Meeting movies
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Madison [u.a.]
Fairleigh Dickinson Univ. Press
2007
|
Ausgabe: | 1. paperback ed. |
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis Klappentext |
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MARC
LEADER | 00000nam a2200000zc 4500 | ||
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003 | DE-604 | ||
005 | 20091012 | ||
007 | t| | ||
008 | 090807s2007 xxu |||| 00||| eng d | ||
020 | |a 9780838641613 |c alk. paper |9 978-0-8386-4161-3 | ||
020 | |a 083864161X |9 0-8386-4161-X | ||
035 | |a (OCoLC)62282180 | ||
035 | |a (DE-599)BVBBV035668488 | ||
040 | |a DE-604 |b ger |e aacr | ||
041 | 0 | |a eng | |
044 | |a xxu |c US | ||
049 | |a DE-355 | ||
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100 | 1 | |a Holland, Norman Norwood |e Verfasser |4 aut | |
245 | 1 | 0 | |a Meeting movies |c Norman N. Holland |
250 | |a 1. paperback ed. | ||
264 | 1 | |a Madison [u.a.] |b Fairleigh Dickinson Univ. Press |c 2007 | |
300 | |a 201 S. | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
500 | |a Includes bibliographical references | ||
650 | 4 | |a Film | |
650 | 4 | |a Motion pictures | |
650 | 0 | 7 | |a Film |0 (DE-588)4017102-4 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Philosophie |0 (DE-588)4045791-6 |2 gnd |9 rswk-swf |
689 | 0 | 0 | |a Film |0 (DE-588)4017102-4 |D s |
689 | 0 | 1 | |a Philosophie |0 (DE-588)4045791-6 |D s |
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Datensatz im Suchindex
DE-BY-UBR_call_number | 69/AP 46600 H736(.007) |
---|---|
DE-BY-UBR_katkey | 4515970 |
DE-BY-UBR_location | 69 |
DE-BY-UBR_media_number | 069040080012 |
_version_ | 1822719948523307008 |
adam_text | Contents
Preface
11
1.
Casablanca,
America s and Mine
17
2.
Vertigo: One Viewer s Viewing
36
3.
The Seventh Seal— Mine Once
54
A. Huston
s Freud
and My Huston
69
5.
A Personal
Perdona
95
6.
A Child Among the Children
o/Paradùe
112
7.
My
Shakespeare
in Love
136
8.
ί Λ:
Decades and DifFerence
156
Afterword
179
Acknowledgments
181
Notes
183
The Films
189
Works Cited
191
Index
197
Meeting Movies
This book combines subtle readings of eight classic films with memories and associations
that make it possible for both Norman Holland and his readers to understand why he sees
movies as he does.
Casablanca provides millions with a sense of satisfaction. How did this sentimental
film enable Holland (and many others) to deal with the scary state of the world in
1942
and, indeed, ever since?
Holland can dissect Vertigo psychoanalytically, through psychological themes like the
repetition compulsion or the uncanny or the mysterious breaking into the rational.
But are these the reasons why he and a multitude of other viewers are so fond of a quite
unrealistic and contrived film?
Why was Holland so disappointed in a recent viewing of The Seventh Seal, a movie he
once adored? It is not difficult to interpret this film that
orice
seemed to be totally obscure
as contrasting different kinds of religion. But how did that play out with a young man still
wondering about God? And can it matter to that same man fifty years later?
Holland sees in John Huston s film Freud an intriguing interpretation of Freud and
psychoanalysis. But the gossip around the film intrudes on his intellectual act of
analyzing the film
—
why? Why does Holland react with fear and distaste to Huston and
contempt for Montgomery Clio?
Holland admires Persona, but cannot enjoy it. Again, why? Why is the film s childish,
violent mingling of love and hate so threatening as to make the film unsatisfying to him
and perhaps to many other viewers?
The French classic, Children of Paradise, deals with two very different actors ambi¬
tions for their art. How does it speak to Holland s own feelings about the boundless
ambitions of childhood and the subdued hopes of middle age and later?
Fluffy as Shakespeare in Love is, Holland delights in this film. But why does Shake¬
speare s breakthrough in his art and in his love life appeal to a writer who once wanted to
be a creative writer, but succeeded only in being a critic?
Holland first saw Fellim s classic
8Ά
when it appeared in
1963,
and he disapproved of
itas excessively autobiographical. Now, he has come to love the film. What changed?
Meeting Movies poses such questions again and again and Holland feels compelled to
interpret. Yet, beneath his intellectualizing, a variety of half-conscious personal
considerations and recurring themes color his feelings and his interpretations. And this,
he claims, is true for ail of us. The first command of the Oracle at Delphi could be the
motto of this book
—
Know Thyself.
About the Author:
Morman
Holland has written fourteen books, over a hundred fifty
articles in popular and professional magazines, and has lectured all over the world. He is
Marston-Milbauer Eminent Scholar at the University of Florida, and his biography and a
list of writings can be accessed at http://www.normholland.com.
|
any_adam_object | 1 |
author | Holland, Norman Norwood |
author_facet | Holland, Norman Norwood |
author_role | aut |
author_sort | Holland, Norman Norwood |
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building | Verbundindex |
bvnumber | BV035668488 |
callnumber-first | P - Language and Literature |
callnumber-label | PN1995 |
callnumber-raw | PN1995 |
callnumber-search | PN1995 |
callnumber-sort | PN 41995 |
callnumber-subject | PN - General Literature |
classification_rvk | AP 46600 |
ctrlnum | (OCoLC)62282180 (DE-599)BVBBV035668488 |
dewey-full | 791.43/75 |
dewey-hundreds | 700 - The arts |
dewey-ones | 791 - Public performances |
dewey-raw | 791.43/75 |
dewey-search | 791.43/75 |
dewey-sort | 3791.43 275 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines |
edition | 1. paperback ed. |
format | Book |
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id | DE-604.BV035668488 |
illustrated | Not Illustrated |
indexdate | 2024-12-23T22:06:40Z |
institution | BVB |
isbn | 9780838641613 083864161X |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-017722791 |
oclc_num | 62282180 |
open_access_boolean | |
owner | DE-355 DE-BY-UBR |
owner_facet | DE-355 DE-BY-UBR |
physical | 201 S. |
publishDate | 2007 |
publishDateSearch | 2007 |
publishDateSort | 2007 |
publisher | Fairleigh Dickinson Univ. Press |
record_format | marc |
spellingShingle | Holland, Norman Norwood Meeting movies Film Motion pictures Film (DE-588)4017102-4 gnd Philosophie (DE-588)4045791-6 gnd |
subject_GND | (DE-588)4017102-4 (DE-588)4045791-6 |
title | Meeting movies |
title_auth | Meeting movies |
title_exact_search | Meeting movies |
title_full | Meeting movies Norman N. Holland |
title_fullStr | Meeting movies Norman N. Holland |
title_full_unstemmed | Meeting movies Norman N. Holland |
title_short | Meeting movies |
title_sort | meeting movies |
topic | Film Motion pictures Film (DE-588)4017102-4 gnd Philosophie (DE-588)4045791-6 gnd |
topic_facet | Film Motion pictures Philosophie |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017722791&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017722791&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
work_keys_str_mv | AT hollandnormannorwood meetingmovies |