5.5.7.5 Astronomy ........................................ 33 5.5.7.6 Lighting conditions ................................... 33 5.5.7.7 Ritual ........................................... 34 5.5.7.8 Hypothesis testing .................................... 34 5.5.7.9 Visibility and /or phenomenology ........................... 34 5.5.7.10 Human activity, site function .............................. 35 5.5.8 Conclusion: Implications of model applications ................................ 36 5.6 Problems of collaboration ......................................... 36 5.7 Documentation ............................................... 37 5.8 Data basis .................................................. 42 5.8.1 Data ................................................. 42 iv 5.8.2 Metadata ............................................... 42 5.8.3 Accessing the data basis ...................................... 43 5.9 Interpretation of the data basis ...................................... 44 5.9.1 Displaying uncertainties and reconstructed parts ....................... 44 5.9.1.1 Time ............................................ 45 5.9.2 Alternative reconstructions .................................... 46 5.10 Perception .................................................. 47 5.10.1 Level of detail ............................................ 47 5.10.2 Line drawings ............................................ 48 5.10.3 Photo-realism or non-photorealistic rendering ................................... 48 5.10.4 Cognitive theory .......................................... 49 5.11 Conclusion .................................................. 51 6 Progetto Insula del Centenario (IX, 8) 53 6.1 Insula del Centenario ............................................ 53 6.2 The reconstruction project ......................................... 57 6.2.1 Aims and ambitions ........................................ 57 6.2.1.1 Tackling the applied ethical issues ........................... 58 6.3 Arriving at the model ............................................ 61 6.3.1 The documentation ......................................... 62 6.3.2 Modelling .............................................. 66 6.3.3 Using the reconstruction model .................................. 70 6.3.3.1 An evaluation of Whyre® ............................... 73 6.4 Have the aims been reached? ....................................... 75 6.4.1 Unexpected uses for the model .................................. 77 6.5 Appraisal ................................................... 77 7 Ename 974 79 7.1 Historical background of the region ................................... 79 7.1.1 Berings collection of records ................................... 85 7.2 Archaeological sources ........................................... 90 7.2.1 Early occupational traces in Ename ............................... 91 v 7.2.2 St. Vedastus church in Nederename ............................................. 91 7.2.3 The castle .............................................. 92 7.2.4 The pre-urban settlement ..................................... 94 7.2.5 St. Saviour s church and the Abbey ............................... 96 7.2.6 St. Lawrence s church ....................................... 99 7.2.6.1 The western sanctuary ................................. 101 7.2.6.2 The aisles ......................................... 103 7.2.6.3 The nave ......................................... 106 7.2.6.4 The eastern sanctuary and the tower ......................... 108 7.2.6.5 The stair tower and the portal ............................. 113 7.2.6.6 Murals .......................................... 114 7.2.7 Pictorial Sources .......................................... 117 7.3 The project Ename 974 ..........................................118 7.3.1 General aims and ambitions ....................................118 7.3.2 Earlier projects ...........................................119 7.3.2.1 TimeFrame™: Abbey ..................................120 7.3.2.2 TimeLine: Museum ...................................121 7.3.3 TimeScope 2: St. Lawrence s church .......................................122 7.3.3.1 Aims for TimeScope 2..................................122 7.3.3.2 Arriving at the model(s) ................................123 7.3.3.3 The throne ........................................129 7.3.4 News from the Past: St. Lawrence s church .......................................129 7.3.5 TimeScope 3: St. Lawrence s church .......................................131 7.3.6 Documentation guideline .....................................132 7.4 Have the aims been reached? .......................................135 7.4.1 Unexpected uses ..........................................136 7.4.2 Appraisal ..............................................137 7.4.2.1 Reconstruction ......................................137 7.4.2.2 TimeScope 2.......................................138 7.4.2.3 TimeScope 3.......................................138 vi 8 Negotiating Avebury 139 8.1 The Avebury Region with its Monuments ................................ 139 8.1.1 Avebury ............................................... 140 8.1.1.1 The bank ......................................... 140 8.1.1.2 The ditch ......................................... 143 8.1.1.3 The stone settings .................................... 144 8.1.1.4 Other features ...................................... 150 8.1.2 The West Kennet Avenue ..................................... 151 8.1.2.1 The northern part of the West Kennet Avenue .................... 151 8.1.2.2 The avenue at West Kennet............................... 157 8.1.2.3 Possible uses of the West Kennet Avenue ....................... 159 8.1.3 The Sanctuary ............................................ 159 8.1.4 The Beckhampton Avenue ..................................... 160 8.1.4.1 The eastern part of the Beckhampton Avenue .................... 162 8.1.4.2 The Beckhampton Avenue at Longstones Field ................... 163 8.1.4.3 A continuation of the Beckhampton Avenue? .................... 165 8.1.5 Stone burial and stone-breaking ................................. 165 8.1.5.1 Stone burial ........................................ 165 8.1.5.2 Stone breaking ...................................... 167 8.1.6 Other final neolithic sites in the Avebury region ........................ 168 8.1.6.1 SilburyHill ........................................ 168 8.1.6.2 Falkner s circle ...................................... 169 8.1.6.3 West Kennet palisade enclosures ........................... 169 8.1.7 Date and sequence of the monument complex ......................... 169 8.1.8 History of Research ......................................... 170 8.1.8.1 The antiquarian records ................................. 171 8.1.8.2 The earliest excavations ................................. 176 8.2 The Negotiating Avebury project ..................................... 177 8.2.1 Aims and ambitions ........................................ 177 8.2.1.1 Theory and practice ................................... 177 8.2.1.2 Phenomenology ..................................... 177 8.2.1.3 Virtual reality and geographic information system ................. 178 vii 8.2.1.4 Lines of research .....................................179 8.2.2 Arriving at the model .......................................183 8.2.2.1 Documentation of the site and modelling .......................183 8.2.2.2 Exploring the reconstruction model ..........................185 8.3 Have the aims been reached? .......................................196 8.3.1 Useful additions ..........................................198 8.3.2 Beyond Negotiating Avebury ...................................198 8.3.2.1 Digital Avebury: New Avenues of Research ....................198 8.3.2.2 Beyond phenomenology ................................202 9 Pre-Modelling 205 9.1 Data basis ..................................................205 9.1.1 Data .................................................205 9.1.2 Surveys, excavation and building research records .......................206 9.1.2.1 Measurements ......................................206 9.1.2.2 Fieldwork .........................................207 9.1.3 Historical documents ........................................208 9.1.3.1 Texts ............................................210 9.1.3.2 Pictures ..........................................211 9.1.3.3 Numbers .........................................213 9.1.4 Analogies ..............................................214 9.2 From the basis to the reconstruction: Inferences .............................214 10 Modelling 219 10.1 Visualisation decisions ...........................................219 10.1.1 Extant remains ...........................................220 10.1.2 Inferred model parts ........................................220 10.1.2.1 Multiple models .....................................221 10.2 Modelling shape ...............................................221 10.2.1 Wireframe, surface and solid models ...............................222 10.2.1.1 Shape information from physical objects .......................222 10.2.1.2 Shape information from photographs or video images ...............223 10.2.1.3 Mathematically generated shapes ...........................224 viii 10.3 Rendering and Mapping .......................................... 226 10.3.1 Rendering methods for polygon meshes ............................. 226 10.3.1.1 Local illumination techniques ............................. 228 10.3.1.2 Global illumination ................................... 231 10.3.1.3 Non-photorealistic rendering (NPR) ......................... 233 10.3.2 Rendering of bi-cubic parametric surfaces ............................ 238 10.3.3 Volume rendering ......................................... 238 10.3.3.1 Ray casting ........................................ 240 10.3.3.2 Voxel projection ..................................... 240 10.3.4 Mapping techniques ........................................ 241 10.3.4.1 Colour ........................................... 241 10.3.4.2 Light mapping ...................................... 241 10.3.4.3 Specular colour or environment mapping ...................... 244 10.3.4.4 Normal vector perturbance or bump mapping ................... 245 10.3.4.5 Displacement mapping ................................. 245 10.3.4.6 Transparency ....................................... 246 10.3.5 Three-dimensional textures .................................... 246 10.3.6 Geometric shadows ........................................ 246 10.4 Representation ................................................ 247 10.4.1 Method of presentation ...................................... 247 10.4.1.1 Images .......................................... 248 10.4.1.2 Animations ........................................ 248 10.4.1.3 Interactive models .................................... 248 10.4.2 Distribution, access and display ................................. 249 10.5 Data preservation .............................................. 250 10.5.1 Data migration ........................................... 251 10.5.2 Emulation .............................................. 251 11 Conclusion 253 11.1 Definition of a clear goal .......................................... 253 11.2 Careful planning .............................................. 254 11.3 Collaboration ................................................ 255 11.4 Making the model comprehensible .................................... 255 11.5 Presentation of the model ......................................... 256 11.6 Sustainability and maintenance ...................................... 256 11.7 Closing remarks ............................................... 257 ix Bibliography 259
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spellingShingle Wittur, Joyce
Computer-generated 3D-visualisations in archaeology between added value and deception
BAR International Series
Archäologie (DE-588)4002827-6 gnd
Dreidimensionale Rekonstruktion (DE-588)4150634-0 gnd
subject_GND (DE-588)4002827-6
(DE-588)4150634-0
title Computer-generated 3D-visualisations in archaeology between added value and deception
title_auth Computer-generated 3D-visualisations in archaeology between added value and deception
title_exact_search Computer-generated 3D-visualisations in archaeology between added value and deception
title_full Computer-generated 3D-visualisations in archaeology between added value and deception Joyce Wittur
title_fullStr Computer-generated 3D-visualisations in archaeology between added value and deception Joyce Wittur
title_full_unstemmed Computer-generated 3D-visualisations in archaeology between added value and deception Joyce Wittur
title_short Computer-generated 3D-visualisations in archaeology
title_sort computer generated 3d visualisations in archaeology between added value and deception
title_sub between added value and deception
topic Archäologie (DE-588)4002827-6 gnd
Dreidimensionale Rekonstruktion (DE-588)4150634-0 gnd
topic_facet Archäologie
Dreidimensionale Rekonstruktion
url http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025685207&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
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