The Victorian era
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| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Peterborough, Ontario [u.a.]
Broadview Press
2009
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| Ausgabe: | Repr. with corr. |
| Schriftenreihe: | The Broadview anthology of British literature
5 |
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| 245 | 1 | 0 | |a The Victorian era |c general eds.: Joseph Black ... |
| 250 | |a Repr. with corr. | ||
| 264 | 1 | |a Peterborough, Ontario [u.a.] |b Broadview Press |c 2009 | |
| 300 | |a LXXVI, 904 S. |b Ill. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 1 | |a The Broadview anthology of British literature |v 5 | |
| 700 | 1 | |a Black, Joseph Laurence |d 1962- |e Sonstige |0 (DE-588)139041397 |4 oth | |
| 830 | 0 | |a The Broadview anthology of British literature |v 5 |w (DE-604)BV022425012 |9 5 | |
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Datensatz im Suchindex
| _version_ | 1819703491265822720 |
|---|---|
| adam_text | Contents
Preface
............................................................. xxi
Acknowledgments
.................................................. xxix
The Victorian Era
.................................................xxxiii
A Growing Power
................................................ xxxiv
Grinding Mills, Grinding Poverty
.................................... xxxvi
Corn Laws, Potato Famine
........................................ xxxviii
The Two Nations
..................................................xl
The Politics of Gender
..............................................xlii
Empire
..........................................................xliv
Faith and Doubt
..................................................xlviii
Victorian Domesticity
.................................................
li
Cultural Trends
....................................................
liii
Technology
.......................................................lviii
Cultural Identities
...................................................
lix
Realism
......................................................... lxiii
The Victorian Novel
................................................lxvi
Poetry
..........................................................lxvii
Drama
......................................................... lxviii
Prose Non-Fiction and Print Culture
...................................
lxix
The English Language in the Victorian Era
............................... lxxi
History of the Language and of Print Culture
.........................lxxv
Thomas Carlyle
.......................................................
I
from Sartor
Resurtas
...................................................4
from Book
1
(www.broadviewptess.com/babl)
Chapter
11 :
Prospective
from Book
2 .....................................................4
Chapter
6:
Sorrows of
Teufelsdröckh................................4
Chapter
7:
The Everlasting No (www.broadviewpress.com/babl)
Chapter
8:
Centre of Indifference (www.broadviewpress.com/babl)
from Book
3 .....................................................8
Chapter
8:
Natural
Supernaturalism
................................8
from Past and Present
.................................................13
from Book I
....................................................13
Chapter
1:
Midas
..............................................13
Chapter
6:
Hero-Worship
.......................................16
from Book
3 .................................................... 19
Chapter I
:
Phenomena
.........................................19
Chapter
2:
Gospel of Mammonism
...........,....................23
vin
Broadview Anthology of British Literature
Chapter
11 :
labour
............................................25
Chapter
13:
Democracy
.........................................28
from Book
4....................................................34
Chapter
4:
Captains of Industry
.................................. 34
from The French Revolution (www.broadviewpress.com/babl)
Volume
1,
Book
6,
Chapter
6:
The Fourth Estate
Volume
2,
Book
3,
Chapter
7:
Death of
Mirabella
Volume
3,
Book
4,
Chapter
7:
Marie-Antoinette
Volume
3,
Book
7,
Chapter
8:
Finis
Thomas Babington Macaulay
...........................................39
from The History of England
...........................................40
from Chapter
3:
State of England in
1685..............................40
from Milton (www.broadviewpress.com/babl)
Contexts: Work and Poverty
..........................................47
Anonymous, The Steam Loom Weaver
.................................49
from Elizabeth
Bentley,
Testimony before the
1832
Committee on the Labour of
Children in Factories
..............................................49
from Andrew
Ure,
The Philosophy of Manufactures
..........................51
from William Dodd, A Narrative of the Experience and Sufferings of William Dodd,
Factory Cripple, Written by Himself
...................................52
from Joseph Adshead, Distress in Manchester, Chapter
3:
Narratives of Suffering
. 55
Thomas Hood, Song of the Shirt
......................................57
from
Friedrich Engels,
The Condition of the Working Class in England in
1844,
Chapter
3:
The Great Towns
......................................58
from Elizabeth Gaskell, Mary Barton, Chapter
6............................62
from Henry Mayhew, London Labour and the London Poor, Boy Crossing-Sweepers
and Tumblers
..................................................63
from Charles Dkkens, Hard Times, Chapter
5:
The Key-Note
...............65
John Henry Cardinal Newman
from The Idea of a University (www.broadviewpress.com/babl)
Susanna
Мооше
..................................................____68
from Roughing It in the Bush
...........................................69
introduction
....................................................69
Chapter
15:
The Wilderness, and our Indian Friends
___..................70
from Chapter
22:
The Fire (www.broadviewpress.com/babl)
In Contbxt: Sample of Susanna Moodie s
1839
Correspondence
A Crossed Letter
,.....,.........................................76
from Life in the Clearings Versus the Bush (www.broadviewpress.com/babl)
Chapter
1:
Belleville
Chapter
7:
Camp Meetings
Chapter
8:
Wearing Mourning for the Dead
Contents ne
Mary Seacole (www.broadviewpress.com/babl)
from Wonderful Adventures of Mrs. Seacole in Many Lands
Chapter
1 :
My Birth and Parentage
Chapter
8:
1 Long to Join the British Army Before Sebastopoi
Chapter
9:
Voyage to Constantinople
from Chapter
13:
My Work in the Crimea
John Stuart Mill
.....................................................77
What is Poetry?
.....................................................78
from The Subjection of Women
..........................................85
Chapter
1 ......................................................85
from On Liberty (www.broadviewpress.com/babl)
from Chapter
2:
Of the Liberty of Thought and Discussion
Chapter
3:
Of Individuality, as One of the Elements of Well-Being
Contexts: The Place of Women in Society
..............................96
from Sarah Stickney Ellis, The Daughters of England: Their Position in Society,
Character and Responsibilities
........................................97
from Anonymous, Hints on the Modern Governess System,
Frasers
Magazine
... 99
from Harriet Taylor, The Enfranchisement of Women
........................101
from Coventry Patmore, The Angel in the House
...........................104
from Eliza Lynn Linton, The Girl of the Period, Saturday Review, (March
1868). 104
from Frances Power
Gobbe,
Criminals, Idiots, Women, and Minors, Eraser s
Magazine (December
1868)........................................107
from Between School and Marriage, The Girl s Own Paper, Vol.
7............109
from Emma Brewer, Our Friends the Servants, The Girl s Own Paper, Vol.
14 ... 110
from Sarah Grand, The New Aspect of the Woman Question, North American
Review
158.....................................................
Ill
from
Mona
Caird, Does Marriage Hinder A Woman s Self-Development?
Ladys
Realm
...................................................112
Elizabeth Barrett Browning
..........................................114
The Cry of the Children
..............,..............................116
To George Sand: A Desire
............................................118
To George Sand: A Recognition
.......................................118
A dear s Spinning
..................................................118
The Runaway Slave at Pilgrim s Point
................................... 119
from Sonnets from the Portuguese
....................................... 123
1
( I thought once how Theocritus had sung )
.........................123
7
( The Pace of all the world is changed, I think )
.......................123
13
( And wilt
tnou
have me fasten into speech )
........................123
21
( Say over again, and yet once over again )
..........................123
22
( When our two souls stand up erect and strong )
.................... 123
24
( Let the world s sharpness, like a clasping knife )
............ — ..... 124
26
( I lived with visions for my company )
............................ 124
χ
Broadview Anthology of British Literature
28
{ My letters! all dead paper, mute and white! )
.......................124
43
( How do I love
thee?
Let me count the ways )
......................124
from Aurora Leigh
..................................................124
Book I
........................................................124
from Book
2 ...................................................139
from Book
5 ...................................................146
A Curse For A Nation
..............................................149
A Musical Instrument
...............................................150
In Context: Books on Womanhood (www.broadviewpress.com/babl)
from Catherine Napier, Woman
s
Rights and Duties
In Context: Children in the Mines (www.broadviewpress.com/babl)
from Richard Hengist Home, Report of the Children s Employment
Commission
In Context: The Origin
«ŕ
the finest Sonnets * (wwwJMoadviewpress.com/babl)
from Edmund
Gosse,
Critical Kit-Kats
In Context: Images of George Sand (www.broadviewpress.com/babl)
Alfred, Lord Tennyson
...............................................152
Mariana
..........................................................154
The Palace of Art
...................................................155
The Lady of Shalott
................................................160
The Lotos-Eaters
...................................................162
Ulysses
...........................................................165
The Epic
[Morte ďArthur]...........................................
166
Morte d Arthur
....................................................166
{Break, break, break]
................................................170
Locksley Hall
......................................................170
from The Princess
...................................................176
[Sweet
and
LottĄ
.................................................176
[The Splendour Falls]
.............................................176
{Tean,
Idle Tears]
................................................176
[Now Sleeps the Crimson Petal]
......................................176
[Come Down,
О
Maid]
...........................................177
[The Woman s Cause is Man s]
......................................177
In
Memoriam A.H.H
................................................178
The Eagle
........................................................221
The Charge of the Light Brigade
.......................................222
[Flower in the Crannied
WaĘ
..........................................222
Vasmess
..........................................................223
Crossing the Bar
.........,.........................................224
In Context: Images of Tennysoa
.....................................225
from Thomas Carlyte, Letter
tû
Ralph
ШїИо
Emerson
(5
August
1844) .....225
in Context: Victorian Images of Arthurian Legend
.......................226
In Context: Crimea and the Camera
.....,............................228
Roger Fenron, Selected Photographs
.................................
22a
Contents
xi
Maud (www.broadviewpress.com/babl)
from Idylb of the King (www.broadviewpress.com/babl)
The Holy Graii
Charles Darwin
.....................................................230
from The Voyage of the Beagle
..........................................231
from Chapter
10:
Tierra
del
Fuego
..................................231
from Chapter
17:
Galapagos Archipelago
.............................238
In Context: Images from The Beagle
...................................240
from On the Origin of Species
..........................................243
Introduction
................................................... 243
from Chapter
3:
Struggle for Existence
...............................245
from Chapter
14:
Recapitulation and Conclusion
......................249
from The Descent of Man
.............................................252
from Chapter
21:
General Summary and Conclusion
....................252
In Context: Defending and Attacking Darwin
...........................258
from Thomas Huxley, Criticisms on The Origin of Species
..............258
from Thomas Huxley, Mr. Darwin s Critics
..........................259
from Punch
....................................................260
In Context: Social Darwinism
....................................... 261
from Herbert Spencer, Social Statics: or, the Conditions Essential to Human
Happiness Specified, and the First of Them Developed
..................26
1
Elizabeth Gaskell
...................................................264
The Old Nurse s Story
..............................................265
Robert Browning
....................................................277
Porphyria s Lover
...................................................278
Soliloquy of the Spanish Cloister
.......................................279
My Last Duchess
...................................................280
Home-Thoughts, from Abroad
........................................281
The Bishop Orders His Tomb at Saint Praxed s Church
.....................282
Meeting at Night
...................................................283
Parting at Morning
.................................................284
How It Strikes a Contemporary
.......................................284
Memorabilia
......................................................285
Love Among the Ruins
..............................................286
Childe Roland to the Dark Tower Came
...............................287
Fra Lippo
Lippi
....................................................290
The Last Ride Together
.............................................295
Andrea
dei Sarto
...................................................297
A Woman s Last Word
..............................................300
Essay on Shelley
...................................................301
Caliban upon Setebos (www.broadviewpress.com/babl)
xii
Broadview Anthology of British Literature
from The Ring and the Book (www.broadviewpress.com/babl)
from Book
12
In Context: A Parody of The
Ringand
the Book (www.broadviewpress.com/babl)
Charles Stuart Calverley, The Cock and the Bull
Bishop Blougram s Apology (www.broadviewpress.com/babl)
Charles Dickens
.................................................... 311
A Christmas Carol
.................................................. 313
Preface
........................................................ 313
Stave
1:
Marley s Ghost
........................................... 313
Stave
2:
The First of the Three Spirits
................................ 323
Stave
3:
The Second of the Three Spirits
.............................. 331
Stave
4:
The Last of the Spirits
..................................... 342
Stave
5:
The End of It
............................................ 349
In Context: A Victorian Christmas
.................................... 353
from Charles Dickens, Sketches by
Boz
................................ 353
Chapter
2:
A Christmas Dinner
.................................. 353
In Context: The Workhouse
........................................ 356
Charles Dickens, A Walk in the Workhouse, from Household Words
....... 356
Charles Dickens and Wilkie Collins, The PeriL· of Certain English
Prisoners (www.broadviewpress.com/babl)
Edward Lear (www.broadviewpress.com/babl)
The Owl and the Pussy-cat
How pleasant to know Mr. Lear!
Selected Limericks
The Dong and me Luminous Nose
Contexts: Childhood and Children s Literature (www.broadviewpress.com/babl)
Anthony Troixope (www.broadviewpress.com/babl)
The Spotted Dog
from An Autobiography
Chapter
12:
On English Novels and the Art of Writing Them
Grace Aguilar
......................................................361
Past, Present, and Future: A Sketch
.....................................362
The Hebrew s Appeal
...............................................362
The Wanderers
....................................................364
Emiiy
Brontë
.......................................................366
Remembrance
.....................................................367
Plead for Me
......................................................368
The Old Stoic
.....................................................368
Мг·
Comforter
.....................................................369
Contents
xiii
[Loud without the wind was roaring]
................................... 369
[A little while, a little while]
.......................................... 370
[Shall Earth no more inspire
thee]
...................................... 371
[No coward soul is mine]
............................................ 371
Stanzas
.......................................................... 372
[The night is darkening round me]
..................................... 372
[I m happiest when most away]
........................................ 373
[If grief for grief can touch
thee]
....................................... 373
Contexts: The New Art of Photography
...............................374
Roger Fenton, Proposal for the Formation of a Photographic Society
.........376
from Charles Dickens, Photography, Household Words
7 ...................377
Photography and Immortality
........................................381
from Elizabeth Barrett, Letter to Mary Russell Mitford
...................381
from Sir Frederick Pollock, Presidential Address, Photographic
Society
....................................................,381
Selected Photographs
...............................................382
Arthur Henry Clough (www.broadviewpress.com/babl)
Epi-strauss-ium
To spend uncounted years of pain
from Amours
de
Voyage
Canto
1
The Latest Decalogue
There is no God, the Wicked Saith
Qui
Laborar,
Orat
Is it true, ye gods, who treat us
In the Great Metropolis
That there are powers above us I admit
Seven Sonnets on the Thought of Death
Duty
—
that s to say complying
Easter Day
Easter Day II
Jacob
George Eliot
.......................................................400
O, May I Join the Choir Invisible
......................................402
from Brother and Sister Sonnets
........................................402
1
1 ( School parted us; we never found again )
.........................402
from Adam
Bede
...................................................403
Chapter
17:
In Which the Story Pauses a Little
........,................ 403
Silly Novels By Lady Novelists
.........................................407
from The Natural History of German Life
{
www.broadviewpress.com/babl)
Margaret Fuller and Mary WoHstonecraft (www.broadviewpress.com/babl)
xrv Broadview Anthology of British Literature
John
Ruskin
........................................................421
from Modern Painters
...............................................422
A Definition of Greatness in Art
....................................422
Of Truth of Water
...............................................423
from The Stones of Venice
.............................................424
The Nature of Gothic
............................................424
from Modern Manufacture and Design (www.broadviewpress.com/babl)
Fiction Fair and Foul (www.broadviewpress.com/babl)
The Storm-Cbud of the Nineteenth Century (www.broadviewpress.com/babl)
Florence Nightingale (www.broadviewpress.com/babl)
Cassandra
Dion Boucicault (www.broadviewpress.com/babl)
The Octoroon
In Context: The Octoroons Alternative Ending
Matthew Arnold
....................................................432
The Forsaken Merman
..............................................434
Isolation. To Marguerite
.............................................436
To Marguerite
—
Continued
..........................................437
The Buried Life
....................................................437
The Scholar-Gipsy
.................................................439
Stanzas from The Grande Chartreuse
................................... 443
Dover Beach
......................................................446
Obermann
Once More
..............................................446
East London
......................................................452
West London
......................................................452
Preface to the First Edition
aí
Poems
....................................452
from The Function of Criticism at the Present Time
.........................459
from Culture and Anarchy
............................................468
from Chapter I: Sweetness and Light
................................468
Contexts: Religion and Society (www.broadviewpress.com/babl)
Wilkie Collins
......................................................472
The Diary of Anne Rodway
..........................................473
George Meredith
....................................................491
Modern Love
......................................................492
Dante Gabhiel
Rossetti
..............................................503
The Blessed Damozel
...............................................505
The Woodspurge
......................................,...........507
Jenny
................-----,...............,.......................507
Contents
xv
My Sister s Sleep
................................................... 513
Mary Magdalene at the Door of Simon the Pharisee
........................ 514
from The House of Life
............................................... 514
The Sonnet
.................................................... 514
6a: Nuptial Sleep
............................................... 515
10:
The Portrait
................................................ 515
77:
Soul s Beauty
............................................... 515
78:
Body s Beauty
............................................... 516
97:
A Superscription
............................................. 516
101:
The One Hope
............................................. 516
Hand and Soul (www.broadviewpress.com/babl)
The Orchard Pit (www.broadviewpress.com/babl)
In Context: The Fleshly School Controversy (www.broadviewpress.com/babl)
from Robert Buchanan, The Fleshly School of Poetry: Mr. D.G.
Rossetti
from
D.G.
Rossetti,
The Stealthy School of Criticism
Christina
Rossetti
...................................................517
Goblin Market
....................................................518
In Context: Illustrating Goblin Market
.................................525
A Triad
............ ..............................................526
Remember
........................................................526
A Birthday
........................................................526
After Death
.......................................................527
An Apple-Gathering
................................................527
Echo
............................................................527
Winter: My Secret
..................................................528
No. Thank You, John
..............................................528
A Pause Of Thought
................................................529
Song ( She sat and sang alway
)....................................... 529
Song ( When
і
am dead, my dearest )
..................................529
Dead Before Death
.................................................529
Monna Innominata.................................................
530
Cobwebs
.........................................................534
In an Artist s Studio
................................................534
Promises tike Pie-crust
...............................................534
In Progress
........................................................535
Sleeping at Last
....................................................535
Lewis Carroll
.......................................................536
Verses Recited by Humpty Dumpty
....................................537
jabbervrocky
......................................................538
In Context:
Jabberaocky ..........................................538
from Lewis Carrol!. Through the Looking-Glass and What Alice Found There
__538
from Chapter
1:
Lookmg-GIass House
............................538
from Chapter
6:
Humpty Dumpty
...............................539
Ы
Context: The Photographs of Lewis Carroll
...........................540
xvi
Broadview Anthology of British Literature
James Thomson (www.broadviewpress.com/babl)
The City of Dreadful Night
William Morris
..................................................... 542
The Defence of Guenevere
........................................... 544
The Haystack in the Floods
........................................... 549
from Hopes and Fears for Art. Five Lectures
................................ 551
The Beauty of Life
............................................... 551
from News from Nowhere
............................................. 565
Chapter
1:
Discussion And Bed
..................................... 565
Chapter
2:
A Morning Bath
....................................... 566
How I Became A Socialist
............................................ 571
In Context: William Morris and Edward Bume-Jones
..................... 574
W.S. Gilbert (www.broadviewpress.com/babl)
from H.M.S. Pinafore; or, The Lass that Loved a Sailor
Song ( When I was a Lad )
from Patience
Song ( If You re Anxious for to Shine )
Augusta Webster
....................................................575
A Castaway
.......................................................576
By The Looking Glass (www.broadviewpress.com/babl)
The Happiest Girl in the World (www.broadviewpress.com/babl)
firam
Mother and Daugfner: An Uncompleted Sonnet Sequence (www.broadviewpress.com/babl)
1
( Young Laughters, and My Music! Aye Till Now )
8
( A little child she, half defiant came )
9
( Oh weary hearts! Poor mothers that look back! )
15
( That same day Death who has us all for jest )
19
( Life on the wane: yes sudden that news breaks )
20
( There s one I miss. A little questioning maid )
27
( Since first my little one lay on my breast )
Algernon Charles Swinburne
.........................................586
The Triumph of Time
...............................................587
Itylus
............................................................592
Hymn to Proserpine
................................................593
The Leper
........................................................596
A Forsaken Garden
.................................................598
The Ballad of Viiton and Fat Madge
....................................599
Anacroria
.........................................................600
Laus
Veneris (www.broadviewpress.com/babl)
Faustine (www.broadviewpress.com/babl)
Dolores (www.broadviewpress.com/babl)
The Garden of Proserpine (www.broadvicwprcss.com/babl)
Contents
xvii
Hertha
(www.broadviewpress.com/babl)
A Nympholept
(wwwbroadviewpress-com/babl)
from William Blake (www.broadviewpress.com/babl)
Walter Pater
........................................................604
from The Renaissance: Studies in Art and Poetry
............................605
Preface
........................................................605
Conclusion
....................................................608
from Appreciations (www.broadviewpress.com/babl)
Aesthetic Poetry
Thomas Hardy
......................................................612
The Son s Veto
....................................................614
In Context: Hardy s Notebooks and Memoranda
........................622
An Imaginative Woman (www.broadviewpress.com/babl)
In Context Illustrations to An Imaginative Woman (www.broadviewpress.com/babl)
Mathilde Bund.....................................................623
The Russian Student s Tale
...........................................624
A Mother s Dream
................................................. 625
Gerard Manley Hopkins
..............................................630
God s Grandeur
....................................................631
The Wreck of the
Deutschland........................................632
The Windhover: to Christ our Lord
....................................637
Pied Beauty
.......................................................637
Felix Randal
......................................................638
Spring and Fail: to a oung Child
......................................638
[As kingfishers catch fire]
............................................638
[No worst, there is none]
.............................................639
[I wake and feel the fell of dark, not day]
................................639
[Not, I ll not, carrion comfort]
........................................639
That Nature is a Heraclkean Fire and of the comfort of the Resurrection
........639
[Thou art indeed just, Lord
] .........................................640
In Context: The Growth of The Windhover
...........................641
(com journal !870- 74
...............................................644
[ Inscape and Instress
].........................................644
from Letter to Robert Bridges
(25
February
1879) .........................646
Author s Preface
...................................................646
Michael Field
—
Katharine Bradlev and Edith Cooper
..................649
The Magdalen
.....................................................650
La Gioconda
.....................,................................652
A girl
............................................................652
h
was deep April, and the morn
.......................................652
To Christina
Rossetti
.....................,..........................653
xviii
Broadview Anthology of British Literature
William Hurkell
Mallock
(www.broadviewpress.com/babl)
Every Man His Own Poet; or, The Inspired Singer s Recipe Book
Robert Louis Stevenson
..............................................654
Requiem
.........................................................655
from A Child s Garden of Verses
........................................655
Whole Duty of Children
..........................................655
Looking Forward
................................................656
The Land of Nod
...............................................656
Good and Bad Children
..........................................656
Foreign Children
................................................656
The Pavilion on the Links
............................................657
Oscar
Wílde........................................................683
Impression
du
Matin
................................................685
E
Tenebris........................................................
685
from The Critic as Artist
...........................................685
from The Decay of Lying
...........................................687
Preface to The Picture of Dorian Gray
...................................688
The Importance of Being Earnest
........................................689
In Context: Wilde and The Public
..................................721
Interview with Oscar Wilde, St. James Gazette (January
1895) .............721
In Context: The First Wilde Trial
(1895)...............................725
from Transcripts of the Trial
........................................725
To Milton (www.broadviewpress.com/babl)
The Young King (www.broadviewpress.com/babl)
Vernon Lee
.........................................................733
The Virgin of the Seven Daggers
.......................................734
from The Handling of Words (www.broadviewpress.com/babl)
Chapter
3:
Aesthetics of the Novel
from Chapter
5
Section C: Carlyle and the Present Tense
from Chapter
6
Section A: Meredith
Section B: Kipling
Section C: Stevenson
Section D: Hardy
Chapter 8t Can Writing Be Taught?
Sm Arthur Con an Doyle
.............................................749
The Adventure of the Speckled Band
................................... 50
Amy
Levt
...........................................................765
Xantippe
.........................................................766
Maţdafcn
........................................................769
Contents
xix
Sir Henry Newbolt (www.broadviewpress.com/babl)
Vttaï
Lampada
He Fell Among Thieves
Rudyard Kipling
.....................................................771
Gunga Din
.......................................................773
The Widow at Windsor
.............................................774
Recessional
.......................................................774
The White Man s Burden
............................................775
If—
.............................................................776
The Story of Muhammad Din
........................................776
The Mark of the Beast
...............................................778
In Context: Victoria and Albert
......................................785
In Context: The White Man s Burden in the Philippines
.................788
Platfirm of the American Anti-Imperialist League
........................788
Mrs. Bathurst (www.broadviewpress.com/babl)
England and the English (www.broadviewpress.com/babl)
Contexts: Race, Empire, and A Wider World
...........................790
from Frances Trollope, Domestic Manners of the Americans
...................792
Chapter I: Entrance of the Mississippi
...............................792
Chapter
3:
Company on Board the Steam Boat
.........................792
Chapter
34:
Return to New York
—
Conclusion
.........................793
from Thomas Babington Macaulay, Minute on Indian Education
............795
from Report of a Speech by William Charles Wentworth,
Australian Legislative Council
...................................796
from William H. Smith, Smith s Canadian Gazetteer
........................797
Carlyle, Milt, and The Negro Question
................................798
from Thomas Carlyle, Occasional Discourse on the Negro Question,
Frasers
Magazine
.............................................799
from John Stuart Mil!, The Negro Question,
Frasers
Magazine
...........801
To the Editor of
Frasers
Magazine
................................801
from Henry Mayhew, London Labour and the London Poor
...................804
Hindo Beggars
..................................................804
Dickens and Thackeray on the Race Question
............................805
from Charles Dickens, The Noble Savage, in Household Words
...........805
from William Makepeace Thackeray, Letters to Mrs. Carmichael-Smyth
.....808
Conservatives, Liberals, and Empire
....................................809
from William Gladstone, Our Colonies
.............................809
from Benjamin Disraeli, Conservative and
Liberai
Principles
.............810
from Cecil Rhodes, Speech delivered in Cape Town
(18
July
1899)......... 812
from David Livingstone, Cambridge Lecture Number
ľ*
................ 812
Eliza M., .Account of Cape Town. King Williams Town Gazette
..........814
from Agnes Macdonald, By Car and Cowcatcher, Murray s Magazine
....., 818
from John
Ruskin.
Inaugural Lecture,
Slade
Lectures (www.broadviewpress.com/babl)
from Henry M. Stanley, In Darkest Africa (www.broadviewpress.com/babl)
xx
Broadview Anthology of British Literature
from William Booth, Why Darkest England ?
from Sara
Jeannette
Duncan, The Flippancy of Anglo-India
from Mary Kingsley, TraveL· in West Africa
from W.S. Caine, Picturesque India: A Handbook for European Travelers
Victor Daley, When London Calls
The Aesthetic Movement
.............................................820
Michael Field
....................................................821
From Baudelaire
................................................822
The Poet
......................................................822
John Davidson
....................................................822
A Northern Suburb
.............................................822
Constance
Naden
..................................................823
Illusions
.......................................................823
Ernest Dowson
....................................................823
Nuns of the Perpetual Adoration
....................................823
To One in Bedlam
...............................................824
Spleen
........................................................824
Lionel Johnson
....................................................825
Plato in London
................................................825
The Dark Angel
.................................................825
The Darkness
..................................................826
Charlotte Mew
.....................................................828
The Farmer s Bride
.................................................829
Madeleine In Church
...............................................829
Passed
...........................................................835
APPENDICES
Reading Poetry
......................................................844
Maps
...............................................................864
MONARCHS AND PRIME MINISTERS OF GREAT BeITAIN
.........................868
Glossary of Terms
...................................................873
Texts and Contexts: Chronological Chart (www.broadviewpress.com/babl)
Bibliography
{
www.broadviewpress.com/babl)
Permission s Acknowledgments
........................................896
Index of First Likes
___...............................................897
índex
of Authors and Titles
...............,..........................900
|
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| id | DE-604.BV037220609 |
| illustrated | Illustrated |
| indexdate | 2024-12-24T00:20:33Z |
| institution | BVB |
| isbn | 1551116138 9781551116136 |
| language | English |
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| title | The Victorian era |
| title_auth | The Victorian era |
| title_exact_search | The Victorian era |
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| title_fullStr | The Victorian era general eds.: Joseph Black ... |
| title_full_unstemmed | The Victorian era general eds.: Joseph Black ... |
| title_short | The Victorian era |
| title_sort | the victorian era |
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