The gei of geisha music, identity and meaning
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Aldershot [u.a.]
Ashgate
2008
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| Schriftenreihe: | SOAS musicology series
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
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| 100 | 1 | |a Foreman, Kelly M. |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a The gei of geisha |b music, identity and meaning |c Kelly M. Foreman |
| 264 | 1 | |a Aldershot [u.a.] |b Ashgate |c 2008 | |
| 300 | |a XIV, 143 S. |b Notenbeisp. | ||
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| 337 | |b n |2 rdamedia | ||
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| 490 | 0 | |a SOAS musicology series | |
| 500 | |a Includes bibliographical references | ||
| 500 | |a Introduction. The geisha myths ; Persistence of the geisha-girl fantasy : gei at the periphery -- Repertoire and training. The musical repertoire of geisha ; Dedication to gei : training and musical transmission -- Geisha perfomances and how they are constructed : female performances in Japan, and the development of the urban theater traditions. The public stage performances ; The private performances : ozashiki and enkai -- Geisha and traditional arts society. Traditional music in modern Japan ; The dedication to ryu and iemoto ; The dilemma of multi-disciplinarity ; The question of a geisha musical style -- Entertainer vs. artist : patronage and the negotiation of identity. Financial burdens of the geisha ; Financing a professional arts career, and alternative strategies of patronage for geisha ; Artistic collaborations between geisha and patrons ; Contemporary barriers to arts patronage in the karyukai ; Why entertainers would not need ryu -- Understanding geisha and gei : eroticism through ambiguity ; The interconnectedness of geisha, liminas, play and the erotic ; The suggestiveness of iki as liminal eroticism | ||
| 650 | 4 | |a Geishas | |
| 650 | 4 | |a Music / Instruction and study / Japan | |
| 650 | 4 | |a Music / Social aspects / Japan | |
| 650 | 4 | |a Gesellschaft | |
| 650 | 4 | |a Musik | |
| 650 | 4 | |a Geishas | |
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| 650 | 4 | |a Music |x Social aspects |z Japan | |
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| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-016096674 | |
Datensatz im Suchindex
| _version_ | 1819756828975693824 |
|---|---|
| adam_text | Contents
List ofFigures and Music Examples vii
Preface ix
Acknowledgements xiii
1 Introduction 1
2 Repertoire and Training 15
3 Geisha Performances and How They Are Constructed 41
4 Geisha and Traditionai Arts Society 73
5 Entertainer vs. Artist: Patronage and the Negotiation of Identity 87
6 Understanding Geisha and Geh Eroticism Through Ambiguity 107
Bibliography 127
Index 139
List of Figures and Music Examples
Figures
2.1 Introduction and ostinato pattern (first eight measures) of Sawagi 31
6.1 William Malm s illustration (1963) of the rhythmic relationship
in nagauta voice and shamisen, what he termed the sliding door effect.
Used by permission of Tuttle Publishing, North Clarendon, VT 118
6.2 Excerpt from William Malm s transcription (1963, 279-83) of Tsuru Käme.
Used by permission of Tuttle Publishing, North Clarendon, VT 119
6.3 Saionji Yuri s diagram of the uchi-awase or sku-u aikata.
(© 1984 Saionji Yuri, You-Mic Text Step 2, Intermediate Course Part 1,
Tokyo, Japan). Used by permission of Saionji Yuri 122
6.4 Excerpt from Tsuru Käme, Japanese notation 123
6.5 Excerpt from Yakko san, Japanese notation. {ShamisenBunkafu. Hauta
Zokkyoku Shü. Volume 2. Ed. Machida Kashö. Tokyo: Högakusha, 1983).
Reproduced with permission from Högakusha 123
6.6 Excerpt from Danchone, Japanese notation. {Shamisen Bunkafu. Hauta
Zokkyoku Shü. Volume 3. Ed. Machida Kashö. Tokyo: Högakusha, 1997).
Reproduced with permission from Högakusha 124
Examples
6.1 Transcription of an excerpt from Izayoi Seishin 118
6.2 Transcription of an excerpt from Kishi no Yanagi 121
6.3 Transcription of this excerpt of Tsuru Käme, Western notation 123
6.4 Transcription of this excerpt of Yakko san, Western notation 123
6.5 Transcription ofthis excerpt oi Danchone, Western notation 124
|
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| dewey-search | 792.702/80952 |
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| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines Musikwissenschaft |
| format | Book |
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| id | DE-604.BV022891841 |
| illustrated | Illustrated |
| indexdate | 2024-12-23T20:42:01Z |
| institution | BVB |
| isbn | 9780754658573 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-016096674 |
| oclc_num | 123539290 |
| open_access_boolean | |
| owner | DE-12 DE-20 |
| owner_facet | DE-12 DE-20 |
| physical | XIV, 143 S. Notenbeisp. |
| publishDate | 2008 |
| publishDateSearch | 2008 |
| publishDateSort | 2008 |
| publisher | Ashgate |
| record_format | marc |
| series2 | SOAS musicology series |
| spellingShingle | Foreman, Kelly M. The gei of geisha music, identity and meaning Geishas Music / Instruction and study / Japan Music / Social aspects / Japan Gesellschaft Musik Music Instruction and study Japan Music Social aspects Japan Erotik (DE-588)4015369-1 gnd Musik (DE-588)4040802-4 gnd Musikalische Aufführungspraxis (DE-588)4170800-3 gnd Geisha (DE-588)4156345-1 gnd |
| subject_GND | (DE-588)4015369-1 (DE-588)4040802-4 (DE-588)4170800-3 (DE-588)4156345-1 |
| title | The gei of geisha music, identity and meaning |
| title_auth | The gei of geisha music, identity and meaning |
| title_exact_search | The gei of geisha music, identity and meaning |
| title_full | The gei of geisha music, identity and meaning Kelly M. Foreman |
| title_fullStr | The gei of geisha music, identity and meaning Kelly M. Foreman |
| title_full_unstemmed | The gei of geisha music, identity and meaning Kelly M. Foreman |
| title_short | The gei of geisha |
| title_sort | the gei of geisha music identity and meaning |
| title_sub | music, identity and meaning |
| topic | Geishas Music / Instruction and study / Japan Music / Social aspects / Japan Gesellschaft Musik Music Instruction and study Japan Music Social aspects Japan Erotik (DE-588)4015369-1 gnd Musik (DE-588)4040802-4 gnd Musikalische Aufführungspraxis (DE-588)4170800-3 gnd Geisha (DE-588)4156345-1 gnd |
| topic_facet | Geishas Music / Instruction and study / Japan Music / Social aspects / Japan Gesellschaft Musik Music Instruction and study Japan Music Social aspects Japan Erotik Musikalische Aufführungspraxis Geisha |
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