Meeting movies

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Bibliographische Detailangaben
1. Verfasser: Holland, Norman Norwood (VerfasserIn)
Format: Buch
Sprache:English
Veröffentlicht: Madison [u.a.] Fairleigh Dickinson Univ. Press 2007
Ausgabe:1. paperback ed.
Schlagworte:
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Datensatz im Suchindex

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adam_text Contents Preface 11 1. Casablanca, America s and Mine 17 2. Vertigo: One Viewer s Viewing 36 3. The Seventh Seal— Mine Once 54 A. Huston s Freud and My Huston 69 5. A Personal Perdona 95 6. A Child Among the Children o/Paradùe 112 7. My Shakespeare in Love 136 8. ί Λ: Decades and DifFerence 156 Afterword 179 Acknowledgments 181 Notes 183 The Films 189 Works Cited 191 Index 197 Meeting Movies This book combines subtle readings of eight classic films with memories and associations that make it possible for both Norman Holland and his readers to understand why he sees movies as he does. Casablanca provides millions with a sense of satisfaction. How did this sentimental film enable Holland (and many others) to deal with the scary state of the world in 1942 and, indeed, ever since? Holland can dissect Vertigo psychoanalytically, through psychological themes like the repetition compulsion or the uncanny or the mysterious breaking into the rational. But are these the reasons why he and a multitude of other viewers are so fond of a quite unrealistic and contrived film? Why was Holland so disappointed in a recent viewing of The Seventh Seal, a movie he once adored? It is not difficult to interpret this film that orice seemed to be totally obscure as contrasting different kinds of religion. But how did that play out with a young man still wondering about God? And can it matter to that same man fifty years later? Holland sees in John Huston s film Freud an intriguing interpretation of Freud and psychoanalysis. But the gossip around the film intrudes on his intellectual act of analyzing the film — why? Why does Holland react with fear and distaste to Huston and contempt for Montgomery Clio? Holland admires Persona, but cannot enjoy it. Again, why? Why is the film s childish, violent mingling of love and hate so threatening as to make the film unsatisfying to him and perhaps to many other viewers? The French classic, Children of Paradise, deals with two very different actors ambi¬ tions for their art. How does it speak to Holland s own feelings about the boundless ambitions of childhood and the subdued hopes of middle age and later? Fluffy as Shakespeare in Love is, Holland delights in this film. But why does Shake¬ speare s breakthrough in his art and in his love life appeal to a writer who once wanted to be a creative writer, but succeeded only in being a critic? Holland first saw Fellim s classic 8Ά when it appeared in 1963, and he disapproved of itas excessively autobiographical. Now, he has come to love the film. What changed? Meeting Movies poses such questions again and again and Holland feels compelled to interpret. Yet, beneath his intellectualizing, a variety of half-conscious personal considerations and recurring themes color his feelings and his interpretations. And this, he claims, is true for ail of us. The first command of the Oracle at Delphi could be the motto of this book — Know Thyself. About the Author: Morman Holland has written fourteen books, over a hundred fifty articles in popular and professional magazines, and has lectured all over the world. He is Marston-Milbauer Eminent Scholar at the University of Florida, and his biography and a list of writings can be accessed at http://www.normholland.com.
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spellingShingle Holland, Norman Norwood
Meeting movies
Film
Motion pictures
Film (DE-588)4017102-4 gnd
Philosophie (DE-588)4045791-6 gnd
subject_GND (DE-588)4017102-4
(DE-588)4045791-6
title Meeting movies
title_auth Meeting movies
title_exact_search Meeting movies
title_full Meeting movies Norman N. Holland
title_fullStr Meeting movies Norman N. Holland
title_full_unstemmed Meeting movies Norman N. Holland
title_short Meeting movies
title_sort meeting movies
topic Film
Motion pictures
Film (DE-588)4017102-4 gnd
Philosophie (DE-588)4045791-6 gnd
topic_facet Film
Motion pictures
Philosophie
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