From postwar to postmodern art in Japan, 1945-1989
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Museum of Modern Art
2012
Durham, NC Duke University Press |
| Schriftenreihe: | MoMa Primary Documents
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
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| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
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| 245 | 1 | 0 | |a From postwar to postmodern |b art in Japan, 1945-1989 |c ed. by Doryun Chong ; Michio Hayashi ; Kenji Kajiya ; Fumihiko Sumitomo |
| 264 | 1 | |a New York, NY |b Museum of Modern Art |c 2012 | |
| 264 | 1 | |a Durham, NC |b Duke University Press | |
| 300 | |a 440 S. |b zahlr. Ill. | ||
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| 337 | |b n |2 rdamedia | ||
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| 700 | 1 | |a Kajiya, Kenji |d 1971- |e Sonstige |0 (DE-588)1036520897 |4 oth | |
| 700 | 1 | |a Sumitomo, Fumihiko |e Sonstige |4 oth | |
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Datensatz im Suchindex
| DE-19_call_number | 0910/LO 89600 C548 |
|---|---|
| DE-19_location | 19 |
| DE-BY-UBM_katkey | 5639232 |
| DE-BY-UBM_media_number | 41627641090010 |
| _version_ | 1823056535237951488 |
| adam_text | FROM POSTWAR
TO POSTMODERN
ART IN JAPAN
1945-1989
Primary
Documents
Edited by
Doryun Chong
Michio Hayashi
Kenji Kajiya
Fumihiko Sumitomo
The Museum of
Modern Art, New York
10
FOREWORD «Glenn
D. Lowry
12
ACKNOWLEDGMENTS «Jay A. Levenson and Gwen Farrelly
14
ABOUT THIS BOOK «Doryun Chong
17
JAPAN S POSTWAR AND AFTER,
1945-1989:
AN OVERVIEW
•Harry Harootunian
1945-1957:
POSTWAR RECONSTRUCTION-FROM
OCCUPATION TO THE COLD WAR
Edited by Michio Hayashi
24
INTRODUCTION «Michio Hayashi
GROUND ZERO: A NEW BEGINNING
27
A PROPOSAL TO THE ARTISTS OF JAPAN
(1946)
Matsumoto Shunsuke
30
IN FOCUS: REESTABLISHING THE ART WORLD DURING THE OCCUPATION,
1945-1952
«Bert Winther-Tamaki
32
WHAT MUST ARTISTS AS A GROUP DO?
(1953)
«Katsuragawa Hiroshi
AVANT-GARDE-TECHNOLOGY-MASS CULTURE
34
AVANT-GARDE MANIFESTO: A VIEW OF ART
(1949)
«Okamoto
Taro
39
IN FOCUS: ARTISTS GROUPS AND COLLECTIVES IN POSTWAR JAPAN
•Ken Yoshida
40
A MEDITATION ON APPLES
(1950)
»Hanada Kiyoteru
IN SEARCH OF THE REAL
44
FOR A NEW REALISM: THE MEANING OF REPORTAGE
(1952)
Abe
Kõbõ
49
IN FOCUS: THE REALISM DEBATE,
1946-1950
»Yuri
Mitsuda
50
ON BEGGAR PHOTOGRAPHY: THE IMPORTANCE OF PHOTOGRAPHING
STREET URCHINS AND LUMPEN
(1953)
»Tanaka Masao
53
THE PROBLEMS OF MODERN PHOTOGRAPHY
(1953)
«lna
Nobuo, Kimura
Ihei, Watanabe Yoshio,
Kamekura
YQsaku, Tanaka Masao, and Domon Ken
58
DEPICTING THINGS, NOT IDEAS
(1954)
«Saito Yoshishige, Tsuruoka
Masao, Komai
Tetsurõ,
and Oyamada
Jirö
MODERNITY AND TRADITION
62
AN INTRODUCTION TO TRADITION
(1955)
«Okamoto
Taro
69
THE JAPANESE CHARACTER OF
TANGE KENZÕ
(1955)
»Iwata Kazuo
(aka Kawazoe Noboru)
74
CALLIGRAPHY EAST AND WEST
(1957)
«Takiguchi
Shuzõ
DISFIGURED CORPSES OR THE CRITIQUE OF HUMANISM
78
LOCKED-ROOM PAINTING
(1956)
«Nakahara
Yûsuke
83
IN FOCUS: THE BIRTH OF NEW ART CRITICISM «Michio Hayashi
84
IVAN THE FOOL
(1955)
«Kusarna Yayoi
THE EXPERIMENTAL WORKSHOP AND THE GUTAI ART
ASSOCIATION
86
THE EXPERIMENTAL WORKSHOP: OUR CONTENTION
(1953)
•KitadaiShõzõ
89
GUTAI ART MANIFESTO
(1956)
«Yoshihara
Jirö
92
THE IDEA OF EXECUTING THE PAINTBRUSH
(1957)
»Shimamoto
Shõzõ
θ
Ί957-1964:
FROM POSTWAR TO INTERNATIONAL
REEMERGENCE
Edited by Doryun Chong
96
INTRODUCTION «Doryun Chong
ART
INFORMEL
99
A MENTAL RECKONING OF MY FIRST TRIP TO JAPAN
(1957)
»Michel
Tapié
102
MATERIAL AND HUMANS
(1957)
Hariu Ichiro
105
AFTER
INFORMEL
(1963)
»Miyakawa Atsushi
THE AVANT-GARDE IN TRANSITION
114
AT THE YOMIURI INDEPENDENT EXHIBITION: THE ENERGY OF A YOUNG,
ACTIVE GENERATION
(1960)
«Takiguchi
ShOzõ
116
IN FOCUS: THE YOMIURI INDEPENDENT EXHIBITION «Reiito
Tomii
117
CONDITIONS OFTHE ART WORLD AND CONDITIONS OF CREATION
(1960)
•Hariu Ichiro
ANTI-ART
118
NOTES ON THE YOUNG SEVEN
(1964)
«Tono
Yoshiaki
120
IN FOCUS:
TONO
YOSHIAKI AND THE INFLUENCE OF AMERICAN ART
•Yasuko Imura
122
THE SPIRIT OF
ANTI
IN ANTI-ART: ON ANTI-ART/ YES OR NO?
(1964)
•Odagiri
Jõ
(moderator),
Tóno
Yoshiaki, Hariu Ichiro, Nakahara YQsuke,
Takiguchi
ShQzõ,
and Nakazawa Ushio
127
ANTI-ART: THE DESCENT TO THE EVERYDAY
(1964)
«Miyakawa Atsushi
132
A DISSENTING VIEW: ANTI-ART-AFTER MIYAKAWA ATSUSHI
(1964)
•Tono
Yoshiaki
IMMATERIALITY
136
THE WORD OF A FABRICATOR
(1962)
Yoko
Ono
138
ROOM AS ALIBI: GENTLE CRIMINALS
(1963)
«Nakahara YQsuke
139
JIKAN-HA MANIFESTO
(1962)
«Tanaka Fuji,
Doi
Junen,
Nakazawa Ushio,
and Nagano
Shõzo
141
A WOMAN ALONE ENTERING THE INTERNATIONAL ART WORLD
(1961 )
•Kusarna
Yayoi
PHOTOGRAPHY AND FILM
142
ON THE METHOD OF AVANT-GARDE DOCUMENTARY FILM
(1958)
•MatsumotoToshio
146
THE NEW PROBLEM OF VISUAL LANGUAGE: THE VISUAL IMAGE
(1960)
•Shigemori
Kõen
150
THE BIRTH OF A NEW PHOTOGRAPHY
(1960)
«Natori
Yõnosuke
152
A YOUNG PHOTOGRAPHER S STATEMENT: I REFUTE MR. NATORI
(1960)
•Tõmatsu Shõmei
URBAN TRANSFORMATION
153
THE TOWER-SHAPED CITY
(1959)
«Kikutake Kiyonori
155
IN FOCUS:THE ERA OFTHE WORLD DESIGN CONFERENCE »Toshino Iguchi
157
PREFACE TO METABOLISM
1960:
A PROPOSAL FOR CITIES
(1960)
•Kawazoe Noboru, Kikutake Kiyonori,
Õtaka
Masato,
Maki
Fumihiko, and
Kurokawa
Kishõ
157
A HOUSE IS A WORK OF ART
(1962)
«Shinohara Kazuo
159
IN FOCUS: ARTISTS COLLECTIVES: THE CITY AS STAGE
·
Doryun Chong
161
EYEDROPS SPECIAL BULLETIN
(1964)
Hi Red Center
167
PLATES
θ
1964-Ί970:
AFTER THE AVANT-GARDE,
AN EXPANDING FIELD
Edited by Fumihiko Sumitomo
184
INTRODUCTION
·
Fumihiko Sumitomo
ART AND EVERYDAY LIFE
187
THE INTENT OF THE ACT BASED ON THE INTENT OF THE ACT-BEFORE
PASSING THROUGH THE COURTROOM
(1966)
«Akasegawa Genpei
191
BETWEEN ART AND DESIGN
(1966)
«Tono
Yoshiaki
193
THE IDEA OF LIMINAL ART
(1967)
«Tsurumi Shunsuke
196
IN FOCUS:
FLUXUS
INTERNATIONAL: NEW YORK, TOKYO, AND BEYOND
•Midori Yoshimoto
LOCALITY AND THE BODY
197
ANKOKU BUTOH: FOUNDED ON ANXIETY OF THE BODY
(1968)
•Shibusawa Tatsuhiko
202
REACTIONINSUMMER^eiDOITWITHOUTHAPPENINGSdgeS)
«ThePlay
203
THE
HYPERTHEATER
OF INDIVIDUAL ACTIONISTS
(1970)
Yoshida Yoshie
REDEFINING THE RELATIONSHIP BETWEEN HUMANS
AND THE WORLD
207
ANTICIVIUZATIONEXHIBITION
(1965)
«Matsuzawa Yutaka
209
IN FOCUS: THE SHADOW DEBATE «Michio Hayashi
210
PAINTING AS A THEORY OF PAINTING
(1968)
«Ishiko
Junzõ
213
IN FOCUS: PROVOKE,
1968-1970
«Ryuichi Kaneko
214
PROVOKE MANIFESTO
(1968)
«Takanashi Yutaka, Nakahira Takuma,
Такі
Kõji,
and Okada Takahiko
215
WHAT IS POSSIBLE FOR PHOTOGRAPHY?
(1970)
«Taki Koji
218
IN SEARCH OF ENCOUNTER: THE SOURCES OF CONTEMPORARY ART
(1970)
«Lee Ufan
223
EXISTENCE BEYOND CONDITION
(1970)
«Suga
Kishio
227
BETWEEN MAN AND MATTER
(1970)
«Nakahara YQsuke
231
INSISTING ON THE HERE AND NOW
(1970)
«Minemura Toshiaki
233
ON LANDSCAPE
(1970)
«Nakahira Takuma, Adachi Masao, and
Nakahara YQsuke (moderator)
INTERMEDIA AND EXPO
70
238
THE OBJECTIVE OF THE FROM SPACE TO ENVIRONMENT EXHIBITION
(1966)
»Environment Society
240
IN FOCUS: INTERMEDIA «Fumihiko Sumitomo
241
A TECTONIC SHIFT IN ART: FROM THE EXPO TO THE HIPPIE MOVEMENT
(1967)
«Tone Yasunao
UNDERGROUND ARTS DIAGRAM
247
ARTISTS PARTICIPATING IN THE WORLD EXPO, SPEAK OUT!
(1970)
•Tono
Yoshiaki
252
IN FOCUS:
TANGE KENZÖ
AND THE BUILDING OF NATIONAL IDENTITY
•Ken Tadashi Oshima
|
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| genre | (DE-588)4135952-5 Quelle gnd-content |
| genre_facet | Quelle |
| geographic | Japan (DE-588)4028495-5 gnd |
| geographic_facet | Japan |
| id | DE-604.BV040684011 |
| illustrated | Illustrated |
| indexdate | 2025-02-03T17:57:29Z |
| institution | BVB |
| isbn | 9780822353683 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-025510344 |
| oclc_num | 930964526 |
| open_access_boolean | |
| owner | DE-188 DE-12 DE-255 DE-29 DE-19 DE-BY-UBM DE-M507 |
| owner_facet | DE-188 DE-12 DE-255 DE-29 DE-19 DE-BY-UBM DE-M507 |
| physical | 440 S. zahlr. Ill. |
| publishDate | 2012 |
| publishDateSearch | 2012 |
| publishDateSort | 2012 |
| publisher | Museum of Modern Art Duke University Press |
| record_format | marc |
| series2 | MoMa Primary Documents |
| spellingShingle | From postwar to postmodern art in Japan, 1945-1989 Kunst (DE-588)4114333-4 gnd |
| subject_GND | (DE-588)4114333-4 (DE-588)4028495-5 (DE-588)4135952-5 |
| title | From postwar to postmodern art in Japan, 1945-1989 |
| title_auth | From postwar to postmodern art in Japan, 1945-1989 |
| title_exact_search | From postwar to postmodern art in Japan, 1945-1989 |
| title_full | From postwar to postmodern art in Japan, 1945-1989 ed. by Doryun Chong ; Michio Hayashi ; Kenji Kajiya ; Fumihiko Sumitomo |
| title_fullStr | From postwar to postmodern art in Japan, 1945-1989 ed. by Doryun Chong ; Michio Hayashi ; Kenji Kajiya ; Fumihiko Sumitomo |
| title_full_unstemmed | From postwar to postmodern art in Japan, 1945-1989 ed. by Doryun Chong ; Michio Hayashi ; Kenji Kajiya ; Fumihiko Sumitomo |
| title_short | From postwar to postmodern |
| title_sort | from postwar to postmodern art in japan 1945 1989 |
| title_sub | art in Japan, 1945-1989 |
| topic | Kunst (DE-588)4114333-4 gnd |
| topic_facet | Kunst Japan Quelle |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025510344&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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