Institutions and patronage in Renaissance music
The practice and composition of music require patronage and institutional support, and they require it in a different fashion from that found in other forms of art. This collection of essays brings together the most recent and important contributions by leading scholars in the field to this crucial...
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| 490 | 0 | |a A library of essays on Renaissance music | |
| 500 | |a Introduction -- Part I : Systems of institutional and individual patronage. Anmerkungen zur Benefizialkarriere des Johannes Ockeghem / Adalbert Roth -- The education of choristers in England during the 16th century / Jane Flynn -- Renaissance women as patrons of the music : the North-Italian courts / William F. Prizer -- Patronage and innovation in instrumental music in the 15th century / Keith Polk -- Part II : Courts and chapels. Composers at church and court in 15th-century Brussels / Barbara Haggh -- The internationalization of the Italian papal chapels in the early quattrocento / John Nadas -- La musica, la cappelle e il ceremoniale alla corte aragonese di Napoli / Gianluca d'Agostino -- Ritual and regulations : the organization of the Castilian royal chapel during the reign of the Catholic monarchs / Tess Knighton -- Der "taegliche Dienst" der Muenchner Hofkapelle im 16 Jahrhundert / Franz Koerndle -- Music and patronage at the court of Rudolf II / Robert Lindell -- Part III : Churches, orders, guilds, confraternities. Change and continuity in the Reformation period : church music in north German towns, 1500-1600 / Joachim Kremer -- Le pratiche della musica nelle chiese e nelle confraternite di Roma nel cinquecento / Noel O'Regan -- Far una bella procession : music and ceremony at the Venetian scuole grandi / Jonathan E. Glixon -- Part IV : Composers. Protector, imo versus pater : Francesco Zabarella's patronage of Johannes Ciconia / Anne Hallmark -- After Burgundy : rethinking Binchois' years in Soignies / Sean Gallagher -- Zur sozialen Stellung europaeischer Renaissance-Musiker am Bespiel Orlando di Lassos / Horst Leuchtmann -- Part V Spaces. Spaces for court music / Jose Manuel Barbeito -- Magnificence as civic image : music and ceremonial space in early modern Venice / Iain Fenlon | ||
| 520 | |a The practice and composition of music require patronage and institutional support, and they require it in a different fashion from that found in other forms of art. This collection of essays brings together the most recent and important contributions by leading scholars in the field to this crucial aspect of Renaissance musical culture. The articles approach the topic from a number of perspectives and consider the institutions and individuals engaged in supporting music; the systems of employment, benefices and sponsorship put in place to facilitate the support; and where, how and why music was sung and played. Taken together, these articles enable conclusions to be drawn about the interests of patrons and about the social and artistic status of musicians and composers within the courtly and urban context. - Publisher | ||
| 648 | 4 | |a Geschichte 1600-1700 | |
| 648 | 4 | |a Geschichte 1500-1600 | |
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| 650 | 4 | |a Music patronage / Europe / History / 17th century | |
| 650 | 4 | |a Music patronage / Europe / History / To 1500 | |
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Datensatz im Suchindex
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| adam_text | Contents
Acknowledgements
ix
Series Preface
xi
Introduction
xv
PART I SYSTEMS OF INSTITUTIONAL AND INDIVIDUAL PATRONAGE
1
Adalbert Roth
( 1994), Anmerkungen zur Benefizialkarriere des
Johannes
Ockeghem , in Adalbert
Roth (ed.),
Collectanea I, Capellae Apostolicae
Sixtinaeque Collectanea
Acta
Monumenta
3,
Vatican
City: Biblioteca
Apostolica Vaticana,
pp.
97-232. 3
2 Jane Flynn ( 1995),
The Education of Choristers in England During the
Sixteenth Century , in John Morehen
(ed.),
English Choral Practice
1400-1650,
Cambridge: Cambridge University Press, pp.
180-99. 141
3
William F. Prizer
(1993),
Renaissance Women as Patrons of the Music:
The North-Italian Courts , in Kimberly Marshall
(ed.),
Rediscovering the
Muses: Women s Musical Traditions, Boston: Northeastern University
Press, pp.
186-205,277-88. 161
4
Keith Polk
(1991),
Patronage and Innovation in Instrumental Music in the
1
5th Century , Historic Brass Society Journal,
3,
pp.
151-78. 191
PART II COURTS AND CHAPELS
5
Barbara Haggh
(2001),
Composers at Church and Court in Fifteenth-Century
Brussels , in Frank Daelemans and
André
Vanrie
(eds),
Bruxelles et la vie
urbaine: Archives
-
Art
-
Histoire: Recueil d articles dédiés à la mémoire
d Ariette Smolar-Meynart
(1938-2000),
Brussels:
Bibliothèque Royale de
Belgique, pp.
209-19. 221
6
John
Nádas
(2007),
The Internationalization of the Italian Papal Chapels in
the Early Quattrocento , in Franco Piperno,
Gabriella Biagi Rávenni
and
Andrea
Chegai
(eds),
Cappelle musicali fra corte, stato e chiesa nel! Italia
del rinascimento: Atti del convegno internazionale Camaiore,
21-23
ottobre
2005,
Históriáé
musicae
cultores
108,
Florence: Olschki,
pp.
247-69. 233
7
Gianluca d Agostino
(2007),
La musica, la cappelle e il cerimoniale alla
corte aragonese di Napoli , in Franco Piperno,
Gabriella
Biagi
Rávenni
and
Andrea
Chegai
(eds),
Cappelle musicali fra corte, stato e chiesa nell Italia
del rinascimento. Atti del convegno internazionale Camaiore,
21-23
ottobre
2005,
Históriáé
musicae
cultores
108,
Florence:
Olschki,
pp.
153-80. 257
Institutions and Patronage in Renaissance
Music
8
Tess
Knighton
(1990),
Ritual and Regulations: The Organization of the
Castilian Royal Chapel during the Reign of the Catholic Monarchs , in
Emilio
Casares
and Carlos Villanueva
(eds),
De musica hispana
et aliis:
Miscelânea
en
honor
al Prof. Dr. José
Lopez-Calo,
S. J., en su
65°
cumpleaños,
Santiago de
Compostela:
Universidade
de Santiago de
Compostela,
pp.
291-320. 287
9
Franz
Körndle
(2001 ), Der tägliche Dienst der Münchner Hofkapelle
im 16. Jahrhundert , in Nicole Schwindt (ed.), Musikalischer Alltag im
15. und 16. Jahrhundert, Trossinger Jahrbuch für Renaissancemusik 1,
Kassel-Stuttgart: Bärenreiter-Metzler,
pp.
21-37. 317
10 Robert Lindell (1994),
Music and Patronage at the
Court
of
Rudolf
II ,
in John Kmetz (ed.),
Music in the German
Renaissance:
Sources, Styles,
and Contexts, Cambridge: Cambridge University Press, pp.
254-71. 335
PART III CHURCHES, ORDERS, GUILDS, CONFRATERNITIES
11
Joachim Kremer
(2001),
Change and Continuity in the Reformation
Period: Church Music in North German Towns,
1500-1600 ,
in Fiona
Kisby
(ed.),
Music and Musicians in Renaissance Cities and Towns,
Cambridge: Cambridge University Press, pp.
118-30. 355
12
Noel O Regan
(2006),
Le pratiche della musica nelle chiese e nelle
confraternite di Roma nel cinquecento , in David
Bryant and
Elena
Quaranta
(eds),
Produzione, circolazione e consume: Consuetudìne e
quotidianità della polifonia sacra nelle chiese monastiche a parrochiali
del tardo Medioevo alla fine deggli Antichi Regimi, Quaderni di Musica
e Storia
5,
Venice:
Fondazione Ugo e
Olga
Levi,
pp.
67-117. 369
13
Jonathan
E. Glixon
(1990),
Far una bella
procession: Music and
Public
Ceremony at the Venetian
scuole
grandi
,
in Richard Charteris
(ed.),
Altro
Polo: Essays on Italian Music in the
Cinquecento,
Sydney: Frederick May
Foundation of Italian Studies, pp.
190-220. 421
PART IV COMPOSERS
14
Anne Hallmark
(1997),
Protector,
imo verus
pater. Francesco Zabarella s
Patronage of Johannes Ciconia , in Jessie Ann Owens and Anthony M.
Cummings
(eds),
Music in Renaissance Cities and Courts: Studies in Honor
of Lewis
Lockwood,
Warren,
MI: Harmonie
Park Press, pp.
153-68. 455
15
Sean Gallagher
(2000),
After Burgundy: Rethinking Binchois s Years in
Soignies , in Andrew Kirkman and Dennis
Slavin (eds), Binchois
Studies,
Oxford: Oxford University Press, pp.
27^18. 471
16 Horst Leuchtmann (1994), Zur sozialen Stellung europäischer
Renaissance-Musiker am Beispiel Orlando
di
Lassos , in Johannes
Burkhardt (ed.), Anton Fugger (1493-1560): Vorträge und Dokumentation
zum fünfhundertjährigen Jubiläum, Weißenhorn: Anton H. Konrad, pp· 47-78. 493
Institutions and Patronage in Renaissance
Music
vii
PART V SPACES
17
José Manuel
Barbeito
(2005),
Spaces for Court Music , in Juan
José Carreras,
Bernardo
García García
and Tess Knighton
(eds),
The Royal Chapel in the
Time of the Habsburgs: Music and Ceremony in the Early Modern European
Court,
Woodbridge: Boydell &
Brewer, pp.
197-215. 529
18
Iain Fenlon
(2001),
Magnificence as Civic Image: Music and Ceremonial
Space in Early Modern Venice , in Fiona Kisby
(ed.),
Music and Musicians
in Renaissance Cities and Towns, Cambridge: Cambridge University Press,
pp.
28-44. 549
Name Index
567
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| indexdate | 2024-07-10T00:09:14Z |
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| isbn | 9780754629320 |
| language | English |
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| record_format | marc |
| series2 | A library of essays on Renaissance music |
| spelling | Institutions and patronage in Renaissance music ed. by Thomas Schmidt-Beste Farnham [u.a.] Ashgate 2012 XXXIX, 576 S. Ill., Notenbeisp. 25 cm txt rdacontent n rdamedia nc rdacarrier A library of essays on Renaissance music Introduction -- Part I : Systems of institutional and individual patronage. Anmerkungen zur Benefizialkarriere des Johannes Ockeghem / Adalbert Roth -- The education of choristers in England during the 16th century / Jane Flynn -- Renaissance women as patrons of the music : the North-Italian courts / William F. Prizer -- Patronage and innovation in instrumental music in the 15th century / Keith Polk -- Part II : Courts and chapels. Composers at church and court in 15th-century Brussels / Barbara Haggh -- The internationalization of the Italian papal chapels in the early quattrocento / John Nadas -- La musica, la cappelle e il ceremoniale alla corte aragonese di Napoli / Gianluca d'Agostino -- Ritual and regulations : the organization of the Castilian royal chapel during the reign of the Catholic monarchs / Tess Knighton -- Der "taegliche Dienst" der Muenchner Hofkapelle im 16 Jahrhundert / Franz Koerndle -- Music and patronage at the court of Rudolf II / Robert Lindell -- Part III : Churches, orders, guilds, confraternities. Change and continuity in the Reformation period : church music in north German towns, 1500-1600 / Joachim Kremer -- Le pratiche della musica nelle chiese e nelle confraternite di Roma nel cinquecento / Noel O'Regan -- Far una bella procession : music and ceremony at the Venetian scuole grandi / Jonathan E. Glixon -- Part IV : Composers. Protector, imo versus pater : Francesco Zabarella's patronage of Johannes Ciconia / Anne Hallmark -- After Burgundy : rethinking Binchois' years in Soignies / Sean Gallagher -- Zur sozialen Stellung europaeischer Renaissance-Musiker am Bespiel Orlando di Lassos / Horst Leuchtmann -- Part V Spaces. Spaces for court music / Jose Manuel Barbeito -- Magnificence as civic image : music and ceremonial space in early modern Venice / Iain Fenlon The practice and composition of music require patronage and institutional support, and they require it in a different fashion from that found in other forms of art. This collection of essays brings together the most recent and important contributions by leading scholars in the field to this crucial aspect of Renaissance musical culture. The articles approach the topic from a number of perspectives and consider the institutions and individuals engaged in supporting music; the systems of employment, benefices and sponsorship put in place to facilitate the support; and where, how and why music was sung and played. Taken together, these articles enable conclusions to be drawn about the interests of patrons and about the social and artistic status of musicians and composers within the courtly and urban context. - Publisher Geschichte 1600-1700 Geschichte 1500-1600 Music patronage / Europe / History / 16th century Music patronage / Europe / History / 17th century Music patronage / Europe / History / To 1500 Geschichte Musik (DE-588)4040802-4 gnd rswk-swf Renaissance (DE-588)4049450-0 gnd rswk-swf Mäzenatentum (DE-588)4074442-5 gnd rswk-swf Europa (DE-588)4143413-4 Aufsatzsammlung gnd-content Renaissance (DE-588)4049450-0 s Musik (DE-588)4040802-4 s Mäzenatentum (DE-588)4074442-5 s DE-604 Schmidt-Beste, Thomas 1968- Sonstige (DE-588)130330590 oth Digitalisierung BSB Muenchen 4 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024546601&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Institutions and patronage in Renaissance music Music patronage / Europe / History / 16th century Music patronage / Europe / History / 17th century Music patronage / Europe / History / To 1500 Geschichte Musik (DE-588)4040802-4 gnd Renaissance (DE-588)4049450-0 gnd Mäzenatentum (DE-588)4074442-5 gnd |
| subject_GND | (DE-588)4040802-4 (DE-588)4049450-0 (DE-588)4074442-5 (DE-588)4143413-4 |
| title | Institutions and patronage in Renaissance music |
| title_auth | Institutions and patronage in Renaissance music |
| title_exact_search | Institutions and patronage in Renaissance music |
| title_full | Institutions and patronage in Renaissance music ed. by Thomas Schmidt-Beste |
| title_fullStr | Institutions and patronage in Renaissance music ed. by Thomas Schmidt-Beste |
| title_full_unstemmed | Institutions and patronage in Renaissance music ed. by Thomas Schmidt-Beste |
| title_short | Institutions and patronage in Renaissance music |
| title_sort | institutions and patronage in renaissance music |
| topic | Music patronage / Europe / History / 16th century Music patronage / Europe / History / 17th century Music patronage / Europe / History / To 1500 Geschichte Musik (DE-588)4040802-4 gnd Renaissance (DE-588)4049450-0 gnd Mäzenatentum (DE-588)4074442-5 gnd |
| topic_facet | Music patronage / Europe / History / 16th century Music patronage / Europe / History / 17th century Music patronage / Europe / History / To 1500 Geschichte Musik Renaissance Mäzenatentum Europa Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024546601&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT schmidtbestethomas institutionsandpatronageinrenaissancemusic |