Bringing the body to the stage and screen expressive movement for performers

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1. Verfasser: Lust, Annette (VerfasserIn)
Format: Buch
Sprache:English
Veröffentlicht: Lanham Scarecrow Press, Inc. 2011
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adam_text BRINGING THE BODY TO THE STAGE AND SCREEN / LUST, ANNETTE : 2011 TABLE OF CONTENTS / INHALTSVERZEICHNIS INTRODUCTION: GOALS AND OBJECTIVES FOR LEARNING TO MOVE EXPRESSIVELY PHYSICAL AND EXPRESSIVE EXERCISES FOR STAGE AND SCREEN MOVEMENT, MIME, PANTOMIME, CORPOREAL MIME, IMPROVISATION, BASIC PHYSICAL AND EXPRESSIVE EXERCISES, AND UTILIZING MOVEMENT TO CREATE A VISUAL IMAGE. DEFINITIONS OF STAGE AND SCREEN MOVEMENT, MIME, PANTOMIME, CORPOREAL MIME, STAGE COMBAT, PHYSICAL THEATRE AND PHYSICAL IMPROVISATION CONDUCTING A CLASS AND PRACTICING ON ONE S OWN BASIC PHYSICAL AND EXPRESSIVE EXERCISES: UTILIZING MOVEMENT TO CREATE A VISUAL IMAGE SUBJECTS FOR IMPROVISATION, PANTOMIMES, MOVEMENT FOR ACTING, MIME AND TEXT. INTERVIEWS AND ESSAYS ON MIME AND ACTING, MASK, DECROUX AND CONTEMPORARY THEATRE, STREET THEATRE, MOVEMENT TRAINING, DANCE AND THE FEMALE BODY, PUPPETRY, THEATRICAL DANCE, CLOWNING, BODY OF THEATER, AND FILM IMPROVISATION PANTOMIMES AND SCENES FOR NONVERBAL ACTING PHYSICALIZING THE WORD INTERVIEWS AND ESSAYS. A CONVERSATION WITH BILL IRWIN ON MIME AND ACTING INTERVIEW WITH BERNIE SCHUERCH AND FLORIANA FRASSETTO OF THE SWISS MUMMENSCHANZ COMPANY INTERVIEW WITH GEOFF HOYLE ON THE MIME-CLOWN-ACTOR S ART ETIENNE DECROUX AND THE CONTEMPORARY THEATRE: DECROUX CORPOREAL MIME / BY ROBERT FLESHMAN THE BOND ST. THEATRE S USE OF PHYSICAL STREET THEATRE: AN INTERVIEW WITH JOANNA SHERMAN AND MICHAEL MCGUIGAN JOAN SCHIRLE ON MOVEMENT TRAINING FOR THE ACTOR ILKA SCHOENBEIN: DANCE AND THE FEMALE BODY LIEBE WETZEL AND MOVEMENT IN PUPPETRY KARINA EPPERLEIN: IMAGES AND BODY EXPRESSION IN FILM: GIFT OF THE GODS THEATRICAL DANCE / BY JOE GOODE JEFF RAZ: THE CLOWN CONSERVATORY TEACHING OF PROFESSIONAL CLOWNS IN THE 21ST CENTURY MOVEMENT FOR PUPPETEERS BY DR. JO TOMALIN TOO MUCH GENIALITY: NOTES AND QUOTES ON A REAPPRAISAL: STAGE VERSUS SCREEN ACTING / BY KEN BULLOCK THE BODY OF THEATER / BY MARK JACKSON HOW CHARLIE CHAPLIN SPUN STAGECRAFT INTO CINEMATIC GOLD / BY DAN KAMIN EPILOGUE. DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT.
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dewey-full 792.02/8
dewey-hundreds 700 - The arts
dewey-ones 792 - Stage presentations
dewey-raw 792.02/8
dewey-search 792.02/8
dewey-sort 3792.02 18
dewey-tens 790 - Recreational and performing arts
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publishDate 2011
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publisher Scarecrow Press, Inc.
record_format marc
spellingShingle Lust, Annette
Bringing the body to the stage and screen expressive movement for performers
Movement (Acting)
Mime
Movement, Aesthetics of
title Bringing the body to the stage and screen expressive movement for performers
title_auth Bringing the body to the stage and screen expressive movement for performers
title_exact_search Bringing the body to the stage and screen expressive movement for performers
title_full Bringing the body to the stage and screen expressive movement for performers Annette Lust
title_fullStr Bringing the body to the stage and screen expressive movement for performers Annette Lust
title_full_unstemmed Bringing the body to the stage and screen expressive movement for performers Annette Lust
title_short Bringing the body to the stage and screen
title_sort bringing the body to the stage and screen expressive movement for performers
title_sub expressive movement for performers
topic Movement (Acting)
Mime
Movement, Aesthetics of
topic_facet Movement (Acting)
Mime
Movement, Aesthetics of
url http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025168370&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
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