Lucio Fontana the artist's materials

"Lucio Fontana (1899-1968) is widely regarded as one of the most influential and innovative post-World War II Italian artists. Best known for his tagli--slashed, mostly monochromatic canvases--Fontana fashioned a remarkably multifaceted uvre that encompasses architecture, sculpture, and ceramic...

Ausführliche Beschreibung

Gespeichert in:
Bibliographische Detailangaben
1. Verfasser: Gottschaller, Pia (VerfasserIn)
Format: Buch
Sprache:English
Veröffentlicht: Los Angeles, Calif. <<The>> Getty Conservation Institute 2012
Schriftenreihe:The artist's materials
Schlagworte:
Tags: Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!

MARC

LEADER 00000nam a2200000 c 4500
001 BV040230347
003 DE-604
005 20230726
007 t|
008 120601s2012 xx a||| |||| 00||| eng d
020 |a 9781606061145  |9 978-1-60606-114-5 
020 |a 1606061143  |9 1-60606-114-3 
035 |a (OCoLC)796257659 
035 |a (DE-599)BVBBV040230347 
040 |a DE-604  |b ger  |e rakwb 
041 0 |a eng 
049 |a DE-19  |a DE-11  |a DE-12  |a DE-Y2  |a DE-255  |a DE-Y3 
082 0 |a 709.2 
084 |a LI 30383  |0 (DE-625)96012:  |2 rvk 
100 1 |a Gottschaller, Pia  |e Verfasser  |0 (DE-588)188484566  |4 aut 
245 1 0 |a Lucio Fontana  |b the artist's materials  |c Pia Gottschaller 
264 1 |a Los Angeles, Calif.  |b <<The>> Getty Conservation Institute  |c 2012 
300 |a VII, 144 Seiten  |b Illustrationen 
336 |b txt  |2 rdacontent 
337 |b n  |2 rdamedia 
338 |b nc  |2 rdacarrier 
490 0 |a The artist's materials 
500 |a Includes bibliographical references and index 
520 |a "Lucio Fontana (1899-1968) is widely regarded as one of the most influential and innovative post-World War II Italian artists. Best known for his tagli--slashed, mostly monochromatic canvases--Fontana fashioned a remarkably multifaceted uvre that encompasses architecture, sculpture, and ceramics, as well as painting. In his quest to expand the vocabulary of his art, Fontana subjected the pictorial surface of his paintings to a remarkable assortment of punctures, gashes, and slashes, as well as adornments of glass fragments, glittering aluminum flakes, and sand. This richly illustrated book, the third in the Getty Conservation Institute's Artist's Materials series, presents the first technical study in English of this important painter. Initial chapters present an informative overview of Fontana's life and work. Subsequent chapters examine the nine major cycles of work on canvas that constitute his most important achievement, focusing on the physical genesis of these landmark paintings: How did Fontana's philosophical concerns influence his choice of materials? Once he had settled on an aesthetic concept, what precise means did he use to realize it? Did physical constraints imposed by the material force him to adjust his concepts? In considering these questions, this book seeks to illuminate how Fontana's material choices over the course of his career fit into the gradual evolution of idea into form"-- 
600 1 4 |a Fontana, Lucio / 1899-1968 
600 1 7 |a Fontana, Lucio  |d 1899-1968  |0 (DE-588)11869216X  |2 gnd  |9 rswk-swf 
648 4 |a Geschichte 1900-2000 
650 4 |a Painting, Modern / 20th century / Technique 
650 4 |a Paint materials / Analysis 
650 4 |a Artists' materials / Analysis 
650 0 7 |a Maltechnik  |0 (DE-588)4125812-5  |2 gnd  |9 rswk-swf 
689 0 0 |a Fontana, Lucio  |d 1899-1968  |0 (DE-588)11869216X  |D p 
689 0 1 |a Maltechnik  |0 (DE-588)4125812-5  |D s 
689 0 |5 DE-604 
943 1 |a oai:aleph.bib-bvb.de:BVB01-025086780 

Datensatz im Suchindex

_version_ 1819287934490116096
any_adam_object
author Gottschaller, Pia
author_GND (DE-588)188484566
author_facet Gottschaller, Pia
author_role aut
author_sort Gottschaller, Pia
author_variant p g pg
building Verbundindex
bvnumber BV040230347
classification_rvk LI 30383
ctrlnum (OCoLC)796257659
(DE-599)BVBBV040230347
dewey-full 709.2
dewey-hundreds 700 - The arts
dewey-ones 709 - History, geographic treatment, biography
dewey-raw 709.2
dewey-search 709.2
dewey-sort 3709.2
dewey-tens 700 - The arts
discipline Kunstgeschichte
era Geschichte 1900-2000
era_facet Geschichte 1900-2000
format Book
fullrecord <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02973nam a2200445 c 4500</leader><controlfield tag="001">BV040230347</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20230726 </controlfield><controlfield tag="007">t|</controlfield><controlfield tag="008">120601s2012 xx a||| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781606061145</subfield><subfield code="9">978-1-60606-114-5</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1606061143</subfield><subfield code="9">1-60606-114-3</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)796257659</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV040230347</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rakwb</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-19</subfield><subfield code="a">DE-11</subfield><subfield code="a">DE-12</subfield><subfield code="a">DE-Y2</subfield><subfield code="a">DE-255</subfield><subfield code="a">DE-Y3</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">709.2</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LI 30383</subfield><subfield code="0">(DE-625)96012:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Gottschaller, Pia</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)188484566</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Lucio Fontana</subfield><subfield code="b">the artist's materials</subfield><subfield code="c">Pia Gottschaller</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Los Angeles, Calif.</subfield><subfield code="b">&lt;&lt;The&gt;&gt; Getty Conservation Institute</subfield><subfield code="c">2012</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">VII, 144 Seiten</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">The artist's materials</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">"Lucio Fontana (1899-1968) is widely regarded as one of the most influential and innovative post-World War II Italian artists. Best known for his tagli--slashed, mostly monochromatic canvases--Fontana fashioned a remarkably multifaceted uvre that encompasses architecture, sculpture, and ceramics, as well as painting. In his quest to expand the vocabulary of his art, Fontana subjected the pictorial surface of his paintings to a remarkable assortment of punctures, gashes, and slashes, as well as adornments of glass fragments, glittering aluminum flakes, and sand. This richly illustrated book, the third in the Getty Conservation Institute's Artist's Materials series, presents the first technical study in English of this important painter. Initial chapters present an informative overview of Fontana's life and work. Subsequent chapters examine the nine major cycles of work on canvas that constitute his most important achievement, focusing on the physical genesis of these landmark paintings: How did Fontana's philosophical concerns influence his choice of materials? Once he had settled on an aesthetic concept, what precise means did he use to realize it? Did physical constraints imposed by the material force him to adjust his concepts? In considering these questions, this book seeks to illuminate how Fontana's material choices over the course of his career fit into the gradual evolution of idea into form"--</subfield></datafield><datafield tag="600" ind1="1" ind2="4"><subfield code="a">Fontana, Lucio / 1899-1968</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Fontana, Lucio</subfield><subfield code="d">1899-1968</subfield><subfield code="0">(DE-588)11869216X</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="648" ind1=" " ind2="4"><subfield code="a">Geschichte 1900-2000</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Painting, Modern / 20th century / Technique</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Paint materials / Analysis</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Artists' materials / Analysis</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Maltechnik</subfield><subfield code="0">(DE-588)4125812-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Fontana, Lucio</subfield><subfield code="d">1899-1968</subfield><subfield code="0">(DE-588)11869216X</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Maltechnik</subfield><subfield code="0">(DE-588)4125812-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-025086780</subfield></datafield></record></collection>
id DE-604.BV040230347
illustrated Illustrated
indexdate 2024-12-24T02:42:57Z
institution BVB
isbn 9781606061145
1606061143
language English
oai_aleph_id oai:aleph.bib-bvb.de:BVB01-025086780
oclc_num 796257659
open_access_boolean
owner DE-19
DE-BY-UBM
DE-11
DE-12
DE-Y2
DE-255
DE-Y3
owner_facet DE-19
DE-BY-UBM
DE-11
DE-12
DE-Y2
DE-255
DE-Y3
physical VII, 144 Seiten Illustrationen
publishDate 2012
publishDateSearch 2012
publishDateSort 2012
publisher <<The>> Getty Conservation Institute
record_format marc
series2 The artist's materials
spelling Gottschaller, Pia Verfasser (DE-588)188484566 aut
Lucio Fontana the artist's materials Pia Gottschaller
Los Angeles, Calif. <<The>> Getty Conservation Institute 2012
VII, 144 Seiten Illustrationen
txt rdacontent
n rdamedia
nc rdacarrier
The artist's materials
Includes bibliographical references and index
"Lucio Fontana (1899-1968) is widely regarded as one of the most influential and innovative post-World War II Italian artists. Best known for his tagli--slashed, mostly monochromatic canvases--Fontana fashioned a remarkably multifaceted uvre that encompasses architecture, sculpture, and ceramics, as well as painting. In his quest to expand the vocabulary of his art, Fontana subjected the pictorial surface of his paintings to a remarkable assortment of punctures, gashes, and slashes, as well as adornments of glass fragments, glittering aluminum flakes, and sand. This richly illustrated book, the third in the Getty Conservation Institute's Artist's Materials series, presents the first technical study in English of this important painter. Initial chapters present an informative overview of Fontana's life and work. Subsequent chapters examine the nine major cycles of work on canvas that constitute his most important achievement, focusing on the physical genesis of these landmark paintings: How did Fontana's philosophical concerns influence his choice of materials? Once he had settled on an aesthetic concept, what precise means did he use to realize it? Did physical constraints imposed by the material force him to adjust his concepts? In considering these questions, this book seeks to illuminate how Fontana's material choices over the course of his career fit into the gradual evolution of idea into form"--
Fontana, Lucio / 1899-1968
Fontana, Lucio 1899-1968 (DE-588)11869216X gnd rswk-swf
Geschichte 1900-2000
Painting, Modern / 20th century / Technique
Paint materials / Analysis
Artists' materials / Analysis
Maltechnik (DE-588)4125812-5 gnd rswk-swf
Fontana, Lucio 1899-1968 (DE-588)11869216X p
Maltechnik (DE-588)4125812-5 s
DE-604
spellingShingle Gottschaller, Pia
Lucio Fontana the artist's materials
Fontana, Lucio / 1899-1968
Fontana, Lucio 1899-1968 (DE-588)11869216X gnd
Painting, Modern / 20th century / Technique
Paint materials / Analysis
Artists' materials / Analysis
Maltechnik (DE-588)4125812-5 gnd
subject_GND (DE-588)11869216X
(DE-588)4125812-5
title Lucio Fontana the artist's materials
title_auth Lucio Fontana the artist's materials
title_exact_search Lucio Fontana the artist's materials
title_full Lucio Fontana the artist's materials Pia Gottschaller
title_fullStr Lucio Fontana the artist's materials Pia Gottschaller
title_full_unstemmed Lucio Fontana the artist's materials Pia Gottschaller
title_short Lucio Fontana
title_sort lucio fontana the artist s materials
title_sub the artist's materials
topic Fontana, Lucio / 1899-1968
Fontana, Lucio 1899-1968 (DE-588)11869216X gnd
Painting, Modern / 20th century / Technique
Paint materials / Analysis
Artists' materials / Analysis
Maltechnik (DE-588)4125812-5 gnd
topic_facet Fontana, Lucio / 1899-1968
Fontana, Lucio 1899-1968
Painting, Modern / 20th century / Technique
Paint materials / Analysis
Artists' materials / Analysis
Maltechnik
work_keys_str_mv AT gottschallerpia luciofontanatheartistsmaterials