Purcell
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Farnham [u.a.]
Ashgate
2010
|
| Schriftenreihe: | The Baroque composers
[2] |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
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| 245 | 1 | 0 | |a Purcell |c ed. by Peter Holman |
| 264 | 1 | |a Farnham [u.a.] |b Ashgate |c 2010 | |
| 300 | |a XXXVI, 539 S. |b Ill., Notenbeisp. |c 26 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 1 | |a The Baroque composers |v [2] | |
| 500 | |a Bandzählung der Verlagshomepage entnommen | ||
| 600 | 1 | 4 | |a Purcell, Henry / 1659-1695 / Criticism and interpretation |
| 600 | 1 | 4 | |a Purcell, Henry / 1659-1695 / Performances |
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Datensatz im Suchindex
| _version_ | 1819747534646542336 |
|---|---|
| adam_text | Contents
Acknowledgements
vii
Series Preface
ix
Introduction
xi
PART I BIOGRAPHY AND CONTEXTS
1
Bruce Wood
(1995),
Only
Purceii e re
Shall Equal Blow , in Curtis Price
(ed.),
Pur cell Studies, Cambridge: Cambridge University Press, pp.
106^44. 3
2
Peter
Holman
(2008),
The Italian Connection: Giovanni
Battista Draghi
and
Henry
Purceii ,
Early Music Performer,
22,
pp.
4-19. 43
3
Olive Baldwin and Thelma Wilson
(1996),
Purcell s Stage Singers , and Purcell s
Stage Singers: A Documentary List , in Michael Burden
(ed.),
Performing the
Music of Henry
Purceii,
Oxford: Clarendon Press, pp.
105-29, 275-81. 59
4
Michael Burden
(1995),
He Had the Honour to be Your Master : Lady Rhoda
Cavendish s Music Lessons with Henry
Purceii ,
Music
&
Letters,
76,
pp.
532-39. 91
5
Bryan White
(2009),
Letter from Aleppo: Dating the Chelsea School
Performance
oí
Dido and Aeneas , Early Music,
37,
pp.
417-28. 99
PART II SOURCES, EDITING AND DISSEMINATION
6
Robert Thompson
(1995),
Manuscript Music in Purcell s London , Early Music,
23,
pp.
605-18. 113
7
Christopher Hogwood
(2003),
Creating the Corpus: The Complete Keyboard
Music of Henry
Purceii ,
in Christopher Hogwood
(ed.),
The Keyboard in
Baroque Europe, Cambridge: Cambridge University Press, pp.
67-89. 127
8
Bruce Wood and Andrew Pinnock
(1993),
The Fairy Queen: A Fresh Look
at the Issues , Early Music,
21,
pp.
44-62. 151
9
Curtis Price
(1995),
Newly Discovered Autograph Keyboard Music of
Purceii
and
Draghi
,
Journal of the Royal Musical Association,
120,
pp.
77-111. 169
10
Lionel Pike
(2001),
Purcell s Rejoice in the Lord , All Ways , Music
&
Letters,
82,
pp.
391^120. 205
11
Rebecca Herissone
(2007),
Robert Pindar, Thomas Busby, and the Mysterious
Scoring of Henry Purcell s Come Ye Sons of Art , Music
&
Letters,
88,
pp.
1-48. 235
vi
Purceii
PART HI STYLES, GENRES AND COMPOSITIONAL PROCESS
12
Michael Tilmouth
(1959),
The Technique and Forms of Purcell s Sonatas ,
Music
&
Letters,
40,
pp.
109-21. 285
13
Margaret Laurie
(1984),
Purcell s Extended Solo Songs , Musical Times,
125,
pp.
19-25. 299
14
Martin Adams
(1990),
Purcell s
Laudate
Cecíliám:
An Essay in Stylistic
Experimentation , Irish Musical Studies,
1,
pp.
227-47. 307
15
Robert Shay
(1998),
Purcell s Revisions to the Funeral Sentences Revisited ,
Early Music,
26,
pp.
457-67. 329
16
Peter
Holman
(2001),
Compositional Choices in Henry Purcell s Three Parts
upon a Ground, Early Music,
29,
pp.
250-61. 341
17
Alan Howard
(2007),
Composition as an Act of Performance: Artifice and
Expression in Purcell s Sacred
Partsong
Since God so tender a regard,
Journal of the Royal Musical Association,
132,
pp.
32-59. 353
18
Rebecca Herissone
(2006),
Fowle
Originális
and Fayre Writeing :
Reconsidering Purcell s Compositional Process , Journal ofMusicology,
23,
pp.
569-619. 381
PART IV PERFORMANCE, PERFORMANCE PRACTICE AND RECEPTION
19
Roger Savage
(1973),
The Shakespeare-Purcell Fairy Queen: A Defence and
Recommendation , Early Music,
1,
pp.
200-21. 435
20
A. Margaret Laurie
(1995),
Continuity and Tempo in Purcell s Vocal Works ,
in Curtis Price
(ed.),
Purcell
Studies, Cambridge: Cambridge University Press,
pp.
192-206. 455
21
Bruce Wood
(1996),
The First Performance of Purcell s Funeral Music for
Queen Mary , in Michael Burden
(ed.),
Performing the Music of Henry
Purceii,
Oxford: Clarendon Press,
1996,
pp.
61-81. 471
22
Richard Luckett
(1983),
Or Rather Our Musical Shakespeare : Charles Burney s
Purceii ,
in Christopher Hogwood and Richard Luckett
(eds),
Music in
Eighteenth-Century England: Essays in Memory of Charles Cudworth,
Cambridge: Cambridge University Press, pp.
59-77. 493
23
Michael Burden
(1996),
Purceii
Debauch d: The
Dramatick
Operas in
Performance , in Michael Burden
(ed.),
Performing the Music of Henry
Purceii,
Oxford: Clarendon Press, pp.
145-62. 513
Name Index
531
|
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| genre_facet | Aufsatzsammlung |
| id | DE-604.BV037336798 |
| illustrated | Illustrated |
| indexdate | 2024-12-24T00:59:34Z |
| institution | BVB |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-022490584 |
| oclc_num | 697772362 |
| open_access_boolean | |
| owner | DE-12 DE-703 |
| owner_facet | DE-12 DE-703 |
| physical | XXXVI, 539 S. Ill., Notenbeisp. 26 cm |
| publishDate | 2010 |
| publishDateSearch | 2010 |
| publishDateSort | 2010 |
| publisher | Ashgate |
| record_format | marc |
| series | The Baroque composers |
| series2 | The Baroque composers |
| spellingShingle | Purcell The Baroque composers Purcell, Henry / 1659-1695 / Criticism and interpretation Purcell, Henry / 1659-1695 / Performances Purcell, Henry 1659-1695 (DE-588)118742973 gnd |
| subject_GND | (DE-588)118742973 (DE-588)4143413-4 |
| title | Purcell |
| title_auth | Purcell |
| title_exact_search | Purcell |
| title_full | Purcell ed. by Peter Holman |
| title_fullStr | Purcell ed. by Peter Holman |
| title_full_unstemmed | Purcell ed. by Peter Holman |
| title_short | Purcell |
| title_sort | purcell |
| topic | Purcell, Henry / 1659-1695 / Criticism and interpretation Purcell, Henry / 1659-1695 / Performances Purcell, Henry 1659-1695 (DE-588)118742973 gnd |
| topic_facet | Purcell, Henry / 1659-1695 / Criticism and interpretation Purcell, Henry / 1659-1695 / Performances Purcell, Henry 1659-1695 Aufsatzsammlung |
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