The "Office" [critical reading of the series]
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London
BFI
2005
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| Ausgabe: | 1. publ. |
| Schriftenreihe: | BFI TV classics
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| Online-Zugang: | Inhaltsverzeichnis Klappentext |
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Datensatz im Suchindex
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| _version_ | 1822753699810770945 |
| adam_text | Contents Introduction ............................................... і Origins ........................................................ 6 Welcome to Wernham Hogg...................... 54 An American Workplace .......................... 159 Notes ........................................................ Episode Guide ......................................... Bibliography ............................................ Credits ...................................................... Acknowledgments.................................... Index ........................................................ 165 i67 172 176 179 iso
řhen The Office first aired in July 2001, it attracted a tiny audience and BBC2’s lowest approval rating of the year (apart from women’s bowls). Some viewers even failed even to identify the series as a comedy - and not without reason! Set in the banal environs of a Slough paper merchants and presented in deadpan ‘docusoap style, the series was built around neither one-liners nor farcical set-ups, but the painfully-observed minutiae of everyday life. Not much happened, and what did - the self-serving posturing of middle-manager and would-be entertainer David Brent, and the simmering flirtation between employees Tim and Dawn ֊ was often excruciatingly uncomfortable to watch. Yet two series and a feature-length special later, The Office has broken DVD sales records, won dozens of awards, played in oyer sixty countries and been remade by a major American network. In the first full-length study of the show, Ben Walters traces its unorthodox journey to the screen, drawing on extensive interviews with those most closely involved in its production, from novice writer-directors Stephen Merchant and Ricky Gervais to BBC2 Controller Jane Root. The book also explores the series’ unusually potent effects, from its attention to the discontents of contemporary working life to its sophisticated melding of docusoap and sitcom conventions. BEN WALTERS has written on film and television for Sight Sound and is Ђте Out’s Deputy Film Editor. His book on Orson Welles was published in 2005.
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| illustrated | Illustrated |
| indexdate | 2024-12-23T23:49:22Z |
| institution | BVB |
| isbn | 1844570916 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-020012346 |
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| physical | 184 S. Ill. |
| publishDate | 2005 |
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| series2 | BFI TV classics |
| spellingShingle | Walters, Ben The "Office" [critical reading of the series] |
| title | The "Office" [critical reading of the series] |
| title_auth | The "Office" [critical reading of the series] |
| title_exact_search | The "Office" [critical reading of the series] |
| title_full | The "Office" [critical reading of the series] Ben Walters |
| title_fullStr | The "Office" [critical reading of the series] Ben Walters |
| title_full_unstemmed | The "Office" [critical reading of the series] Ben Walters |
| title_short | The "Office" |
| title_sort | the office critical reading of the series |
| title_sub | [critical reading of the series] |
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