Odmiany wolności publicystyka, krytyka i literatura polskiego Października

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1. Verfasser: Galant, Jan (VerfasserIn)
Format: Buch
Sprache:Polish
Veröffentlicht: Poznań Wydawn. Naukowe Uniw. Im. Adama Mickiewicza 2010
Ausgabe:Wyd. 1.
Schriftenreihe:Seria Filologia Polska 118
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Datensatz im Suchindex

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adam_text Spis tresei Wstęp .................................................. 7 Część I Ciągłość i zerwanie. Publicystyka okresu odwilży .............. 25 Wolność i suwerenność .................................. 44 Wolność i samorządność ................................. 56 W stronę rezerwatu. O zmianach w życiu literackim w okresie Paź¬ dziernika ......................................... 68 Literatura zaangażowana - literatura wyczerpana .............. 91 Nowoczesność - normalność - wolność ...................... 114 Wolność i pokolenie „Współczesności ...................... 153 Część II Poszukiwanie patosu rewolucji. Dwie podróże Wiktora Woroszyl- skiego ........................................... 205 Tematy prozy rozrachunkowej w latach 1955-1957............. 218 „Żona strachu, matka łez . Świadectwa lęków w poezji polskiego Października ...................................... 243 Przemoc i obcość, czyli Pierwszy krok w chmurach Marka Hłaski .... 260 Między erotyką a polityką. Odmiany inicjacji w kilku opowieściach o Październiku 1956................................. 270 Październik 1956 jako mit ................................ 285 Nota bibliograficzna ....................................... 301 Indeks nazwisk .......................................... 303 Kinds of freedom. Journalism, criticism and literature of the Polish October (Summary) ........................................ 309 313 Kinds of freedom. Journalism, criticism and literature of the Polish October Summary The subject of the book was to characterise transformations of Polish culture during the political breakthrough of 1956, which is briefly called the Polish October and means the political thaw started in October 1956 following the end of the Stalinist era. The main subject of the description are the ways in which freedom was understood at that time, and which were shown in various forms of artistic and civic activities of writers: in journalism, public appearances and in the works of literature. The point of reference is freedom as defined by Hannah Arendt, i.e. as a political cate¬ gory which is fulfilled exclusively in mutual activities of many people. In Part One of this work dissertations present in general the subject of freedom in Polish culture of October 1956 and concern the literary life as well as analyse publications in the press, declarations and artistic pro¬ grammes. This part begins with the characterisation of the political thaw, of the transition period between social realism and the October breakthrough marked by conservatism and the state of chaos as the postulates formu¬ lated then are concerned. They were of a political character (change of the way in which culture was to be managed), moral (objection to conformist attitudes) and artistic (modification of social realism). These changes were not of a radical kind, they did not shake the general principles of cultural policies. The next chapters present the ways of existence in the literary publica¬ tions of views concerning the state s sovereignty and its economic system. Changes which occurred in this field in 1956 were the result of a compro¬ mise between demands calling for the completion of the revolution and establishing of full independence and the attitudes referring to the idea of the raison d état, wanting the restriction of expectations, the demand which 309 was due to geopolitical reasons. On the other hand, the tool to gain free¬ dom on the economic level was the idea of workers self-government as a new form of management of companies. The point of departure of the chapter titled W stronę rezerwatu [Towards the reservation] is a well-known hypothesis of Janusz Sławiński which tells about the character of the literary life in Poland to be more reservation-like after 1956, and based on isolation and freedom but enjoyed under some conditions. The aim was to present activities of the authorities, which led to the recovering of the control over the literary life of the country: institu¬ tional restrictions of writers autonomy, imposition of the programme of socialist literature, fuelling of fears against mass culture. The next chapters bring closer three main ideas as found in the pro¬ gramme of Polish literature of the time of Polish October. According to the author the internal oppositions inherent in them also made writers accept reservation-like rules of culture. The programme of civic literature which is actively engaged in public life is represented by Andrzej Kijowski s critical works. Its analysis leads to a conclusion that the civilisational-cultural transformations in the modern world as well as damage done by the Stalinist culture invalidated the hi¬ therto principles of social activity of writers: social confidence and poetics of realism. The next chapter describes the discussion on modernity and the artistic programme of Artur Sandauer and Julian Przyboś as the most con¬ sistent embodiment of the avantguard idea of the autonomy of art. The utterances of both these authors are interpreted as activities the aim of which was to achieve the dominant position in the literary life. The last chapter of Part One, devoted to the generation of the weekly magazine Współczesność [Modern Times] assumes that freedom among the young generation was demonstrated through indefiniteness (dislike of programmes, the myth of youth, and going beyond local problems), the cult of individuality (artist s autonomy, being apolitical, and to protest against bourgeois attitudes) as well as an escape into privacy. Using that which has been established by Charles Taylor, the author of this book indi¬ cates social dangers resulting from these points of view: consumerism, conformism, ideological stagnancy, the vanishing of community ties, the sense of alienation in the world. The conclusion presents the relationship between the writings of the debutantes with existentialist philosophy. Part Two consists of dissertations which discuss in detail the problems tackled in Part One. 310 The chapter devoted to Witold Woroszylski discusses the internal transformation which this poet experienced during his journey to the USSR and Hungary in the autumn of 1956 as he wished to experience the revolu¬ tionary pathos and enthusiasm. In the next dissertation the most important prose works of this part of literature which tries to square up with the past and which is the work of Jerzy Andrzejewski and Kazimierz Brandys are discussed. The interpreta¬ tive categories - the concepts of evidence and confessions - indicate the object of this squaring up with the past: social reality or one s own attitude during the Stalinist era, to the justness of the Marxist idea of the rational history or causes of acceptance of Communism. Remarks on the prose deal¬ ing with the squaring up with the past are supplemented with a discussion of Sławomir Mrozek s short-stories exposing the past with the help of gro¬ tesque and characterisation of Aesopean way of expression as the principle of social communication after 1956. The chapter Żona strachu, matka łez [ The wife of fear, the mother of tears ] discusses the October historiosophic reflection using Bohdan Droz- dowski s, Paweł Hertz s and Mieczysław Jastrun s poetry as an example. The poetic images of fears prove the ideological doubts and match the universal emotions, the confirmation of which are the journalistic works of Leszek Kołakowski and essays on Shakespeare by Jan Kott. The chapter devoted to Marek Hłasko contains a short interpretation of Pierwszy krok w chmurach [The first step into the clouds] answering the question about the causes and aims of violence described in this work. Its source is the emptiness of existence and the sense of alienation of the world caused by its instability and opacity. The chapter Między erotyką a polityką [Between eroticism and politics] presents forms of initiation described in the literary works written during the Polish October period by female debutantes and in the books contain¬ ing reminiscences which were written years later. In the first case, interpre¬ tation emphasises how the wish to be happy (identified with the possession of material goods) supersedes the need of freedom. In turn, the memories of Henryk Grynberg, Jerzy S. Stawiński, Marek Hłasko and Agnieszka Osiecka show the 1956 breakthrough in its ludic version as a time of play and entertainment, moral liberalisation by means of which the need for freedom was satisfied. The last chapter enumerates components of the mythology of the Oc¬ tober breakthrough, among others, the myth of social unity, the myth of 311 socialism, the myth of the new beginning, and the myth of artistic freedom. In the conclusion the author speaks of the effects of the Polish October which were of great importance for the culture of the years that followed it: on artistic richness and spreading of conformist attitudes. The recognition of this ambiguity of the aftermath of the 1956 breakthrough as the funda¬ mental feature of the Polish People s Republic s culture (after Teresa Wa- las) allows to frame a hypothesis that the historical and social phenome¬ non, which is called Polish People s Republic was born only after the Polish October.
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spelling Galant, Jan Verfasser aut
Odmiany wolności publicystyka, krytyka i literatura polskiego Października Jan Galant
Wyd. 1.
Poznań Wydawn. Naukowe Uniw. Im. Adama Mickiewicza 2010
313, [1] s. 21 cm.
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n rdamedia
nc rdacarrier
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Geschichte gnd rswk-swf
Polnischer Oktober (DE-588)4369685-5 gnd rswk-swf
Polnischer Oktober (DE-588)4369685-5 s
Geschichte z
DE-604
Seria Filologia Polska 118 (DE-604)BV045416303 118
Digitalisierung BSB Muenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=020656654&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis
Digitalisierung BSB Muenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=020656654&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Abstract
spellingShingle Galant, Jan
Odmiany wolności publicystyka, krytyka i literatura polskiego Października
Seria Filologia Polska
Polnischer Oktober (DE-588)4369685-5 gnd
subject_GND (DE-588)4369685-5
title Odmiany wolności publicystyka, krytyka i literatura polskiego Października
title_auth Odmiany wolności publicystyka, krytyka i literatura polskiego Października
title_exact_search Odmiany wolności publicystyka, krytyka i literatura polskiego Października
title_full Odmiany wolności publicystyka, krytyka i literatura polskiego Października Jan Galant
title_fullStr Odmiany wolności publicystyka, krytyka i literatura polskiego Października Jan Galant
title_full_unstemmed Odmiany wolności publicystyka, krytyka i literatura polskiego Października Jan Galant
title_short Odmiany wolności
title_sort odmiany wolnosci publicystyka krytyka i literatura polskiego pazdziernika
title_sub publicystyka, krytyka i literatura polskiego Października
topic Polnischer Oktober (DE-588)4369685-5 gnd
topic_facet Polnischer Oktober
url http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=020656654&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
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volume_link (DE-604)BV045416303
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