Landscape as world picture tracing cultural evolution in images 1 From the Palaeolithic period to the Middle Ages
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Aarhus [u.a.]
Aarhus Univ. Press [u.a.]
2009
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Datensatz im Suchindex
| _version_ | 1819642965823324160 |
|---|---|
| adam_text | Jacob Wamberg
Landscape as
World
Picture
Tracing Cultural Evolution in
Images
VOLUME
I
From the Palaeolithic Period to the Middle Ages
Translated by
Gaye
Kynoch
Aarhus University Press
Contents
VOLUME
I
From the Palaeolithic Period to the Middle Ages
Preface
■ xv
Introduction An Empirical Visualisation
■
ι
Interlude Theoretical Setting
· 3$
Introduction
· 33
Diachronie
aspects
· 35
The concept of evolution and its function in a model of culture
■ 35
| Sociological and
anthropological theories on the evolution of societies
■ 37
| Evolution of the landscape
image in a tripartite context
■ 43
Synchronie
aspects
· 52
The landscape image and Panofsky s model
■ 52
| Iconology, structuralism
-
and
iconography
■ 55
| The paradigm in a sociological context: Bourdieu s concept of
field
· 61
I The dynamic field: Spengler s concept ofculture
■ 63
| Summingup
■ 64
ш.
Towards a fusion of diachronic and
synchronie
· 65
General systems theory
■ 65
| Evolution as universal phenomenon
■ 69
iv.
Theory of science reflections and critical dialogue
with anti-evolutionism
■ 72
Three criteria for scientific legitimacy: analytical level, morphological correspondence,
predictive power
■ 74
I Protectors of the singular: social constructivism and
positivism
■ 78
I The body of history
■ 82
v. Cracks in the generalisations: reservations
regarding function and
iconici
ty
· 87
Function
■ 87
I The iconic
■ 89
vi.
Image and sight
■ 93
vu.
Image and word
· 96
viii.
Concluding remarks: the landscape image in literature
· 99
_
For Good Is a Form of the Limited
____
Pre-Modern Pictorial Space between Self-Consciousness
and World Picture
· 103
Introduction
· 103
1.1 An empirical scanning of the evolution of pictorial space up
until antiquity, with sociological spotlights
· 104
From the Palaeolithic period to Assyria
-104
| Pictorial and landscape space in classical
antiquity
■ 123
| Pictorial space and social structures in classical antiquity
■ 134
|
A lateral glance: pictorial space and social evolution in non-Western cultures
■ 135
1.2
The pole of vantage point: pictorial space and evolution
of consciousness up until antiquity
· 138
The legacy of Hegelian philosophy of consciousness
■ 138
| Piaget s ontogenetic model
■ 139
Psychoanalytical ontogenesis
■ 143
| From onto- to phylogenesis: arguments in favour of
bridge-building
■ 144
I Phylogenesis from the Palaeolithic period to antiquity
■ 145
|
Landscape image and
numen
· 154
| Concluding comparison: onto- and phylogenetic
evolution of the pictorial space
· 156
ι.
3
The pole of remoteness: pictorial space as
world picture up until antiquity
· 161
A chronological scanning
■ 161
| Antiquity s philosophical legitimisation ofclosedness
■ 170
1.4
Celestial infinity: pictorial space, consciousness and
world picture in late antiquity and the Middle Ages
· 181
,.
The First Remoteness of the Depth of Field
___
Rocks in Post-Egyptian Pre-Modern Images
· 187
Introduction
· 187
Empirical corpus
■ 187
| Interpretative considerations
■ 195
2.1
There stands a house under the mountain of the world :
rocks and their foundation in the underworld
· 204
Mother Earth
■ 204
| Wilderness and body of the earth
■ 208
| Pictorial rocks
■ 215
The chthonic wilderness
■ 222
2.2
Chora
· 230
Chaos
■ 230
I Abysses
■ 236
| Water
■ 241
2.3
The living rock
■ 250
Growth of the roclis: the Minoan-Mycenaean landscape images and their cultural
basis
■ 250
I The growing Paradise mountain: Takht-e Suleiman and Zendan-e
Suleiman
■ 264
| Between growth and abyss: the terraced rock
■ 268
| Pre-modern
theories of stone formation
■ 275
| The tetraced rock in medieval landscape images
■ 277
~ The Second Remoteness of the Depth of Field
_._
Skies in Antique and Medieval Images
· 287
Introduction
■ 287
3.1
Classical antiquity
· 291
77;?
absence of light sources, atmosphere and time in Roman wall
paintings
■ 291
I Classical concepts of light
■ 294
| Classical concepts of clouds
■ 295
VII
3.2
Lace antiquity and the Middle Ages
■ 298
Colours, bands, patterns: the sky in medieval images
■ 298
| Celestial architecture
·
Paradise
■ 304
| Haloes
■ 308
| Veils
■ 316
| Cloudscapes in Carolinian
miniatures
■ 323
Sociology of the Middle Distance
_
Between Wilderness and Tilled Field in Images
from the Neolithic Period to the Middle Ages
· 331
Introduction
· 331
4.1
Beginnings
■ 337
The Neolithic Period and the Early Metal Age
■ 337
| Egypt
■ 34°
I Mesopotamia
^46
The mapping gaze in Egypt and Mesopotamia and its partial appearance in the Assyrian
pictorial view
■ 352
4.2
Triumph of the Golden Age paradigm:
classical antiquity
-
with a view to the Middle Ages
· 356
The Golden Age paradigm
■ 356
| Between time and space: Golden Age myth and
evolution, Golden Age field and geography
■ 365
| The highlands between hard
primitivism
and
demonism
■ 371
4.3
Displacement of rural work in classical images, I:
visual evidence and poetic parallels
· 373
Primitivism
■ 373
| Absence of agriculture
■ 382
| Absence of mine-work
■ 389
4.4
Displacement of rural work in classical images, II:
cukic, philosophical and political parallels
· 392
The displacement of cereal culture from the centre of power
■ 392
|
Agriculture and work in classical thinking
■ 393
| Pictorial space and territory:
evidence of the
agrimensores
■ 399
_
Forms of Paradise
. ._. -
in Images from Mesopotamia to the Middle Ages
· 405
Introduction
· 405
5.1
The essence of the wilderness: the Tree of Life
on the Mountain of Life above the Fountain of Life
· 406
Mesopotamian background
■ 410
| Judaism and Christianity
■ 414
5.2
Locus amoenus
■ 423
The satyric cave and the garden
■ 424
| The place of immortality: from the sacred
grove to the wilderness
■ 426
5.3
The quantum leap between Paradise and underworld
· 429
Ambivalence of the wilderness
■ 429
| The split landscape image
■ 431
|
The dream of a mountainless earth
■ 436
Probing the Golden Age Field
The Sacral-Idyllic Landscape in Roman Wall Paintings
· 441
Introduction
■ 441
6.1
Pictorial space,
numen
and human presence
■ 444
From limited to distant vistas
■ 444
| Literary parallels: Statius and Pliny the
Younger
■ 451
6.2
The character of the landscape
· 452
Rocks and water
■ 454
| Trees
■ 456
6.3
The cult
· 458
Pictorial evidence
■ 458
| The cult beyond the images
■ 464
6.ą
The leisure landscape
· 470
Descriptions by Vitruvius and Pliny the Elder vs. extant visual evidence
■ 470
|
Life in the actual Roman countryside
■ 475
6.5
Origins of the sacral-idyllic landscape
■ 480
~ZT Embryonic Modernity
__1
__
Time and Agricultural Work in the Images of
Late Antiquity and the Middle Ages
· 485
Introduction
■ 485
7.1
Images of time and agricultural work
in late antiquity
-
from
о
to
400
AD
· 487
Transformation of the notion of time
■ 487
| Secularisation of the Golden Age
■ 489
|
Formation of the feudal system
■ 495
| The landscape paradigm in late antiquity
■ 497
Seasons·
500
I Agricultural work
■ 505
| Roads
■ 515
| Mining and quarrying
■ 516
7.2
Images of time and agricultural work
in the Middle Ages
-
after
400
AD
· 518
Agricultural work
■ 518
| Seasonal weather
■ 521
| Weather beyond the seasons
■ 523
Notes Volume I
· 527
|
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| language | English |
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| spellingShingle | Wamberg, Jacob 1961- Landscape as world picture tracing cultural evolution in images |
| title | Landscape as world picture tracing cultural evolution in images |
| title_alt | Landskabet som verdensbillede |
| title_auth | Landscape as world picture tracing cultural evolution in images |
| title_exact_search | Landscape as world picture tracing cultural evolution in images |
| title_full | Landscape as world picture tracing cultural evolution in images 1 From the Palaeolithic period to the Middle Ages Jacob Wamberg |
| title_fullStr | Landscape as world picture tracing cultural evolution in images 1 From the Palaeolithic period to the Middle Ages Jacob Wamberg |
| title_full_unstemmed | Landscape as world picture tracing cultural evolution in images 1 From the Palaeolithic period to the Middle Ages Jacob Wamberg |
| title_short | Landscape as world picture |
| title_sort | landscape as world picture tracing cultural evolution in images from the palaeolithic period to the middle ages |
| title_sub | tracing cultural evolution in images |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024023199&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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