On art and artists an anthology of Diderot's aesthetic thought
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2011
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| LEADER | 00000nam a2200000 c 4500 | ||
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| 001 | BV037684605 | ||
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| 020 | |a 9789400700611 |9 978-94-007-0061-1 | ||
| 035 | |a (OCoLC)802342207 | ||
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| 041 | 0 | |a eng | |
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| 100 | 1 | |a Diderot, Denis |d 1713-1784 |e Verfasser |0 (DE-588)118525263 |4 aut | |
| 240 | 1 | 0 | |a Écrits sur l'art et les artistes |
| 245 | 1 | 0 | |a On art and artists |b an anthology of Diderot's aesthetic thought |c Denis Diderot. Ed. by Jean Seznec. Transl. by John S. D. Glaus |
| 264 | 1 | |a Dordrecht [u.a.] |b Springer |c 2011 | |
| 300 | |a VIII, 189 S. |b Ill. |c 24 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 600 | 1 | 7 | |a Diderot, Denis |d 1713-1784 |0 (DE-588)118525263 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Schrifttum |0 (DE-588)4255550-4 |2 gnd |9 rswk-swf |
| 689 | 0 | 0 | |a Diderot, Denis |d 1713-1784 |0 (DE-588)118525263 |D p |
| 689 | 0 | 1 | |a Schrifttum |0 (DE-588)4255550-4 |D s |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Seznec, Jean |d 1905-1983 |0 (DE-588)123392438 |4 edt | |
| 700 | 1 | |a Glaus, Martin A. |4 trl | |
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| 999 | |a oai:aleph.bib-bvb.de:BVB01-022898136 | ||
Datensatz im Suchindex
| _version_ | 1804146149318197248 |
|---|---|
| adam_text | IMAGE 1
CONTENTS
INTRODUCTION .
DEFINITIONS.. 13
BEAUTY...............................................................................................................
13
BEAUTY IS THE PERCEPTION OF RELATIONS 13
BEAUTY IN NATURE AND ART 14
GOD AND THE ARTIST 15
BEAUTIFUL NATURE AND THE IDEAL
MODEL.......................................................... 16
FALSE ART................................................ 20
ART AND PANTOMIME 21
THE SUBLIME 22
STYLE..............................................................................................................
23
GENIUS AND INSPIRATION 25
WHAT IS GENIUS? 25
A COMPOSED GENIUS 26
INEQUALITIES OF INSPIRATION 27
THE DRAWING AND THE FINISHED WORK 28
VIEWS ON SCULPTURE 28
DIFFICULTIES OF SCULPTURE 28
ITS LIMITS AND ITS MERITS 29
THE SCULPTOR S TEMPERAMENT 31
VIEWS ON
ARCHITECTURE.......................................................................................
31
ARCHITECTURE, MOTHER OF THE ARTS 31
ARCHITECTURE AND
LOCATION............................................................................
33
ARCHITECTURE AND ITS
DESTINATION...................................................................
33
THE CONDITION OF ART 37
EMULATION AND THE VIRTUE OF PUBLIC EXHIBITIONS 37
ONE SHOULD INSTITUTE A CONTEST 37
ON A SAME THEME FOR
ARTISTS.......................................................................
37
V
IMAGE 2
VI
CONTENTS
LUXURY...............................................................................................................
38
SANE WEALTH, WHICH COMES FROM AGRICULTURE, IS THE ONLY ONE WHICH IS
USEFUL TO THE FINE-ARTS; THE SPENDTHRIFT BUYER DEGRADES THEM 38
THE COLLECTORS.................. 41
THEY REDUCE THE ARTIST TO SLAVERY 41
THEY KEEP FOR THEMSELVES WORKS THAT SHOULD BE DISPLAYED FOR PUBLIC
ENJOYMENT AND EDUCATION AND TO INSPIRE COMPETITION 41
THEY DISPISE TASTE BY PREFERING MINOR SCENES AND BELITTLING THE GREAT
ONES............................................................................
42
CLIMATE AND
COSTUME........................................................................................
43
THE ACADEMIC
MODEL...................................................................................
43
THE POSITIVE PHILOSOPHICAL
INTEILECT..................................................................
45
THE RUIN OF THE STATE 47
CRITICISM...........................................................................................................
49
CAN A LITERARY PERSON BE AN ART CRITIC? 49
HIS IGNORANCE OF THE VOCATION APPEARS TO PROHIBIT HIRN 49
HOW DIDEROT TAUGHT HIRNSELF, DUE TO HIS FUNCTION AS A SALONNIER 50
CONTAINED WITHIN THE IDEAL PART OF ART, CAN THE LITERARY PERSON BE THE
BETTER JUDGE THAN THE ARTIST
HIMSELF..................................... 50
THE ARTIST RECOGNIZES IMPLICITLY THE SUPERIORITY OF THE WRITER ON THIS
POINT...........................................................................
52
THE IDEA AND THE WAY TO DO H. DIDEROT PURVEYOR OF SUBJECTS 53
PRIORITY OF THE IDEA 53
DIDEROT THINKS AS A PAINTER 53
HE ALSO KNOWS TO CONCEIVE AS A
SCULPTOR................................................... 54
HE CAN IMPROVE THE ARTIST S CONCEPT AS WEIL AS GUIDE HIRN 56
QUALITIES OF A CRITIC 57
IMAGINATION AND MEMORY 57
SENSIBILITY...........................................................................................
58
THE PLEASURE TO PRAISE 58
INDULGENCE... 59
FRANKNESS AND CHARITY 59
OPINION AND POSTERITY 60
HISTORY 63
THE GREAT STYLE 63
THE SWORD OR BELLONE PRESENTING HIS HORSES REINS TO MARS 66
PAGANISM AND CHRISTIANITY 67
CHRISTIAN CHARACTERS ARE LACKING AND SPITEFUL; HOWEVER THE GREAT MASTERS
ENNOBLE THEM BY BORROWING FROM ANCIENT
CHARACTERS............................................. 69
TWO SUMMITS OF RELIGIOUS PAINTING OF THE EIGHTEENTH CENTURY 70
IMAGE 3
CONTENTS VII
MODERN HISTORY 74
WHY PAINTERS ARE NOT AMENABLE TO MODERN HISTORY 74
DIDEROT PROPOSES A SUBJECT IN MODERN
HISTORY............................................ 76
ALLEGORY 76
THE TRIUMPH OF JUSTICE 77
THE PROCESS OF DESCRIPTION 78
COMPARISON 78
DIALOGUE 79
THE DREAM 81
THE COUNTRYSIDE. 85
THE QUALITIES OF A LANDSCAPE
ARTIST..................................................................
85
THE COMPLETE LANDSCAPIST 85
THE INTELLIGENCE OF LIGHT 86
A MORNING AFTER THE
RAIN.................................................................................
87
PRELUDE TO A STORM AT SUNSET 87
ARTIFICIAL NATURE: BOUCHER .. 88
THE SHEPHERDS OF THE
OPERA-COMIQUE.........................................................
88
ANOTHER PASTORAL SETTING 89
SAME GRANDEUR, SAME FORM AND SAME MERIT AS THE PRECEEDING ONE 89 IN
BOUCHER S DEFENSE... 89
NATURE AND HISTORY 91
PRAISE FOR VERNET. 91
HOW POUSSIN RAISES ALANDSCAPE TO THE DIGNITY OF
HISTORY............................. 92
THE PICTURESQUE: LOUTHERBOURG... 93
BATTLES, RUINS AND
SHIPWRECKS..........................................................................
94
THE PAINTER OF BATTLES MUST BE A POET AND
DRAMATIST.................................. 94
THE POETRY OF
RUINS.......................................................................................
95
MORAL ASSOCIATIONS................. 95
ROMANTIC SHIPWRECKS 97
THE PORTRAIT 101
THE STATE AND APPEARANCE 101
LA TOUR S IDEAS 101
THE USUAL EXPRESSION 102
CONCERNING ONES OWN
PORTRAIT.........................................................................
104
PORTRAITS AND MODELS 105
THE PORTRAIT AND
HISTORY....................................................................................
105
THE DOWNFALL OF THE PORTRAIT 107
THE TYPE .. 109
TRUE SUBJECTS.. 109
THE RUSSIAN BAPTISM III
FEIGNED AND TRUE MORAL PAINTING 112
BAUDOIN . 112
IMAGE 4
VIII
CONTENTS
GREUZE .. 114
THE TYPE AND HISTORY 117
ANECDOTAL NECESSITY 117
THE RESPECTIVE MERITS OF THE HISTORICAL PAINTER AND THE SCENE PAINTER;
THEIR DIFFERENCES ARE THOSE BETWEEN POETRY AND
PROSE..................... 118
STILL LIFE 121
CHARDIN..............................................................................................................
121
IDEAL AND TECHNIQUE 123
DIDEROT IN THE PAINTER S SPACE 125
THE AVERTED LOOK: DIDEROT AND THE BOUNDARIES OF
REPRESENTATION........... 151
COMPOSITION ACCORDING TO
DIDEROT................................................................
163
THE AMBIGUTIES OF DEFINITION CONCERNING COMPOSITION WITHIN THE
ENCYCLOPEDIE 165
PLANNING AS GUARANTEE TO COMPREHENSION 168
PLANNING AS VALUE-ADDED INTEREST TO A PAINTING 170
COMPOSITION AS UNIFIER 173
COMPOSITION AS DETERMINANT OF THE ARTIST S MUST 178
AN ENLIGHTENED AESTHETIC 182
AS
CONCLUSION...................................................................................................
184
ERRATUM 191
|
| any_adam_object | 1 |
| author | Diderot, Denis 1713-1784 |
| author2 | Seznec, Jean 1905-1983 Glaus, Martin A. |
| author2_role | edt trl |
| author2_variant | j s js m a g ma mag |
| author_GND | (DE-588)118525263 (DE-588)123392438 |
| author_facet | Diderot, Denis 1713-1784 Seznec, Jean 1905-1983 Glaus, Martin A. |
| author_role | aut |
| author_sort | Diderot, Denis 1713-1784 |
| author_variant | d d dd |
| building | Verbundindex |
| bvnumber | BV037684605 |
| classification_rvk | CF 3103 |
| ctrlnum | (OCoLC)802342207 (DE-599)BVBBV037684605 |
| discipline | Philosophie |
| format | Book |
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| id | DE-604.BV037684605 |
| illustrated | Illustrated |
| indexdate | 2024-07-09T23:30:45Z |
| institution | BVB |
| isbn | 9789400700611 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-022898136 |
| oclc_num | 802342207 |
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| owner | DE-Y3 DE-Y2 DE-29 DE-11 |
| owner_facet | DE-Y3 DE-Y2 DE-29 DE-11 |
| physical | VIII, 189 S. Ill. 24 cm |
| publishDate | 2011 |
| publishDateSearch | 2011 |
| publishDateSort | 2011 |
| publisher | Springer |
| record_format | marc |
| spelling | Diderot, Denis 1713-1784 Verfasser (DE-588)118525263 aut Écrits sur l'art et les artistes On art and artists an anthology of Diderot's aesthetic thought Denis Diderot. Ed. by Jean Seznec. Transl. by John S. D. Glaus Dordrecht [u.a.] Springer 2011 VIII, 189 S. Ill. 24 cm txt rdacontent n rdamedia nc rdacarrier Diderot, Denis 1713-1784 (DE-588)118525263 gnd rswk-swf Schrifttum (DE-588)4255550-4 gnd rswk-swf Diderot, Denis 1713-1784 (DE-588)118525263 p Schrifttum (DE-588)4255550-4 s DE-604 Seznec, Jean 1905-1983 (DE-588)123392438 edt Glaus, Martin A. trl V:DE-604 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=022898136&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Diderot, Denis 1713-1784 On art and artists an anthology of Diderot's aesthetic thought Diderot, Denis 1713-1784 (DE-588)118525263 gnd Schrifttum (DE-588)4255550-4 gnd |
| subject_GND | (DE-588)118525263 (DE-588)4255550-4 |
| title | On art and artists an anthology of Diderot's aesthetic thought |
| title_alt | Écrits sur l'art et les artistes |
| title_auth | On art and artists an anthology of Diderot's aesthetic thought |
| title_exact_search | On art and artists an anthology of Diderot's aesthetic thought |
| title_full | On art and artists an anthology of Diderot's aesthetic thought Denis Diderot. Ed. by Jean Seznec. Transl. by John S. D. Glaus |
| title_fullStr | On art and artists an anthology of Diderot's aesthetic thought Denis Diderot. Ed. by Jean Seznec. Transl. by John S. D. Glaus |
| title_full_unstemmed | On art and artists an anthology of Diderot's aesthetic thought Denis Diderot. Ed. by Jean Seznec. Transl. by John S. D. Glaus |
| title_short | On art and artists |
| title_sort | on art and artists an anthology of diderot s aesthetic thought |
| title_sub | an anthology of Diderot's aesthetic thought |
| topic | Diderot, Denis 1713-1784 (DE-588)118525263 gnd Schrifttum (DE-588)4255550-4 gnd |
| topic_facet | Diderot, Denis 1713-1784 Schrifttum |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=022898136&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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