French song from Berlioz to Duparc the origin and development of the mélodie
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Weitere Verfasser: | |
| Format: | Buch |
| Sprache: | English French |
| Veröffentlicht: |
New York
Dover Publications Inc.
1988
|
| Ausgabe: | Second edition |
| Schriftenreihe: | Dover books on music, music history
|
| Schlagworte: | |
| Online-Zugang: | Publisher description Inhaltsverzeichnis Klappentext |
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| 245 | 1 | 0 | |a French song from Berlioz to Duparc |b the origin and development of the mélodie |c Frits Noske ; revised by Rita Benton & Frits Noske ; translated by Rita Benton |
| 250 | |a Second edition | ||
| 264 | 1 | |a New York |b Dover Publications Inc. |c 1988 | |
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Datensatz im Suchindex
| _version_ | 1819698414766522368 |
|---|---|
| adam_text | CONTENTS
LIST OF ILLUSTRATIONS
ХШ
CHAPTER I
The Origins of the
Melodie
ι
The Romance,
ι
The Decline of the Romance,
5
The Romantic Romance,
12
The Word
Melodie
Designating a Vocal Piece,
22
Schubert and the German Lied,
25
The
Melodie
after Schubert,
34
CHAPTER II
Some Observations Concerning the Literary-
Aspects of the
Melodie 41
HISTORICAL SKETCH OF THE THEORY OF PROSODY
The Burden of Syllabic Quantity Imposed on Song,
42
Theories of
Scoppa
and Castil-Blaze
;
the Square Phrase,
51
Imperfect Prosody at Mid-Century; Sterility of Musical
Rhythm,
58
Restoration of Prosody; Purism toward igoo,
61
ix
χ
/
FRENCH SONG FROM BERLIOZ TO DUPARC
FOUR ROMANTIC POETS; RELATION OF THEIR POETIC
EXPRESSION TO MUSIC
Théophile Gautier,
69
Alfred
de Musset,
72
Alphonse de Lamartine,
76
Victor Hugo,
78
Poetic Qmlities of
Musical
Interest,
80
Neglected Poets,
87
CHAPTER III
The
Mélodie
During the Romantic Era 91
Hector Berlioz
[1803-1869], 92
Giacomo
Meyerbeer [1791-1864],
115
Franz Liszt
[1811-1886], 125
Richard Wagner
[1813-1883], 136
Félicien
David
[1810—1876], 140
Henri
Beber [1807-1880],
14g
CHAPTER IV
The
Bourgeois
Mélodie
159
CharUs Gounod [1818-1893],
160
Victor
Massé
[1822-1884], 186
Ernest Reyer
[1823-1909], 191
Georges Bizet [1838-1875],
194
Léo
Delibes
[1836—1892], 203
Jazei
Massenet
[1842-1912], 210
CHAPTER V
Toward the Apogee of French Song
219
THE
MÉLODIE
INFLUENCED BY INSTRUMENTAL MUSIC
Camille
Saint-Saêns
[1835-1922],
аго
Contents
I
xi
Edouard
Lalo [i
832-1892], 231
César Franck [1822-1890],
242
Alexis de Castillan [1838-1873],
252
THE FIRST GREAT
MASTERS
Gabriel
Fame s
First Collection,
255
Henn
Lupare [1848-1933],
272
POSTSCRIPT
TO THE SEGOND
EDITION
295
APPENDIX I
Hippolyte Monpou
and His Romanticism
299
APPENDIX II
Élégie, an
Unknown
Mélodie
of
Franz Liszt
304
APPENDIX III
Orientalism in the
Mélodie
312
APPENDIX IV
L aurore
by Gabriel
Faúré
315
APPENDIX V
Prose Rendering of Poetic Quotations
319
APPENDIX VI
Song Catalogue
327
Remarks for the Second Edition
327 /
Hippolyte Monpou
330 /
Hector Berlioz
333 /
Giacomo
Meyerbeer
338
¡Franz Liszt
341 /
Richard Wagner
343 /
Félicien
David
343 /
Henri Reber
347 /
Charles Gounod
34g
/
Victor Masse
360 /
Ernest Reyer
366 /
Georges Bizet
368 /
Léo
Delibes
371 /
Jules Massenet
372 /
xii /
FRENCH SONG FROM BERLIOZ TO DUPARC
Camille Saint-Saëns
387 /
Edouard
Lalo
396 /
César
Franck
398 /
Alexis de Castillon 400 / Gabriel
Fauré
400 / Henri Duparc 406
TABLE OF ABBREVIATIONS 408
NOTES 409
BIBLIOGRAPHY
432
INDEX
OF NAMES AND SELECTED
SUBJECTS
447
§ONG
fron*
to DUPAEC
Frits
Nősbe
French song of the 19th century has been too long ignored by musicologists and
performers alike. In this study Frits Noske shows the neglect to be undeserved in
the case of the
mélodie, a
genre which at its best attained the high quality of the
German Lied, yet remained essentially independent and wholly French in
character.
Professor Noske, Director of the Institute of Musicology of the University of
Amsterdam, is the first musicologist to trace fully the origins and early development
of the
mélodie.
He discusses the forms from which the
mélodie
evolved,
intermediary compositions by
Niedermeyer
and Monpou, the effect of Thomas
Moore s Irish Melodies, Berlioz contribution to the emerging form, the influence of
German song (especially that of Schubert), the special problems of French
language prosody, the changing role of accompaniment, and other similar topics.
The
mélodies
of Berlioz, Liszt, Gounod, Bizet, Delibes, Massenet,
Saint-Saëns,
Lalo,
Franck,
Faúré, Duparc
and seven others are described and analyzed as to
structure, style, prosody, and melo-harmonic features. The author s sensitive
evaluation of the songs, coupled with over
250
musical examples, will provide
singers with ample evidence of the quality of many
mélodies.
Some of them
certainly deserve
reintroduction
to the concert stage.
This first English edition, corrected and revised, also takes advantage of new
findings published since the appearance of the original French edition, and includes
a new author s preface and postscript, as well as additional illustrations. The
reorganized and amplified song catalogue in Appendix VI should be extremely
helpful to singers seeking editions of the songs.
Invaluable as a work of reference, in addition to being full of sound judgments and
happy suggestions, Jacques Barzun, MLA Notes.
250
musical excerpts underline
the author s propensity to show cause. They also suggest the piano bench as a very
likely place for the perusal of this study, Alexander Ringer, Jml. of the American
Musicological Society.
Unabridged Dover
(1987)
republication
of the second edition
(1970).
Revised by
Rita Benton and Frits Noske, translated by Rita Benton.
34
illustrations,
6
appendices. Bibliography. Index,
xiv +
454pp.
5%
χ
85í.
Paperbound.
Free Complete Dover Music Catalog available upon request.
|
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| language | English French |
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| publishDate | 1988 |
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| publisher | Dover Publications Inc. |
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| spellingShingle | Noske, Frits 1920-1993 French song from Berlioz to Duparc the origin and development of the mélodie "Song catalogue": p. 327-407 -- Bibliography: p. 432-446 Musica (Franca) larpcal Songs, French France History and criticism French poetry Musical settings History and criticism Songs, French France Bibliography Lied (DE-588)4035669-3 gnd |
| subject_GND | (DE-588)4035669-3 (DE-588)4018145-5 (DE-588)4006432-3 |
| title | French song from Berlioz to Duparc the origin and development of the mélodie |
| title_alt | La mélodie française de Berlioz à Duparc |
| title_auth | French song from Berlioz to Duparc the origin and development of the mélodie |
| title_exact_search | French song from Berlioz to Duparc the origin and development of the mélodie |
| title_full | French song from Berlioz to Duparc the origin and development of the mélodie Frits Noske ; revised by Rita Benton & Frits Noske ; translated by Rita Benton |
| title_fullStr | French song from Berlioz to Duparc the origin and development of the mélodie Frits Noske ; revised by Rita Benton & Frits Noske ; translated by Rita Benton |
| title_full_unstemmed | French song from Berlioz to Duparc the origin and development of the mélodie Frits Noske ; revised by Rita Benton & Frits Noske ; translated by Rita Benton |
| title_short | French song from Berlioz to Duparc |
| title_sort | french song from berlioz to duparc the origin and development of the melodie |
| title_sub | the origin and development of the mélodie |
| topic | Musica (Franca) larpcal Songs, French France History and criticism French poetry Musical settings History and criticism Songs, French France Bibliography Lied (DE-588)4035669-3 gnd |
| topic_facet | Musica (Franca) Songs, French France History and criticism French poetry Musical settings History and criticism Songs, French France Bibliography Lied Frankreich Bibliografie |
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