Music an appreciation
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| Sprache: | English |
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McGraw-Hill
2011
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| Ausgabe: | 7. brief ed. |
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| 245 | 1 | 0 | |a Music |b an appreciation |c Roger Kamien ; with Anita Kamien |
| 250 | |a 7. brief ed. | ||
| 264 | 1 | |a New York |b McGraw-Hill |c 2011 | |
| 300 | |a XXV, 435 S. |b Ill., Notenbeisp. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Includes index | ||
| 648 | 7 | |a Geschichte |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Music appreciation | |
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Datensatz im Suchindex
| _version_ | 1819619486450319360 |
|---|---|
| adam_text | Preface
xix
PART
PART ONE
Elements
1
1
Sound: Pitch, Dynamics, and Tone Color
4
Pitch: Highness or Lowness of Sound
4
Dynamics
6
Tone Color
6
Listening Outlines, Vocal Music Guides, and the Properties of Sound
7
The Firebird, Scene
2 (1910),
by Igor Stravinsky
7
LISTENING OUTLINE a
С
-Jam
Blues
(1942),
by Duke Ellington and His Famous Orchestra
8
LISTENING OUTLINE
8
2
Performing Media: Voices and Instruments
9
Voices
9
Musical Instruments
10
String Instruments
12
Woodwind Instruments
14
Brass Instruments
18
Percussion Instruments
20
Keyboard Instruments
23
Electronic Instruments
25
The Young Person s Guide to the Orchestra, Op.
34 (1946),
by Benjamin Britten
27
LISTENING OUTLINE
27
3
Rhythm
28
Beat
29
Meter
30
Accent and Syncopation
31
Tempo
31
4
Music Notation
32
Notating
Pitch
32
Notating
Rhythm
33
Notating
Silence (Rests)
34
iv
Contents
v
Notating Meter
35
The Score
35
5
Melody
57
6
Harmony
39
Consonance and Dissonance
39
The Triad
39
Broken Chords (Arpeggios)
40
Prelude in
E
Minor for Piano, Op.
28,
No.
4 (1839),
by Frederic Chopin
40
LISTENING OUTLINE 4O
performance perspective: Roger
Kamién,
Pianist, Playing
Chopin s Prelude in
E
Minor
41
7
Key
42
The Major Scale
42
The Minor Scale
43
The Key Signature
44
The Chromatic Scale
44
Modulation: Change of Key
44
Tonic Key
45
8
Musical Texture
45
Monophonie
Texture
45
Polyphonic Texture
45
Homophonie
Texture
46
Changes of Texture
47
Farandole
from
ĽArlésienne
Suite No.
2 (1879),
by Georges Bizet
47
LISTENING OUTLINE
48
9
Musical Form
48
Techniques That Create Musical Form
49
Repetition
49
Contrast
49
Variation
49
Types of Musical Form
49
Three-Part (Ternary) Form: ABA
49
Dance of the Reed Pipes from Nutcracker Suite
(1892),
by Peter Ilyich Tchaikovsky
50
LISTENING OUTLINE 5O
Two-Part (Binary) Form:
AB 51
Bourrée
from Suite in
E
Minor for Lute (probably around
1710),
by
Johann
Sebastian Bach
51
LISTENING OUTLINE
52
Listening for Form
52
10
Musical Style
Part I Summary
54
53
vi
Contents
gm
noti abtjrtn tonfili
Ь
PART TWO
The Middle Ages and Renaissance
57
time line Middle Ages
(450-1450) 58
time line Renaissance
(1450-1600) 59
The Middle Ages
60
The Renaissance
62
1
Music in the Middle Ages
(450-1450) 65
Gregorian Chant
65
The Church Modes
66
Alleluia: Vidimus
stellarli
(We Have Seen His Star)
66
VOCAL MUSIC GUIDE
68
О
successores (You successors), by
Hildegard
of Bingen
69
VOCAL MUSIC GUIDE 7O
Secular Music in the Middle Ages
70
Estampie (Thirteenth Century)
71
The Development of Polyphony:
Organum
72
School of Notre Dame: Measured Rhythm
73
Fourteenth-Century Music: The New Art in France
74
Guillaume de
Machaut 74
Puis qu en oubli
sui de
vous
(Since I am forgotten by you; around
1363) 74
VOCAL MUSIC GUIDE
75
Notre Dame Mass (Mid-Fourteenth Century)
75
Agnus Dei
76
VOCAL MUSIC GUIDE
76
performance perspective: Paul
НіПіег
Conducting the Agnus Dei
from Machaut s Notre Dame Mass
77
2
Music in the Renaissance
(1450-1600) 78
Characteristics of Renaissance Music
78
Words and Music
78
Texture
79
Rhythm and Melody
79
Sacred Music in the Renaissance
79
Josquin
Desprez
and the Renaissance Motet
79
Ave
Maria
.. .
virgo serena
(Hail Mary
. ..
serene virgin;
с
1475) 80
VOCAL MUSIC GUIDE 8O
Palestrina and the Renaissance Mass
81
Pope
Marcellus
Mass
(1562-1563) 82
Kyrie
83
VOCAL MUSIC GUIDE
83
Secular Music in the Renaissance
84
Vocal Music
84
As Vesta Was Descending
(1601),
by Thomas Weelkes
84
VOCAL MUSIC GUIDE
85
The Renaissance Lute Song
85
Flow My Tears (about
1600),
by John Dowland
86
Contents
vii
VOCAL MUSIC
GUIDE
87
Instrumental Music
87
Passamezzo
and Galliard, by Pierre
Francisque
Caroubel,
from Terpsichore
(1612),
by Michael Praetorius
89
Part II Summary
92
PART THREE
The Baroque Period
97
time line Baroque Period
(1600-1750) 98
The Baroque Style
(1600-1750) 99
I Baroque Music
(1600-1750) 102
Characteristics of Baroque Music
102
Unity of Mood
102
Rhythm
103
Melody
103
Dynamics
103
Texture
103
Chords and the Basso
Continuo
103
Words and Music
104
The Baroque Orchestra
104
Baroque Forms
105
2
Music in Baroque Society
105
3
The Concerto
Grosso
and
Ritornello Form
108
Brandenburg Concerto No.
5
in
D
Major (about
1721),
by
Johann
Sebastian Bach
108
First Movement
109
LISTENING OUTLINE IIO
4
The Fugue 111
Organ Fugue in
G
Minor (Little Fugue; about
1709),
by
Johann
Sebastian Bach
113
LISTENING OUTLINE
114
5
The Elements of Opera
115
6
Opera in the Baroque Era
118
7
Claudio
Monteverdi
120
Orfeo (Orpheus,
1607) 121
Act II: Recitative:
Tu se morta
(You are dead)
122
VOCAL MUSIC GUIDE
122
8
Henry
Purceii
123
Ground Bass
123
viii Contents
Dido and Aeneas
(1689) 123
Act III: Dido s Lament
124
VOCAL MUSIC GUIDE
124
9
The Baroque Sonata
і
25
Trio Sonata in A Minor, Op.
3,
No.
10 (1689),
Arcangelo Corelli
125
10
Antonio
Vivaldi 127
La Primavera
{Spring), Concerto for Violin and String Orchestra, Op.
8,
No.
1,
from The Four Seasons
(1725) 127
First Movement
128
LISTENING OUTLINE
128
Second Movement
129
Third Movement:
Danza
pastorale (Pastoral Dance)
130
performance perspective: Jeanne Lamon, Violinist, Plays and
Conducts Vivaldi s Spring Concerto
131
11 Johann
Sebastian Bach
Bach s Music
133
132
12
The Baroque Suite
133
Suite No.
3
in
D
Major
(1729-1731),
by
Johann
Sebastian Bach
134
First Movement: Overture
134
Second Movement: Air
134
Third Movement: Gavotte
135
Fourth Movement:
Bourrée
135
Fifth Movement:
Gigue 135
13
The Chorale and Church Cantata
135
The Church Cantata
136
Cantata No.
140: Wachet auf, ruft uns die Stimme
{Awake, a Voice Is Calling Us;
1731),
by
Johann
Sebastian Bach
137
First Movement: Chorus and Orchestra
137
VOCAL MUSIC GUIDE
138
Fourth Movement: Tenor Chorale
140
VOCAL MUSIC GUIDE I4O
Seventh Movement: Chorale
141
VOCAL MUSIC GUIDE
141
14
The Oratorio
14
1
15
G e o í
ge
F r i d e r i c 11 a n d e
1 142
Handel s Music
142
Messiah
(1741) 143
Ev ry Valley Shall Be Exalted
144
VOCAL MUSIC GUIDE
144
For unto Us a Child Is Born
145
Hallelujah Chorus
146
Contents ix
VOCAL MUSIC GUIDE
146
Part III Summary
148
PART FOUR
The Classical Period
time line Classical Period
(1750-1820) 152
The Classical Era
(1750-1820) 153
151
ι
The Classical Style
(1750-1820)
Characteristics of the Classical Style
156
Contrast of Mood
156
Rhythm
156
Texture
157
Melody
157
Dynamics and the Piano
157
The End of the Basso
Continuo
157
The Classical Orchestra
157
Classical Forms
158
156
Composer, Patron, and
Public in the Classical Period
159
Vienna
160
3
Sonata Form
161
Exposition
161
Development
162
Recapitulation
162
Coda
162
Symphony No.
40
in
G
Minor, K.
550 (1788),
by Wolfgang
Amadeus
Mozart
163
First Movement
163
LISTENING OUTLINE
164
4
Theme and Variations
165
Symphony No.
94
in
G
Major (Surprise;
1791),
by Joseph Haydn
166
Second Movement
166
LISTENING OUTLINE
166
5
Minuet and Trio
168
Eine kleine Nachtmusik
(A Little Night Music;
1787),
K.
525,
by Wolfgang
Amadeus
Mozart
168
Third Movement
168
LISTENING OUTLINE
16Э
6
Rondo
169
String Quartet in
С
Minor, Op.
18,
No.
4 (1798-1800),
by
Ludwig
van Beethoven
170
Fourth Movement
170
LISTENING OUTLINE I7O
χ
Contents
7
The Classical Symphony
171
8
The Classical Concerto
172
9
Classical Chamber Music
173
10
Joseph Haydn
175
Haydn s Music
174
Trumpet Concerto in
E
Flat Major
(1796) 175
Third Movement
175
11
Wolfgang
Amadeus
Mozart
176
Mozart s Music
177
Don Giovanni
(1787) 178
Act I: Introduction
178
VOCAL MUSIC GUIDE
179
Act I: Leporello s catalog
aria (Madamina)
182
Symphony No.
40
in
G
Minor, K.
550 (1788) 183
First Movement
183
Second Movement
183
Third Movement
184
Fourth Movement
184
Piano Concerto No.
23
in A Major, K.
488 (1786)
First Movement
185
185
LISTENING OUTLINE
186
performance perspective: Murray Perahia, Pianist, Playing
and Conducting the First Movement
of Mozart s Piano Concerto in
A Minor, K.
488 188
12 Ludwig
van Beethoven
Beethoven s Music
190
188
Piano Sonata in
С
Minor, Op.
13
(Pathétique;
1798) 191
First Movement
191
Symphony No.
5
in
С
Minor, Op.
67 (1808) 193
First Movement
193
LISTENING OUTLINE
194
Second Movement
196
LISTENING OUTLINE
1Э6
Third Movement
198
Fourth Movement
198
Part IV Summary
200
PART FIVE
The Romantic Period
205
time line Romantic Period
(1820-1900) 204
Romanticism
(1820-1900) 205
Contents xi
1
Romanticism
in
Music
(1820-1900) 209
Characteristics of Romantic Music
209
Individuality of Style
209
Expressive Aims and Subjects
209
Nationalism and Exoticism
210
Program Music
210
Expressive Tone Color
210
Colorful Harmony
211
Expanded Range of Dynamics, Pitch, and Tempo
211
Form: Miniature and Monumental
211
2
Romantic Composers and Their Public
212
3
The Art Song
215
Strophic and Through-Composed Form
215
The Song Cycle
215
4
Franz Schubert
216
Schubert s Music
216
Erlkönig
(The Erlking;
1815) 217
VOCAL MUSIC GUIDE
218
5
Robert Schumann
219
Schumann s Music
220
Carnaval
(Carnival;
1834-1835) 220
Estrella
221
Reconnaissance (Reunion)
221
222
6
Clara Wieck Schumann
Clara Wieck Schumann s Music
222
Romance in
E
Flat Minor for Piano, Op.
11,
No.
1 (1839) 223
LISTENING OUTLINE
224
7
Frédéric
Chopin
225
Chopin s Music
225
Nocturne in
E
Flat Major, Op.
9,
No.
2 (1830-1831) 225
LISTENING OUTLINE
226
Étude
in
С
Minor, Op.
10,
No.
12
(Revolutionary;
1831?) 227
LISTENING OUTLINE
228
Polonaise in A Flat Major, Op.
53 (1842) 228
8
Franz Liszt
229
Liszt s Music
230
Transcendental
Étude
No.
10
in
F
Minor
(1851) 231
xii Contents
9 Felix Mendelssohn 232
Mendelssohn s Music
233
Concerto for Violin and Orchestra in
E
Minor, Op.
64 (1844) 233
First Movement
233
LISTENING OUTLINE
234
performance perspective: Hilary
Hahn,
Violinist, Playing the
First Movement of Mendelssohn s
Violin Concerto in
E
Minor, Op.
64 236
Second Movement
237
Third Movement
237
10
Program Music
258
11 Hector Berlioz
239
Berlioz s Music
240
Symphonie fantastique
{Fantastic Symphony;
1830) 240
Fourth Movement: March to the Scaffold
241
LISTENING OUTLINE
242
Fifth Movement: Dream of a Witches Sabbath
243
12
Nationalism in Nineteenth-Century Music
244
The
Moldau (1874),
by
Bedřich Smetana
246
LISTENING OUTLINE
246
13
Antonin
Dvorak
248
Symphony No.
9
in
E
Minor {From the New World;
1893) 248
First Movement
248
LISTENING OUTLINE
24Э
250
14
Peter LI)
ich
Tchaikovsky
Tchaikovsky s Music
251
Romeo and Juliet, Overture-Fantasy
(1869) 252
15
Johannes Brahms
Brahms s Music
254
253
Symphony No.
3
in
F
Major, Op.
90 255
Third Movement
255
LISTENING OUTLINE
256
16
Giuseppe
Verdi
257
Verdi s Music
258
Rigoletto
(1851) 259
Act III: La donna
è
mobile and Quartet
259
17
Giacomo
Puccini
260
La Bohème
(1896) 260
Act I: Scene between
Rodolfo
and
Mimi
260
Contents xiii
VOCAL MUSIC GUIDE
262
performance perspective: Luciano
Pavarotti,
Tenor, Singing the Part
of
Rodolfo
in Puccini s
La Bohème
266
18
Richard Wagner
267
Wagner s Music
268
Die
Walküre
(The Valkyrie;
1856) 268
Act I, Love scene (conclusion)
268
VOCAL MUSIC GUIDE
27O
Part V Summary
274
PART SIX
The Twentieth Century
and Beyond
277
time line Twentieth Century and Beyond
(1900-2009) 278
Twentieth-Century Developments
279
1
Musical Styles:
1900-1945 283
pART
1900-1945:
An Age of Musical Diversity
283
Characteristics of Twentieth-Century Music
285
Tone Color
285
Harmony
286
Alternatives to the Traditional Tonal System
287
Rhythm
288
Melody
289
2
Music and Musicians in Society
290
3
Impressionism and Symbolism
292
French Impressionist Painting
292
French Symbolist Poetry
293
4
Claude Debussy
294
Debussy s Music
295
Prélude à l Après-midi d un
faune
(Prelude
to the Afternoon of a Faun;
1894) 296
LISTENING OUTLINE
2Э6
5
Neoclassicism
298
6
Igor Stravinsky
298
Stravinsky s Music
299
Le Sacre du printemps
(The Rite of Spring;
1913) 300
Part I: Introduction
301
Part I: Omens of Spring
—
Dances of the Youths and Maidens
301
Part I: Ritual of Abduction
302
xiv Contents
LISTENING
OUTLINE
ЗО2
Part II: Sacrificial Dance
304
7
Expressionism
504
8
Arnold
Schoenberg
305
Schoenberg s Music
306
Atonality
306
The Twelve-Tone System
307
Pierrot
Lunaire,
Op.
21
(Moonstruck Pierrot;
1912) 308
Mondestrunken (Moondrunk) 309
VOCAL MUSIC GUIDE 3IO
A Survivor from Warsaw, Op.
46 (1947) 310
VOCAL MUSIC GUIDE
312
9
Alban
Berg
313
Wozzeck
(1917-1922) 313
Act III, Scenes
4
and
5 314
317
10
Anton
Webern
Webern s Music
317
Five Pieces for Orchestra, Op.
10 (1911-1913) 317
Third Piece
318
LISTENING OUTLINE
318
11
Béla Barlók
318
Bartók
s
Music
319
Concerto for Orchestra
(1943) 320
Second
Movement: Game of Pairs
320
LISTENING OUTLINE
32O
12
Charles
íves
321
Ives s Music
322
Putnam s Camp, Redding, Connecticut
(1912),
from Three Places in New England (1908?-1914)
322
13
George Gershwin
524
Rhapsody in Blue
(1924) 325
14
William Grant Still
326
Afro-American Symphony
(1931) 327
Third movement
327
LISTENING OUTLINE
328
15
Aaron Copland
329
Appalachian Spring
(1943-1944) 330
Contents xv
Section
7:
Theme and Variations on Simple Gifts
331
LISTENING OUTLINE
332
16
Alberto Ginastera
335
Estancia
Suite, Op. 8a
(1941) 334
Final Dance:
Malambo
334
LISTENING OUTLINE
334
performance perspective: Gustavo Dudamel conducts Final Dance:
Malambo
from Ginastera s
Estancia
Suite
336
17
Musical Styles since
1945 337
Characteristics of Music since
1945 337
Increased Use of the Twelve-Tone System
337
Extensions of the Twelve-Tone System: Serialism
339
Chance Music
339
Minimalist Music
340
Musical Quotation
341
Tonal Music and a Return to Tonality
342
Electronic Music
343
Liberation of Sound
343
Mixed Media
346
Rhythm and Form
346
18
Music since
1945:
Five Representative Pieces
546
Sonatas and Interludes for Prepared Piano
(1946-1948),
by John Cage
346
Sonata II
348
Poème électronique
{Electronic Poem;
1958),
by
Edgard
Várese
348
LISTENING OUTLINE
349
Concerto Grosso
1985
(To Handel s Sonata in
D
Major for Violin and
Continuo,
First Movement), by Ellen Taaffe Zwilich
350
First Movement
350
LISTENING OUTLINE
35O
Short Ride in a Fast Machine
(1986),
by John Adams
351
LISTENING OUTLINE
352
Shard
(1997),
by Elliott Carter
352
LISTENING OUTLINE
354
19
Jazz
355
Jazz in Society
356
Roots of Jazz
356
Ragtime
357
Blues
357
Lost Your Head Blues
(1926),
by Bessie Smith
358
VOCAL MUSIC GUIDE
36O
performance perspective: Bessie Smith Singing Lost Your Head Blues
361
xvi Contents
Elements
of
Jazz
361
Tone Color
361
Improvisation
362
Rhythm, Melody, and Harmony
363
Jazz Styles
363
New Orleans Style
363
Hotter Than That
(1927),
by Louis Armstrong and His Hot Five
364
LISTENING OUTLINE
364
Swing
365
Bebop
366
KoKo
(1945),
by Charlie Parker
367
Cool Jazz
368
Free Jazz
368
Jazz Rock (Fusion)
368
Miles Runs the Voodoo Down
(1969),
by Miles Davis
368
20
Music for Stage and Screen
370
Musical Theater
370
Elements of the Musical
370
Development of the Musical
370
Leonard Bernstein
371
West Side Story
(1957) 372
America
373
Tonight ensemble
374
LISTENING OUTLINE
375
Music in Film
375
Early Film Music
375
Functions and Styles of Film Music
376
Creating Film Music
376
Music and Image
376
Vertigo
(1958),
Directed by Alfred Hitchock,
Music by Bernard Herrmann
377
Tower Scene (Segment)
377
21
Rock
378
Development of Rock
378
performance perspective: Carlos
Santana
380
Elements of Rock
383
Tone Color
383
Rhythm
384
Form, Melody, and Harmony
385
Sgt. Pepper s Lonely Hearts Club Band
(1967) 385
Part VI Summary
386
PART SEVEN
Nonwestern
Music
389
The Diversity of
Nonwestern
Music
390
Contents xvii
1 Music in
Nonwestern
Cultures
591
Characteristics of
Nonwestern
Music
391
Oral Tradition
391
Improvisation
391
Voices
391
Instruments
391
Melody, Texture, and Rhythm
392
Interaction between
Nonwestern
and Western Music
392
2
Music in Sub-Saharan Africa
593
Music in Society
393
Elements of African Music
394
Rhythm and Percussion
394
Vocal Music
394
Texture
395
African Instruments
395
Idiophones
395
Membranophones
395
Aerophones and Chordophones
396
Ompeh
396
LISTENING OUTLINE
ЗЭ8
Classical Music of India
598
Performers
398
Improvisation
399
Elements of Indian Classical Music
399
Melodic Structure:
Raga
399
Rhythmic Structure:
Tala
400
Instruments
400
Maru-Bihag, by Ravi Shankar
401
performance perspective: Maru-Bihag, by Ravi Shankar
402
Part
VII
Summary
404
Glossary
406
Acknowledgments
416
Photo Credits
417
Index
000
|
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| author | Kamien, Roger 1934- Kamien, Anita |
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| author_facet | Kamien, Roger 1934- Kamien, Anita |
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| author_variant | r k rk a k ak |
| building | Verbundindex |
| bvnumber | BV039751199 |
| ctrlnum | (OCoLC)761849826 (DE-599)BVBBV039751199 |
| edition | 7. brief ed. |
| era | Geschichte gnd |
| era_facet | Geschichte |
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| genre | (DE-588)4151278-9 Einführung gnd-content |
| genre_facet | Einführung |
| id | DE-604.BV039751199 |
| illustrated | Illustrated |
| indexdate | 2024-12-24T02:28:25Z |
| institution | BVB |
| isbn | 9780078025099 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-024598649 |
| oclc_num | 761849826 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | XXV, 435 S. Ill., Notenbeisp. |
| publishDate | 2011 |
| publishDateSearch | 2011 |
| publishDateSort | 2011 |
| publisher | McGraw-Hill |
| record_format | marc |
| spellingShingle | Kamien, Roger 1934- Kamien, Anita Music an appreciation Music appreciation Geschichte (DE-588)4020517-4 gnd Musik (DE-588)4040802-4 gnd Musikalische Analyse (DE-588)4040814-0 gnd |
| subject_GND | (DE-588)4020517-4 (DE-588)4040802-4 (DE-588)4040814-0 (DE-588)4151278-9 |
| title | Music an appreciation |
| title_auth | Music an appreciation |
| title_exact_search | Music an appreciation |
| title_full | Music an appreciation Roger Kamien ; with Anita Kamien |
| title_fullStr | Music an appreciation Roger Kamien ; with Anita Kamien |
| title_full_unstemmed | Music an appreciation Roger Kamien ; with Anita Kamien |
| title_short | Music |
| title_sort | music an appreciation |
| title_sub | an appreciation |
| topic | Music appreciation Geschichte (DE-588)4020517-4 gnd Musik (DE-588)4040802-4 gnd Musikalische Analyse (DE-588)4040814-0 gnd |
| topic_facet | Music appreciation Geschichte Musik Musikalische Analyse Einführung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024598649&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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