Film and literature an introduction and reader
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge
2012
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| Ausgabe: | Second edition |
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| Online-Zugang: | Inhaltsverzeichnis Klappentext |
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| adam_text | Film and Literature
An Introduction and Reader
Second Edition
Edited by
Timothy Corrigan
Routledge
Taylor amp; Francis Group
LONDON AND NEW YORK
Contents
Acknowledgments xii
Preface to the second edition xi i i
Permissions xv
Introduction 1
PART 1
Film and literature in the crosscurrents of history 5
1 The prehistory of film and literature 7
2 Filming literature: From early film and literature to
classical form, 1895-1925 12
3 Testing and expanding the value of film and literature,
1915-1940 17
4 Pens, pulp, and the crisis of the word, 1940-1960 25
5 Academic cinema and international spectacles, 1960-1980 36
6 Books and movies as multimedia: Into the new millennium 43
Vii i CONTENTS
PART 2
Major documents and debates 53
2 1 Adaptation studies 55
7 Andre Bazin 57
ADAPTATION,ORTHE CINEMA AS DIGEST
8 Dudley Andrew 65
ADAPTATION
9 Robert Stam 74
BEYOND FIDELITY:THE DIALOGICS OF ADAPTATION
10 Lawrence Venuti 89
ADAPTATION,TRANSLATION, CRITIQUE
11 Thomas Leitch 104
TWELVE FALLACIES IN CONTEMPORARY ADAPTATION
THEORY
2 2 Adaptation in history 123
12 Vachel Lindsay 125
PROGRESS AND ENDOWMENT
13 Kristin Thompson 130
NOVEL, SHORT STORY, DRAMA:THE CONDITIONS FOR
INFLUENCE
14 Hugo Munsterberg 137
THE MEANS OF PHOTOPLAY
15 Sergei Eisenstein 144
DICKENS, GRIFFITH, AND THE FILM TODAY
16 Walter Benjamin 147
THE WORK OF ART IN THE AGE OF ITS TECH NOLOGICAL
REPRODUCIBILITY
CONTENTS iX
17 Mark A Reid 158
LITERARY FORCES ENCOURAGING THE USE OF BLACK
WRITERS
18 Sarah Cardwell 168
LITERATURE ONTHE SMALL SCREEN:TELEVISION
ADAPTATIONS
2 3 Authors and auteurs 179
19 Alexandre Astruc 181
THE BIRTH OF A NEW AVANT-GARDE: LA CAMERA-STYLO
20 Peter Wollen 185
THE AUTEURTHEORY
21 Jack Boozer 199
THE SCREENPLAY AND AUTHORSHIP IN ADAPTATION
2 4 Novels, theater, poetry, and non-fiction 221
22 Andre Bazin 223
THEATER AND CINEMA
23 Leo Braudy 232
ACTING: STAGE VS SCREEN
24 George Bluestone 239
THE LIMITS OF THE NOVEL AND THE LIMITS OF THE FILM
25 Judith Mayne 252
READERSHIP AND SPECTATORSHIP
26 P Adams Sitney 262
THE LYRICAL FILM
27 Timothy Corrigan 274
THE ESSAY FILM: ON THOUGHTS OCCASIONED BY
MICHEL DE MONTAIGNE AND CHRIS MARKER
X CONTENTS
2 5 Major writers/major films: On William
Shakespeare s Macbeth and Jane Austen s Emma 295
28 Evelyn Tribble 297
WHEN EVERY NOISE APPALLS ME: SOUND AND FEAR
IN MACBETH AND AKIRA KUROSAWA S THRONE OF BLOOD
29 Courtney Lehmann 310
OUT DAMNED SCOT: DISLOCATING MACBETH IN
TRANSNATIONAL FILM AND MEDIA CULTURE
30 Hilary Schor 329
EMMA, INTERRUPTED: SPEAKING JANE AUSTEN IN
FICTION AND FILM
31 William Galperin 351
ADAPTING JANE AUSTEN:THE SURPRISING FIDELITY
OF CLUELESS
2 6 Beyond Him and literary texts 363
32 Simone Murray 365
MATERIALIZING ADAPTATION TH E0RY:TH E ADAPTATION
INDUSTRY
33 Linda Hutcheon 385
HOW? (AUDIENCES)
34 Henry Jenkins 403
SEARCHING FORTHE ORIGAMI: THE MATRIX AND
TRANSMEDIA STORYTELLING
CONTENTS Xi
PART 3
Writing about film and literature: Critical terms,
borders, and strategies 425
35 Analytical terms and categories 427
36 Major topics in adaptation studies 435
37 Writing about film and/versus literature 448
Bibliography and other resources 452
Index 459
This textbook is supported by a companion website at
www routledge com/cw/corrigan
The Routledge new edition of this classic book functions as an accessible introduction
to the historical and theoretical exchanges between film and literature, and also
includes the key critical readings necessary for an understanding of this increasingly
vibrant and popular field of adaption studies.
This new edition has been fully updated and is usefully separated into three sections: in
the first section Timothy
Corrigan
guides readers through the history of film and literature
to the present; the second section has expanded to reprint
28
key essays by leading
theorists in the field including
André Bazin,
Linda Hutcheon, and Robert
Stam,
as well
as new essays by Timothy
Corrigan
and William Galperin; and the third section offers
hands-on strategies and advice for students writing about film and literature.
Film and Literature will fill a gap for many film and literature courses, and courses
concentrating on the interplay between the two.
|
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| title | Film and literature an introduction and reader |
| title_auth | Film and literature an introduction and reader |
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| title_full | Film and literature an introduction and reader ed. by Timothy Corrigan |
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