Hemingway, race, and art bloodlines and the color line

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1. Verfasser: Dudley, Marc K. (VerfasserIn)
Format: Buch
Sprache:English
Veröffentlicht: Kent, Ohio Kent State University Press 2012
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Datensatz im Suchindex

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adam_text CONTENTS Introduction: The Specter of Race in Hemingways Grave New World ι ONE Indian Camp and The Doctor and the Doctors Wife : Deconstructing the Great (White) Man 27 TWO Beyond the Camp, Behind the Myth: Native American Dissolution and Reconstituted Whiteness in Ten Indians, Fathers and Sons, and The Indians Went Away 51 THREE The Truths in the Shadows: Race in The Light of the World and The Battler 69 FOUR Killin Em with Kindness: Hemingways Racial Recognition in The Porter 91 FIVE The Snows of Kilimanjaro, The Short Happy Life of Francis Macomber, and Green Hills of Africa: (Re)drawing the Color Line, or Reimagining the Continent in Shades of Black and White 111 SIX The First Shall Be Last, the Last Shall Be First: Erasing and Retracing the Color Line in The Good Lion, True at First Light, and Under Kilimanjaro 137 Epilogue: Contextualizing Hemingways Grand Complication 159 Notes 165 Works Cited 187 Index 193 William Faulkner has long been con¬ sidered the great racial interrogator of the early twentieth-century South. In Hemingway, Race, and Art, author Marc Kevin Dudley suggests that Ernest Hemingway not only shared Faulkner s racial concerns but extended them beyond the South to encompass the entire nation. Though Hemingway wrote extensively about Native Americans and African Americans, always in the back of his mind was Africa. Dudley sees Hemingway s fascination with, and even¬ tual push toward, the African continent as a grand experiment meant to both placate and comfort the white psyche, and to challenge and unsettle it, too. Twentieth-century white America was plagued by guilt in its dealings with Native Americans; simultaneously, it faced an increasingly dissatisfied African American populace. Dudley demonstrates how Hemingway s inter¬ est in race was closely aligned to a national anxiety over a changing racial topography. Affected by his American pedigree, his masculinity, and his white¬ ness, Hemingway s treatment of race is characteristicaIly complex, at once both a perpetuation of type and a questioning of white self-identity. Hemingway, Race, and Art expands our understanding of Hemingway and his work and shows how race consciousness pervades the texts of one of America s most important and influential writers.
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publishDate 2012
publishDateSearch 2012
publishDateSort 2012
publisher Kent State University Press
record_format marc
spellingShingle Dudley, Marc K.
Hemingway, race, and art bloodlines and the color line
Hemingway, Ernest 1899-1961 Criticism and interpretation
Hemingway, Ernest 1899-1961 (DE-588)118549030 gnd
Race in literature
Rasse Motiv (DE-588)4254018-5 gnd
subject_GND (DE-588)118549030
(DE-588)4254018-5
title Hemingway, race, and art bloodlines and the color line
title_auth Hemingway, race, and art bloodlines and the color line
title_exact_search Hemingway, race, and art bloodlines and the color line
title_full Hemingway, race, and art bloodlines and the color line Marc K. Dudley
title_fullStr Hemingway, race, and art bloodlines and the color line Marc K. Dudley
title_full_unstemmed Hemingway, race, and art bloodlines and the color line Marc K. Dudley
title_short Hemingway, race, and art
title_sort hemingway race and art bloodlines and the color line
title_sub bloodlines and the color line
topic Hemingway, Ernest 1899-1961 Criticism and interpretation
Hemingway, Ernest 1899-1961 (DE-588)118549030 gnd
Race in literature
Rasse Motiv (DE-588)4254018-5 gnd
topic_facet Hemingway, Ernest 1899-1961 Criticism and interpretation
Hemingway, Ernest 1899-1961
Race in literature
Rasse Motiv
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