Avtografy M. P. Musorgskogo v naučno-issledovatelʹskom otdele rukopisej biblioteki Peterburgskoj Konservatorii katalog
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Izdat. "Kompozitor"
2010
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| Schriftenreihe: | Peterburgskij muzykalʹnyj archiv
8 |
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Datensatz im Suchindex
| _version_ | 1820217585679990784 |
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СОДЕРЖАНИЕ
I.
О документах
M.
П. Мусоргского в научно-исследовательском
отделе рукописей библиотеки Петербургской консерватории
. 9
П. Автографы М. П. Мусоргского. Каталог
. 47
1.
Нотные автографы
Оперы
. 51
Оркестровые произведения
. 64
Хоровые произведения
. 70
Романсы и песни
. 77
Фортепианные произведения
. 92
Переложения сочинения других авторов
. 93
Альбомный автограф
.105
2.
Письма
.107
3.
Надписи Мусоргского на изданиях
.109
III.
Приложение. Перечень материалов, связанных с жизнью и твор¬
чеством М. П. Мусоргского
.114
1.
Копии музыкальных произведений Мусоргского
.114
2.
Обработки сочинений Мусоргского
.114
3.
Изобразительные материалы
.119
4.
Письма и документы
.122
Список сокращений
.139
Список иллюстраций
.140
Указатель имен
.143
Summary
.146
CONTENTS
I.
On M.
P. Musorgsky's documents in the Scientific Manuscript
Department of the St Petersburg State Conservatory Scientific Mu¬
sic Library
. 9
II. M. P. Musorgsky's autographs: Catalogue
. 47
1.
Music autographs
Operas
. 51
Compositions for orchestra
. 64
Choral works
. 70
Songs
. 77
Piano works
. 92
Arrangements of works written by other composers
. 94
An album autograph
.105
2.
Letters
.107
3.
Inscriptions on music editions
.109
III. Appendix. List of materials connected with M. P. Musorgsky's
life and work
.114
1.
Copies of Musorgsky's works
.114
2.
Treatments of Musorgsky's works
.114
3.
Figurative materials
.119
4.
Letters and documents
.122
List of abbreviations
.139
List of illustrations
.140
Index of the names
.143
Summary
.146
SUMMARY
M. P.
Musorgsky's autographs constitute one of the most valuable
collections being kept in the Manuscript Scientific Department of the
St Petersburg State Conservatory Scientific Music Library. This collec¬
tion includes
23
authentic manuscripts of Musorgsky's music works,
an album music autograph,
3
letters and
2
inscriptions made by the
composer on the editions of his music.
Musorgsky's autographs were coming into the Conservatory at dif¬
ferent times. Still during the composer's lifetime, some manuscripts of
his works planned for being performed at the concerts of the Russian
Music Society (RMS) came into the Society's library (it should be re¬
membered that the Conservatory was under the authority of RMS at that
time). Among these works, there is Scherzo in
В
flat major (performed
in
1860
under Anton Rubinstein), as well as vocal-score and full-score
autographs of the chorus from incidental music to the tragedy Oedipus
(second version). The chorus was intended to be performed at one of
the RMS concerts, but the performance did not take place because of
the composer's disagreement with the Society Directorial Board; nev¬
ertheless, the manuscripts remained at the library.
The main part of Musorgsky's music autographs
— 19
depository
units
—
were bought by the Conservatory from S. M. Liapunov in
1919.
It is known that originally these autographs were in the possession of
M. A. Balakirev, being inherited after his decease by Liapunov ac¬
cording to Balakirev's will. Among them, there are manuscripts of
Musorgsky's St. John's Night on the Bare Mountain, Dream Vision of
the Parubok (destined for the opera Sorochintsy Fair), fragments of the
unfinished opera
Salammbô,
vocal compositions.
In
1927,
some materials related to Musorgsky were transferred to the
Conservatory from the Historical Museum of the former Cadet School
of the Guards. Formerly, the autographs of the renowned pupil of the
School had come into the Museum from Cesar
Cui.
Among these mate¬
rials, there is an autograph of Musorgsky's song Darling Savishna.
One of Musorgsky's music autographs may be found in the col¬
lection album that belonged to G. A. Demidov, one of the composer's
146
friends serving together with him in the Preobrazhensky Regiment. On
November
4, 1863,
Musorgsky wrote down into the album a fragment
of his Saul's Song Before the Battle for voice and piano.
In the recent years, only one of Musorgsky's autographs came into
the Manuscript Department. In
1991,
A. S. Belonenko, the Conservato¬
ry Vice-Rector for Research Affairs, passed a printed copy of Musorg¬
sky's song Billy-Goat (A High Society Fairy-Tale) with the composer's
inscription.
Formed of acquirements from different times and different sources,
the collection of Musorgsky's documents at the St Petersburg Conser¬
vatory embraces almost all the periods of the composer's life. The let¬
ters being kept in the Conservatory Library are dated from three differ¬
ent decades (from 1860s to
1880).
Autographs of compositions belong
mainly to the early period of Musorgsky's creative work and represent
various genres: fragments of operas, symphonic, vocal and piano works,
piano arrangements of works by other composers. The earliest compo¬
sition, dated
1858,
is the orchestral version of Musorgsky's song Where
Art Thou, Little Star? In a number of manuscripts, the composer's
name is written in its original form, without letter 'g' ('Mussorsky').
The autographs represent various forms of the composer's handwrit¬
ing
—
from unsteady and hesitating in the compositions dated from the
end of the 1850s to notable for its particular calligraphic expression in
the works of later years.
Some manuscripts of Musorgsky's compositions belong to the pe¬
riod of his acquaintance and close contacts with his teacher M. A. Bala¬
kirev. Among these manuscripts, there are piano arrangements of works
by Glinka and Beethoven and the composer's 'first experience in instru¬
mentation', i. e. the full score of his song Where Art Thou, Little Star?
Under Balakirev's guidance, the young composer worked at his music
to the tragedy Oedipus (of which only the Scene in the Temple has
been preserved). These manuscripts contain some remarks and correc¬
tions written in pencil, probably by Balakirev. The remarks reflect some
technical moments in Balakirev's studies with his pupil: corrections of
orchestration and of some details in notation and phrasing, examples of
clarifying the disposition of tones in chords, etc.
147
In the autographs of Musorgsky's early compositions we may see
the peculiarities of his manner of writing music text and taking shape
of the manuscript; these peculiarities will be characteristic also for his
later works. In fact, all the autographs are fair copies, notable, despite
some corrections, for their accuracy and particular calligraphy in music
handwriting. As a rule, at the end of the work Musorgsky makes de¬
tailed remarks indicating the time and place of composing, and some¬
times the exact moment of finishing the work. Notwithstanding the ac¬
curacy of writing and carefulness in shaping the manuscripts displayed
by the composer, they are evidently different in their appearance. For
example, the autographs of the songs having been prepared to print
contain almost no corrections. On the contrary, the autograph
oí
Dream
Vision of the Parubok demonstrates the composer's active creative
work: it has numerous corrections in music and literary text, erasures
and cancellings connected with remaking the fragment taken from the
collective opera-ballet
Mlada.
Frequent but very accurate modifications
of the text may be found also in the score of St. John's Night. The fair-
copy character of writing, calligraphic shape of the score do not reflect
at all the composer's feelings expressed in his letter to V. V. Nikolsky:
"With regard to St. John's Night, I must say that I have written it very
quickly, directly in full score.
<.>
something seethed in me in full
swing, and, really, I was not aware of the things happening with me."
One of the characteristic features of Musorgsky's manuscripts is mak¬
ing the indications of tempo and remarks for performance in Russian,
including technical terms of performance (for instance, i. e. 'with the
end of the bow', instead of
apunta
d'arco),
as well as the nomenclature
of instruments themselves, and so on.
In our opinion, Musorgsky worked out his manner of shaping the
manuscripts under the influence of Balakirev. Balakirev's autographs
are notable for the same accuracy of writing the music text, similar
manner of corrections, exactness in designating the dates, up to indicat¬
ing the minutes of finishing the work, as well as marking some events
of the composer's life connected with that day.
At present, quite a number of Musorgsky's works remain unpub¬
lished. Nine of such manuscripts are now being kept in the St Petersburg
148
Conservatory. They include Musorgsky's arrangements of works by
Glinka and Beethoven, orchestral version of his song Where Art Thou,
Little Star? (the composer's first orchestral score), full-score fragments
of his unfinished opera
Salammbô
(Battle Song of Libyans and the first
scene of Act
4),
full scores of the second and the third versions of the
Scene in the Temple from the tragedy Oedipus. In December
2006,
the
full-score fragments of the composer's unpublished works were per¬
formed at the Alexander Glazunov Concert Hall of the Conservatory
under A. V.
Sladkovský,
as part of the concert cycle The Manuscript
Department of the St Petersburg Conservatory Represents. The concert
program was planned to be performed under Mstislav Rostropovich on
May
7, 2006,
but the performance was postponed for December
19
of
the same year, and, because of his illness, Rostropovich was already
unable to come to St. Petersburg. This project became a part of history,
and, as remembrance of it, there exist a printed poster and a prospectus
of the concert with the name of the outstanding musician.
Musorgsky's epistolary heritage is represented by three letters from
the Manuscript Department collection. The letters are addressed to
A. P. Zakharyina, M. R.
Cui,
and
N.
A. Rimsky-Korsakov.
Musorgsky's music autographs and letters from the Manuscript De¬
partment are also supplemented with other materials: the composer's
portraits, photos of musicians
—
performers of his works.
Information on Musorgsky may be found in correspondence docu¬
ments written by different persons. The letters by V. V. Stassov,
M. A. Balakirev contain discussions concerning some situations of the
composer's life, as well as requests for rendering assistance to the au¬
thor of Boris Godunov. Various documents related to Musorgsky are in
the archives of
O. O. Paleček
and of the Trustee Council for supporting
Russian composers and musicians. The materials devoted to Musorg¬
sky are supplemented by treatments, arrangements and instrumenta¬
tions of his works, made by
N.
A. Rimsky-Korsakov, A. K. Liadov,
D. D. Shostakovich. All these materials, forming a kind of'documenta¬
ry dialogue', enrich the information already known from other sources
and represent some unknown facts of the composer's creative biogra¬
phy.
149 |
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| series2 | Peterburgskij muzykalʹnyj archiv |
| spelling | Miller, Larisa A. Verfasser aut Avtografy M. P. Musorgskogo v naučno-issledovatelʹskom otdele rukopisej biblioteki Peterburgskoj Konservatorii katalog L. A. Miller Sankt-Peterburg Izdat. "Kompozitor" 2010 152 S. Ill., Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Peterburgskij muzykalʹnyj archiv 8 PT: M. P. Musorgsky's autographs in the manuscript department of the library of the Sint Petersburg Conservatory. - In kyrill. Schr., russ. - Inh.-Verz. u. Zsfassung in engl. Sprache Musorgskij, Modest Petrovič 1839-1881 (DE-588)118641255 gnd rswk-swf Sankt-Peterburgskaja Gosudarstvennaja Konservatorija Imeni N. A. Rimskogo-Korsakova Naučnaja Muzykal'naja Biblioteka (DE-588)1235370-X gnd rswk-swf Autograf (DE-588)4003942-0 gnd rswk-swf (DE-588)4163417-2 Katalog gnd-content Musorgskij, Modest Petrovič 1839-1881 (DE-588)118641255 p Sankt-Peterburgskaja Gosudarstvennaja Konservatorija Imeni N. A. Rimskogo-Korsakova Naučnaja Muzykal'naja Biblioteka (DE-588)1235370-X b Autograf (DE-588)4003942-0 s DE-604 Peterburgskij muzykalʹnyj archiv 8 (DE-604)BV019880879 8 Digitalisierung BSB Muenchen 2 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024376317&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB Muenchen 2 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024376317&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Abstract |
| spellingShingle | Miller, Larisa A. Avtografy M. P. Musorgskogo v naučno-issledovatelʹskom otdele rukopisej biblioteki Peterburgskoj Konservatorii katalog Peterburgskij muzykalʹnyj archiv Musorgskij, Modest Petrovič 1839-1881 (DE-588)118641255 gnd Sankt-Peterburgskaja Gosudarstvennaja Konservatorija Imeni N. A. Rimskogo-Korsakova Naučnaja Muzykal'naja Biblioteka (DE-588)1235370-X gnd Autograf (DE-588)4003942-0 gnd |
| subject_GND | (DE-588)118641255 (DE-588)1235370-X (DE-588)4003942-0 (DE-588)4163417-2 |
| title | Avtografy M. P. Musorgskogo v naučno-issledovatelʹskom otdele rukopisej biblioteki Peterburgskoj Konservatorii katalog |
| title_auth | Avtografy M. P. Musorgskogo v naučno-issledovatelʹskom otdele rukopisej biblioteki Peterburgskoj Konservatorii katalog |
| title_exact_search | Avtografy M. P. Musorgskogo v naučno-issledovatelʹskom otdele rukopisej biblioteki Peterburgskoj Konservatorii katalog |
| title_full | Avtografy M. P. Musorgskogo v naučno-issledovatelʹskom otdele rukopisej biblioteki Peterburgskoj Konservatorii katalog L. A. Miller |
| title_fullStr | Avtografy M. P. Musorgskogo v naučno-issledovatelʹskom otdele rukopisej biblioteki Peterburgskoj Konservatorii katalog L. A. Miller |
| title_full_unstemmed | Avtografy M. P. Musorgskogo v naučno-issledovatelʹskom otdele rukopisej biblioteki Peterburgskoj Konservatorii katalog L. A. Miller |
| title_short | Avtografy M. P. Musorgskogo v naučno-issledovatelʹskom otdele rukopisej biblioteki Peterburgskoj Konservatorii |
| title_sort | avtografy m p musorgskogo v naucno issledovatelʹskom otdele rukopisej biblioteki peterburgskoj konservatorii katalog |
| title_sub | katalog |
| topic | Musorgskij, Modest Petrovič 1839-1881 (DE-588)118641255 gnd Sankt-Peterburgskaja Gosudarstvennaja Konservatorija Imeni N. A. Rimskogo-Korsakova Naučnaja Muzykal'naja Biblioteka (DE-588)1235370-X gnd Autograf (DE-588)4003942-0 gnd |
| topic_facet | Musorgskij, Modest Petrovič 1839-1881 Sankt-Peterburgskaja Gosudarstvennaja Konservatorija Imeni N. A. Rimskogo-Korsakova Naučnaja Muzykal'naja Biblioteka Autograf Katalog |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024376317&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024376317&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV019880879 |
| work_keys_str_mv | AT millerlarisaa avtografympmusorgskogovnaucnoissledovatelʹskomotdelerukopisejbibliotekipeterburgskojkonservatoriikatalog |