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adam_text | Contents
Preface
..................................................................................................................................5
Conference Programme
...............................................................................................9
Opening Addresses
Teuvo Pohjolainen
.................................................................................................................15
Petri
Piiroinen
........................................................................................................................17
Hilkka
Seppälä
......................................................................................................................19
Ivan Moody
............................................................................................................................20
Archbishop Leo of Karelia and All Finland
......................................................................22
Conference papers
Serafim
Seppälä,
Music in the Temple of Jerusalem during the 7ime of Apostles
...............................27
Hilkka
Seppälä,
St
Cecilia (Kikilia): A Musical Martyr in the Eastern and Western traditions
......40
Yuliya Artamonova,
The Hilandar Obikhod: An Archaic Style in New Melodies
....................................51
Наталия Рамазанова,
Идеи Московской государственности в церковном пении
XVI
века
.................56
Natalia Ramazanova,
The Idea of the Muscovy Tsardom in 16th Century Church Singing
........................67
Maria Takala-Roszczenko,
The Latin within the Greek : The Feast of Corpus
Christi in
17th
-
18th century
Ruthenian
Practice
....................................................................................................76
Daniel Galadza,
Church Singing and Chant in
Galicia,
1900-1944.
An Historical and Theological
Survey
.......................................................................................................................88
Мартин Абийский,
Проблема восстановления певческой традиции Супрасльского
Благовещенского Монастыря на основании рукописного Ирмологиона
1598-
1601
в историческом аспекте Византийского влияния
...................................104
Marcin
Abijski,
The Problem of Reviving the Singing Tradition of the
Supraśl
Monastery of the
Annunciation on the Basis of the Manuscript Irmologion
(1598-1601)................114
Svetlana
Kujumdzieva,
Studying the Octoechos: From the Octoechos to the Anastasimatarion
.................122
Svetlana Poliakova,
Sin
319
and Voskr
27
as
a
Triodion
set. Questions concerning the content of the
commemorations and the counting sysytem in the
Triodion
cycle
.........................131
Emilia
Ismael,
Report
on the Russian Orthodox Church in Mexico and its Current Musical
Practice
....................................................................................................................153
Мелитина Макаровская,
Изучение локальных богослужебно-певческих традиций староверия
............159
Melitina Makarovskaja,
Research on Local Old-Believer Liturgical Music Traditions
................................165
Жанна Боровова,
Богослужебно-певческая культура старообрядцев-поморцев прибалтийского
региона
....................................................................................................................171
Zanna Borovova,
The Liturgical Singing Culture of the
Pomor
e
Old Believers of the Baltic
Region
......................................................................................................................181
Gabriela Ocneanu,
New Results on the
Iransmission ofFilothej s
Připjala
.........................................191
Jopi
Harri,
On the Polyphonic Chant of Valaam Monastery
....................................................203
Costin Moisil,
The Making of Romanian National Church Music
(1859-1914)...........................225
Ivan Moody,
Tradition and Creation in Bulgarian Orthodox Church Music: The Work of
Petar
Dinev
.......................................................................................................................232
Vera
Carina,
The Serbian Church Singing Society
ofPančevo
as a Part of Serbian Culture
......242
Nina Zakharina,
Investigation into Russian Liturgical Chant Books of the 17th
-
21st Centuries...
254
Галина Алексеева,
Дольнее и горнее в Согласнше русской певческой Азбуки
XVII
века из
Библиотеки Академии Наук
32.16.18.................................................................262
Galina Alexeeva,
The Earthly and the Divine in the Soglasnik of the 17th century Russian Singing
Azbuka
no.
32.16.18
from the Library of the Academy of Science
..........................276
Irina Gerasimova,
The 17th Century Choral Concert
Vošel
esi
vo cerkov
by Nikolai Dileckij: Tracing
its Origin and Early Use
.........................................................................................287
Jaakko Olkinuora,
Archbishop Paul and the Quest for Finnish Orthodox Church Singing
................300
Bogdan
Djaković,
Rediscovering a Serbian national style: Problems in sacred architecture, church
art and church music in the late
1930s:
The case of the Orthodox choral music of
Milenko Živkovic
(1901-1964)................................................................................306
Rachel Jeremiah-Foulds,
Spiritual Independence, or a Cultural Norm?
Galina Ustvolskaya
and the
Znamenny Raspev
...................................................................................................314
Inge Kreuz,
The Anabathmoi in
Old Russian Manuscripts and in the Tradition of the Old
Believers Based on Russian Sources from the Early 12th Century and from the
16th
-
19th Century
...................................................................................................327
Alexander Davy
dov,
Sergei Starostenkov,
Veikko Purmonen,
The Bells of the Uspensky Cathedral
.......................................................................342
Caitlin Beck,
Sing an Eastern Song to the Lord
...........................................................................347
Alia
Generałów,
Finding Asparagus at Christmas : Nationhood and Russian Identity in the
Performance Practice History of Rachmaninoff
s
All-night Vigil,
Op.
37......................................................................................................................356
List of participants
.....................................................................................................363
f
Bayerische
! Staatsbibliothek
V
Mimében
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