Mendelssohn perspectives

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Weitere Verfasser: Grimes, Nicole (HerausgeberIn), Mace, Angela R. 1983- (HerausgeberIn)
Format: Buch
Sprache:English
Veröffentlicht: Farnham [u.a.] Ashgate 2012
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Datensatz im Suchindex

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adam_text Contents List of Figures, Plates and Illustrations ix List of Tables x/ List of Musical Examples xiii List of Abbreviations xv Notes on Contributors xvii Acknowledgements xxi Introduction 1 Nicole Grimes and Angela R. Mace PART I: MENDELSSOHN S JEWISHNESS 1 Never Perfectly Beautiful: Physiognomy, Jewishness, and Mendelssohn Portraiture 9 Marian Wilson Kimber 2 Mendelssohn s Untergang : Reconsidering the Impact of Wagner s Judaism in Music 31 Sinéad Dempsey-Garratt 3 Wordless Judaism, Like the Songs of Mendelssohn ? Hanslick, Mendelssohn and Cultural Politics in Late Nineteenth-Century Vienna 49 Nicole Grimes 4 Mendelssohn s Conversion to Judaism: An English Perspective 63 Colin Eatock PART II: BETWEEN TRADITION AND INNOVATION 5 Norm and Deformation in Mendelssohn s Sonata Forms 83 Paul Wingfield and Julian Horton vi Mendelssohn Perspectives 6 Mendelssohn and Berlioz: Selective Affinities ИЗ John Michael Cooper 7 Between Tradition and Innovation: Mendelssohn as Music Director and His Performances of Bach in Leipzig 145 Anselm H art inger PART III: MENDELSSOHN AND THE STAGE 8 Converting the Pagans: Mendelssohn, Greek Tragedy, and the Christian Ethos 163 Jason Geary 9 The Phantom of Mendelssohn s Opera: Fictional Accounts and Posthumous Propaganda 177 Monika Hennemann PART IV: STYLE AND COMPOSITIONAL PROCESS 10 Mendelssohn s Lieder ohne Worte and the Limits of Musical Expression 197 R. Larry Todd 11 Improvisation, Elaboration, Composition: The Mendelssohns and the Classical Cadenza 223 Angela R. Mace 12 Cyclic Form and Musical Memory in Mendelssohn s String Quartet in Е -flat Major, Op. 12 249 Benedict Taylor PART V: CONTEMPORARY VIEWS AND POSTHUMOUS PERSPECTIVES 13 A Friendship in Letters: The Correspondence of Felix Mendelssohn Bartholdy and Carl Klingemann 269 Regina Back Contents vii 14 Mendelssohn as Portrayed in the Goethe-Zelter Correspondence 283 Lorraine Byrne Bodley 15 Business is War: Mendelssohn and His Italian Publishers 303 Pietro Zappala 16 Beyond the Salon: Mendelssohn s French Audience 317 Cécile Reynaud Bibliography 331 Index of Mendelssohn s Works 357 General Index 361 The Editors Nicole Grimes is a Marie Curie Fellow (2011-2014) with joint affiliation at the University of California, Irvine and University College Dublin. She was awarded a PhD at Trinity College Dublin in 2008 for her dissertation on Johannes Brahms, and she was a Deutscher Akademischer Austausch Dienst (DAAD) fellow at the Humboldt-Universität zu Berlin, 2007-2008. She has published several articles and reviews in scholarly journals, and she is co-editor of a forthcoming volume of essays on Eduard Hanslick. Angela R. Mace is a PhD candidate in musicology at Duke University (MA musicology, 2008), where she is writing her dissertation on the Mendelssohns. Mace was a Deutscher Akademischer Austausch Dienst (DAAD) fellow at the Humboldt-Universität zu Berlin, 2010-2011. She received her BMus in piano performance from Vanderbilt University in 2006. Mace revised and enlarged J. Michael Cooper s Felix Mendelssohn Bartholdy: A Research and Information Guide (New York: Routledge, 2011). If the invective of Nietzsche and Shaw is to be the lasting quality of an artist, then Felix Mendelssohn Bartholdy is exemplary in taking pride of place beside Tennyson and Brahms in the canon of great nineteenth-century artists. Mendelssohn Perspectives presents valuable new insights into Mendelssohn s music, biography and reception. Critically engaging a wide range of source materials, the volume combines traditional musical-analytical studies with those that draw on other humanistic disciplines to shed new light on the composer s life, and on his contemporary and posthumous reputations. Together, these essays bring new historical and interpretive dimensions to Mendelssohn studies. The volume offers essays on Mendelssohn s Jewishness, his vast correspondence, his music for the stage, and his relationship with music of the past and future, as well as the compositional process and handling of form in the music of both Mendelssohn and his sister, the composer Fanny Hensel. German literature and aesthetics, gender and race, philosophy and science, and issues of historicism all come to bear on these new perspectives on Mendelssohn.
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spellingShingle Mendelssohn perspectives
Mendelssohn-Bartholdy, Felix 1809-1847 Criticism and interpretation
Mendelssohn Bartholdy, Felix 1809-1847 (DE-588)118580779 gnd
subject_GND (DE-588)118580779
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title Mendelssohn perspectives
title_auth Mendelssohn perspectives
title_exact_search Mendelssohn perspectives
title_full Mendelssohn perspectives ed. by Nicole Grimes and Angela R. Mace
title_fullStr Mendelssohn perspectives ed. by Nicole Grimes and Angela R. Mace
title_full_unstemmed Mendelssohn perspectives ed. by Nicole Grimes and Angela R. Mace
title_short Mendelssohn perspectives
title_sort mendelssohn perspectives
topic Mendelssohn-Bartholdy, Felix 1809-1847 Criticism and interpretation
Mendelssohn Bartholdy, Felix 1809-1847 (DE-588)118580779 gnd
topic_facet Mendelssohn-Bartholdy, Felix 1809-1847 Criticism and interpretation
Mendelssohn Bartholdy, Felix 1809-1847
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