Methods of art history tested against prehistory. - Spirals and circular forms [u.a.]

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Veröffentlicht: Oxford [u.a.] Archaeopress 2010
Schriftenreihe:International Union of Prehistoric and Protohistoric Sciences: Proceedings of the XV World Congress 35
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Datensatz im Suchindex

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adam_text TABLE OF CONTENTS C74 - Methods of art history tested against prehistory Les méthodes de l histoire de l art à l épreuve de la préhistoire - Introduction ....................3 Marc Groenen & Didier Martens Application de la méthodologie de l Histoire de l art à l étude de l art paléolithique: l attribution des oeuvres anonymes à ses auteurs .............................................................5 Juan-María Apellaniz Les peintures de la grotte de la Pasiega A (Puente Viesgo, Cantabrie) à l épreuve de la méthode de l attribution ......................................................................13 Marc Groenen, Didier Martens The recognition of diversity through style in the Saharán rock-art research: an historiographie approach from the Western Sahara ...................................................23 Joaquim Soler Subils The rock art of South-Morocco revisited: On surprising stylistic and thematic characteristics of the so-called Pseudo-Bovidien and Tazinien rock art from the mid valley of Wadi Draa ..................................................................................31 Renate Heckendorf C81 - Spirals and circular forms: The most common rock art elements in the world? Spirals in Humahuacaand in theNW of Argentina (South America) ..................................39 José Luis Mamani, Alicia Ana Fernandez Distel Spirals at Sturt s Meadows ...................................................................................................49 John Clegg Circular elements in the rock art of the State of Bahia, Brazil .............................................55 Guilherme Albagli de Almeida Spirals of the prehistoric Open Rock painting from Kosova ................................................59 Edi Shukriu C85 - European cave art To be or not to be Palaeolithic, that is the question ..............................................................65 Robert G. Bednařík - . . The Margot Cave (Mayenne): a new palaeolithic sanctuary in West France .......................81 Romain Pigeaud, Stephan Hinguant, Joël Rodet, Nicolas Melara, Alain Benard, Thibaut Devièse, Clelia Dufayet, Geoffroy Heimlich, Laureen Martin, Emilie Trelohan-Chauve, Jean-Pierre Betton, Pascal Bonie Fluted Animals in the Zone of Crevices, Gargas Cave, France ............................................93 Kevin Sharpe, Leslie Van Gelder S02 - Euro-Mediterranean rock art studies Schematic panel with paleolithic punctuation and other questions ofPaleoastronomy and Philosophy of Antiquity ..........................................................105 José Fernandez Quintana Epipaleolithic and Mesolithic Burial s from 12000 to 7000 BP in Levantin Territory Art Rock .....................................................................................115 Carme Olària, Francese Gusi, José Luís López Gravuras serpentiformes na região de Trás-os-Montes ......................................................125 Maria Fernanda Ferrato Melo de Carvalho S07 - Global state of the art The Camera Obscura and the Origin of Art: The Case for Image Projection in the Paleolithic ...........................................................................................................135 Matt Gatton, Leah Carreon, Madison Cawein, Walter Brock, and Valerie Scott Etude et présentation de l art rupestre en Iran (exemple d étude dans les régions du province central et Kermân d Iran) ..........................................................................143 Elyas Saffaran WS37 - Current state of North American rock art Archeological Use of Caves on the Northwestern Plains, USA .........................................153 John Greer and Mavis Greer Mogollón rock art and the status of the flute player .......................................................161 Maarten van Hoek The findings of the presence of the sabre toothed tiger ......................................................175 M.C.M.C. Beltrão and M. Locks
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International Union of Prehistoric and Protohistoric Sciences: Proceedings of the XV World Congress
spellingShingle Methods of art history tested against prehistory. - Spirals and circular forms [u.a.]
International Union of Prehistoric and Protohistoric Sciences: Proceedings of the XV World Congress
Vor- und Frühgeschichte (DE-588)4078951-2 gnd
Felsbild (DE-588)4016718-5 gnd
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title Methods of art history tested against prehistory. - Spirals and circular forms [u.a.]
title_alt Spirals and circular forms
title_auth Methods of art history tested against prehistory. - Spirals and circular forms [u.a.]
title_exact_search Methods of art history tested against prehistory. - Spirals and circular forms [u.a.]
title_full Methods of art history tested against prehistory. - Spirals and circular forms [u.a.] ed. by Marc Groenen ...
title_fullStr Methods of art history tested against prehistory. - Spirals and circular forms [u.a.] ed. by Marc Groenen ...
title_full_unstemmed Methods of art history tested against prehistory. - Spirals and circular forms [u.a.] ed. by Marc Groenen ...
title_short Methods of art history tested against prehistory. - Spirals and circular forms [u.a.]
title_sort methods of art history tested against prehistory spirals and circular forms u a
topic Vor- und Frühgeschichte (DE-588)4078951-2 gnd
Felsbild (DE-588)4016718-5 gnd
topic_facet Vor- und Frühgeschichte
Felsbild
Konferenzschrift 2006 Lissabon
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