The twentieth century and beyond from 1900 to World War II

The twentieth century and beyond from 1900 to World War II

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Sprache:English
Veröffentlicht: Peterborough, Ontario Broadview Press 2008
Schriftenreihe:The Broadview anthology of British literature 6A
Schlagworte:
Geschichte 1900-2000
Littérature anglaise - 20e siècle - Anthologies
English literature > 20th century > Literary collections
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adam_text Contents VOLUME A, FROM 1900 TO WORLD WAR II Preface .............................................................xvii Acknowledgments ...................................................xxv The Early Twentieth Century: From 1900 то World War II ............... xxix The Edwardian Period ...............................................xxx The World Wars ................................................. xxxiv Marx, Einstein, Freud, and Modernism .............................. xxxviii The Place of Women .................................................xli Avant-Garde and Mass Culture ........................................xliv Sexual Orientation .................................................xlvi Ireland ...........................................................xlix Ideology and Economics in the 1930s and 1940s ............................ li The Literature of the 1930s and 1940s................................... liv Literature and Empire ................................................lvi The English Language in the Early Twentieth Century ......................lvii History of the Language and of Print Culture ........................... lix Thomas Hardy ........................................................1 Hap ...............................................................2 Neutral Tones .......................................................3 The Darkling Thrush .................................................3 The Ruined Maid ....................................................3 A Broken Appointment ................................................4 Shut out that Moon ..................................................4 The Convergence of the Twain ..........................................5 Channel Firing ......................................................5 The Voice ..........................................................6 Transformations .....................................................6 In Time of The Breaking of Nations ....................................7 The Photograph .....................................................7 During Wind and Rain ................................................7 The Oxen ..........................................................8 Going and Staying ....................................................8 In Context: Hardy s Reflections on the Writing of Poetry ....................9 Alice Meynell (Website) A Father of Women The Threshing Machine viii Broadview Anthology of British Literature Reflections: (1) In Ireland Reflections: (2) In Othello Reflections: (3) In Two Poets Bernard Shaw ........................................................10 Mrs. Warren s Profession ..............................................11 In Context: Shaw s Prefaces (Website) from Preface to Plays Unpleasant from Preface to Mrs. Warren s Profession In Context: The Profession of Prostitution (Website) from William Acton, Prostitution Considered in its Moral, Social, and Sanitary Aspects, in London and Other Large Cities Selected Illustrations Joseph Conrad .......................................................48 An Outpost of Progress ...............................................50 Preface to The Nigger of the Narcissus ..................................62 The Secret Sharer ...................................................64 from Some Reflections on the Loss of the Titanic .........................84 In Context: The Vilest Scramble for Loot in Central Africa ................88 from William G. Stairs, Diaries ......................................88 from Henry Morgan Stanley, Speech Given to the Lotus Club, New York .....89 from Henry Morgan Stanley, In Darkest Africa ..........................90 from Joseph Chamberlain, Speech to the House of Commons (6 August 1901) . 91 from Roger Casement, Congo Report ..................................91 In Context: Conrad as Seen by His Contemporaries (Website) In Context: Miscommunication at Sea (Website) from Joseph Conrad, The Mirror of the Sea: Memories and Impressions A.E. Housman ........................................................ 93 Loveliest of Trees .................................................... 94 To an Athlete Dying Young ............................................ 95 Terence, This Is Stupid Stuff ........................................... 95 The Chestnut Casts His Flambeaux ..................................... 96 Epitaph on an Army of Mercenaries ..................................... 97 Edward Thomas ......................................................98 Tears .............................................................99 The Owl ..........................................................99 Rain ............................................................100 Siegfried Sassoon .................................................... 101 They ............................................................102 Glory of Women ...................................................102 Contents ix Everyone Sang .....................................................102 from Memoirs of an Infantry Officer .....................................103 Rupert Brooke ......................................................105 Clouds ...........................................................106 The Dead ........................................................106 The Soldier ....................................................... 106 The Great Lover (Website) Isaac Rosenberg ..................................................... 107 Break of Day in the Trenches ......................................... 108 Dead Man s Dump ................................................. 108 Louse Hunting .................................................... 109 Returning, We Hear the Larks ......................................... 110 Wilfred Owen ...................................................... Ill Arms and the Boy .................................................. 112 Duke et Decorum Est ............................................... 112 Anthem for Doomed Youth .......................................... 112 Strange Meeting ................................................... 113 Futility .......................................................... 113 Letters ........................................................... 114 To Susan Owen, 7 January 1917.................................... 114 To Susan Owen, 10 January 1917................................... 114 To Susan Owen, 16 January 1917................................... 115 To Colin Owen, 2 March 1917..................................... 116 To Susan Owen, [?16] May 1917 ................................... 117 To Susan Owen, 18 May 1917 ..................................... 118 To Susan Owen, 23 May 1917 ..................................... 118 To Susan Owen, 22 August 1917 ................................... 119 To Tom Owen, 26 August 1917 .................................... 120 To Mary Owen, 29 August 1917.................................... 120 To Susan Owen, 4 (or 6) October 1918 .............................. 120 To Susan Owen, 8 October 1918 ................................... 121 To Susan Owen, 29 October 1918 .................................. 121 To Susan Owen, 31 October 1918................................... 122 Contexts: War and Revolution .......................................124 from Anonymous, Introduction to Songs and Sonnets for EngUnd in War Time . . 125 In Flanders Fields : The Poem and Some Responses .......................126 John McCrae, In Flanders Fields ..................................126 John Mitchell, Reply to In Flanders Fields ..........................128 J.A. Armstrong, Another Reply to Ίη Flanders Fields ..................128 Elizabeth Daryush, Flanders Fields .................................129 Anonymous, I Learned to Wash in Shell-Holes ..........................129 χ Broadview Anthology of British Literature J.P Long and Maurice Scott, Oh! It s a Lovely War .......................129 Jessie Pope, Selected Poems and Prose (Website) from Rebecca West, The Cordite Makers ...............................130 from Francis Marion Beynon, Aleta Day ................................132 from Chapter 24: War ............................................132 Ivor Gurney, To his Love ...........................................133 Vance Palmer, The Farmer Remembers the Somme .......................133 from Robert Graves, Good-Bye to All That ................................135 from Chapter 17 ................................................135 from May Wedderbum Cannan, Grey Ghosts and Voices .....................138 from Proceedings of the Ail-Russian Central Executive Committee of Soviets of Workers , Soldiers , and Peasants Deputies ..........................141 William Butler Yeats .................................................144 The Lake Isle of Innisfree ............................................146 When You Are Old .................................................146 Who Goes with Fergus? ..............................................147 Adam s Curse ..................................................... 147 No Second Troy ...................................................147 Easter 1916.......................................................148 The Wild Swans at Coole ............................................149 In Memory of Major Robert Gregory ................................... 149 Nineteen Hundred and Nineteen ......................................151 A Prayer for my Daughter ............................................153 An Irish Airman Foresees his Death .................................... 154 The Second Coming ................................................155 Meditations in Time of Civil War ......................................155 Leda and the Swan .................................................158 Among School Children .............................................159 Sailing to Byzantium ................................................160 The Tower ........................................................161 A Dialogue of Self and Soul ..........................................163 Byzantium ........................................................164 For Anne Gregory ..................................................165 Crazy Jane Talks with the Bishop ......................................166 Lapis Lazuli ....................................................... 166 The Circus Animals Desertion ........................................167 Under Ben Bulben .................................................168 In Context: Yeats on Poetic Inspiration ................................170 from The Symbolism of Poetry ...................................170 from Four Years ...............................................171 from Introduction to A Vision ....................................172 In Context: The Struggle for Irish Independence .........................174 Pobkcht na h-Eireann I Proclamation of the Irish Republic .................174 Pádraic Pearse, Statement .........................................175 Contents xi H.G. Wells (Website) The New Accelerator The Star In Context: Wells s Non-Fiction from H.G. Wells, The Extinction of Man: Some Speculative Suggestions Saki (H.H. Munro) (Website) Tobermory Dorothy Richardson ................................................ 177 About Punctuation ................................................. 178 Journey to Paradise ................................................. 181 Foreword to Pilgrimage ............................................ 185 Robert Service (Website) The Cremation of Sam McGee E.M. Forster........................................................ 188 The Machine Stops (Website) The Road from Colonus ............................................. 189 from What I Believe ............................................... 195 P.G. Wodehouse .....................................................200 Honeysuckle Cottage ...............................................201 Virginia Woolf ......................................................213 from Monday or Tuesday .............................................215 A Haunted House ...............................................215 A Society ......................................................216 Monday or Tuesday ..............................................223 An Unwritten Novel .............................................224 The String Quartet ..............................................229 Blue & Green ..................................................231 Kew Gardens ...................................................232 The Mark on the Wall ............................................235 Mrs. Dalloway in Bond Street .........................................239 from On Re-reading Novels .........................................243 from How it Strikes a Contemporary ..................................247 Modern Fiction ....................................................251 from A Room of One s Own ...........................................255 Chapter 1 .....................................................255 Chapter 2 .....................................................265 Chapter 3 .....................................................272 from A Sketch of the Past ...........................................279 In Context: Woolf and Bioomsbury ...................................285 xii Broadview Anthology of British Literature In Context: Woolf as Writer .........................................288 from Virgina Woolf, A Writer s Diary ................................288 from E.M. Forster, Review of Kew Gardens .........................290 from unsigned Review of Kew Gardens ............................291 from W.L. Courtney, Review of Jacob s Room .........................292 Contexts: Genderand Sexual Orientation .............................293 from Edward Carpenter, Love s Coming of Age .............................295 The Intermediate Sex ..........................................295 from Havelock Ellis, Sexual Inversion ...................................297 from Chapter 3: Sexual Inversion in Men .............................297 from Chapter 4: Sexual Inversion in Women ..........................298 from Chapter 5: The Nature of Sexual Inversion ........................298 from Grant Allen, Woman s Place in Nature ............................299 from Cicely Hamilton, Marriage as a Trade ...............................299 Female Suffrage ....................................................302 Anonymous, [ There Was a Small Woman Called G ] ...................302 from Emmeline Pankhurst, My Own Story ............................303 from Marie Stopes, Married Love .......................................305 from Virginia Woolf, Orlando .........................................307 from George Orwell, Boys Weeklies ..................................308 from Frank Richard, Frank Richard Replies to George Orwell ...............309 from Robert Roberts, The Classic Slum ..................................311 from E.M. Forster, Terminal Note to Maurice ...........................312 from Virginia Woolf, Old Bloomsbury ................................312 James Joyce .........................................................314 Eveline ..........................................................317 Araby ............................................................319 The Dead ........................................................322 Ivy Day in the Committee Room (Website) A Little Cloud (Website) The Boarding House (Website) from Ulysses .......................................................343 Chapter 13 [Nausicaa] ............................................343 In Context: Joyce s Dublin ..........................................366 In Context: Beckett and Joyce .......................................368 from Samuel Beckett, Dante ... Bruno. Vico ... Joyce ..................368 D.H. Lawrence ......................................................375 Tortoise Shout .....................................................377 Snake ............................................................378 Bavarian Gentians .................................................380 The Prussian Officer ................................................380 Odour of Chrysanthemums ..........................................391 Contents xiii The Hopi Snake Dance ..............................................401 Why the Novel Matters ..............................................410 Contexts: Work and Working-Class Life ..............................414 from George Orwell, The Road to Wigan Pier .............................414 from A Debate Between G.B. Shaw and G.K. Chesterton, Chaired by Hilaire Belloc .........................................418 from Robert Roberts, The Classic Slum ..................................420 Katherine Mansfield .................................................424 Bliss .............................................................425 The Garden Party ..................................................432 Miss Brill .........................................................439 Daughters of the Late Colonel (Website) T.S. Eliot ........................................................... 442 The Love Song of J. Alfred Prufrock ................................... 444 Preludes ......................................................... 447 Burbank with a Baedeker: Bleistein with a Cigar .......................... 448 Gerontion ........................................................ 449 The Waste Land ................................................... 450 Journey of the Magi ................................................ 461 Marina .......................................................... 462 Burnt Norton ..................................................... 462 Tradition and the Individual Talent .................................... 465 The Metaphysical Poets ............................................. 469 In Context: T.S. Eliot and Anti-Semitism .............................. ĄJA Contexts: Eliot, Pound, and the Vortex of Modernism ..................477 from Jules Huret, Interview with Stephane Mallarmé, L Echo de Paris ........478 Imagist and Futurist Poetry: A Sampling .................................479 Т.Е. Hulme ....................................................479 Autumn ....................................................479 Ezra Pound ....................................................480 In a Station of the Metro .......................................480 Alba .......................................................480 L Art, 1910 .................................................480 H.D ..........................................................480 Oread ......................................................480 The Pool ...................................................480 Mina Loy ......................................................480 from Three Moments in Paris ..................................481 1. One O Clock at Night ....................................481 from Love Songs ............................................481 xiv Broadview Anthology of British Literature Imagism and Vbrticism ..............................................482 from ES. Flint, Imagisme, Poetry Magazine ..........................482 from Ezra Pound, A Few Don ts By an Imagiste, Poetry .................482 from Ezra Pound, Vbrticism, Gaudier-Brzeska ........................483 from Virginia Woolf, Character in Fiction ..............................485 Reactions to the Poems of T.S. Eliot ....................................489 from Arthur Waugh, The New Poetry, Quarterly Review ................489 from Ezra Pound, Drunken Helots and Mr. Eliot, The Egoist .............490 from unsigned Review, Literary World ..............................491 from unsigned Review, New Statesman ..............................492 from Conrad Aiken, Diverse Realists, Dial ...........................492 from May Sinclair, Prufrock and Other Observations: A Criticism, Little Review .................................................492 from Review of the First Issue of The Criterion, The Times Literary Supplement ..................................................493 from Gilbert Seldes, Review, The Nation ............................493 from I.A. Richards, Principles of Literary Criticism .......................495 from Douglas LePan, Personality of the Poet: Some Recollections of T.S. Eliot ..................................................496 Hugh MacDiarmid (Website) Another Epitaph on an Army of Mercenaries In the Children s Hospital from In Memoriam James Joyce We Must Look at the Harebell Jean Rhys ...........................................................499 Let Them Call It Jazz ...............................................500 David Jones .........................................................509 from In Parenthesis .................................................510 from Preface ..................................................510 from Part 7: The Five Unmistakable Marks ............................511 from The Sleeping Lord (Website) Robert Graves ......................................................514 The Cool Web ..................................................... 515 Down, Wanton, Down! ..............................................515 Recalling War .....................................................515 Nancy Cunard ...................................................... 517 from Jamaica: The Negro Island ........................................ 5I8 from The White Man s Duty ..........................................521 from Preface ..................................................521 Contents xv Elizabeth Bcwen ....................................................523 The Demon Lover (Website) Oh, Madam .......................................................524 Stevie Smith ........................................................ 527 Mother, Among the Dustbins ......................................... 528 The River God .................................................... 528 Not Waving but Drowning ........................................... 529 The New Age ..................................................... 529 Away, Melancholy .................................................. 529 The Blue from Heaven .............................................. 530 Pretty ............................................................ 531 George Orwell ......................................................532 from Homage to Catabnia ............................................533 Politics and the English Language ......................................539 Shooting an Elephant ...............................................546 In Context: Elephants in Asia ........................................550 Samuel Beckett .....................................................551 Whoroscope ......................................................553 from Texts For Nothing ...............................................555 The Calmative .....................................................559 Imagination Dead Imagine ...........................................566 Krapp s Last Tape ...................................................568 W.H. Auden .........................................................573 [O what is that sound] ..............................................575 [At last the secret is out] .............................................575 [Funeral Blues] ....................................................575 Spain 1937 .......................................................576 [Lullaby] .........................................................578 [As I walked out one evening] .........................................578 Musée des Beaux Arts ...............................................579 In Memory of W.B. Yeats ............................................580 September 1,1939 .................................................581 from The Sea and the Mirror [Song of the Master and Boatswain] ..............582 The Shield of Achilles ...............................................583 The Truest Poetry is the Most Feigning ................................584 In Context: Auden on the Nature and Craft of Poetry .....................586 from Writing .................................................586 Contexts: World War II .............................................588 Winston Churchill, Speeches to the House of Commons ....................590 from Blood, Toil, Tears, and Sweat (13 May 1940) ....................590 xvi Broadview Anthology of British Literature from We Shall Fight on the Beaches (4 June 1940) ....................590 from Their Finest Hour (18 June 1940).............................591 from Harold Nicholson, The War Years: 1939-1945........................593 from Charles Ritchie, The Siren Years ...................................595 Ross Parker and Hughie Charles, We ll Meet Again .......................598 Nat Burton and Walter Kent, The White Cliffs of Dover ..................599 Anonymous, Fucking Tobruk (Website) from John Lehmann, Foreword to The Penguin New Writing ................600 David Campbell, Men in Green ......................................600 Keith Douglas, Vergissmeinnicht .....................................601 from Henry Reed, Lessons of War .......................................602 1. Naming of Parts ...............................................602 Douglas LePan ....................................................602 Below Monte Cassino ...........................................602 The Haystack .................................................603 Life at Home ......................................................603 Anti-Semitism and World War II .....................................608 from Ezra Pound, Speech to the English ............................609 from George Orwell, Anti-Semitism in Britain .......................610 from Rebecca West, Greenhouse with Cyclamens .....................611 from George Bernard Shaw, The Unavoidable Subject ..................614 APPENDICES Reading Poetry ..................................................... A617 Maps .............................................................. A637 MONARCHS AND PRIME MINISTERS OF GREAT BRITAIN ........................ A641 Glossary of Terms .................................................. A646 Texts and Contexts: Chronological Chart (website) Bibliography (website) Permissions Acknowledgments ....................................... A669 Index of First Lines ................................................. A682 Index of Authors and Titles ......................................... A684
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series The Broadview anthology of British literature
series2 The Broadview anthology of British literature
spellingShingle The twentieth century and beyond from 1900 to World War II
The Broadview anthology of British literature
Littérature anglaise - 20e siècle - Anthologies ram
English literature 20th century Literary collections
title The twentieth century and beyond from 1900 to World War II
title_auth The twentieth century and beyond from 1900 to World War II
title_exact_search The twentieth century and beyond from 1900 to World War II
title_full The twentieth century and beyond from 1900 to World War II
title_fullStr The twentieth century and beyond from 1900 to World War II
title_full_unstemmed The twentieth century and beyond from 1900 to World War II
title_short The twentieth century and beyond
title_sort the twentieth century and beyond from 1900 to world war ii
title_sub from 1900 to World War II
topic Littérature anglaise - 20e siècle - Anthologies ram
English literature 20th century Literary collections
topic_facet Littérature anglaise - 20e siècle - Anthologies
English literature 20th century Literary collections
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