Harlem crossroads black writers and the photograph in the twentieth century
"The Harlem riot of 1935 not only signaled the end of the Harlem Renaissance; it made black America's cultural capital an icon for the challenges of American modernity. Luring photographers interested in socially conscious, journalistic, and aesthetic representation, post-Renaissance Harle...
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| Format: | Buch |
| Sprache: | English |
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Princeton, N.J. [u.a.]
Princeton Univ. Press
2007
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| 520 | 3 | |a "The Harlem riot of 1935 not only signaled the end of the Harlem Renaissance; it made black America's cultural capital an icon for the challenges of American modernity. Luring photographers interested in socially conscious, journalistic, and aesthetic representation, post-Renaissance Harlem helped give rise to America's full-blown image culture and its definitive genre, documentary. The images made there in turn became critical to the work of black writers seeking to reinvent literary forms. Harlem Crossroads is the first book to examine their deep, sustained engagements with photographic practices. Arguing for Harlem as a crossroads between writers and the image, Sara Blair explores its power for canonical writers, whose work was profoundly responsive to the changing meanings and uses of photographs. She examines literary engagements with photography from the 1930s to the 1970s and beyond, among them the collaboration of Langston Hughes and Roy DeCarava, Richard Wright's uses of Farm Security Administration archives, James Baldwin's work with Richard Avedon, and Lorraine Hansberry's responses to civil rights images. Drawing on extensive archival work and featuring images never before published, Blair opens strikingly new views of the work of major literary figures, including Ralph Ellison's photography and its role in shaping his landmark novel Invisible Man, and Wright's uses of camera work to position himself as a modernist and postwar writer. Harlem Crossroads opens new possibilities for understanding the entangled histories of literature and the photograph, as it argues for the centrality of black writers to cultural experimentation throughout the twentieth century." -- Book jacket. | |
| 648 | 4 | |a Geschichte 1900-2000 | |
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| 650 | 4 | |a American literature |x African American authors |x History and criticism | |
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| adam_text | Lonlents
List of Illustrations ix
Acknowledgments xiii
Preface xvii
Introduction
A Riot of Images: Harlem and the Pursuit of Modernity 1
Chapter One
Documenting Harlem: Images and Afterlives 19
Chapter Two
From Black Voices to Black Power. Richard Wright
and the Trial of Documentary 61
Chapter Three
Ralph Ellison, Photographer 112
Chapter Four
Photo Text Capital: James Baldwin, Richard Avedon,
and the Uses of Harlem 160
Chapter Five
Dodging and Burning: The Writer and the Image after
the Civil Rights Era 198
Coda
Looking Back: Toni Morrison and the Return to Plato s Cave 252
Abbreviations 265
Notes 267
Bibliography 317
Index 341
lllustrations
Figure 1.1 Injured Rioters in a Police Patrol Wagon, Harlem, 1935 2
Figure 1.2 Harlem Riot, Arrest ofLooters, 1943 3
Figure 1.3 Boys Wearing Looted Formal Wear, August 2, 1943 4
Figure 1.1 Aaron Siskind, Untitled, from Dead End:
The Bowery, ca. 1935 36 22
Figure 1.2 Dorothea Lange, Destitute Pea Pickers in
California, 1936 25
Figure 1.3 Arthur Rothstein, Bleached Skull of a Steer,
South Dakota, 1936 26
Figure 1.4 Walker Evans, Graveyard and Steel Mill,
Bethlehem, Pennsylvania, 1935 27
Figure 1.5 Lewis W. Hine, Midnight at the Bowery Mission
Bread line in the Old Days of Depression, 1909 28
Figure 1.6 Weegee (Arthur Fellig), Shorty, the Bowery Cherub,
New Year s Eve at Sammy s Bar, 1943 29
Figure 1.7 Aaron Siskind, Untitled, from Harlem Document,
ca. 1937 40 34
Figure 1.8 Aaron Siskind, Untitled, from Harlem Document,
ca. 1937 36
Figure 1.9 Aaron Siskind, Untitled, from The Most Crowded
Block in the World, ca. 1940 40
Figure 1.10 Aaron Siskind, Untitled, from Harlem Document,
ca. 1937 43
Figure 1.11 Aaron Siskind, Untitled, from Harlem Document,
ca. 1938 45
Figure 1.12 Aaron Siskind, Untitled, from Harlem Document 7
The Most Crowded Block in the World, ca. 1939 40 46
Figure 2.1 Berenice Abbott, Murray Hill Hotel from
Park Avenue and 40th Street, Manhattan, 1935 67
Figure 2.2 Hai Morey, Grand Central Light, ca. 1935 68
Figure 2.3 Helen Levitt, Untitled, New York, 1942 71
Figure 2.4 Helen Levitt, Untitled, New York, 1942 72
Figure 2.5 Helen Levitt, Untitled, New York, ca. 1939 73
Figure 2.6 Photographer unknown, Untitled, Chicago, 1940 79
Figure 2.7 Jack Delano, Negro Preacher and His Wife Sitting
under Photos of Them Taken Twenty Years Ago,
Heard County, Georgia, 1941 83
Figure 2.8 Dorothea Lange, Sharecropper s Cabin and
Sharecropper s Wife, Ten Miles South of Jackson,
Mississippi, 1937 84
Figure 2.9 Jack Delano, Hands of Mr. Henry Brooks, Ex Slave,
Parks Ferry Road, Greene County, Georgia, 1941 85
Figure 2.10 Ben Shahn, Cotton Pickers, Pulaski County, Arkansas,
as published in Twelve Million Black Voices 87
Figure 2.11 Ben Shahn, Cotton Pickers, Pulaski County,
Arkansas, 1935 (uncropped) 89
Figure 2.12 Edwin Rosskam, Children in Front of Kitchenette
Apartment, Black Belt, Chicago, 1941 90
Figure 2.13 Henri Cartier Bresson, Harlem, 1947 95
Figure 2.14 Henri Cartier Bresson, Chicago, 1947 96
Figure 2.15 Richard Wright, Ghana, 1953 101
Figure 2.16 Richard Wright, Ghana, 1953 102
Figure 2.17 Richard Wright, Ghana, 1953 103
Figure 2.18 Richard Wright, Ghana, 1953 105
Figure 3.1 Ted Croner, The Outlaw, ca. 1945 122
Figure 3.2 Louis Faurer, Self Portrait, 42nd Street El Station, 1946 123
Figure 3.3 Ralph Ellison, Untitled, ca. 1937 125
Figure 3.4 Weegee (Arthur Fellig), Gunman Killed by
Off DutyCop, 1942 127
Figure 3.5 Russell Lee, Cabin in the Cotton, Muskogee County,
Oklahoma. Abandoned Farmhouse, 1939 132
Figure 3.6 Arthur Rothstein, Abandoned Farm in the
Dust Bowl Area, Oklahoma, 1936 133
Figure 3.7 Margaret Bourke White, East Feliciana Parish,
Louisiana, 1936 135
X Illustrations
Figure 3.8 Walker Evans, Interior of a Farmhouse Near Ridgeley,
Tennessee, 1937 138
Figure 3.9 Henri Cartier Bresson, Untitled, ca. 1939 144
Figure 3.10 Henri Cartier Bresson, Untitled, Rouen, 1929 145
Figure 3.11 Lisette Model, Untitled, from Reflections,
New York, ca. 1939^15 146
Figure 3.12 UPI, Harlem after the Riot, View of Looted Street,
August 2, 1943 148
Figure 4.1 Walker Evans, Grocery Store, Moundville,
Alabama, 1935 36 171
Figure 4.2 Richard Avedon, James Baldwin and Paula Baldwin,
Harlem, October 15, 1946 172
Figure 4.3 Margaret Bourke White, College Grove,
Tennessee, 1936 181
Figure 4.4 Richard Avedon, Anonymous Woman, Harlem,
New York, 1949 182
Figure 4.5 Andy Warhol, Marilyn, 1964 186
Figure 4.6 Richard Avedon, Marilyn Monroe, New York City,
May 6, 1957 187
Figure 4.7 Richard Avedon, Malcolm X, New York City,
March 27, 1963 189
Figure 4.8 Richard Avedon, William Casby, Born in Slavery,
Algiers, Louisiana, 1963 190
Figure 4.9 Richard Avedon and Civil Rights Demonstrators,
Atlanta, Georgia, 1963 191
Figure 5.1 Photographer unknown, Girls Fleeing from
Police during Riot, 1964 200
Figure 5.2 Danny Lyon, IRT 2, New York City, 1980 204
Figure 5.3 Danny Lyon, Yazoo, Mississippi, 1962 207
Figure 5.4 David Heath, Untitled, from A Dialogue with Solitude,
ca. 1964 210
Figure 5.5 Photographer unknown, The Lynching of William
Brown, Omaha, Nebraska, September 28, 1919 211
Figure 5.6 Danny Lyon, Cairo, Illinois, 1962 213
Figure 5.7 Marion Palfi, Annelle Ponder, Greenwood,
Mississippi, 1963 217
Figure 5.8 Danny Lyon, Leesburg, Georgia, 1963 218
Figure 5.9 Danny Lyon, Birmingham, Alabama, 1963 219
Figure 5.10 Danny Lyon, Hattiesburg, Mississippi, 1964 220
Figure 5.11 Danny Lyon, Cairo, Illinois, 1962 221
Illustrations xi
Figure 5.12 Anthony Aviles, Untitled, from Hartem Stirs, 1964 233
Figure 5.13 Anthony Aviles, Untitled, from Hartem Stirs, 1964 234
Figure 5.14 New York City Department of Weifare, Health
Campaign Brochure, from Hartem Stirs, 1964 235
Figure 5.15 Don Charles, In God We Trust (detail), from
Harlem Stirs, 1964 236
Figure 5.16 William Klein, Candy Store, Amsterdam Avenue,
New York, 1954 55 237
Figure C.l Lorna Simpson, 9 Props, 1995 254
Figure C.2 James VanderZee, Woman with Goldfish Bowl, 1923 255
Figure C.3 James VanderZee, I ll Teil You Tomorrow, 1926 261
|
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| geographic | Harlem (New York, N.Y.) - Histoire USA Harlem (New York, N.Y.) History New York- Harlem (DE-588)4075363-3 gnd |
| geographic_facet | Harlem (New York, N.Y.) - Histoire USA Harlem (New York, N.Y.) History New York- Harlem |
| id | DE-604.BV022717484 |
| illustrated | Illustrated |
| indexdate | 2024-12-23T20:28:22Z |
| institution | BVB |
| isbn | 0691130876 9780691130873 |
| language | English |
| lccn | 2006100313 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-015923253 |
| oclc_num | 76937391 |
| open_access_boolean | |
| owner | DE-703 DE-12 DE-29 DE-355 DE-BY-UBR DE-188 DE-824 |
| owner_facet | DE-703 DE-12 DE-29 DE-355 DE-BY-UBR DE-188 DE-824 |
| physical | XXI, 353 S. Ill. |
| publishDate | 2007 |
| publishDateSearch | 2007 |
| publishDateSort | 2007 |
| publisher | Princeton Univ. Press |
| record_format | marc |
| spellingShingle | Blair, Sara 1960- Harlem crossroads black writers and the photograph in the twentieth century Esthétique noire américaine Littérature américaine - Auteurs noirs américains - Histoire et critique Modernisme (Littérature) - États-Unis Noirs américains - Vie intellectuelle - 20e siècle Photographie - Philosophie Photographie - États-Unis - Histoire Politique et littérature - États-Unis - Histoire - 20e siècle Geschichte Philosophie Schwarze. USA American literature African American authors History and criticism Politics and literature United States History 20th century African Americans Intellectual life 20th century Photography United States History Photography Philosophy Modernism (Literature) United States African American aesthetics Literatur (DE-588)4035964-5 gnd Schwarze (DE-588)4116433-7 gnd Harlem renaissance (DE-588)4159116-1 gnd Fotografie (DE-588)4045895-7 gnd |
| subject_GND | (DE-588)4035964-5 (DE-588)4116433-7 (DE-588)4159116-1 (DE-588)4045895-7 (DE-588)4075363-3 |
| title | Harlem crossroads black writers and the photograph in the twentieth century |
| title_auth | Harlem crossroads black writers and the photograph in the twentieth century |
| title_exact_search | Harlem crossroads black writers and the photograph in the twentieth century |
| title_full | Harlem crossroads black writers and the photograph in the twentieth century Sara Blair |
| title_fullStr | Harlem crossroads black writers and the photograph in the twentieth century Sara Blair |
| title_full_unstemmed | Harlem crossroads black writers and the photograph in the twentieth century Sara Blair |
| title_short | Harlem crossroads |
| title_sort | harlem crossroads black writers and the photograph in the twentieth century |
| title_sub | black writers and the photograph in the twentieth century |
| topic | Esthétique noire américaine Littérature américaine - Auteurs noirs américains - Histoire et critique Modernisme (Littérature) - États-Unis Noirs américains - Vie intellectuelle - 20e siècle Photographie - Philosophie Photographie - États-Unis - Histoire Politique et littérature - États-Unis - Histoire - 20e siècle Geschichte Philosophie Schwarze. USA American literature African American authors History and criticism Politics and literature United States History 20th century African Americans Intellectual life 20th century Photography United States History Photography Philosophy Modernism (Literature) United States African American aesthetics Literatur (DE-588)4035964-5 gnd Schwarze (DE-588)4116433-7 gnd Harlem renaissance (DE-588)4159116-1 gnd Fotografie (DE-588)4045895-7 gnd |
| topic_facet | Esthétique noire américaine Littérature américaine - Auteurs noirs américains - Histoire et critique Modernisme (Littérature) - États-Unis Noirs américains - Vie intellectuelle - 20e siècle Photographie - Philosophie Photographie - États-Unis - Histoire Politique et littérature - États-Unis - Histoire - 20e siècle Geschichte Philosophie Schwarze. USA American literature African American authors History and criticism Politics and literature United States History 20th century African Americans Intellectual life 20th century Photography United States History Photography Philosophy Modernism (Literature) United States African American aesthetics Literatur Schwarze Harlem renaissance Fotografie Harlem (New York, N.Y.) - Histoire USA Harlem (New York, N.Y.) History New York- Harlem |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015923253&sequence=000010&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT blairsara harlemcrossroadsblackwritersandthephotographinthetwentiethcentury |