America on film representing race, class, gender, and sexuality at the movies
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Malden, MA [u.a.]
Wiley-Blackwell
2009
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| Ausgabe: | 2. ed., 1. publ. |
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| Online-Zugang: | Inhaltsverzeichnis |
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| 100 | 1 | |a Benshoff, Harry M. |d 1963- |e Verfasser |0 (DE-588)108935391X |4 aut | |
| 245 | 1 | 0 | |a America on film |b representing race, class, gender, and sexuality at the movies |c Harry M. Benshoff and Sean Griffin |
| 250 | |a 2. ed., 1. publ. | ||
| 264 | 1 | |a Malden, MA [u.a.] |b Wiley-Blackwell |c 2009 | |
| 300 | |a XVII, 453 S. |b zahlr. Ill. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Includes bibliographical references and index | ||
| 650 | 4 | |a Film | |
| 650 | 4 | |a Geschichte | |
| 650 | 4 | |a Minorities in motion pictures | |
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Datensatz im Suchindex
| _version_ | 1819628220012560384 |
|---|---|
| adam_text | CONTENTS
Acknowledgments
How to Use This Book
Part I Culture and American Film
1
Introduction to the Study of Film Form
and Representation
Film Form
American Ideologies: Discrimination and Resistance
Culture and Cultural Studies
Case Study: The Lion King
(1994)
Questions for Discussion
Further Reading
2
The Structure and History of Hollywood
Filmmaking
Hollywood vs. Independent Film
The Style of Hollywood Cinema
The Business of Hollywood
The History of Hollywood: The Movies Begin
The Classical Hollywood Cinema
World War II and Postwar Film
New Hollywood and the Blockbuster Mentality
Questions for Discussion
Further Reading
Further Screening
Part II Race and Ethnicity and American Film
Introduction to Part II: What is Race?
3
The Concept of Whiteness and
American Film
Seeing White
Bleaching the Green: The Irish in American Cinema
Looking for Respect: Italians in American Cinema
A Special Case: Jews and Hollywood
Case Study: The Jazz Singer
(1927)
Veiled and Reviled: Arabs on Film in America
Conclusion: Whiteness and American Film Today
Questions for Discussion
Further Reading
Further Screening
4
African Americans and American Film
African Americans in Early Film
Blacks in Classical Hollywood Cinema
World War II and the Postwar Social Problem Film
The Rise and Fall of Blaxploitation Filmmaking
Box: Blacks on TV
Hollywood in the
1980s
and the Arrival of Spike Lee
Black Independent vs. Neo-Blaxploitation
Filmmaking
New Images for a New Century
-
Or Not?
Case Study: Bamboozled
(2000)
Questions for Discussion
Further Reading
Further Screening
5
Native Americans and American Film
The American Indian Before Film
Ethnographic Films and the Rise of the
Hollywood Western
The Evolving Western
A Kinder, Gentler America?
Case Study: Smoke Signals
(1998)
Conclusion: Twenty-First-Century Indians?
Questions for Discussion
Further Reading
Further Screening
45
51
52
56
60
65
68
70
76
77
77
77
78
78
82
85
6
Asian Americans and American Film
123
Silent Film and Asian Images
124
Asians in Classical Hollywood Cinema
126
World War II and After: War Films, Miscegenation
Melodramas, and
Kung
Fu
130
Contemporary Asian American Actors and Filmmakers
134
Case Study: Eat a Bowl of Tea
(1989) 140
Questions for Discussion
142
Further Reading
142
Further Screening
142
7
Latinos and American Film
143
The Greaser and the Latin Lover: Alternating Stereotypes
145
World War II and After: The Good Neighbor Policy
148
The
1950s
to the
1970s:
Back to Business as Usual?
152
Expanding Opportunities in Recent Decades
154
Conclusion: A Backlash Against
Chícanos?
159
Case Study: My Family/Mi
Familia
(1995) 160
Questions for Discussion
163
Further Reading
163
Further Screening
163
Part III Class and American Film
165
Introduction to Part III: What is Class?
8
Classical Hollywood Cinema and Class
171
Setting the Stage: The Industrial Revolution
171
Early Cinema: The Rise of the Horatio
Alger
Myth
173
Hollywood and Unionization
178
Class in the Classical Hollywood Cinema
180
Case Study: The Grapes of Wrath
(1940) 184
Conclusion: Recloaking Class Consciousness
186
Questions for Discussion
186
Further Reading
186
Further Screening
186
9
Cinematic Class Struggle After the
Depression
187
From World War II to the Red Scare
187
From Opulence to Counterculture
191
Box: Class on Television
196
New Hollywood and the Resurrection of the Horatio
Alger
Myth
198
Case Study: Bulworth
(1998) 204
Conclusion: Corporate Hollywood and Labor Today
204
Questions for Discussion
208
Further Reading
208
Further Screening
209
Part IV Gender and American Film
Introduction to Part IV: What is Gender?
211
10
Women in Classical Hollywood Filmmaking
217
Images of Women in Early Cinema
Early Female Filmmakers
Images of Women in
1930s
Classical Hollywood
World War II and After
Case Study: All that Heaven Allows
(1955)
Questions for Discussion
Further Reading
Further Screening
11
Exploring the Visual Parameters of
Women in Film
Ways of Seeing
Visual Pleasure and Narrative Cinema
Case Study:
Gilda (1946)
Conclusion: Complicating Mulvey s Arguments
Questions for Discussion
Further Reading
Further Screening
12
Masculinity in Classical Hollywood
Filmmaking
Masculinity and Early Cinema
Masculinity and the Male Movie Star
World War II and Film
Noir
Case Study: Dead Reckoning
(1947)
Masculinity in
1950s
American Film
Questions for Discussion
Further Reading
Further Screening
218
222
227
231
234
236
237
237
238
13
Gender in American Film Since the
1960s 278
Second Wave Feminism and Hollywood
278
Into the
1980s:
A Backlash against Women?
283
Box: Women and American Television
284
A New Generation of Female Filmmakers
291
Case Study: The Ballad of Little Jo
(1993) 296
Conclusion: Gender in the Early Twenty-First Century
296
Questions for Discussion
301
Further Reading
301
Further Screening
302
Part V Sexuality and American Film
303
Introduction to Part V: What is Sexuality?
14
Heterosexuality, Homosexuality, and
Classical Hollywood
309
(Hetero)Sexuality on Screen
309
(Homo)Sexuality in Early Film
311
Censoring Sexuality during the Classical Hollywood
Era
314
Postwar Sexualities and the Weakening of the
Production Code
319
Camp and the Underground Cinema
324
Case Study: The Celluloid Closet
(1995)
326
Questions for Discussion
328
Further Reading
328
Further Screening
328
15
Sexualities on Film Since the Sexual
Revolution
329
Hollywood and the Sexual Revolution
329
Film and Gay Culture from Stonewall to AIDS
331
The AIDS Crisis
336
Queer Theory and New Queer Cinema
339
Box: Queer TV
340
Case Study: Go Fish
(1995) 347
Hollywood Responds to New Queer Cinema
347
(Hetero)Sexualities in Contemporary American Cinema
352
Questions for Discussion
354
Further Reading
354
Further Screening
355
Part VI Ability and American Film
Introduction to Part VI: What is Ability?
16
Cinematic Images of (Dis)Ability
Disabled People in Early American Film: Curiosities
and Freaks
Romanticizing Disability in Classical Hollywood
Melodramas
Disability in War Movies and Social Problem Films
Disability and the Counterculture
Case Study: Children of a Lesser God
(1986)
A More Enlightened Age?
Questions for Discussion
Further Reading
Further Screening
17
Making Connections
Case
Study
1:
Queen Christina
(1933)
Case
Study
2:
The Old Maid
(1939)
Case
Study
3:
The Gangs All Here
(1943)
Case
Study
4:
A Patch of Blue
(1965)
Case
Study
5:
Erin Brockovich
(2000)
Case
Study
6: 8
Mile
(2002)
Case
Study
7:
Better Luck Tomorrow
(2002)
Case
Study
8:
Saving Face
(2004)
Case
Study
9:
Crash
(2004)
Case
Study
10:
The Prize Winner of Defiance, Ohio
(2005)
Case
Study
11:
Brokeback Mountain
(2005)
Case
Study
12:
Quinceanera
(2006)
Glossary
Index
|
| any_adam_object | 1 |
| author | Benshoff, Harry M. 1963- Griffin, Sean 1964- |
| author_GND | (DE-588)108935391X (DE-588)1154609758 |
| author_facet | Benshoff, Harry M. 1963- Griffin, Sean 1964- |
| author_role | aut aut |
| author_sort | Benshoff, Harry M. 1963- |
| author_variant | h m b hm hmb s g sg |
| building | Verbundindex |
| bvnumber | BV023485235 |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1995 |
| callnumber-raw | PN1995.9.M56 |
| callnumber-search | PN1995.9.M56 |
| callnumber-sort | PN 41995.9 M56 |
| callnumber-subject | PN - General Literature |
| classification_rvk | AP 44983 HU 1776 |
| ctrlnum | (OCoLC)228632092 (DE-599)BVBBV023485235 |
| dewey-full | 305.5/6 |
| dewey-hundreds | 300 - Social sciences |
| dewey-ones | 305 - Groups of people |
| dewey-raw | 305.5/6 |
| dewey-search | 305.5/6 |
| dewey-sort | 3305.5 16 |
| dewey-tens | 300 - Social sciences |
| discipline | Allgemeines Soziologie Anglistik / Amerikanistik |
| edition | 2. ed., 1. publ. |
| format | Book |
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| geographic | USA USA (DE-588)4078704-7 gnd |
| geographic_facet | USA |
| id | DE-604.BV023485235 |
| illustrated | Illustrated |
| indexdate | 2024-12-23T21:10:05Z |
| institution | BVB |
| isbn | 9781405170550 |
| language | English |
| lccn | 2008021455 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-016667302 |
| oclc_num | 228632092 |
| open_access_boolean | |
| owner | DE-29 DE-384 DE-N32 DE-M472 DE-12 DE-824 DE-739 DE-11 |
| owner_facet | DE-29 DE-384 DE-N32 DE-M472 DE-12 DE-824 DE-739 DE-11 |
| physical | XVII, 453 S. zahlr. Ill. |
| publishDate | 2009 |
| publishDateSearch | 2009 |
| publishDateSort | 2009 |
| publisher | Wiley-Blackwell |
| record_format | marc |
| spellingShingle | Benshoff, Harry M. 1963- Griffin, Sean 1964- America on film representing race, class, gender, and sexuality at the movies Film Geschichte Minorities in motion pictures Motion pictures United States History Geschlechterverhältnis (DE-588)4020548-4 gnd Geschlechterverhältnis Motiv (DE-588)4213077-3 gnd Soziale Klasse Motiv (DE-588)4315466-9 gnd Ethnische Beziehungen (DE-588)4176973-9 gnd Ethnische Beziehungen Motiv (DE-588)4176974-0 gnd Film (DE-588)4017102-4 gnd Klassenbewusstsein (DE-588)4164015-9 gnd |
| subject_GND | (DE-588)4020548-4 (DE-588)4213077-3 (DE-588)4315466-9 (DE-588)4176973-9 (DE-588)4176974-0 (DE-588)4017102-4 (DE-588)4164015-9 (DE-588)4078704-7 |
| title | America on film representing race, class, gender, and sexuality at the movies |
| title_auth | America on film representing race, class, gender, and sexuality at the movies |
| title_exact_search | America on film representing race, class, gender, and sexuality at the movies |
| title_full | America on film representing race, class, gender, and sexuality at the movies Harry M. Benshoff and Sean Griffin |
| title_fullStr | America on film representing race, class, gender, and sexuality at the movies Harry M. Benshoff and Sean Griffin |
| title_full_unstemmed | America on film representing race, class, gender, and sexuality at the movies Harry M. Benshoff and Sean Griffin |
| title_short | America on film |
| title_sort | america on film representing race class gender and sexuality at the movies |
| title_sub | representing race, class, gender, and sexuality at the movies |
| topic | Film Geschichte Minorities in motion pictures Motion pictures United States History Geschlechterverhältnis (DE-588)4020548-4 gnd Geschlechterverhältnis Motiv (DE-588)4213077-3 gnd Soziale Klasse Motiv (DE-588)4315466-9 gnd Ethnische Beziehungen (DE-588)4176973-9 gnd Ethnische Beziehungen Motiv (DE-588)4176974-0 gnd Film (DE-588)4017102-4 gnd Klassenbewusstsein (DE-588)4164015-9 gnd |
| topic_facet | Film Geschichte Minorities in motion pictures Motion pictures United States History Geschlechterverhältnis Geschlechterverhältnis Motiv Soziale Klasse Motiv Ethnische Beziehungen Ethnische Beziehungen Motiv Klassenbewusstsein USA |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016667302&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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