Slavici sau iubirea ca mod de viaţă relaţia umană ca loc geometric al prozei lui Ioan Slavici
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Format: | Buch |
Sprache: | Romanian |
Veröffentlicht: |
Iaşi
Inst. European
2011
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Schriftenreihe: | Colecţia Academica
118 : Seria Litere |
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Datensatz im Suchindex
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adam_text | Cuprins
Prefaţai!
PARTEA
I:
PROSPEŢIMEA
Prospeţimea... unui „învechit
/13
PARTEA
II:
FORŢA
Capitolul
1.
Moara cu noroc sau miniromanul unui simulacru
de iubire
/ 53
1.1.
Cu toată inima, cu tot sufletul, cu toată dragostea
mamei
/53
1.2.
Scyla şi Caribda
/ 57
1.3.
De ce mă omori?. ... Ce-am păcătuit eu?
/ 63
1.4.
între iadul mândriei.
.. / 70
1.5....
iadul smereniei
... / 76
1.6....
şi iadul deznădejdii
/ 82
1.7.
Ghiţă! Ghiţă! de ce nu mi-ai spus-o tu mie asta la
vreme!?
/89
1.8.
Gherondissa
/ 95
Capitolul
2.
Pădureanca: Un exerciţiu de fenomenologia bolii/
101
2.1.
Popa Furtună
-
„Păpuşarul /
101
2.2.
Tată şi fiu
/106
2.3.
Iorgovan cel depresiv
/112
2.4.
O lume bolnavă
/117
2.5.
0 lume sănătoasă
/ 121
2.6.
Slavici şi literatura realist-naturalistă
/127
Capitolul
3.
Mara
sau „despre cei din mijlocul pământului unde
se întâlnesc toate neamurile
/133
3.1.
Iubirea mea: străinul acesta/
133
3.2.
Concetăţeanul meu: străinul acesta
/136
3.3.
Iubirea mea: neamţul acesta
/143
3.4.
Bărbatul acesta: soţul meu
/155
3.5.
Freud:
duşmanul meu?! (Cazul Burdea)
/161
Capitolul
4.
,Jianul Ciorilor sau unde se vede cum croncănitul
se poate face tril
/167
4.1.
Fuge de ploaie, dă de noroaie
/167
4.2.
La osul cu carne se adună ciorile
/171
4.3.
Fală goală, taşcă uşoară
/176
PARTEA
IV:
FERVOAREA
Capitolul
5.
Slavici cel cumpătat
/ 185
Capitolul
6.
Slavici cel tragic
/ 207
6.1.
Slavici şi începuturile sale sub semnul tragicului
/ 207
6.2.
între tragic şi dramatic: periplu în proza slaviciană
/ 209
6.3.
Capodoperele şi „farmecul lor tragic
/ 220
6.4.
Slavici şi tragicul... ca vocaţie
/ 230
Capitolul
7.
Slavici cel vajnic
/ 233
7.1.
Cei trei
I.
Slavici
/233
7.2.
Cel ce aleargă după fluturi
/ 240
7.3.
Iubirea in
gloriam
/249
Bibliografie/
257
Abstract
/261
Résumé/
273
Abstract
I feel a sense of
bittemess
about the rigidity of our vision
(the so-called experienced readers) in relation to the work of
Slavici,
today as well like I felt eight years ago when I presented
my exam paper dissertation with the title Love from
Slavici
to Gala
Galaction. An essential difference, however, emerged over time.
Today I do not believe we can blame entirely the criticism because
of our deep rooted prejudices, but ourselves. From the criticism of
the 40s (G. Calinescu, Tudor Vianu) which calls for the Romanian
literary canon in which
Slavici
was granted a privileged position
among the „great writers that is „great creators in the Romanian
literature, in the works of the
70s
(George Munteanu,
Magdalena
Popescu) which represent a renewal, a revival of the analytical
perspective on the writer s work, until the last three decades,
noting the contributions of Anton Cosma, Vasile Popovici, Cornel
Ungureanu, Nicolae Manolescu we see a concern and a critical
opening not be neglected.
In the same spirit of observing the valences, but also the
weaknesses of attempting to deepen the analysis of characters and
the heroes spiritual depths this paper is written. It wants to be an
extension of the researches aiming at „the prospective from deep
on the characters. The method of analysis used, belongs equally to
narratology and literary anthropology, the latter giving us the
reading key which seems the most appropriate human relationship
as the geometrical place of Slavici s prose. The proper instrument
of this „poll that we believe is able to enhance the creation of the
Transylvanian writer, is given to us by the writer himself. With
maturity, at the height of his career and life,
Slavici
wrote in The
Human Deed: „The light of consolation has not appeared to me,
267
STELIANA
BRÀDESCU
unless I asked myself:
«Man! What have you got to love above all and how far
your love will reach, as to be cheerful, always enthusiastic, always
happy to get through life?»
This question is the starting point of the entire human
wisdom, of practical philosophy, of morality, whether religious or
political or social, aesthetic, and above all of pedagogy, for me the
highest and the supreme of all sciences1 .
On love, nucleus, and also the
Gordian
knot of any human
relationship,
Slavici
stops surprisingly and seeming to be prophetic,
in his entire creation. For the writer there was an evidence already,
what later came out as the „thread of Ariadne for the twentieth
century thinkers to say that „it is undeniable that love only
captures the spirit of becoming. For it seems that it participates
like any other human function
,
without any interference from
anybody, to that vital impetus that is the principle of becoming. It
alone causes to the superiour spirits, those complex inner
developments which enhance all living cells and all tendencies.
More man it happens in life, when facing death and when facing
love, man appears in his structural authenticity2 .
By means of this eternal human feeling which characterizes
inter and intra-personal relationships, analyzed rigorously „scientific
(the „anamnesis was taken into consideration), this paper aims to
answer to some of the accusations that have been brought to the
literature of loan
Slavici:
that moralizing literature, provinciality,
lack of modernity
...
as well as the difficult questions about the
heroes of
Slavici,
of which we mention a few: „How much do we
understand of the emotional reactions and attitudes of a soul,
hidden and tense in his silence/lack of communication, than that of
Iorgovan?! ,
„How do we interpret the gesture full of tenderness,
1
Human Deed in loan
Slavici,
WorL·, vol.
9
(Memories,
Varia),
Minerva
Publishing House, Bucharest,
1978,
pp.
605-606.
2
Camil Petxescu, Opinions and Attitudes, Literature Publishing House, Bucharest,
1962,
p.
209.
268
Slavici sau iubirea ca mod de viaţă
love and at the same time criminal, with which
Ghiţă
kills his wife,
Ana?! , „How much force and how much weakness we discover in
Nati
personality?!
The freshness, strength and fervor
...
of this „Old
Fashioned/Obsolete master of the Romanian literature are
enlightened by a broad beam of x-ray vision on the critical vision
of this writer s universe, of the literary analysis of his works-
masterpieces, to which separate sub-chapters are devoted to, but
also by the creation of three studies that make an overall synthesis
of a brief spiritual monography, a fruit of the curiosity emerged
from the questions: „How much talent and how much work and
skill does
Slavici
s
characters creation demand? Does he
predestine his heroes or not? „How will, in the matter of the
epic/narative, the two specific skills of the
narator
be moulded,
ever since his debut: the drama instinct and the tragic vocation?
What is the narrator s masterpieces tragic charm? ,
,
,How accurate
is the time separation of his entire work the school books offer? ,
„Is
Slavici
a thesist writer? . Without intending to do a factual and
documentary recreation of the writer s biography, the sub-chapters
„Slavici
the balanced ,
„Slavici
the tragic and
„Slavici
the
great/valient attempt to provide answers with a purely symptomatic
character clarifying for the critic who puts the masterpieces on one
side and the waste papers on the other side, but has an overall view
for the entire work, considering it a living organism.
The subchapter entitled „The Lucky Mill or the mininovel
of a simulacrum of love moves the focus of reading and
interpretation of the novel from a pecuniary or social issue to a
relational, communication one. We consider that the communication
deficiencies of
Ana-Ghiţă
couple are created in an optimal way of
deciphering novel heroes personality and provides a critical new
understanding of contradictory opinions which have been formulated
over time about Slavici s first masterpiece.
Pădureanca/The
Lass
-
is an exercise of the phenomenology of the disease, it intends to be
a study about the psychology and pathology of the son-parents and
269
STELIANA
BRÄDESCU
erotic
relationships, which the narator s text brings to our discussion.
The characters of this short-story, according to data provided to us,
can be seen as elements of a naturalistic scheme, so by this sub-
chapter we intend to take the first step towards future theme
development on
Slavici
as belonging to a naturalist-realist literature as
Nicolae Manolescu used to call Rebreanu s literature.
Mara, or „about those in the deep of the earth where all
nations meet the most important novel of
Slavici,
can be noted as
a very current one, I think. On the one hand, Mara discusses
interethnic couple relationship for both partners for which they
both straggle strongly, which gives the writer the framework for a
major literary analysis, serious and profound. On the other hand
interrelated threads are pursued simultaneously, which are
established among all members of this motley world which
Slavici
describes in the first paragraphs. The identity crisis, the alteration
pressure, sexes polemics, the confrontation between the father s
law and mother s law, the degeneration, are found in the novel
written in
1894,
and this sub-chapter which is dedicated to it, using
the tools of imagology, aims to illustrate how the writer s skill
offers the reader.
We also proposed the recovery of texts of which the
short-story „The Crows Inn
η
which the writer gives the reader
his first and only great work of fantastic literature. The singularity
seems to send the work in the field of „literary experiments .
Things are not at all like this. Although
Slavici
does not chose to
keep the formula on the fantastic any more, surprisingly, „The
Crows Inn demonstrates the existence of will and technique to
create this one. The over-flow of precision, throughness of catching
strange happenings, makes maximum use of Slavici s resources
and talent of a realist writer.
The writer s creation has no doubt its flaws, its
ups
and
downs, like his entire long and tumultuous existence The spirit and
letter of his literary texts are undoubtedly modified, radically since
the young unsure, unpredictable, expansive, but uneasy/
270
Slavici sau iubirea ca mod de viaţă
uncomfortable
Slavici,
like
in Soll and Haben;
to that in that glory
mature, strong, balanced, tolerant man of understanding, of love
for his neighbour as we discover him in The Human Deed and,
finally, to the proud old
Slavici,
upsetting by etics, ostensibly even
when he reminds his „prisons .
Taking all these into consideration, the paper also tried to
provide a new chronology of the Transylvanian writer. What we
really wanted in fact, was, however, that it meets a goal formulated
by
Eleonora
Slavici,
full of modesty and pain, during heavy years
of denigration and collective forgetfulness: „our nation s emotionally
honest thinkers must offer
(Slavici)
the place he deserves1 .
If I succeed or not remains to be seen.
1
Eleonora
Slavici,
Diary, Committee for Culture and AH of
Timişoara,
Municipal
Library,
1969,
p.
66.
271
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id | DE-604.BV039535577 |
illustrated | Not Illustrated |
indexdate | 2024-07-10T00:05:43Z |
institution | BVB |
isbn | 9789736117183 |
language | Romanian |
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physical | 277 S. |
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publisher | Inst. European |
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spelling | Brădescu, Steliana Verfasser aut Slavici sau iubirea ca mod de viaţă relaţia umană ca loc geometric al prozei lui Ioan Slavici Steliana Brădescu Iaşi Inst. European 2011 277 S. txt rdacontent n rdamedia nc rdacarrier Colecţia Academica 118 : Seria Litere Zsfassung in engl. und franz. Sprache Slavici, Ioan 1848-1925 (DE-588)11879759X gnd rswk-swf Literaturkritik (DE-588)4036020-9 gnd rswk-swf Prosa (DE-588)4047497-5 gnd rswk-swf Slavici, Ioan 1848-1925 (DE-588)11879759X p Prosa (DE-588)4047497-5 s Literaturkritik (DE-588)4036020-9 s DE-604 Colecţia Academica 118 : Seria Litere (DE-604)BV035808626 118 Digitalisierung BSB Muenchen 2 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024387770&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB Muenchen 2 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024387770&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Abstract |
spellingShingle | Brădescu, Steliana Slavici sau iubirea ca mod de viaţă relaţia umană ca loc geometric al prozei lui Ioan Slavici Colecţia Academica Slavici, Ioan 1848-1925 (DE-588)11879759X gnd Literaturkritik (DE-588)4036020-9 gnd Prosa (DE-588)4047497-5 gnd |
subject_GND | (DE-588)11879759X (DE-588)4036020-9 (DE-588)4047497-5 |
title | Slavici sau iubirea ca mod de viaţă relaţia umană ca loc geometric al prozei lui Ioan Slavici |
title_auth | Slavici sau iubirea ca mod de viaţă relaţia umană ca loc geometric al prozei lui Ioan Slavici |
title_exact_search | Slavici sau iubirea ca mod de viaţă relaţia umană ca loc geometric al prozei lui Ioan Slavici |
title_full | Slavici sau iubirea ca mod de viaţă relaţia umană ca loc geometric al prozei lui Ioan Slavici Steliana Brădescu |
title_fullStr | Slavici sau iubirea ca mod de viaţă relaţia umană ca loc geometric al prozei lui Ioan Slavici Steliana Brădescu |
title_full_unstemmed | Slavici sau iubirea ca mod de viaţă relaţia umană ca loc geometric al prozei lui Ioan Slavici Steliana Brădescu |
title_short | Slavici sau iubirea ca mod de viaţă |
title_sort | slavici sau iubirea ca mod de viata relatia umana ca loc geometric al prozei lui ioan slavici |
title_sub | relaţia umană ca loc geometric al prozei lui Ioan Slavici |
topic | Slavici, Ioan 1848-1925 (DE-588)11879759X gnd Literaturkritik (DE-588)4036020-9 gnd Prosa (DE-588)4047497-5 gnd |
topic_facet | Slavici, Ioan 1848-1925 Literaturkritik Prosa |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024387770&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024387770&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
volume_link | (DE-604)BV035808626 |
work_keys_str_mv | AT bradescusteliana slavicisauiubireacamoddeviatarelatiaumanacalocgeometricalprozeiluiioanslavici |