The "Drama" of the Messiah in Matthew 8 and 9 a study from a communicative perspective

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1. Verfasser: Pasala, Solomon (VerfasserIn)
Format: Abschlussarbeit Buch
Sprache:English
Veröffentlicht: Bern [u.a.] Lang 2008
Schriftenreihe:Europäische Hochschulschriften / 23 866
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Datensatz im Suchindex

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adam_text Table of Contents Abbreviations ..................................................................................... XVII General Introduction ................................................................................1 1. Status questionis on chapters 8 and 9 of Matthew s Gospel ...............3 2. The need for a new hermeneutical approach .......................................8 3. Justification and originality of our work and plan of our study ........12 PARTI HERMENEUTICAL SITUATION CHAPTER I: Pragmatic force of the Gospels as narratives ...................21 1. Origins and the definition of Pragmatics ..........................................21 1.1 A brief history of the origins of Pragmatics ..............................21 1.2 Definition of Pragmatics ...........................................................22 2. In Pragmatics words become actions ................................................23 2.1 Speech acts theory of J.L. Austin ................................................23 2.2 Contribution of Austin s speech act theory for Pragmatics .......26 3. In Pragmatics words mean more than what is being uttered .............26 3.1 Conversational analysis .............................................................27 3.1.1 The findings of CA .........................................................27 3.1.2 Contributions of CA .......................................................27 3.2 Conversational implicatures .......................................................29 3.3 Presupposition ............................................................................30 3.4 The phenomenon ofdeixis ..........................................................31 3.5 The context ................................................................................32 4. Some salient features of Pragmatics ..................................................32 4.1 Communication as pragmatic .....................................................32 4.2 Pragmatics as the study of intention ...........................................33 4.3 Pragmatics uses strategies to generate new meaning ................34 4.4 Pragmatics as reader-oriented. ..................................................35 4.5 Pragmatics as manifestation and transformation .......................35 4.6 Pragmatics as creative and universal in approach ....................36 5. The pragmatic force of narratives ......................................................38 5.1 Narrative acts on the reader with force ......................................38 5.2 Narrative strategies mean more than what they say ...................41 5.2.1 Narratives generate a new meaning at discourse level ..........................................................41 5.2.2 Character development as a source of new meaning .........................................................................43 5.2.3 Settings and type-scenes generate new meaning ...........45 5.2.4 Narrator and narrative asides provide new insights for the story .....................................................46 5.2.5 Narrative focalization as a source of new meaning .........................................................................48 5.2.6 Analepsis andprolepsis as narrative strategies ............49 5.2.7 Verbal repetition as commentaries ................................50 5.2.8 Quotations and prophecies give a twist to the narration .......................................................................51 5.2.9 Literary and stylistic features add new meaning ..........51 6. Pragmatic force of Gospels as narratives ...........................................53 6.1 Historical truth of the Gospels as narratives .............................53 6.2 Gospels narrate the truth with force ...........................................55 6.3 Characters in the Gospels act on the reader ..............................56 7. Summary of the chapter .....................................................................58 CHAPTER II: Model and real reader in pragmatical reading ....................61 Introduction ............................................................................................61 1. Model reader and his function in pragmatical reading ......................62 1.1 The phenomenological approach ofW. her ...............................63 1.2 Pragmatic approach ofU. Eco ...................................................65 1.2.1 Construction of a model reader by the text ...................67 1.2.2 Function of the model reader ........................................68 2. Function of a real reader in pragmatical reading ...............................71 2.1 The participation of a real reader in the process of reading ......71 2.1.1 Recognize the rhetorical devices ...................................71 2.1.2 Recognize the signals about the structure and other signs .....................................................................72 2.1.3 Recognize the strategies ................................................73 2.1.4 Make conjectures ...........................................................74 2.1.5 Read co-operatively .......................................................75 2.2 Reader s participation leads to actualization or obedience .......76 2.2.1 Reading leads to dynamic and creative activity ...........76 2.2.2 Reading leads to organization and production .............77 2.2.3 Reading leads to imagination and understanding .........78 2.2.4 Reading leads to experience ..........................................78 2.2.5 Reading leads to concretization ....................................79 2.2.6 Reading leads to actualization ......................................80 2.2.7 Reading leads to conversion ..........................................81 2.2.8 Reading leads to obedience ...........................................82 3. Summary of the chapter and of the first part .....................................82 4. Procedure of our work .......................................................................85 PART II STORY AND DISCOURSE IN MIRACLE CHAPTERS CHAPTER III: Dramatic structure in Matthew chapters 8 and 9 .............91 Introduction ............................................................................................91 1. Delimitation of chapters 8 and 9........................................................91 2. Different opinions about the division of chapters 8 and 9.................92 3. Our thesis ...........................................................................................95 4. Drama in chapters 8 and 9 of Matthew s Gospel ..............................96 4.1 Structure or discourse of a drama ..............................................96 4.2 The exposition of the drama (Mt 8,1-17)....................................97 4.2.1 Some characteristics of exposition of the first part of the drama .....................................................................97 4.2.2 Initial situation or exposition in Mt 8,1-17...................98 4.3 The complication of the drama (Mt 8,18-9,17)........................101 4.3.1 The complicating episodes in the central part ............101 4.3.2 Dramatic moments in Mt 8,18-9,17............................103 4.4 The final situation of the drama (9,18-34)................................109 Conclusion ............................................................................................112 CHAPTER IV: Act I. Exposition of the drama (Mt 8,1-17) ...................113 Introduction ......................................................................................... 113 1. Scene one: Healing of a leper (Mt 8,1-4)........................................113 1.1 The setting of the scene and the actors ....................................113 1.2 Narrative strategies in articulation andfocalization ..............113 1.3 Implications of the narrative strategies ...................................115 1.3.1 Implications of the Mountain as the setting ...............115 1.3.2 Implications of the healing of the leper ......................115 1.3.3 Implications of the command of Jesus to the leper ......117 2. Scene two: Healing of a centurion s servant (Mt 8,5-13)................118 2.1 The setting of the scene and the actors .....................................118 2.2 Narrative strategies in focalization and articulation ...............118 2.3 Implications of the narrative strategies ....................................122 2.3.1 The relationship between authority and servant .........122 2.3.2 The meaning of the word authority .........................123 2.3.3 The relationship between obedience and faith ............124 2.3.4 The outcome of faith for many people .....................125 2.3.5 The purpose of a narrative aside .................................127 2.3.6 Conclusive remarks on the scene ................................127 3. Scene three: Healing of Peter s mother in law (8,14-17).................128 3.1 The setting of the scene and the actors .....................................128 3.2 Narrative strategies in focalization and articulation ...............129 3.3 Implications of the narrative strategies ....................................130 3.3.1 Significance of the healing of Peter s mother-in-law ..............................................................130 3.3.2 Significance of the summary statement .......................131 3.3.3 Implications of Isaiah s quotation ...............................132 3.3.4 Re-reading of fore gone miracles from plot perspective ..................................................................139 Conclusion to the act I .........................................................................142 CHAPTER V: Act II. Complication of the drama (Mt 8,18-9,17) ......145 Introduction ..........................................................................................145 1. Scene one: The inciting moment of the drama (8,18-22) ...............145 1.1 The setting of the scene and the actors ...................................145 1.2 Narrative strategies in articulation andfocalization ..............145 1.3 Implications of narrative strategies ..........................................147 1.3.1 Irony in the presentation of the scribe .........................148 1.3.2 The Son of Man stands opposed to animals and birds .....................................................................148 1.3.3 His disciple wants to turn back ...................................151 Conclusion ......................................................................................152 Scene two: The first preparatory scene for climax (Mt 8,23-27) .... 153 2.1 The setting of the scene and the actors .....................................153 2.2 Narrative strategies in articulation and focalization ...............153 2.3 Implications of the strategies ....................................................155 2.3.1 Relationship between fear and faith ............................156 2.3.2 The action of Jesus and the reaction the disciples ......156 2.3.3 Implication of change of designation for disciples .....157 Conclusion ......................................................................................158 Scene three: The second preparatory scene for climax (8,28-9,1) .. 158 3.1 The setting of the scene and the actors ....................................158 3.2 Narrative strategies in articulation and focalization ..............159 3.3 Implications of the strategies ....................................................161 3.3.1 Implications of οδός .....................................................161 3.3.2 The nature of demons and their destiny .....................161 3.3.3 Implications of the reaction of the town people .........162 Conclusion ......................................................................................164 Scene four: The climax or the turning point of the drama (9,2-8) ..165 4.1 The setting of the scene and the actors ....................................165 4.2 Narrative strategies in articulation and focalization ...............165 4.3 Implication of the strategies .....................................................167 4.3.1 Implications of carrying the paralytic .........................167 4.3.2 Meaning of sin in the context ......................................168 4.3.3 The authority of the Son of Man to forgive sins ..........170 4.3.4 Peripety as the sign of forgiveness of sins ...................171 4.3.5 Authority that has been given to men ......................173 Conclusion ......................................................................................176 Scene five: The final suspense of the drama (Mt 9,9-13)...............176 5.1 The setting of the scene and the actors ....................................176 5.2 Narrative strategies in articulation and focalization ..............177 5.3 Implications of the narrative strategies ....................................179 5.3.1 Implications of the call of Matthew a tax collector .....179 5.3.2 Why Matthew and not Levi? ........................................181 5.3.3 Dinner fellowship with sinners ....................................182 5.3.4 Meaning and implications of the first proposition ...... 183 5.3.5 Meaning and implications of the second proposition ..................................................................185 5.3.6 Implications of the third proposition ...........................192 Conclusion .......................................................................................194 6. Scene six: The prolongation of the final suspense (9,14-17)..........195 6.1 The setting of the scene and the actors .....................................195 6.2 Narrative strategies in articulation andfocalization ...............195 6.3 Implication of the narrative strategies .....................................200 6.3.1 Yahweh, the Bridegroom of Israel in the ОТ .......201 6.3.2 Jesus as the Bridegroom in the NT ........ ¿. ............202 6.3.3 Disciples as sons of bridal chamber ....................205 6.3.4 Opinions of scholars about next two parables .........209 6.3.5 Usage and implications of the word garment .....209 6.3.6 Usage and implications of wine ...........................211 6.3.7 Usage and implications of wineskins ...................212 6.3.8 Usage and implications of old and new ...........213 6.3.9 Meaning and implications of the old covenant .........214 6.3.10 Meaning and implications of the new covenant .......215 6.3.11 Relationship between the covenant and fasting ........217 6.3.12 Justification of sinners as the essence of the covenant ....................................................................219 6.3.13 Why your disciples do not fast...? ..........................226 6.3.14 Disciples become my brothers of the bridegroom ................................................................227 Conclusion to the scene and the act II ............................................231 Chapter VI: Act III. The final situation of the drama (Mt 9,18-34) ..233 1. Scene one: The resolution of the drama (9,18-26)..........................233 1.1 The setting of the scene and the actors .....................................233 1.2 Narrative strategies in focalization and articulation ...............234 1.2.1 Abbreviations made to the narration ..........................235 1.2.2 Some observations on the strategies ...........................237 1.3 Implications of the narrative strategies ....................................238 1.3.1 The leader as a man of superior faith .........................238 1.3.2 The implications of a hemorrhage ...............................238 1.3.3 The implications of garment of Jesus ..........................239 1.3.4 The woman with a hemorrhage as a paradigm of faith .............................................................................241 1.3.5 The wailers stand outside the house ............................242 1.3.6 Meaning of death and life ............................................243 1.3.7 Salvation as the outcome of faith in Jesus ...................246 Conclusion ......................................................................................247 2. Scene two: The denouement of the drama (9,27-31)......................248 2.1 The setting of the scene and the actors .....................................248 2.2 Narrative strategies in focalization and articulation ...............248 2.3 Implications of the narrative strategies ....................................250 2.3.1 The meaning and implication of blindness ..................250 2.3.2 Different implications of the title son of David .......251 2.3.3 ThehesedofYahwehasthe Light ...........................253 2.3.4 Faith as a necessary element for a follower of Jesus ............................................................................255 2.3.5 Disobedience as a sign of denouement of the drama ..........................................................................256 Conclusion ......................................................................................258 3. Scene three: The final appraisal of the drama (9,32-34).................259 3.1 The setting of the scene and the actors .....................................259 3.2 Narrative strategies in articulation and focalization ...............259 3.3 Implications of the focalization ................................................260 3.3.1 The meaning and implications of the word κίύφός. ......260 3.3.2 The final appraisal of the drama .................................261 Conclusion to the act III ......................................................................262 PART III FUNCTION OF THE MIRACLE CHAPTERS CHAPTER VII: Function of the miracle chapters in the immediate and whole context of the Gospel ...............................267 Introduction ..........................................................................................267 1. Meaning and implications of the word function .........................267 2. Function of the miracle chapters as a drama in the immediate context ............................................................................................268 2.1 Uniqueness ofMt 4,23 and 9,35 as summary statements .........268 2.1.1 Function of the summary statements ..........................269 2.1.2 The meaning and implications of juxtapose ..............271 2.1.3 Some features of our summary statements ..................276 2.2 Function of chapters 5-9 in the immediate context (4,17-11,1)...........................................................278 2.2.1 The Messianic function ................................................278 2.2.2 Theme of discipleship ..................................................279 3. The function of the miracle chapters in the whole context of the Gospel ...................................................................................280 3.1 Meaning of a Mirror Text ......................................................281 3.1.1 The presence of mirror texts in the Bible ....................281 3.1.2 Functions of a mirror text in a literary work ..............283 3.2 Function of the miracle chapters as a mirror text ....................283 3.2.1 Messianic function of the miracle narratives ..............284 3.2.2 The theme of discipleship and mission ........................289 3.2.3 The theme of universal salvation .................................292 Conclusion ......................................................................................297 GENERAL CONCLUSION ................................................................299 1 The identity of the Messiah .............................................................299 2 The theme of discipleship ................................................................301 3 The theme of salvation .....................................................................302 4 Mirror text makes the Gospel of Matthew a fine artistic marvel .....303 5 The discovery of the discourse as the power of the Word ...............304 BIBLIOGRAPHY ................................................................................307 INDEX OF AUTHORS .......................................................................329 INDEX OF BIBLICAL REFERENCES ..............................................333
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indexdate 2024-12-23T21:15:52Z
institution BVB
isbn 9783039116508
language English
oai_aleph_id oai:aleph.bib-bvb.de:BVB01-016807121
oclc_num 232785998
open_access_boolean
owner DE-384
DE-824
DE-739
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DE-BY-UBM
DE-11
owner_facet DE-384
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physical XX, 345 S. 225 mm x 155 mm
psigel gbd_4_0901
publishDate 2008
publishDateSearch 2008
publishDateSort 2008
publisher Lang
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series2 Europäische Hochschulschriften / 23
spellingShingle Pasala, Solomon
The "Drama" of the Messiah in Matthew 8 and 9 a study from a communicative perspective
Bible. N.T. Matthew VIII-IX Criticism, interpretation, etc
Bibel Matthäusevangelium 8-9 (DE-588)4489941-5 gnd
Erzähltechnik (DE-588)4124854-5 gnd
Narrative Exegese (DE-588)4171171-3 gnd
subject_GND (DE-588)4489941-5
(DE-588)4124854-5
(DE-588)4171171-3
(DE-588)4113937-9
title The "Drama" of the Messiah in Matthew 8 and 9 a study from a communicative perspective
title_auth The "Drama" of the Messiah in Matthew 8 and 9 a study from a communicative perspective
title_exact_search The "Drama" of the Messiah in Matthew 8 and 9 a study from a communicative perspective
title_full The "Drama" of the Messiah in Matthew 8 and 9 a study from a communicative perspective Solomon Pasala
title_fullStr The "Drama" of the Messiah in Matthew 8 and 9 a study from a communicative perspective Solomon Pasala
title_full_unstemmed The "Drama" of the Messiah in Matthew 8 and 9 a study from a communicative perspective Solomon Pasala
title_short The "Drama" of the Messiah in Matthew 8 and 9
title_sort the drama of the messiah in matthew 8 and 9 a study from a communicative perspective
title_sub a study from a communicative perspective
topic Bible. N.T. Matthew VIII-IX Criticism, interpretation, etc
Bibel Matthäusevangelium 8-9 (DE-588)4489941-5 gnd
Erzähltechnik (DE-588)4124854-5 gnd
Narrative Exegese (DE-588)4171171-3 gnd
topic_facet Bible. N.T. Matthew VIII-IX Criticism, interpretation, etc
Bibel Matthäusevangelium 8-9
Erzähltechnik
Narrative Exegese
Hochschulschrift
url http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016807121&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
volume_link (DE-604)BV000000517
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