Creativity and innovation in the music industry

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1. Verfasser: Tschmuck, Peter 1971- (VerfasserIn)
Format: Buch
Sprache:English
Veröffentlicht: Heidelberg [u.a.] Springer 2012
Ausgabe:2. ed.
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Datensatz im Suchindex

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adam_text IMAGE 1 CONTENTS 1 INTRODUCTION 1 1.1 AIM AND STRUCTURE OF THE BOOK 1 1.2 IMPLICATIONS O F CULTURE INSTITUTIONS STUDIES 4 2 THE EMERGENCE O F THE PHONOGRAPHIC INDUSTRY WITHIN THE MUSIC INDUSTRY 9 2.1 THE PHONOGRAPH AS BUSINESS MACHINE 9 2.2 "COIN-IN-THE-SLOT"-MACHINES 14 2.3 RECORDS AND GRAMOPHONES 17 2.4 HERR DOCTOR BRAHMS PLAYS THE PIANO 23 3 THE MUSIC INDUSTRY BOOM UNTIL 1920 27 3.1 THE GLOBAL COMPETITION IN THE PHONOGRAPHIC INDUSTRY 27 3.2 THE U.S.-MARKET BEFORE WORLD WAR 1 31 3.3 THE EUROPEAN MARKET DURING WORLD WAR I 34 3.4 THE MUSIC REPERTORY ON RECORD BETWEEN 1900 AND 1 9 2 0 . . . . 35 3.4.1 WALTZES AND OPERAS FROM EUROPE 35 3.4.2 THE TIN PAN ALLEY MONOPOLY 43 4 NEW TECHNOLOGY AND THE EMERGENCE O F JAZZ 49 4.1 THE PHONOGRAPHIC INDUSTRY'S BUSINESS CYCLE FROM 1920 TO 1945 49 - 4.2 THE PHONOGRAPHIC INDUSTRY AND BROADCASTING IN THE U.S. AND EUROPE 52 4.3 "RACE MUSIC" AND "HILLBILLY" : 59 4.4 ELECTRICAL RECORDING 62 5 THE MUSIC INDUSTRY AS RADIO INDUSTRY 69 5.1 RECESSION AND DEPRESSION ON THE U.S. PHONOGRAM MARKET . . . 69 5.2 MARKET CONCENTRATION IN EUROPE 71 I X HTTP://D-NB.INFO/1019304677 IMAGE 2 X C O N T E N T S 5.3 THE DOMINANCE OF BROADCASTING AND SOUND FILMS IN THE U.S. MUSIC INDUSTRY 77 5.4 MUSIC AS AN INSTRUMENT OF IDEOLOGY IN EUROPE 79 6 THE SWING MONOPOLY DURING THE YEARS OF WARTIME ECONOMY . . . 87 6.1 THE MUSIC INDUSTRY DURING WORLD WAR II 87 6.2 THE SWING MONOPOLY 91 6.3 MUSIC AS PROPAGANDA 95 6.4 THE INTELLECTUALIZATION O F JAZZ: BEBOP 97 7 ROCK 'N' ROLL REVOLUTION 101 7.1 ECONOMIC RECOVERY AND TECHNOLOGICAL INNOVATION 101 7.2 THE END O F THE U.S. MUSIC OLIGOPOLY 104 7.3 FROM RHYTHM & BLUES TO ROCK 'N' ROLL I L L 7.4 MUSIC PRODUCTION IN POST-WAR EUROPE 120 8 THE RECOVERY O F THE PHONOGRAPHIC INDUSTRY AND NEW GLOBAL PLAYERS 127 8.1 A DECADE O F MARKET GROWTH (1960-1969) 127 8.2 EUROPEAN MAJORS ON THE ADVANCE 129 8.3 THE RECOVERY OF THE U.S. MAJORS UNDER NEW LEADERSHIP . . . . 132 8.4 THE PRODUCED SOUND 136 9 THE ERA O F MUSIC CONGLOMERATES 147 9.1 THE FIRST MERGER MANIA IN THE RECORDING INDUSTRY (1965-1975) 147 9.2 OLIGOPOLIZATION IN THE RECORDING INDUSTRY 149 9.3 MARKET DOMINATION BY MARKET SEGMENTATION 150 9.4 THE COMMERCIALIZATION OF SUB-CULTURES: HEAVY METAL, PUNK ROCK, AND DISCO 155 10 THE DIGITAL MUSIC REVOLUTION 163 10.1 FROM MUSIC CASSETTE TO COMPACT DISC 163 10.2 SUPERSTAR BUSINESS VERSUS HIP-HOP CULTURE? 168 10.3 THE SECOND MERGER MANIA IN THE RECORDING INDUSTRY (1985-2003) 174 10.4 THE DIGITAL MUSIC REVOLUTION 182 11 THEORETICAL CONCEPTS O F INNOVATION AND CREATIVITY 197 11.1 TYPOLOGIES OF INNOVATIONS 197 11.2 INNOVATION AS A PROCESS O F COLLECTIVE ACTION 202 11.2.1 THE INCENTIVE-BASED AND KNOWLEDGE-BASED MODELS OF INNOVATION 202 11.2.2 INNOVATION AS GENERATION OF NEW ACTION ROUTINES . . . 204 IMAGE 3 CONTENTS XI 11.2.3 TECHNOLOGICAL PARADIGMS AND TECHNOLOGICAL TRAJECTORIES 207 11.2.4 ABSORPTIVE CAPACITY AND CONSERVATIVE ORGANIZATIONAL BEHAVIOR 209 11.3 TYPOLOGIES OF CREATIVITY 212 11.4 CREATIVITY AS A COLLECTIVE ACTION PROCESS 214 11.4.1 SYSTEMIC AND EVOLUTIONARY APPROACHES TO CREATIVITY 214 11.4.2 CREATIVITY AS A PHENOMENON O F SOCIAL ACTION 219 12 CREATIVITY AND INNOVATION IN THE MUSIC INDUSTRY 225 12.1 REVOLUTIONS IN THE TWENTIETH CENTURY MUSIC INDUSTRY 225 12.1.1 CHARACTERISTICS O F THE JAZZ REVOLUTION 225 12.1.2 CHARACTERISTICS O F THE ROCK ' N ' ROLL REVOLUTION 227 12.1.3 THE CHANGE O F PARADIGMS IN THE MUSIC INDUSTRY . . . . 230 12.2 CULTURAL PARADIGMS AND CREATIVE TRAJECTORIES IN THE MUSIC INDUSTRY 233 12.2.1 CULTURAL PARADIGMS IN THE TWENTIETH CENTURY MUSIC INDUSTRY 234 12.2.2 CREATIVE PATHS WITHIN THE MUSIC INDUSTRY'S CULTURAL PARADIGM 236 12.3 AN EXPLANATION FOR THE CHANGE OF PARADIGMS IN THE MUSIC INDUSTRY 239 12.4 DIVERSITY AS A PRE-CONDITION FOR CREATIVITY AND INNOVATION . . . 243 13 CREATIVITY AND INNOVATION IN THE MUSIC INDUSTRY'S VALUE-ADDED CHAIN 253 13.1 THE SEARCH FOR NEW TALENTS: ARTIST & REPERTOIRE MANAGEMENT 253 13.2 THE PROCESS O F MUSIC PRODUCTION 259 13.2.1 CREATIVITY, INNOVATION, AND THE CONTRACTUAL FRAMEWORK 259 13.2.2 THE MUSIC PRODUCER AS A CREATIVE FACTOR 262 13.2.3 THE MANUFACTURE O F PHONOGRAMS 264 13.3 MARKETING AND PROMOTION 265 13.4 THE DISTRIBUTION PROCESS 268 APPENDIX 273 REFERENCES 275 INDEX 285
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author Tschmuck, Peter 1971-
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discipline Wirtschaftswissenschaften
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edition 2. ed.
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Creativity and innovation in the music industry Peter Tschmuck
2. ed.
Heidelberg [u.a.] Springer 2012
XI, 303 S. graph. Darst.
txt rdacontent
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nc rdacarrier
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Kreativität (DE-588)4032903-3 gnd rswk-swf
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Musikwirtschaft (DE-588)4268614-3 s
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Geschichte z
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spellingShingle Tschmuck, Peter 1971-
Creativity and innovation in the music industry
Kreativität (DE-588)4032903-3 gnd
Technische Innovation (DE-588)4431027-4 gnd
Musikwirtschaft (DE-588)4268614-3 gnd
subject_GND (DE-588)4032903-3
(DE-588)4431027-4
(DE-588)4268614-3
(DE-588)4113937-9
title Creativity and innovation in the music industry
title_auth Creativity and innovation in the music industry
title_exact_search Creativity and innovation in the music industry
title_full Creativity and innovation in the music industry Peter Tschmuck
title_fullStr Creativity and innovation in the music industry Peter Tschmuck
title_full_unstemmed Creativity and innovation in the music industry Peter Tschmuck
title_short Creativity and innovation in the music industry
title_sort creativity and innovation in the music industry
topic Kreativität (DE-588)4032903-3 gnd
Technische Innovation (DE-588)4431027-4 gnd
Musikwirtschaft (DE-588)4268614-3 gnd
topic_facet Kreativität
Technische Innovation
Musikwirtschaft
Hochschulschrift
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