Arguing about art contemporary philosophical debates
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| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
London [u.a.]
Routledge
2008
|
| Ausgabe: | 3. ed. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
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| 245 | 1 | 0 | |a Arguing about art |b contemporary philosophical debates |c ed. by Alex Neill ... |
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| 300 | |a XIII, 479 S. | ||
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Datensatz im Suchindex
| _version_ | 1804145174724476928 |
|---|---|
| adam_text | CONTENTS
Preface
xi
Acknowledgements
xiii
1
Introduction
1
PARTI
The art of food?
5
Can we think of cooking as an art form and the dishes it produces
as works of art? What in the end makes a practice an art form and
a product a work of art?
2
Food as art
11
ELIZABETH
TF.LFER
3
The meaning of taste and the taste of meaning
30
CAROLYN KORSMEYER
PART
2
The authentic performance of music
53
What is it to give an authentic performance of a piece of music?
Should a performance be faithful to the composer s artistic intentions?
Would an authentic performance have any aesthetic advantages?
4
Authenticity in musical performance
59
STEPHEN DAV1ES
5
The concept of authentic performance
71
JAMES O. YOUNG
CONTENTS
PART
З
Fakes and forgeries
83
Would we be justified in revising our aesthetic judgment of a
work after learning that it is a fake? In what ways does (or
should) our knowledge that an artwork is an original bear
upon our aesthetic valuation of it?
6
What is wrong with a forgery?
89
ALFRED
LESSING
7
Artistic crimes
102
DENIS DUTTON
PART
4
Rock music and culture
115
What role does music play in a culture? What does the widespread
preference for rock music over classical music say about
contemporary Western culture?
8
The decline of musical culture
121
ROGER SCRUTON
9
Music s worldly uses, or how I learned to stop worrying and to
love Led Zeppelin
137
THEODORE GRACYK
PART
5
Appreciation, understanding, and nature
151
Are there correct and incorrect ways of appreciating nature and
appreciating works of art? How does our aesthetic appreciation
of nature differ from our aesthetic appreciation of works of art?
10
Aesthetic appreciation of the natural environment
157
ALLFN CARLSON
11
On being moved by nature: between religion and natural history
172
NOEL CARROLL
12
Models of nature appreciation
192
MALCOLM BUDD
VI
CONTENTS
PART
6
Photography and representation
207
Are we interested in photographs for their own sake, or are we
interested in photographs only for the sake of what they are
photographs of
?
Is photography a representational art form? How
does aesthetic appreciation of photographs differ from aesthetic
appreciation of paintings?
13
Photography and representation
213
ROGER SCRUTON
14
The aesthetics of photographic transparency
233
DOMINIC McIVER LOPES
15
The real challenge for an aesthetics of photography
246
DAWN M. PHILLIPS
PART
7
Feelings and fictions
251
Fictional characters aren t real, so why should we care about
what happens to them? Are we genuinely moved by fictional
events? If so, how are our responses best understood?
16
Fearing fictionally
257
KENDALL L. WALTON
17
Fiction and the emotions
272
ALEX NEILL
PART
8
Enjoying horror
291
Why is it that we take such enjoyment in horror movies and
novels? Why would one seek out works which are apparently
designed to make us experience feelings and emotions such as
fear and revulsion?
18
Why horror?
297
NOEL CARROLL
19
The paradox of horror
317
BERYS GAUT
VII
CONTENTS
PART
9
Sentimentality
331
What makes an artwork, or a response to an artwork, sentimental?
Is sentimental art always bad art? What makes sentimentality
objectionable, when it is? Is sentimentality ever appropriate in
a work or a response?
20
Sentimentality
337
ANTHONY SAV1LE
21
The alleged unwholesomeness of sentimentality
342
IRA NEWMAN
22
Sentimentality and truthfulness
354
DAVID PUGMIRE
PART
10
Pornography and erotica
361
Is there a difference between pornography and erotica? Can
pornography ever be aesthetically valuable? Could a work of
art be pornographic?
23
Pornographic art
368
MATTHEW KIERAN
24
Erotic art and pornographic pictures
381
JERROLD
LEVINSON
PART
11
Public art
393
What is the function of public art? Is there anything distinctive
about the relationship in which public art stands to its audience,
and to the space it occupies?
25
Transcript of a hearing to decide the future of Tilted Arc
399
VARIOUS CONTRIBUTORS
26
What is public art?: time, place, and meaning
406
HILDE HEIN
VIU
CONTENTS
27
Public
art/public space: the
spectacle
of the Tilted Arc controversy
416
GREGG M. HOROWITZ
28
Public art controversy: the
Serra
and Lin cases
427
MICHAEL KELLY
PART
12
Are there societies without art?
441
Is the concept of art as it has developed in Western
culture of any use in understanding the products of
non-Western societies? Is it patronizing or distorting
to describe the products of such societies as works of art
and to exhibit them in art galleries and museums?
29
But they don t have our concept of art
448
DENIS DUTTON
30
Western and non-Western concepts of art
464
LARRY SHINER
Index
471
IX
|
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| discipline | Kunstgeschichte Philosophie |
| edition | 3. ed. |
| format | Book |
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| title | Arguing about art contemporary philosophical debates |
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