Dismantling the dream factory gender, German cinema, and the postwar quest for a new film language
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York
Berghahn Books
2009
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| Schriftenreihe: | Film Europa: German cinema in an international context
9 |
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| Online-Zugang: | Inhaltsverzeichnis |
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| 245 | 1 | 0 | |a Dismantling the dream factory |b gender, German cinema, and the postwar quest for a new film language |c Hester Baer |
| 264 | 1 | |a New York |b Berghahn Books |c 2009 | |
| 300 | |a XIII, 304 S. |b Ill. |c 24 cm | ||
| 336 | |b txt |2 rdacontent | ||
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| 338 | |b nc |2 rdacarrier | ||
| 490 | 1 | |a Film Europa: German cinema in an international context |v 9 | |
| 490 | 0 | |a Berghahn on film | |
| 500 | |a Includes bibliographical references and index | ||
| 500 | |a Relegitimating cinema: female spectators and the problem of representation -- How do you solve a problem like Susanne?: the female gaze in Wolfgang Staudte's The murderers are among us (1946) -- When fantasy meets reality: authorship and stardom in Rudolf Jugert's Film without a title (1948) -- Gendered visions of the German past: Wolfgang Liebeneiner's Love '47 (1949) as woman's film -- Unsolved mysteries: race, ethnicity, and gender in Helmut Käutner's Epilogue (1950) -- Art on film: representing gender and sexuality in popular cinema -- "Through her eyes": regendering representation in Willi Forst's The sinner (1951) -- Looking at Heimat: visual pleasure and cinematic realism in Alfons Stummer's The forester of the silver wood (1955) -- Degenerate art?: problems of gender and sexuality in Veit Harlan's Different from you and me (175) (1957) -- Towards the new wave: gender and the critique of popular cinema -- Pleasurable negotiations: spectatorship and genre in Helmut Käutner's "anti-tearjerker" Engagement in Zurich (1957) -- Sound and spectacle in the Wirtschaftswunder: the critical strategies of Rolf Thiele's The girl Rosemarie (1958) -- Gender and the new wave: Herbert Vesely's The bread of those early years (1962) as transitional film -- Epilogue: adapting the 1950s: the afterlife of postwar cinema in post-unification popular culture | ||
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Datensatz im Suchindex
| _version_ | 1804140704766623744 |
|---|---|
| adam_text | Titel: Dismantling the dream factory
Autor: Baer, Hester
Jahr: 2009
Contents
List of Illustrations ix
Acknowledgments xi
Introduction
Dismantling the Dream Factory: Gender and
Spectatorship in Postwar German Cinema 1
Part L Relegitimating Cinema: Female Spectators and the
Problem of Representation
1 How Do You Solve a Problem Like Susanne?: The Female Gaze
in Wolfgang Staudte s The Murderers Are Among Us (1946) 21
2 When Fantasy Meets Reality: Authorship and Stardom in
Rudolf Jugert s Film Without a Title (1948) 49
3 Gendered Visions of the German Past: Wolfgang Liebeneiner s
Love 47 (1949) as Woman s Film 73
4 Unsolved Mysteries: Race, Ethnicity, and Gender in
Helmut Käutner s Epilogue (1950) 101
Part IL Art on Film: Representing Gender and Sexuality
in Populär Cinema
5 Through Her Eyes : Regendering Representation in
Willi Forst s The Sinner (1951) 127
6 Looking at Heimat: Visual Pleasure and Cinematic Realism
in Alfons Stummer s The Forester of the Silver Wood (1955) 161
7 Degenerate Art?: Problems of Gender and Sexuality in
Veit Harlan s Different From You and Me (§175) (1957) 183
viii Contents
Part HL Towards the New Wave: Gender and the Critique
of Populär Cinema
8 Pleasurable Negotiations: Spectatorship and Genre in Helmut
Käutner s Anti-Tearjerker Engagement in Zürich (1957) 209
9 Sound and Spectacle in the Wirtschaftswunder: The Critical
Strategies of Rolf Thiele s The Girl Rosemarie (1958) 235
10 Gender and the New Wave: Herbert Vesely s The Bread
ofThose Early Years (1962) as Transitional Film 257
Epilogue
Adapting the 1950s: The Afterlife of Postwar Cinema
in Post-Unification Populär Culture 279
Bibliography 283
Index 291
|
| any_adam_object | 1 |
| author | Baer, Hester 1970- |
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| callnumber-first | P - Language and Literature |
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| discipline | Allgemeines |
| era | Geschichte 1900-2000 Geschichte 1946-1949 gnd Geschichte 1949-1962 gnd |
| era_facet | Geschichte 1900-2000 Geschichte 1946-1949 Geschichte 1949-1962 |
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| spelling | Baer, Hester 1970- Verfasser (DE-588)140253122 aut Dismantling the dream factory gender, German cinema, and the postwar quest for a new film language Hester Baer New York Berghahn Books 2009 XIII, 304 S. Ill. 24 cm txt rdacontent n rdamedia nc rdacarrier Film Europa: German cinema in an international context 9 Berghahn on film Includes bibliographical references and index Relegitimating cinema: female spectators and the problem of representation -- How do you solve a problem like Susanne?: the female gaze in Wolfgang Staudte's The murderers are among us (1946) -- When fantasy meets reality: authorship and stardom in Rudolf Jugert's Film without a title (1948) -- Gendered visions of the German past: Wolfgang Liebeneiner's Love '47 (1949) as woman's film -- Unsolved mysteries: race, ethnicity, and gender in Helmut Käutner's Epilogue (1950) -- Art on film: representing gender and sexuality in popular cinema -- "Through her eyes": regendering representation in Willi Forst's The sinner (1951) -- Looking at Heimat: visual pleasure and cinematic realism in Alfons Stummer's The forester of the silver wood (1955) -- Degenerate art?: problems of gender and sexuality in Veit Harlan's Different from you and me (175) (1957) -- Towards the new wave: gender and the critique of popular cinema -- Pleasurable negotiations: spectatorship and genre in Helmut Käutner's "anti-tearjerker" Engagement in Zurich (1957) -- Sound and spectacle in the Wirtschaftswunder: the critical strategies of Rolf Thiele's The girl Rosemarie (1958) -- Gender and the new wave: Herbert Vesely's The bread of those early years (1962) as transitional film -- Epilogue: adapting the 1950s: the afterlife of postwar cinema in post-unification popular culture Geschichte 1900-2000 Geschichte 1946-1949 gnd rswk-swf Geschichte 1949-1962 gnd rswk-swf Motion pictures / Germany / History / 20th century Motion pictures / Social aspects / Germany Motion pictures for women / Germany Motion picture audiences / Germany Women in motion pictures Film Geschichte Gesellschaft Motion picture audiences Germany Motion pictures for women Germany Motion pictures Social aspects Germany Motion pictures Germany History 20th century Film (DE-588)4017102-4 gnd rswk-swf Deutschland Deutschland Gebiet unter Alliierter Besatzung, Westzonen (DE-588)4090736-3 gnd rswk-swf Deutschland Bundesrepublik (DE-588)4011889-7 gnd rswk-swf Deutschland Gebiet unter Alliierter Besatzung, Westzonen (DE-588)4090736-3 g Film (DE-588)4017102-4 s Geschichte 1946-1949 z DE-604 Deutschland Bundesrepublik (DE-588)4011889-7 g Geschichte 1949-1962 z Film Europa: German cinema in an international context 9 (DE-604)BV022527114 9 HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=018633339&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Baer, Hester 1970- Dismantling the dream factory gender, German cinema, and the postwar quest for a new film language Film Europa: German cinema in an international context Motion pictures / Germany / History / 20th century Motion pictures / Social aspects / Germany Motion pictures for women / Germany Motion picture audiences / Germany Women in motion pictures Film Geschichte Gesellschaft Motion picture audiences Germany Motion pictures for women Germany Motion pictures Social aspects Germany Motion pictures Germany History 20th century Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4017102-4 (DE-588)4090736-3 (DE-588)4011889-7 |
| title | Dismantling the dream factory gender, German cinema, and the postwar quest for a new film language |
| title_auth | Dismantling the dream factory gender, German cinema, and the postwar quest for a new film language |
| title_exact_search | Dismantling the dream factory gender, German cinema, and the postwar quest for a new film language |
| title_full | Dismantling the dream factory gender, German cinema, and the postwar quest for a new film language Hester Baer |
| title_fullStr | Dismantling the dream factory gender, German cinema, and the postwar quest for a new film language Hester Baer |
| title_full_unstemmed | Dismantling the dream factory gender, German cinema, and the postwar quest for a new film language Hester Baer |
| title_short | Dismantling the dream factory |
| title_sort | dismantling the dream factory gender german cinema and the postwar quest for a new film language |
| title_sub | gender, German cinema, and the postwar quest for a new film language |
| topic | Motion pictures / Germany / History / 20th century Motion pictures / Social aspects / Germany Motion pictures for women / Germany Motion picture audiences / Germany Women in motion pictures Film Geschichte Gesellschaft Motion picture audiences Germany Motion pictures for women Germany Motion pictures Social aspects Germany Motion pictures Germany History 20th century Film (DE-588)4017102-4 gnd |
| topic_facet | Motion pictures / Germany / History / 20th century Motion pictures / Social aspects / Germany Motion pictures for women / Germany Motion picture audiences / Germany Women in motion pictures Film Geschichte Gesellschaft Motion picture audiences Germany Motion pictures for women Germany Motion pictures Social aspects Germany Motion pictures Germany History 20th century Deutschland Deutschland Gebiet unter Alliierter Besatzung, Westzonen Deutschland Bundesrepublik |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=018633339&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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