The complete idiot's guide to the art of songwriting

The complete idiot's guide to the art of songwriting

Songwriting is an art, but fortunately it's an art you can learn. This guide is packed with everything a beginning songwriter needs to know to hit all the right notes

Gespeichert in:
Bibliographische Detailangaben
1. Verfasser: Kelly, Casey (VerfasserIn)
Format: Buch
Sprache:English
Veröffentlicht: New York Alpha 2011
Schriftenreihe:Complete idiot's guides
Schlagworte:
Popular music / Writing and publishing
Song
Komposition > Musik
Einführung
Online-Zugang:Inhaltsverzeichnis
Tags: Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!

MARC

LEADER 00000nam a2200000 c 4500
001 BV039556138
003 DE-604
005 20111018
007 t|
008 110831s2011 xx gl|| |||| 00||| eng d
020 |a 9781615641031  |c pbk.  |9 978-1-61564-103-1 
035 |a (OCoLC)679930801 
035 |a (DE-599)BVBBV039556138 
040 |a DE-604  |b ger  |e rakwb 
041 0 |a eng 
049 |a DE-12 
084 |a 9,2  |2 ssgn 
100 1 |a Kelly, Casey  |e Verfasser  |4 aut 
245 1 0 |a The complete idiot's guide to the art of songwriting  |c by Casey Kelly and David Hodge 
246 1 3 |a Guide to the art of songwriting 
246 1 3 |a The art of songwriting 
264 1 |a New York  |b Alpha  |c 2011 
300 |a XVII, 222 S.  |b Notenbeisp. 
336 |b txt  |2 rdacontent 
337 |b n  |2 rdamedia 
338 |b nc  |2 rdacarrier 
490 0 |a Complete idiot's guides 
500 |a Includes bibliographical references (p. [211]-212) and index 
500 |a Getting yourself ready. Magic and myth ; Defining structure ; A look at musical genres ; The chicken and the egg -- Painting with words. What have you got to say? ; Who is singing your song? ; First impressions ; Choruses, verses, and bridges ; Lyrical lyrics -- Making music. Notes, chords, and keys ; Making memorable melodies ; Finding harmony ; Some assembly required ; Rhythm ; Hooking your listener -- Getting better all the time. The art of rewriting ; Turning your song into a demo ; Avoiding ruts and blocks ; Working well with others ; Taking your songs for a test drive ; The digital age -- Going pro. Copyrights ; The business of the music business ; New horizons 
520 |a Songwriting is an art, but fortunately it's an art you can learn. This guide is packed with everything a beginning songwriter needs to know to hit all the right notes 
650 4 |a Popular music / Writing and publishing 
650 0 7 |a Song  |0 (DE-588)4138544-5  |2 gnd  |9 rswk-swf 
650 0 7 |a Komposition  |g Musik  |0 (DE-588)4133320-2  |2 gnd  |9 rswk-swf 
655 7 |0 (DE-588)4151278-9  |a Einführung  |2 gnd-content 
689 0 0 |a Song  |0 (DE-588)4138544-5  |D s 
689 0 1 |a Komposition  |g Musik  |0 (DE-588)4133320-2  |D s 
689 0 |5 DE-604 
700 1 |a Hodge, David  |e Sonstige  |4 oth 
856 4 2 |m Digitalisierung BSB Muenchen  |q application/pdf  |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024407921&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA  |3 Inhaltsverzeichnis 
942 1 1 |c 780.7  |e 22/bsb 
942 1 1 |c 781  |e 22/bsb 
943 1 |a oai:aleph.bib-bvb.de:BVB01-024407921 

Datensatz im Suchindex

_version_ 1819606591083642880
adam_text Contents Part 1: Getting Yourself Ready ..............................................1 1 Magic and Myth .............................................................3 Art and Craft ..................................................................................3 It Takes Two ................................................................................4 Putting History to Use .................................................................4 Casey s Story About Discovering the Rules ..............................4 Putting the Rules to the Test ........................................................5 You ll Be Amazed ... ................................................................6 Tweaking the Rules ........................................................................7 Learning by Listening ...................................................................7 Delve into the Details ..................................................................8 2 Defining Structure ........................................................9 Overall Components ......................................................................9 Song Parts .....................................................................................10 Chorus .......................................................................................10 Verse ..........................................................................................10 Bridge ........................................................................................11 Entrances, Exits, and Other Hallways .......................................11 Piecing Parts Together ................................................................11 Verses Only ................................................................................12 Verses and Choruses ...................................................................12 Adding Bridges ..........................................................................13 Mixing Up a Bit of Everything ..................................................13 Keeping an Ear on the Clock ......................................................15 The Benefits of Form ...................................................................16 Learning by Listening .................................................................16 3 A Look at Musical Genres .........................................19 The Main Highways ....................................................................19 Rock ...........................................................................................20 Country .....................................................................................20 Rhythm ir Blues & a Whole Lot More ......................................21 Pop ............................................................................................21 Other Roads to Travel .................................................................22 Blues ..........................................................................................22 Jazz ...........................................................................................22 That Old-Time (and Modern-Day) Religion ..............................22 Folk and New Old-Time Stuff ...............................................23 All Over the World ....................................................................23 The Complete Idiot s Guide to the Art of Songwriting Stage and Screen ........................................................................23 Further Afield ...........................................................................24 Playing with Songs and Genres ..................................................24 Learning by Listening .................................................................24 4 The Chicken and the Egg .........................................27 Using Your Heart .........................................................................28 Finding Inspiration ......................................................................28 Using Your Eyes and Ears ...........................................................30 Listening for Ideas .....................................................................30 Whistle While You Walk ...........................................................30 Trust Your Instinct but Write Things Down! ...........................31 Getting the First One Done ........................................................31 Avoiding Pre-Editing ................................................................31 Singles Are as Important as Home Runs ....................................32 Songwriting as a Craft .................................................................32 The Importance of Practice .........................................................32 Being Flexible ............................................................................33 Part 2: Painting with Words ................................................35 5 What Have You Got to Say? .....................................37 The Moment of Your Song ......................................................37 What s It All About? ....................................................................38 Song as Story ................................................................................38 How Much Story? ......................................................................39 How Much Scene Setting? .........................................................39 Song as Snapshot ..........................................................................39 Inside the Frame ........................................................................40 Remembering the Big Picture ....................................................40 Learning by Doing .......................................................................41 6 Who Is Singing Your Song? ....................................43 Why Who Is So Important ......................................................43 The Evolution from Personal Musical Journal ..........................44 Who, Indeed? ............................................................................44 Choices of Person .........................................................................45 First Person ...............................................................................45 Make It Clear Who I Is ..........................................................45 Second Person ............................................................................46 Third Person ..............................................................................46 It s Not What You Know—It s What You Feel ..........................47 Staying True to Character ...........................................................48 Learning by Doing .......................................................................49 7 First Impressions .........................................................51 A Title Is Much More Than a Title ............................................51 Making the Title Matter ...........................................................52 Repeat as Necessary (and Then Some More)! ..............................52 What s In a Name? .......................................................................52 People ........................................................................................53 Places and Things ......................................................................53 Phrases and Stories in a Nutshell ...............................................54 Opening Statements .....................................................................54 Learning by Doing .......................................................................55 Stockpiling .................................................................................55 Getting Hooked ..........................................................................56 8 Choruses, Verses, and Bridges ................................57 All Together Now! ....................................................................57 Chorus as Overview ...................................................................58 Titles and Single-Line Choruses. ................................................58 Choruses That Change ...............................................................58 Verses ............................................................................................59 First Verse .................................................................................59 Second Verse ..............................................................................59 Third Verse ................................................................................60 Bridges ...........................................................................................60 Structural Integrity ......................................................................60 Case Study: Soon ......................................................................61 Getting the Idea .........................................................................61 From Idea and Title to Chorus and Verse ...................................61 Change of Plans: First Verse Becomes Second Verse ....................62 Bridge and Resolution Make a Wonderful Twist ........................63 Some Advice from Kenny Loggins .............................................64 Learning by Doing .......................................................................65 9 Lyrical Lyrics ................................................................67 Making a List ...............................................................................67 Avoiding Tongue Twisters ..........................................................68 Bringing in Outside Help ..........................................................68 The Meter s Running ...................................................................69 Rhyme Time .................................................................................70 Rhyme Schemes ..........................................................................10 Rhyming Within Lines ..............................................................11 Poetic Devices ..............................................................................71 Creating Vivid, Memorable Lyrics .............................................72 Alliteration ................................................................................72 Nonsense! ...................................................................................13 The Complete Idiot s Guide to the Art of Songwriting Making the Personal Universal ...................................................73 The Other Side of the Stage ........................................................74 Three Minutes — One Listen ......................................................74 Striving for Clarity ...................................................................74 Learning by Doing .......................................................................75 Part 3: Making Music ............................................................77 10 Notes, Chords, and Keys ...........................................79 The DNA of Music ......................................................................79 Notes ..........................................................................................80 The Major Scale ........................................................................81 Creating Chords ...........................................................................82 Two Basic, Two Exotic ...............................................................82 Chords with Accessories ..............................................................82 Living in Harmony ......................................................................83 Diatonic Chords .........................................................................84 Finding Home ........................................................................85 Borrowing a Chord or Two ........................................................85 Learning by Listening .................................................................86 11 Making Memorable Melodies ...................................87 Singing as Conversation ..............................................................87 The Importance of Breathing .....................................................88 Different Approaches for Different Songwriters .........................88 La, La, La ..............................................................................88 Steps, Skips, and Leaps ................................................................89 Melodies as Visual Art ...............................................................89 Finding the Range .....................................................................90 The Rhythms of Melodies ...........................................................90 Finding a Groove .......................................................................91 Long Notes, Short Notes ............................................................91 Hum That Tune ...........................................................................92 Motifs ........................................................................................93 High and Low Points .................................................................93 A Singer s Perspective on Writing Melodies ..............................93 Making Use of Dynamics ...........................................................94 Creating Dynamics Through Small Changes in Melody .............94 Keeping Range and Lyric-to-Music Ratio in Mind .................94 Learning by Doing .......................................................................95 Studying the Masters .................................................................95 Digging Deeper .........................................................................96 12 Finding Harmony ........................................................97 Three Chords and the Truth ......................................................97 /, IV, V. .....................................................................................98 ii, Hi, vi.....................................................................................99 All Roads Lead to Home .............................................................99 Strong (and Not-So-Strong) Progressions. .................................99 Deceptive Changes ....................................................................100 Setting a Mood ...........................................................................100 Minor Keys ..............................................................................101 Slightly Askew .........................................................................101 Time and Time Again ...............................................................101 Working with the Big Three ....................................................102 Varying and Repeating Progressions in a Song .........................102 Adding Some Surprises ............................................................103 Minor Progressions ....................................................................103 Down and Back .......................................................................104 Minor i-Major IV. ..................................................................104 Turnarounds ...............................................................................104 Learning by Doing .....................................................................105 13 Some Assembly Required ......................................107 Finding a Starting Point ............................................................107 Harmonizing a Melody ..............................................................108 Same Exact Melody, Totally Different Key ..............................110 Really Changing the Mood ........................................................ Ill Progression .................................................................................112 Adding a Melody ......................................................................113 Working the Pauses ...................................................................114 Melody and Chords in Tandem ..................................................114 Tension and Resolution ..............................................................115 Growing Beyond Simple Major and Minor Chords ...................116 Learning by Doing (and Doing and Doing) ..............................117 14 Rhythm .........................................................................119 Finding a Pulse ............................................................................119 4/4 Timing ..............................................................................120 Separating Rhythm from Tempo ..............................................120 Steady as She Goes ...................................................................121 Thinking in Threes and More ..................................................121 Subdividing into Swing Time ..................................................121 Definitely Different .................................................................121 The Complete Idiot s Guide to the Art of Songwriting Adapting Rhythm to Lyrics (and Vice Versa) ..........................122 Using Rhythm as a Starting Point ...........................................122 Writing from the Bottom Up ...................................................123 Learning by Listening ...............................................................123 Finding Some Grooves .............................................................123 Matching Rhythm to Mood and Message ..................................124 15 Hooking Your Listener .............................................125 That s Some Catch .....................................................................125 Where Hooks Fit into the Songwriting Process .........................126 How Many Are Enough? .........................................................126 Riffs and Fills .............................................................................126 Where Do They All Come From? ............................................ Í27 Riffs as Seeds ...........................................................................128 Spreading the Wealth Around ..................................................128 Melodic Hooks ...........................................................................128 Higher and Lower. ...................................................................128 Hooking with Harmony ...........................................................129 Progressions as Hooks ...............................................................129 Rhythmic Hooks ........................................................................129 Stops, Starts, and Dynamics ....................................................130 Everything Including the Kitchen Sink ....................................130 Learning by Doing .....................................................................130 Part 4: Getting Better All the Time ...................................133 16 The Art of Rewriting ................................................135 The Craft of Songwriting ..........................................................135 The Reality of the Five-Minute Dream ....................................136 The Little Details ....................................................................137 Trust Your Instincts but Know Yourself ...................................131 Going Through Your Lyrics .....................................................138 Starting All Over Again ..........................................................138 Tuning Up the Music .................................................................139 A Part of the Song or Apart from It? .......................................139 Change of Tempo or Rhythm ....................................................140 The Teamwork Between Music and Lyrics ...............................140 Less Is More ...............................................................................140 Where Have I Heard That Before? ..........................................141 A Rewrite Checklist ...................................................................141 if Your Song Ready for the Commercial Marketplace? .............142 Know What s Going On! ......................................................... 143 When Enough Is Enough .......................................................... I43 17 Turning Your Song into a Demo ...........................145 Work Tapes .................................................................................145 Demos .........................................................................................146 Reasons for Making a Demo ....................................................147 Things to Consider ...................................................................147 From Work Tape to Demo ........................................................148 Scoping Out a Studio ...............................................................149 Putting a Band Together. .........................................................149 Practice Before You Get There! ................................................ ISO Mixing and Mastering ............................................................150 Now What? .................................................................................151 Using Demos for Feedback on Songs ..........................................151 18 Avoiding Ruts and Blocks .......................................153 Getting Around Writer s Block .................................................153 Read to Succeed ........................................................................154 Experimenting with Narrators ................................................154 Playing with Song Forms and Genres .......................................155 Dodging the Sound-the-Same Syndrome ..............................155 Same Notes, Different Keys ......................................................155 Using Time Signatures and Rhythms for Inspiration ...............156 Try a New Tuning ...................................................................156 Some Tips and Advice from Alex Call ......................................157 Learning by Expanding Your Listening Library .....................157 Never Turn Down Going to a Show ........................................158 Never Turn Down a Chance to Play ........................................158 19 Working Well with Others .......................................161 Two Heads Can Sometimes Be Better Than One ....................161 Matching Strengths with Needs ...............................................162 Giving Every Participant a Voice .............................................162 Working Together ....................................................................162 Finding Your Partner .................................................................163 Making Contact .......................................................................163 Co-Writing with Artists ..........................................................164 Avoiding Co-Writing Problems ................................................165 Practical Considerations ...........................................................166 Put Everything Down on Paper (or Disc) .................................166 Save Time for Yourself! .............................................................167 Todd Cerney s Story on Co-Writing Good Morning Beautiful .....................................................167 The Complete Idiot s Guide to the Art of Songwriting 20 Taking Your Songs for a Test Drive ......................169 Finding Sources of Feedback .....................................................169 Open Mies ............................................................................... ПО Songwriting Workshops ...........................................................170 Writers In-the-Round ..........................................................171 Online Reception ........................................................................171 Getting Helpful Feedback ..........................................................171 The Right Mindset for Feedback ...............................................172 Positive Isn t Always Good .......................................................172 Putting Objectivity to Work .....................................................173 Learning by Doing .....................................................................173 Critiquing Others to Make Your Own Songs Better. ................173 Putting Everyone to Work for You ...........................................174 Networking Tips from Doak Turner .........................................174 Attitude Is Altitude ..................................................................175 Business Cards ..........................................................................175 What NOT To Do at Networking Events ................................176 Find Creative Places to Network ..............................................176 Be a Resource in Your Community ...........................................777 Create an Event ....................................................................... Í77 Speaking About Your Peers ......................................................177 21 The Digital Age .........................................................179 It s a Small World .......................................................................179 The Good Side .........................................................................180 The Flip Side ...........................................................................180 Tools You Can Use .....................................................................181 A Place of Your Own ..................................................................181 Setting Up Shop in Someone Else s Shop ..................................182 Social Networking ......................................................................182 Twitter ....................................................................................182 One Connection for Everything. ...............................................183 On Stage All the Time ...............................................................183 Being Social .............................................................................183 Being Careful ..........................................................................183 Keeping Current ......................................................................184 Part 5: Going Pro .................................................................185 22 Copyrights ..................................................................187 What Is Copyright? ...................................................................187 What Copyright Does ..............................................................187 What Does Copyright Protect? .................................................188 What Does Copyright Not Protect? ..........................................188 Registration with the Copyright Office (the Library of Congress) ........................................................188 Your Personal Archive ...............................................................189 Getting It All Together ............................................................189 Keeping Up with the Latest Laws .............................................190 23 The Business of the Music Business ......................191 How Songs Make Money ...........................................................191 Performing Rights Organizations .............................................192 Other Sources of Revenue .........................................................193 Learning by Doing .....................................................................194 You Can t Do It All by Yourself ................................................195 Agents ......................................................................................195 Managers ................................................................................195 Publishers ................................................................................196 Other Music Business Professionals ..........................................197 Attorneys .................................................................................197 Accountants. .............................................................................197 Copyright Administrators ........................................................197 Tune Pluggers ..........................................................................198 Business Manager ....................................................................198 Creative People ........................................................................198 24 New Horizons .............................................................201 Putting What You ve Learned to Good Use ............................201 Double-Checking Your Focus ....................................................202 Reading Is Not Doing ..............................................................202 The Endless Ladder ...................................................................203 A Healthier Perspective .............................................................204 You Are and Always Will Be a Songwriter ...............................204 Don t Forget the Feeling. .........................................................205 A Final Word from Songwriter Wood Newton .........................205 Appendixes A Glossary .....................................................................207 В Reading and Resources ...........................................211 Index ............................................................................217
any_adam_object 1
author Kelly, Casey
author_facet Kelly, Casey
author_role aut
author_sort Kelly, Casey
author_variant c k ck
building Verbundindex
bvnumber BV039556138
ctrlnum (OCoLC)679930801
(DE-599)BVBBV039556138
format Book
fullrecord <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02572nam a2200469 c 4500</leader><controlfield tag="001">BV039556138</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20111018 </controlfield><controlfield tag="007">t|</controlfield><controlfield tag="008">110831s2011 xx gl|| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781615641031</subfield><subfield code="c">pbk.</subfield><subfield code="9">978-1-61564-103-1</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)679930801</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV039556138</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rakwb</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">9,2</subfield><subfield code="2">ssgn</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Kelly, Casey</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The complete idiot's guide to the art of songwriting</subfield><subfield code="c">by Casey Kelly and David Hodge</subfield></datafield><datafield tag="246" ind1="1" ind2="3"><subfield code="a">Guide to the art of songwriting</subfield></datafield><datafield tag="246" ind1="1" ind2="3"><subfield code="a">The art of songwriting</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York</subfield><subfield code="b">Alpha</subfield><subfield code="c">2011</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">XVII, 222 S.</subfield><subfield code="b">Notenbeisp.</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Complete idiot's guides</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references (p. [211]-212) and index</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Getting yourself ready. Magic and myth ; Defining structure ; A look at musical genres ; The chicken and the egg -- Painting with words. What have you got to say? ; Who is singing your song? ; First impressions ; Choruses, verses, and bridges ; Lyrical lyrics -- Making music. Notes, chords, and keys ; Making memorable melodies ; Finding harmony ; Some assembly required ; Rhythm ; Hooking your listener -- Getting better all the time. The art of rewriting ; Turning your song into a demo ; Avoiding ruts and blocks ; Working well with others ; Taking your songs for a test drive ; The digital age -- Going pro. Copyrights ; The business of the music business ; New horizons</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Songwriting is an art, but fortunately it's an art you can learn. This guide is packed with everything a beginning songwriter needs to know to hit all the right notes</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Popular music / Writing and publishing</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Song</subfield><subfield code="0">(DE-588)4138544-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Komposition</subfield><subfield code="g">Musik</subfield><subfield code="0">(DE-588)4133320-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4151278-9</subfield><subfield code="a">Einführung</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Song</subfield><subfield code="0">(DE-588)4138544-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Komposition</subfield><subfield code="g">Musik</subfield><subfield code="0">(DE-588)4133320-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Hodge, David</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung BSB Muenchen</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&amp;doc_library=BVB01&amp;local_base=BVB01&amp;doc_number=024407921&amp;sequence=000002&amp;line_number=0001&amp;func_code=DB_RECORDS&amp;service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.7</subfield><subfield code="e">22/bsb</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781</subfield><subfield code="e">22/bsb</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-024407921</subfield></datafield></record></collection>
genre (DE-588)4151278-9 Einführung gnd-content
genre_facet Einführung
id DE-604.BV039556138
illustrated Illustrated
indexdate 2024-12-24T02:20:15Z
institution BVB
isbn 9781615641031
language English
oai_aleph_id oai:aleph.bib-bvb.de:BVB01-024407921
oclc_num 679930801
open_access_boolean
owner DE-12
owner_facet DE-12
physical XVII, 222 S. Notenbeisp.
publishDate 2011
publishDateSearch 2011
publishDateSort 2011
publisher Alpha
record_format marc
series2 Complete idiot's guides
spellingShingle Kelly, Casey
The complete idiot's guide to the art of songwriting
Popular music / Writing and publishing
Song (DE-588)4138544-5 gnd
Komposition Musik (DE-588)4133320-2 gnd
subject_GND (DE-588)4138544-5
(DE-588)4133320-2
(DE-588)4151278-9
title The complete idiot's guide to the art of songwriting
title_alt Guide to the art of songwriting
The art of songwriting
title_auth The complete idiot's guide to the art of songwriting
title_exact_search The complete idiot's guide to the art of songwriting
title_full The complete idiot's guide to the art of songwriting by Casey Kelly and David Hodge
title_fullStr The complete idiot's guide to the art of songwriting by Casey Kelly and David Hodge
title_full_unstemmed The complete idiot's guide to the art of songwriting by Casey Kelly and David Hodge
title_short The complete idiot's guide to the art of songwriting
title_sort the complete idiot s guide to the art of songwriting
topic Popular music / Writing and publishing
Song (DE-588)4138544-5 gnd
Komposition Musik (DE-588)4133320-2 gnd
topic_facet Popular music / Writing and publishing
Song
Komposition Musik
Einführung
url http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024407921&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
work_keys_str_mv AT kellycasey thecompleteidiotsguidetotheartofsongwriting
AT hodgedavid thecompleteidiotsguidetotheartofsongwriting
AT kellycasey guidetotheartofsongwriting
AT hodgedavid guidetotheartofsongwriting
AT kellycasey theartofsongwriting
AT hodgedavid theartofsongwriting

Ähnliche Einträge