The significance of iconography in the print culture of the late-fifteenth-century music theoretical discourse the Theoricum opus musice discipline (1480) and Theorica musice (1492) of Franchino Gaffurio in the context of his trilogy
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| Sprache: | English |
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2010
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Datensatz im Suchindex
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| spelling | Kreyszig, Walter Kurt Verfasser aut The significance of iconography in the print culture of the late-fifteenth-century music theoretical discourse the Theoricum opus musice discipline (1480) and Theorica musice (1492) of Franchino Gaffurio in the context of his trilogy 2010 txt rdacontent n rdamedia nc rdacarrier Musiktheorie (DE-588)4040876-0 gnd rswk-swf Musiktheorie (DE-588)4040876-0 s DE-604 Music in art / Research Center for Music Iconography New York, NY, 2010 35.2010, 1/2, 53-70 (DE-604)BV012878156 1522-7464 (DE-600)1498279-1 |
| spellingShingle | Kreyszig, Walter Kurt The significance of iconography in the print culture of the late-fifteenth-century music theoretical discourse the Theoricum opus musice discipline (1480) and Theorica musice (1492) of Franchino Gaffurio in the context of his trilogy Musiktheorie (DE-588)4040876-0 gnd |
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| title | The significance of iconography in the print culture of the late-fifteenth-century music theoretical discourse the Theoricum opus musice discipline (1480) and Theorica musice (1492) of Franchino Gaffurio in the context of his trilogy |
| title_auth | The significance of iconography in the print culture of the late-fifteenth-century music theoretical discourse the Theoricum opus musice discipline (1480) and Theorica musice (1492) of Franchino Gaffurio in the context of his trilogy |
| title_exact_search | The significance of iconography in the print culture of the late-fifteenth-century music theoretical discourse the Theoricum opus musice discipline (1480) and Theorica musice (1492) of Franchino Gaffurio in the context of his trilogy |
| title_full | The significance of iconography in the print culture of the late-fifteenth-century music theoretical discourse the Theoricum opus musice discipline (1480) and Theorica musice (1492) of Franchino Gaffurio in the context of his trilogy |
| title_fullStr | The significance of iconography in the print culture of the late-fifteenth-century music theoretical discourse the Theoricum opus musice discipline (1480) and Theorica musice (1492) of Franchino Gaffurio in the context of his trilogy |
| title_full_unstemmed | The significance of iconography in the print culture of the late-fifteenth-century music theoretical discourse the Theoricum opus musice discipline (1480) and Theorica musice (1492) of Franchino Gaffurio in the context of his trilogy |
| title_short | The significance of iconography in the print culture of the late-fifteenth-century music theoretical discourse |
| title_sort | the significance of iconography in the print culture of the late fifteenth century music theoretical discourse the theoricum opus musice discipline 1480 and theorica musice 1492 of franchino gaffurio in the context of his trilogy |
| title_sub | the Theoricum opus musice discipline (1480) and Theorica musice (1492) of Franchino Gaffurio in the context of his trilogy |
| topic | Musiktheorie (DE-588)4040876-0 gnd |
| topic_facet | Musiktheorie |
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