Peindre en France à la Renaissance
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| Format: | Buch |
| Sprache: | French |
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Silvana Editoriale
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| Schriftenreihe: | Biblioteca d'arte
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Datensatz im Suchindex
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| _version_ | 1823049027570106368 |
| adam_text | SEHEPUNKTE 19 (2019), NR. 11
REZENSION: PEINDRE EN FRANCE A LA RENAISSANCE
IN 1981, ANDRE CHASTEL DESCRIBED THE PROBLEM FACING AN ART HISTORICAL
STUDY OF THE FRENCH RENAISSANCE. NO
ONE IN THE WORLD OF SCHOLARSHIP, HE BEGAN, WOULD BE ABLE TO DRAFT AN
ACCURATE SURVEY OF FRENCH
RENAISSANCE ART. [1] ACCORDING TO CHASTEL, ONE WOULD NEED TO ANSWER
FIVE DIFFICULT - IF NOT IMPOSSIBLE -
QUESTIONS: WHO (ARTISTS, PATRONS, AND CONSUMERS), WHAT (WHICH SORT OF
WORKS), WHERE (IN WHICH PROVINCE),
WHEN (WHICH GENERATION), AND WHY (WHICH GENERAL CULTURAL MOTIVATION).
WHILE NINETEENTH- AND TWENTIETH-
CENTURY SCHOLARS LIKE JULES MICHELET AND LOUIS DIMIER ARGUED FOR A
VISION OF FRANCE GROUNDED IN THE ITALIAN
RENAISSANCE, AND MORE RECENT CONTRIBUTIONS BY REBECCA ZORACH AND HENRI
ZERNER HAVE FOCUSED ON FRANCOIS
I S INTEREST IN ITALIAN CLASSICISM AND THE COURT OF FONTAINEBLEAU,
CHASTEL IS HERE MOTIVATED BY A DIFFERENT
CONCERN. [2] THE STUDY OF THE FRENCH RENAISSANCE HAS BEEN STRUGGLING
WITH AN IDENTITY CRISIS, WHERE
HISTORIOGRAPHIC POLEMICS HAVE DISPLACED CLOSE ATTENTION TO ACTUAL WORKS
OF ART PRODUCED DURING THE
FIFTEENTH AND SIXTEENTH CENTURIES. CHASTEL POSED HIS FIVE QUESTIONS
NEARLY FORTY YEARS AGO. FOR THE LAST
DECADE, THE TEAM DIRECTED BY FREDERIC ELSIG AT THE UNIVERSITE DE GENEVE
HAS BEEN GROWING A CORPUS OF
SCHOLARSHIP THAT RESPONDS TO THESE PROBLEMS; THEY ARE HARD AT WORK
LAYING THE NECESSARY FOUNDATION FOR A
STUDY OF THE FRENCH RENAISSANCE.
KNOWN AS PEINDRE EN FRANCE A LA RENAISSANCE, THE PROJECT IS LED BY ELSIG
AND LEAD RESEARCHER CARMEN DECU
TEODORESCU. FOLLOWING THE PUBLICATION OF THEIR TWO-VOLUME WORK, PEINDRE
EN FRANCE A LA RENAISSANCE (2011
AND 2012, RESPECTIVELY) [
3], THE GROUP HAS FOCUSED ON A DIFFERENT CITY EACH YEAR, AT THE END OF
WHICH THEY
PUBLISH AN EDITED VOLUME WITH CONTRIBUTIONS FROM A WIDE RANGE OF
ACADEMICS, CURATORS, CONSERVATORS, AND
MORE. PUBLISHED IN 2014, PEINDRE A LYON AU XVIE SIECLE WAS THE FIRST
CASE STUDY, FOLLOWED BY TROYES (2015),
DIJON (2016), ROUEN (2017), BOURGES (2018), WITH AVIGNON (2019),
TOULOUSE (2020), AND BEAUVAIS (2021)
FORTHCOMING.
EACH BOOK IS COMPOSED OF ABOUT FOURTEEN ESSAYS AS WELL AS AN
INTRODUCTORY ESSAY OUTLINING THE
HISTORIOGRAPHIC STAKES OF THE STUDY OF EACH CITY. THE ESSAYS ARE SHORT,
RANGING IN LENGTH FROM FOUR TO TWENTY
PAGES, AND MANY FUNCTION AS OVERVIEWS OF THE VARIOUS ARTISTS,
TECHNIQUES, AND HISTORICAL FACTORS
CONTRIBUTING TO THE ARTISTIC PRODUCTION OF THAT PARTICULAR CITY.
INTERSPERSED WITH BLACK AND WHITE
PHOTOGRAPHS (MANY FROM THE AUTHORS OWN COLLECTION), EACH CONTAINS A FEW
COLOR PLATES IN THE BACK OF THE
BOOK, INVALUABLE PHOTOGRAPHIC DOCUMENTATION OF OBJECTS THAT ARE OFTEN
POORLY PUBLISHED OR BADLY DIGITIZED.
INDICATIVE OF THE DYNAMIC ARTISTIC EXCHANGE BETWEEN MAJOR AREAS OF
PRODUCTION IN FRANCE, EACH VOLUME
INCLUDES CONTRIBUTIONS THAT REACH WELL BEYOND EASEL PAINTING, RANGING IN
SUBJECT FROM STAINED GLASS,
SCULPTURE, PRINTING AND ENGRAVING, MANUSCRIPT ILLUMINATION, AND
ARCHITECTURE. THE RESULT IS A NETWORK
OF
ARTISTIC ACTIVITY THAT IMPLICITLY ATTENDS TO CHASTEL S QUESTIONS: IN
ORDER TO ANSWER THE FIVE W S (WHO, WHAT,
WHERE, WHEN, AND WHY), ELSIG AND HIS COLLEAGUES SEEM TO SUGGEST, ONE
ONLY NEEDED TO GO AND LOOK. AND
LOOK THEY DO. EACH VOLUME IS BUILT ON CLOSE OBSERVATION OF ARCHIVAL
DOCUMENTS AS WELL AS OBJECTS AND
MONUMENTS CONTAINED IN REGIONAL MUSEUMS, CATHEDRALS, AND PRIVATE
COLLECTIONS. THIS MULTI-PART PROJECT HAS
METHODOLOGICAL AMBITIONS AS WELL. IN THEIR WORK, ELSIG AND HIS GROUP AIM
TO DEMONSTRATE THE CONTINUED
RELEVANCE OF CONNOISSEURSHIP, TRACING THE CIRCULATION OF MODELS IN ORDER
TO BUILD A COHERENT IMAGE OF A
ONCE-FRAGMENTED FIELD. ELSEWHERE, ELSIG HAS MADE HIS METHODOLOGICAL
STAKES VERY CLEAR-HIS 2019 BOOK,
CONNOISSEURSHIP ET HISTOIRE DE L ART: CONSIDERATIONS METHODOLOGIQUES SUR
LA PEINTURE DES XVE ET XVIE
SIECLES, ARGUES THAT THE DISCIPLINE OF ART HISTORY IS LOSING SIGHT OF
ITS PRIMARY OBJECT: THE WORK OF ART ITSELF.
WHETHER OR NOT CONNOISSEURSHIP AND ARCHIVAL RESEARCH ALONE RESPOND
SUFFICIENTLY TO THE DEPTH OF OUR
DISCIPLINARY QUESTIONS REGARDING THE FRENCH RENAISSANCE IS A DEBATE FOR
ANOTHER FORUM. FOR NOW, IT IS CLEAR
THAT THE PEINDRE EN FRANCE SERIES FUNCTIONS IN PART AS A DEMONSTRATION
OF THIS METHODOLOGY IN ACTION -
1 VON 2
RELEVANT AND, ELSIG WOULD ARGUE, NECESSARY.
ELSIG S EVER-GROWING PROJECT HAS BEEN MET WITH NEW LITERATURE ON
FIFTEENTH- AND SIXTEENTH-CENTURY FRANCE.
BOOKS BY ESTELLE LEUTRAT, TANIA LEVY, AND OTHERS, IN ADDITION TO MAJOR
EXHIBITIONS - AND THEIR ACCOMPANYING
CATALOGUES - LIKE THE LOUVRE S FRANCOIS IER ET L ART DES PAYS-BAS
(2018), THE MUSEE DES BEAUX-ART DE LYON S
LYON RENAISSANCE: ARTS ET HUMANISME (2016) AND THE ART INSTITUTE OF
CHICAGO S KINGS, QUEENS AND
COURTIERS: ART IN EARLY RENAISSANCE FRANCE (2011), HAVE CONTRIBUTED TO
THE EVOLVING PUBLIC AND ACADEMIC
PERCEPTION OF THE FRENCH RENAISSANCE .[
4] WITH BETTER FUNDING, PERHAPS THE FORTHCOMING VOLUMES COULD
INCLUDE MORE REPRODUCTIONS, PARTICULARLY MORE HIGH-QUALITY COLOR PLATES.
A MAJOR CHALLENGE FOR SCHOLARS
WISHING TO WORK ON THIS MATERIAL IS ACCESS, AND WITHOUT PROPER
DOCUMENTATION, SCHOLARSHIP IS LIMITED TO
THOSE WITH THE RESOURCES TO TRAVEL TO THE OBJECTS
SOMETIMES DISTANT LOCALES. DOUBLING THE ILLUSTRATIVE
COMPONENT OF THE PEINDRE EN FRANCE PROJECT WOULD ONLY INCREASE ITS VALUE
AND ENCOURAGE MORE SCHOLARS TO
TURN THEIR ATTENTION TO THIS UNDERSTUDIED FIELD.
NOTES:
[
1] ANDRE CHASTEL: FRENCH RENAISSANCE ART IN A EUROPEAN CONTEXT, IN: THE
SIXTEENTH CENTURY JOURNAL 12/4
(1981), 77-103 (77).
[
2] JULES MICHELET: HISTOIRE DE FRANCE, PARIS 2016; LOUIS DIMIER: LA
PEINTURE FRANCAISE AU XVIE SIECLE,
MARSEILLE 1942; REBECCA ZORACH: BLOOD, MILK, INK, GOLD: ABUNDANCE AND
EXCESS IN THE FRENCH RENAISSANCE,
CHICAGO 2005; HENRI ZERNER: RENAISSANCE ART IN FRANCE: THE INVENTION OF
CLASSICISM, PARIS 2003 (ORIGINALLY
PUBLISHED AS L ART DE LA RENAISSANCE FRANCAISE: L INVENTION DU
CLASSICISME, 1996).
[3] FREDERIC ELSIG: PEINDRE EN FRANCE A LA RENAISSANCE I: LES COURANTS
STYLISTIQUES AU TEMPS DE LOUIS XII ET
DE FRANCOIS IER (= BIBLIOTHECA D ARTE; BD. 32), MILAN 2011; EBD.:
PEINDRE EN FRANCE A LA RENAISSANCE II,
FONTAINEBLEAU ET SON RAYONNEMENT (= BIBLIOTHECA D ARTE; BD. 32), MILAN
2012.
[4] ESTELLE LEUTRAT: LES DEBUTS DE LA GRAVURE SUR CUIVRE EN FRANCE: LYON
1520-1565, GENEVE 2007; TANIA
LEVY: LES PEINTRES DE LYON AUTOUR DE 1500, RENNES 2017.
REZENSION UEBER:
FREDERIC ELSIG (ED.): PEINDRE A LYON AU XVI SIECLE
(= BIBLIOTECA D ARTE; 44), CINISELLO BALSAMO: SILVANA EDITORIALE 2014,
191 S., ISBN
978-88-366-2768-4 , EUR 20,00
FREDERIC ELSIG (ED.): PEINDRE A TROYES AU XVI SIECLE (= BIBLIOTECA
D ARTE; 50), CINISELLO BALSAMO: SILVANA EDITORIALE 2015, 272 S., ISBN
978-88-366-3161-2, EUR 25,00
FREDERIC ELSIG (ED.): PEINDRE A DIJON AU XVI SIECLE (= BIBLIOTECA
D ARTE; 54), CINISELLO BALSAMO: SILVANA EDITORIALE 2016, 296 S., ISBN
978-88-366-3423-1, EUR 30,00
FREDERIC ELSIG (ED.): PEINDRE A ROUEN AU XVI SIECLE (= BIBLIOTECA
D ARTE; 56), CINISELLO BALSAMO: SILVANA EDITORIALE 2017, 256 S., ISBN
978-88-366-3730-0 , EUR 30,00
FREDERIC ELSIG (ED.): PEINDRE A BOURGES AUX XV -XVI SIECLES (=
BIBLIOTECA D ARTE; 58), CINISELLO BALSAMO: SILVANA EDITORIALE 2018, 264
S., ISBN 978-88-366-3880-2 , EUR 30,00
REZENSION VON:
EMILY FRIEDMAN
JOHNS HOPKINS UNIVERSITY, BALTIMORE, MD
EMPFOHLENE ZITIERWEISE:
EMILY FRIEDMAN: PEINDRE EN FRANCE A LA RENAISSANCE (REZENSION), IN:
SEHEPUNKTE 19 (2019), NR. 11 [15.11.2019], URL:
HTTP://WWW.SEHEPUNKTE.DE/2019/11/33422.HTML
BITTE GEBEN SIE BEIM ZITIEREN DIESER REZENSION DIE
EXAKTE URL UND DAS DATUM IHRES LETZTEN BESUCHS DIESER ONLINE-ADRESSE AN.
E
E
E
E
E E
2 VON 2
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| spellingShingle | Peindre en France à la Renaissance Renaissance (DE-588)4049450-0 gnd Malerei (DE-588)4037220-0 gnd |
| subject_GND | (DE-588)4049450-0 (DE-588)4037220-0 (DE-588)4018145-5 (DE-588)1071861417 |
| title | Peindre en France à la Renaissance |
| title_auth | Peindre en France à la Renaissance |
| title_exact_search | Peindre en France à la Renaissance |
| title_full | Peindre en France à la Renaissance sous la dir. de Frédéric Elsig |
| title_fullStr | Peindre en France à la Renaissance sous la dir. de Frédéric Elsig |
| title_full_unstemmed | Peindre en France à la Renaissance sous la dir. de Frédéric Elsig |
| title_short | Peindre en France à la Renaissance |
| title_sort | peindre en france a la renaissance |
| topic | Renaissance (DE-588)4049450-0 gnd Malerei (DE-588)4037220-0 gnd |
| topic_facet | Renaissance Malerei Frankreich Konferenzschrift |
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