Shakespeare
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| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh Univ. Press
2007
|
| Schriftenreihe: | Edinburgh critical guides to literature
|
| Schlagworte: | |
| Online-Zugang: | Klappentext Inhaltsverzeichnis |
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Datensatz im Suchindex
| _version_ | 1819660354383249408 |
|---|---|
| adam_text | This book helps the reader make sense of the most commonly studied writer in
the world. It starts with a brief explanation of how Shakespeare s writings have
come down to us as a series of scripts for actors in the early modern theatre
industry of London. The main chapters of the book approach the texts through
a series of questions: what s changed since Shakespeare s time? , to what
uses has Shakespeare been put? , and what value is there in Shakespeare?
These questions go to the heart of why we study Shakespeare at all. The book
encourages readers to consider for themselves this central issue in relation to
their own critical writing.
Key Features
•
A Chronology of Shakespeare s career as an actor/dramatist that locates
him within the theatre industry of his time
•
New readings of twelve plays that form a core of the Shakespeare canon:
A Midsummer Night s Dream, Much Ado about Nothing, Richard
2,
Henry
5,
Hamlet, Othello, All s Well that Ends Well, The Winter s Tale, Macbeth,
Measure for Measure, The Tempest and Timon of Athens
•
Critical analyses organised by genre (comedies, histories, tragedies and
romances) and by four key critical approaches: authorship, performance,
identities, and materialism
•
An extensive Resources section, including a Glossary of the important
critical terms that are often used in debates about Shakespeare
Gabriel Egan is Senior Lecturer in the Department of English and Drama at
Loughborough University. He is the author of Shakespeare and Marx and of
Green Shakespeare: From Ecopolitics to Ecocriticism.
Contents
Series
Preface viii
Acknowledgements
ix
Chronology x
Introduction
ι
How Shakespeare s works come down to us
9
Part I Dramatic Genres
Chapter
1
Comedies: A Midsummer Night s Dream
and Much Ado about Nothing
19
Transformation, Translation, and Plays to Pass the Time
21
Benign and Malign Deceptions
28
Soldiers Turned Lovers
31
Determining Genre
34
Dirty Jokes and Sexual Mores
36
Chapter
2
Histories: Richard
2
and Henry
5 46
This England
47
Providence
53
Serialised History and the Tudor Myth
57
The Order of Composition
65
What Kind of King is Henry
5? 68
VI
SHAKESPEARE
Chapter
з
Tragedies: Hamlet and Othello
81
Large and Small Affairs in Hamlet
82
Sex, Suicide, and Scepticism
9°
Testing the Supernatural
99
The Character of Othello in Isolation I04
The Character of Othello in the World
111
Racial Difference
-
Cultural Difference
-
Multiculturalism
1
13
Chapter
4
Problem Plays and Romances: All s Well that
Ends Well and The Winter s Tale
121
Not Hamlet in a Dress, nor Helen in Breeches
122
Choosing Among the Men *25
Helen s Quest
128
Unsuitable Husbands
ІЗ1
Do Hermione and Polixenes Paddle Palms? X35
The Winter s Tale as Proto-novel i39
Summer/Winter
-
Man/Woman
-
Land/Class
144
Part II Critical Approaches
Chapters Authority and Authorship: Measure for Measure i59
History: Then
160
Proposing to Isabella
164
Being a Nun
166
Meaning: Now
167
Recovering Shakespeare s Version
172
Chapter
6
Performance: Macbeth
180
The Witches
182
The Timing of Exits and Entrances
187
The Bipolar Stage
192
The Apparitions
195
Indeterminacy
199
Chapter
7
Identities: The Tempest
203
The Identity of Caliban
204
Nature/Nurture
208
CONTENTS
vu
The New World
212
Colonialism in
General
215
Ariel
as
Subaltern
218
Chapter
8
Materialism:
Timon
of
Athens
225
Base and Superstructure
226
Timon as Unaccommodated Man
228
Money, Gold, and G(u)ilt: Shakespearian Alchemy
231
The Second Law of Thermodynamics
The New Materialism versus
Gaia
241
Conclusion
248
Student Resources
252
Electronic Resources and Reference Sources
252
Glossary
256
Guide to Further Reading
263
Index
274
|
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| callnumber-first | P - Language and Literature |
| callnumber-label | PR2894 |
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| callnumber-subject | PR - English Literature |
| classification_rvk | HI 3300 HI 3390 |
| ctrlnum | (OCoLC)141380739 (DE-599)BVBBV022719385 |
| dewey-full | 822.33 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 822 - English drama |
| dewey-raw | 822.33 |
| dewey-search | 822.33 |
| dewey-sort | 3822.33 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| format | Book |
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| id | DE-604.BV022719385 |
| illustrated | Not Illustrated |
| indexdate | 2024-12-23T20:28:25Z |
| institution | BVB |
| isbn | 9780748623716 0748623728 9780748623723 |
| language | English |
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| physical | XXI, 282 S. |
| publishDate | 2007 |
| publishDateSearch | 2007 |
| publishDateSort | 2007 |
| publisher | Edinburgh Univ. Press |
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| series2 | Edinburgh critical guides to literature |
| spellingShingle | Egan, Gabriel Shakespeare Shakespeare, William <1564-1616> Criticism and interpretation Shakespeare, William 1564-1616 (DE-588)118613723 gnd Drama (DE-588)4012899-4 gnd |
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| title | Shakespeare |
| title_auth | Shakespeare |
| title_exact_search | Shakespeare |
| title_full | Shakespeare Gabriel Egan |
| title_fullStr | Shakespeare Gabriel Egan |
| title_full_unstemmed | Shakespeare Gabriel Egan |
| title_short | Shakespeare |
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