New music in the "New" Europe 1918 - 1938: ideology, theory and practice musicological colloquium at the Brno International Music Festival, 38 ; Ditrichstein Palace, Congress Hall, Brno, 29 september - 1 october 2003
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| Format: | Tagungsbericht Buch |
|---|---|
| Sprache: | English German |
| Veröffentlicht: |
Praha
KLP
2007
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| Ausgabe: | 1. vyd. |
| Schriftenreihe: | Colloqvia mvsicologica Brvnensia
38 |
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| 245 | 1 | 0 | |a New music in the "New" Europe 1918 - 1938: ideology, theory and practice |b musicological colloquium at the Brno International Music Festival, 38 ; Ditrichstein Palace, Congress Hall, Brno, 29 september - 1 october 2003 |c ed. by Geoffrey Chew |
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Datensatz im Suchindex
| _version_ | 1804137655265394688 |
|---|---|
| adam_text | New Music In the New Europe
1918-1938;
Ideology, Theory, and Practice
[Colloquia
Musicologica
Brunensia,
38 (2003)],
Praha:
KLP,
2007
Geoffrey CHEW (Brno): Introduction: The Geography of Modernism: Reflections
on the Theme New Music for a New Europe
........................... 7
Opera and Ideology
Hermann JUNG (Mannheim): Vision
eines „neuen Europa ?
Gottfried
von
Ei-
nems
Oper »Dan tons Tod« (1947)..................................... 15
Vlasta REITTEREROVÁ
(Wien - Brno): Einige Ausblicke auf die ethische Bot¬
schaft von Opern der Dreißigerjahre (Am Beispiel der Opern von
Fidelio
F.
Finke, »Die Jakobsfahrt«, Viktor Ullmann, »Der Sturz des Antichrist«,
Josef
Bohuslav Foerster, »Bloud«
und
Otakar Ostrčil, »Honzovo králov¬
ství«)
.............................................................. 21
The First
Czechoslovak Republic: The Czechs in General
Miroslav
К.
ČERNÝ (Praha):
Einige
Paradoxe
in der tschechischen Avantgarde
in den Zwanzigerjahren.............................................. 39
Jiří
DAVID (Brno): New
Music in a
New State: New
Music in Bohemia and
Moravia in the
1920s................................................ 43
Judith FIEHLER (Washington,
DC): Na
rozhraní
-Prague at the Crossroads
ofISCM1924
...................................................... 47
The First Czechoslovak Republic: The Czechs
-
Case Studies
Isolde
von
FOERSTER
(Mainz):
Zur Rezeption der Kompositionen Erwin Schut-
hoffs............................................................... 62
Tereza HAVELKOVA (Praha):
When the
Morgenland
Looks East:
Miloslav
Kabeláč
and Musical Others
....................................... 71
Brian LOCKE (Toronto):
Otakar
Ostrčiľs
Honzovo království
and the Ful¬
filment of Czech Musical Modernism
................................. 77
Dominik
SCHWEIGER (Wien): Identität und Gedächtnis: Der Fall
Janáček...
84
The First
Czechoslovak Republic: The Germans
t
Torsten FUCHS (Regensburg): Neue Musik und ihre Wurzeln - zwei Wege,
zwei unterschiedliche Antworten auf Zeitfragen: Der Finke-Kreis und die
Finkensteiner....................................................... 110
Widmar HADER (Regensburg): Johannes Bammer (1888-1988) und die neue
Musik in der Ersten ^hechoslowakischen Republik..................... 120
6 Contents
Rudolf
PEČMAN
(Brno):
Paul Netti
und
die
tschechische Musikwissenschaft... 125
Germany
Wolfram HADER
(Regensburg)·.
Jugendmusikbewegung undNeue Musik: „Cul-
turallag oder eigenständiger Weg zur Neuen Musik?................... 131
Klaus
M EHN
ER (Leipzig): Die Komponistenklasse Franz Schrekers - Ein euro¬
päisches Modell.................................................... 138
Slovakia, Poland, Russia
Miloslav BLAHYNKA (Bratislava):
Zeitgenössische Oper
in der Dramaturgie
des Slowakischen Nationaltheaters, 1920-1938......................... 143
Stefan KEYM
(Leipzig):
Vom „alten zum „neuen Europa?
Karol Szymanow-
skis Einschätzung der geopolitischen Lage der Musik in den Zwanziger¬
jahren ............................................................. 147
Evgeniya LIANSKAYA
(Nizhny Novgorod):
Joseph Schillinger
and the Russian
Avant-Garde in
the
1920s............................................ 158
The Balkans
Katarina
TOMAŠEVIĆ (Beograd):
Conflict and Dialogue between the Old and
the New in Serbian Music between the Two World Wars
.................. 162
Jernej WEISS (Ljubljana
-
Regensburg):
Fidelio
E
Finkę
(1891-1968)
-Alois
Haba
(1893-1973)
-Slávko Osterc
(1895-1941): Fragen der Neuen Musik? 172
Music Theory and Analysis
Udar
KHANNANOV (Moscow- Santa Barbara
-
Oklahoma City): Soviet Music
Theory in the Geopolitics of Eastern Europe between the World Wars
...... 179
John K. NOVAK
(DeKalb,
Illinois): Josef Suk s Non-Obstinate
Ostinato
Move¬
ments: A Study of Harmony and Style
.................................. 187
Lubomír SPURNÝ
(Brno): Was ist neu an
Habas
»Neuer Harmonielehre«?.... 202
The Terminology of Modernism
Jiří VYSLOUŽIL
(Brno): The
Avant-Garde in
Music: Nomenclature and Ter¬
minology
........................................................... 208
New Technology
Tatjana BÖHME-MEHNER
(Leipzig): Die
Begründung neuer technischer Mög¬
lichkeiten in der (alten) ästhetischen TYadition (Zur Erfindung und Etablie¬
rung elektrischer Musikinstrumente im Europa der Zwanziger- und frühen
Dreißigerjahre)..................................................... 211
|
| adam_txt |
New Music In the "New" Europe
1918-1938;
Ideology, Theory, and Practice
[Colloquia
Musicologica
Brunensia,
38 (2003)],
Praha:
KLP,
2007
Geoffrey CHEW (Brno): Introduction: The Geography of'Modernism: Reflections
on the Theme "New Music for a New Europe"
. 7
Opera and Ideology
Hermann JUNG (Mannheim): Vision
eines „neuen Europa "?
Gottfried
von
Ei-
nems
Oper »Dan tons Tod« (1947). 15
Vlasta REITTEREROVÁ
(Wien - Brno): Einige Ausblicke auf die ethische Bot¬
schaft von Opern der Dreißigerjahre (Am Beispiel der Opern von
Fidelio
F.
Finke, »Die Jakobsfahrt«, Viktor Ullmann, »Der Sturz des Antichrist«,
Josef
Bohuslav Foerster, »Bloud«
und
Otakar Ostrčil, »Honzovo králov¬
ství«)
. 21
The First
Czechoslovak Republic: The Czechs in General
Miroslav
К.
ČERNÝ (Praha):
Einige
Paradoxe
in der tschechischen Avantgarde
in den Zwanzigerjahren. 39
Jiří
DAVID (Brno): New
Music in a
New State: "New
Music" in Bohemia and
Moravia in the
1920s. 43
Judith FIEHLER (Washington,
DC): "Na
rozhraní"
-Prague at the Crossroads
ofISCM1924
. 47
The First Czechoslovak Republic: The Czechs
-
Case Studies
Isolde
von
FOERSTER
(Mainz):
Zur Rezeption der Kompositionen Erwin Schut-
hoffs. 62
Tereza HAVELKOVA (Praha):
When the
"Morgenland"
Looks East:
Miloslav
Kabeláč
and Musical "Others"
. 71
Brian LOCKE (Toronto):
Otakar
Ostrčiľs
"Honzovo království"
and the "Ful¬
filment" of Czech Musical Modernism
. 77
Dominik
SCHWEIGER (Wien): Identität und Gedächtnis: Der Fall
Janáček.
84
The First
Czechoslovak Republic: The Germans
t
Torsten FUCHS (Regensburg): Neue Musik und ihre Wurzeln - zwei Wege,
zwei unterschiedliche Antworten auf Zeitfragen: Der Finke-Kreis und die
Finkensteiner. 110
Widmar HADER (Regensburg): Johannes Bammer (1888-1988) und die neue
Musik in der Ersten ^hechoslowakischen Republik. 120
6 Contents
Rudolf
PEČMAN
(Brno):
Paul Netti
und
die
tschechische Musikwissenschaft. 125
Germany
Wolfram HADER
(Regensburg)·.
Jugendmusikbewegung undNeue Musik: „Cul-
turallag" oder eigenständiger Weg zur Neuen Musik?. 131
Klaus
M EHN
ER (Leipzig): Die Komponistenklasse Franz Schrekers - Ein euro¬
päisches Modell. 138
Slovakia, Poland, Russia
Miloslav BLAHYNKA (Bratislava):
Zeitgenössische Oper
in der Dramaturgie
des Slowakischen Nationaltheaters, 1920-1938. 143
Stefan KEYM
(Leipzig):
Vom „alten" zum „neuen"Europa?
Karol Szymanow-
skis Einschätzung der geopolitischen Lage der Musik in den Zwanziger¬
jahren . 147
Evgeniya LIANSKAYA
(Nizhny Novgorod):
Joseph Schillinger
and the Russian
Avant-Garde in
the
1920s. 158
The Balkans
Katarina
TOMAŠEVIĆ (Beograd):
Conflict and Dialogue between the Old and
the New in Serbian Music between the Two World Wars
. 162
Jernej WEISS (Ljubljana
-
Regensburg):
Fidelio
E
Finkę
(1891-1968)
-Alois
Haba
(1893-1973)
-Slávko Osterc
(1895-1941): Fragen der Neuen Musik? 172
Music Theory and Analysis
Udar
KHANNANOV (Moscow- Santa Barbara
-
Oklahoma City): Soviet Music
Theory in the Geopolitics of Eastern Europe between the World Wars
. 179
John K. NOVAK
(DeKalb,
Illinois): Josef Suk's Non-Obstinate
Ostinato
Move¬
ments: A Study of Harmony and Style
. 187
Lubomír SPURNÝ
(Brno): Was ist neu an
Habas
»Neuer Harmonielehre«?. 202
The Terminology of Modernism
Jiří VYSLOUŽIL
(Brno): The
Avant-Garde in
Music: Nomenclature and Ter¬
minology
. 208
New Technology
Tatjana BÖHME-MEHNER
(Leipzig): Die
Begründung neuer technischer Mög¬
lichkeiten in der (alten) ästhetischen TYadition (Zur Erfindung und Etablie¬
rung elektrischer Musikinstrumente im Europa der Zwanziger- und frühen
Dreißigerjahre). 211 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author_GND | (DE-588)134225112 |
| building | Verbundindex |
| bvnumber | BV023318047 |
| ctrlnum | (OCoLC)239354927 (DE-599)BVBBV023318047 |
| edition | 1. vyd. |
| era | Geschichte 1818-1938 gnd |
| era_facet | Geschichte 1818-1938 |
| format | Conference Proceeding Book |
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| genre | (DE-588)1071861417 Konferenzschrift 2003 Brünn gnd-content |
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| geographic_facet | Ostmitteleuropa Osteuropa Südosteuropa |
| id | DE-604.BV023318047 |
| illustrated | Illustrated |
| index_date | 2024-07-02T20:52:45Z |
| indexdate | 2024-07-09T21:15:45Z |
| institution | BVB |
| institution_GND | (DE-588)10343855-5 |
| isbn | 9788086791470 8086791475 |
| language | English German |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-016502184 |
| oclc_num | 239354927 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 218 S. Notenbeisp. |
| psigel | DHB_JDG_ISBN_1 |
| publishDate | 2007 |
| publishDateSearch | 2007 |
| publishDateSort | 2007 |
| publisher | KLP |
| record_format | marc |
| series | Colloqvia mvsicologica Brvnensia |
| series2 | Colloqvia mvsicologica Brvnensia |
| spelling | New music in the "New" Europe 1918 - 1938: ideology, theory and practice musicological colloquium at the Brno International Music Festival, 38 ; Ditrichstein Palace, Congress Hall, Brno, 29 september - 1 october 2003 ed. by Geoffrey Chew 1. vyd. Praha KLP 2007 218 S. Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Colloqvia mvsicologica Brvnensia 38 Beitr. teilw. dt., teilw. engl. Geschichte 1818-1938 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Ostmitteleuropa (DE-588)4075753-5 gnd rswk-swf Osteuropa (DE-588)4075739-0 gnd rswk-swf Südosteuropa (DE-588)4058449-5 gnd rswk-swf (DE-588)1071861417 Konferenzschrift 2003 Brünn gnd-content Ostmitteleuropa (DE-588)4075753-5 g Musik (DE-588)4040802-4 s Geschichte 1818-1938 z DE-604 Südosteuropa (DE-588)4058449-5 g Osteuropa (DE-588)4075739-0 g Chew, Geoffrey 1940- Sonstige (DE-588)134225112 oth Mezinárodní hudební festival 38. 2003 Brünn Sonstige (DE-588)10343855-5 oth Colloqvia mvsicologica Brvnensia 38 (DE-604)BV019663786 38 Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016502184&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | New music in the "New" Europe 1918 - 1938: ideology, theory and practice musicological colloquium at the Brno International Music Festival, 38 ; Ditrichstein Palace, Congress Hall, Brno, 29 september - 1 october 2003 Colloqvia mvsicologica Brvnensia Musik (DE-588)4040802-4 gnd |
| subject_GND | (DE-588)4040802-4 (DE-588)4075753-5 (DE-588)4075739-0 (DE-588)4058449-5 (DE-588)1071861417 |
| title | New music in the "New" Europe 1918 - 1938: ideology, theory and practice musicological colloquium at the Brno International Music Festival, 38 ; Ditrichstein Palace, Congress Hall, Brno, 29 september - 1 october 2003 |
| title_auth | New music in the "New" Europe 1918 - 1938: ideology, theory and practice musicological colloquium at the Brno International Music Festival, 38 ; Ditrichstein Palace, Congress Hall, Brno, 29 september - 1 october 2003 |
| title_exact_search | New music in the "New" Europe 1918 - 1938: ideology, theory and practice musicological colloquium at the Brno International Music Festival, 38 ; Ditrichstein Palace, Congress Hall, Brno, 29 september - 1 october 2003 |
| title_exact_search_txtP | New music in the "New" Europe 1918 - 1938: ideology, theory and practice musicological colloquium at the Brno International Music Festival, 38 ; Ditrichstein Palace, Congress Hall, Brno, 29 september - 1 october 2003 |
| title_full | New music in the "New" Europe 1918 - 1938: ideology, theory and practice musicological colloquium at the Brno International Music Festival, 38 ; Ditrichstein Palace, Congress Hall, Brno, 29 september - 1 october 2003 ed. by Geoffrey Chew |
| title_fullStr | New music in the "New" Europe 1918 - 1938: ideology, theory and practice musicological colloquium at the Brno International Music Festival, 38 ; Ditrichstein Palace, Congress Hall, Brno, 29 september - 1 october 2003 ed. by Geoffrey Chew |
| title_full_unstemmed | New music in the "New" Europe 1918 - 1938: ideology, theory and practice musicological colloquium at the Brno International Music Festival, 38 ; Ditrichstein Palace, Congress Hall, Brno, 29 september - 1 october 2003 ed. by Geoffrey Chew |
| title_short | New music in the "New" Europe 1918 - 1938: ideology, theory and practice |
| title_sort | new music in the new europe 1918 1938 ideology theory and practice musicological colloquium at the brno international music festival 38 ditrichstein palace congress hall brno 29 september 1 october 2003 |
| title_sub | musicological colloquium at the Brno International Music Festival, 38 ; Ditrichstein Palace, Congress Hall, Brno, 29 september - 1 october 2003 |
| topic | Musik (DE-588)4040802-4 gnd |
| topic_facet | Musik Ostmitteleuropa Osteuropa Südosteuropa Konferenzschrift 2003 Brünn |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016502184&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV019663786 |
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