Cristóbal de Morales sources, influences, reception
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| Format: | Buch |
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| Sprache: | English |
| Veröffentlicht: |
Woodbridge [u.a.]
Boydell & Brewer
2007
|
| Ausgabe: | 1. publ. |
| Schriftenreihe: | Studies in Medieval and Renaissance Music
6 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
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| 005 | 20211206 | ||
| 007 | t| | ||
| 008 | 070830s2007 xx agl| |||| 00||| eng d | ||
| 020 | |a 9781843833116 |c hbk. |9 978-1-84383-311-6 | ||
| 035 | |a (OCoLC)166624393 | ||
| 035 | |a (DE-599)BVBBV022659454 | ||
| 040 | |a DE-604 |b ger |e rakwb | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 |a DE-355 |a DE-11 |a DE-20 |a DE-19 | ||
| 050 | 0 | |a ML410.M776 | |
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| 084 | |a LQ 82803 |0 (DE-625)109083:13531 |2 rvk | ||
| 084 | |a 9,2 |2 ssgn | ||
| 245 | 1 | 0 | |a Cristóbal de Morales |b sources, influences, reception |c ed. by Owen Rees and Bernadette Nelson |
| 250 | |a 1. publ. | ||
| 264 | 1 | |a Woodbridge [u.a.] |b Boydell & Brewer |c 2007 | |
| 300 | |a LII, 426 S. |b Ill., Notenbeisp. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 1 | |a Studies in Medieval and Renaissance Music |v 6 | |
| 600 | 1 | 4 | |a Morales, Cristóbal de <ca. 1500-1553> |x Criticism and interpretation |
| 600 | 1 | 7 | |a Morales, Cristóbal de |d 1500-1553 |0 (DE-588)100833187 |2 gnd |9 rswk-swf |
| 648 | 4 | |a Geschichte 1500-1600 | |
| 650 | 4 | |a Musik | |
| 650 | 4 | |a Composers |z Spain | |
| 650 | 4 | |a Music |z Spain |y 16th century |x History and criticism | |
| 651 | 4 | |a Spanien | |
| 689 | 0 | 0 | |a Morales, Cristóbal de |d 1500-1553 |0 (DE-588)100833187 |D p |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Rees, Owen |d 1964- |e Sonstige |0 (DE-588)134901797 |4 oth | |
| 830 | 0 | |a Studies in Medieval and Renaissance Music |v 6 |w (DE-604)BV019268424 |9 6 | |
| 856 | 4 | 2 | |m Digitalisierung BSBMuenchen |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015865332&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 942 | 1 | 1 | |c 780.9 |e 22/bsb |f 09031 |g 46 |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-015865332 | |
Datensatz im Suchindex
| DE-19_call_number | 0911/Bmo 440 |
|---|---|
| DE-19_location | 19 |
| DE-BY-UBM_katkey | 4746641 |
| DE-BY-UBM_media_number | 99995381988 |
| _version_ | 1823055215026241536 |
| adam_text | Contents
List of Figures ¡x
List of Music Examples x
List of Chapter Appendixes
xiii
Contributors
xiv
Preface
xvii
Abbreviations
xix
Introduction
xxiii
Owen
Rees
Landmark Contributions to
Cristóbal de
Morales Scholarship
xxxix
Robert Stevenson
I Spanish Sources and Traditions
1
The
Nuevo rezado,
Music Scribes, and the Restoration
3
of Morales s Toledo Lamentation
Michael Noone and Graeme Skinner
2
Two Early Morales Magnificat Settings
21
Kenneth Kreitner
3
Morales, Spanish Traditions, Liturgical Works,
63
and the Problem of Style
Grayson Wagstqff
4
Morales s Contribution to the Pange lingua Tradition
85
and an Anonymous
Tantum ergo
Bernadette
Nelson
II Style, Technique, and Networks of Influence
5
Another Look at Polyphonic Borrowing:
Ш
Morales, the
Missa
Quern dicunt homines, and the
Missa
Vulnerasti
cor meum
Alison Sanders McFarland
6
Multi-layered Models: Compositional Approaches in the 1540s
123
to
Si bona suscepimus
Gristle Collins Judd
7
Multiple Layers of Borrowing in Sancta Maria Motets
141
by Morales and his Contemporaries
Stephen Rice
Ill
Transmission
and
Reception
8
Morales in Print: Distribution and Ownership in Renaissance Spain
161
Tess Knighton
9
Morales at the Periphery: Dissemination of Motets in France,
177
Germany, and the Low Countries
Martin Ham
10
Morales s Voice in the Viceroyalties
207
Robert Stevenson
IV Historiographical and Editorial Issues
11
Cristóbal de
Morales: A Problem of Musical Mysticism
215
and National Identity in the Historiography of the Renaissance
Emilio
Ros-Făbregas
12
Editing
Cristóbal
de
Morales s Masses Today
235
Cristina Urchuegufa
V Works and Sources
13
Morales: The Canon
263
Martin Ham
Worklist
297
Martin Ham
Bibliography
395
Index
407
Figures
1.1
E-Tc
33,
fol. 115V:
remaining voices of Morales s £r incarnatus,
5
added by
Pérez
in
1546
on what was originally the last folio
of the volume
1.2
E-Tc OF Ml,
îol.115
9
1.3
E-Tc
21,
fols 6V-7:
Morales s Aleph. Quomodo sedet ;
16
Perez s
1549
copy with Buitrago s initials on recto,
Morata s copy with imitation initials on verso
1.4
Orphénica
lyra,
fol.
77 17
1.5
MEX-Pc
2,
fols 28v-29
18
2.1
E-TZ
2/3,
fol. 49v
27
3.1
Alternatim treatment of Salve
regina
by Spanish composers
69
before
1530
and by Morales a4
3.2
Salve
regina,
tripartite form employed by Josquin and Morales a5
71
4.1
E
-Віт
I, fol.
52 91
4.2
E
-МО
Arxiu
de Música
2991,
fol. 40v
(detail)
95
6.1
Verdelot,
Si bona suscepimus,
cantus
126
12.1
Stemma
for Morales,
Missa
de beata
Maria
virgine a4
239
12.2
Revised beginning of
stemma
for Morales,
241
Missa
de beata
Maria
virgine a4
Musical
Examples
1.1 Morales, ending of Salve
regina
a4
xxxvi
1.2
Josquin
Desprez,
Nymphes des bois, b.
41-5 xxxvii
1.3
Josquin
Desprez,
Credo
of Missa
Sine nomine,
b.
60-7 xxxvii
1.1
Morales s
Et
incarnatus (E-Tc
16,
fols 106V-107)
6
1.2 E-Tc 21,
fols 5V-6:
anon.
Incipit lamentatio;
15
replacement exordium for Morales s Etfactum
est
postquam
1.3
Morales s Etfactum
est postquam:
19
original exordium lost from E-Tc
21,
reconstructed after
Orphénica lyra
(bracketed accidentals as intabulated) and Mex-Pc
2
2.1
Morales, opening of
Et misericordia
verses in Magnificat Beta
26
and the printed first-mode Magnificat setting
2.2
Peñalosa,
Magnificat
quarti toni,
v.
2 32
3.1
Opening of Morales s Salve
regina a4
70
3.2
Opening of Morales s Salve
regina a5
72
3.3
Morales,
Missa
pro defunctis a4, opening of offertory (E-V
s.S.) 74
3.4
Morales,
Missa
pro defunctis a5, opening of communion
76
3.5
(=Morales) , Passion according to Matthew, opening (E-Boc
6) 79
3.6
(=Morales) , Passion according to Matthew, second segment
80
3.7
Passion tones of Toledo and
Zaragoza
80
3.8
Morales? Lamentations (GCA-Gc
4),
b.
22-34 83
4.1
Falla
codex , opening of Urreda s
Fange
lingua
87
with lowest part attributed to Morales
4.2
Morales,
Tantum
ergo (E-Bim
1): 93
surviving part and reconstruction of tenor
4.3
Pange lingua chant (more
hispano)
%
4.4
Urreda, Pange lingua, bassus, b.
7-8 96
4.5
Morales, Sacris solemniis, v.
2,
Nocüs recolitur ,
b.
15-20 97
4.6
Anon., Hie judicandis ovibus, b.
28-33 97
4.7
Morales, sixth-tone Magnificat, v.
2, Et
exsultavit , b.
1-5 98
4.8
Morales, sixth-tone Magnificat, v.
8,
Sicut locutus
est , b.
1-5 99
4.9
Morales,
Regina
езеїі а6,
secunda
pars, Resurrexit ,
b.
1-4 99
4.10
Morales,
Christe redemptor, v.
7,
Gloria tibi
Domine , b.
1-3 100
4.11
Morales,
Те
Deum, v.
14,
Venerandum tuum
verum , b.
52-4 101
4.12
Morales,
Missa
L homme armé a5, Kyrie
I,
b.
1-3 101
4.13
Morales, Circumdederunt me, b.
1-21 103
4.14
Ceballos, Pange
lingua, opening of
v.
2 104
5.1
Richafort,
Quem
dicunt
homines,
b.
50-3 113
5.2
Morales,
Missa
Quem
dicunt
homines, end
of
Pleni
sunt
езеїі
113
5.3
Morales,
Misse Quem dicunt homines,
beginning of
Hosanna
114
5.4
Morales,
Missa Quem dicunt homines,
towards end of
Hosanna
114
5.5
Morales,
Missa Quem
dicunt homines, Credo, b.
31-40 115
5.6
Morales,
Missa Quem
dicunt homines,
part of
Christe
116
5.7
Richafort,
Quem
dicunt homines, b.
26-32 116
Musical
Examples
xi
5.8
Richafort,
Quem
dicunt
homines, b.
54-63 117
5.9
Anon.,
Vulnerasti
cor
meum,
b.
38-40 118
5.10
Morales,
Missa
Vulnerasti
cor
meum, Gloria,
b.
35-9 119
6.1
Opening of Verdelot,
Si bona
suscepimus
127
6.2
Jacquet
of Mantua,
Missa Sr
bona
suscepimus,
Kyrie
128
6.3
Jacquet of Mantua,
Missa
Si bona suscepimus, Credo
opening
129
6.4
Jacquet
of Mantua,
Missa
Si bona suscepimus,
from Agnus
Dei
II
130
6.5
Superius
of
Verdelot Si bona suscepimus
131
and Jacquet
of Mantua
Missa
Sí
bona suscepimus,
Agnus
Dei
II
6.6
Morales,
Missa
Si bona suscepimus, Kyrie
opening
132
6.7
Superius
of
Verdelot Si bona suscepimus
133
and Morales
Missa
Si bona suscepimus, Kyrie
I
6.8
Morales,
Missa
Sí
bona suscepimus, Credo
opening
134
6.9
Morales,
Missa
Si bona suscepimus,
Hosanna
135
6.10
Morales,
Missa
Si bona suscepimus, Gloria
opening
136
6.11
Morales,
Missa
Si bona suscepimus,
part of
Credo
136
6.12
Motivic
relationships in
Verdelot s Si bona suscepimus
138
6.13
Morales,
Missa
Si bona suscepimus,
opening of Crucifixus
139
6.14
Verdelot, Si bona suscepimus, b.
55-8 139
7.1
Part of mode
1
chant for
Sancia Maria
146
7.2
Motives for iuva
pusillanimes
in
Ѕдисѓд
Maria
settings
146
7.3
Verdelot,
Sancta
Maria,
setting of sentiant omnes tuum iuvamen
148
7.4
Morales, Sancta Maria, setting of sentiant omnes tuum iuvamen
149
7.5
Morales, Sancta Maria, opening motive
149
7.6
Guerrero, Sancta Maria, opening motive
150
7.7
Verdelot, Sancta Maria, setting of
ora
pro
populo
150
7.8
Guerrero, Sancta Maria, setting of
ora
pro
populo
151
7.9
Verdelot s and Guerrero s motives for
interveni
pro
clero
151
7.10
Verdelot s and Guerrero s motives for intercede pro
devoto
151
7.11
Motives for
interveni
pro
dero
152
7.12
Verdelot s and Victoria s settings of femineo
sexu
in the bassus
152
7.13
Victoria s setting of sentiant omnes
153
7.14
Victoria s setting of
ora
pro
populo
154
9.1a Morales,
Tu
es Petrus,
b.
41-6,
as in Scotto s edition, 15413
188
9.1b Morales,
Tu
es Petrus,
b.
41-6,
as in Susato s edition, 15467
188
9.2a Morales,
Tu
es Petrus,
b.
54-60,
as in Scotto s edition, 15413
189
9.2b Morales,
Tu
es Petrus,
b.
54-60,
as in Susato s edition, 15467
189
12.1
Morales,
Missa
de beata
Maria
virgine a4:
243
Gloria,
b.
40-5
as edited by Angles
12.2
Morales,
Missa
de beata
Maria
virgine a4:
Gloria,
244
first troped section, as presented in
Anglès s
critical commentary
13.1
Morales, In
ilio tempore
...
Modicum (15469), opening
268
13.2
Jacquet,
In
ilio tempore.
..
Modicum
011-1545),
opening
268
13.3
Addition to Morales Lamentations in MEX-Pc
1
and GCA-Gc
4 274
xii
Musical
Examples
13.4
Morales, opening of verse Justus
est
Dominus
275
from Lamentations Phe. Expandit Sion
13.5
Morales, Quomodo sedet sola verse, E-PAbtn
6829 277
13.6
Part of
Ave sanctissima
Maria, from P-Pm
40 279
13.7
Gaude
virgo Canterina,
beginning of
secunda
pars, from E-SI
21 280
13.8
Textless piece, US-BLI
8,
fols 47V-48,
opening
281
13.9
TexÜess
piece, NL-Um 3.L.16,
fols
63v-64
282
13.10
Vidi
aquam, attributed to Morales, P-Cug
53,
opening
284
Chapter Appendices
2.1
α.
Magnificat
quarti toni, E-TZ
2/3,
fols 49v-52
13
2.2
β.
Magnificat
primi toni,
Е
-V
5,
fols
ІЗбу-142
49
4.1
Tantum
ergo,
E
-МО
Arxiu
de Música
2991,
fols 40V-41
106
7.1
Sources
cited
157
12.1
The sources of
Cristóbal
de
Morales s
Missa
de Beata Virgine a4
247
12.2
Morales,
Missa
de Beata
Virgine
а4,
Kyrie and Gloria
249
13.1
Ego
infelix and
Victimse paschali
laudes
286
|
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| callnumber-label | ML410 |
| callnumber-raw | ML410.M776 |
| callnumber-search | ML410.M776 |
| callnumber-sort | ML 3410 M776 |
| callnumber-subject | ML - Literature on Music |
| classification_rvk | LP 24080 LQ 82803 |
| ctrlnum | (OCoLC)166624393 (DE-599)BVBBV022659454 |
| dewey-full | 782.526 782.2/2092 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 782 - Vocal music |
| dewey-raw | 782.526 782.2/2092 |
| dewey-search | 782.526 782.2/2092 |
| dewey-sort | 3782.526 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| edition | 1. publ. |
| era | Geschichte 1500-1600 |
| era_facet | Geschichte 1500-1600 |
| format | Book |
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| geographic | Spanien |
| geographic_facet | Spanien |
| id | DE-604.BV022659454 |
| illustrated | Illustrated |
| indexdate | 2025-02-03T17:41:49Z |
| institution | BVB |
| isbn | 9781843833116 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-015865332 |
| oclc_num | 166624393 |
| open_access_boolean | |
| owner | DE-12 DE-355 DE-BY-UBR DE-11 DE-20 DE-19 DE-BY-UBM |
| owner_facet | DE-12 DE-355 DE-BY-UBR DE-11 DE-20 DE-19 DE-BY-UBM |
| physical | LII, 426 S. Ill., Notenbeisp. |
| publishDate | 2007 |
| publishDateSearch | 2007 |
| publishDateSort | 2007 |
| publisher | Boydell & Brewer |
| record_format | marc |
| series | Studies in Medieval and Renaissance Music |
| series2 | Studies in Medieval and Renaissance Music |
| spellingShingle | Cristóbal de Morales sources, influences, reception Studies in Medieval and Renaissance Music Morales, Cristóbal de <ca. 1500-1553> Criticism and interpretation Morales, Cristóbal de 1500-1553 (DE-588)100833187 gnd Musik Composers Spain Music Spain 16th century History and criticism |
| subject_GND | (DE-588)100833187 |
| title | Cristóbal de Morales sources, influences, reception |
| title_auth | Cristóbal de Morales sources, influences, reception |
| title_exact_search | Cristóbal de Morales sources, influences, reception |
| title_full | Cristóbal de Morales sources, influences, reception ed. by Owen Rees and Bernadette Nelson |
| title_fullStr | Cristóbal de Morales sources, influences, reception ed. by Owen Rees and Bernadette Nelson |
| title_full_unstemmed | Cristóbal de Morales sources, influences, reception ed. by Owen Rees and Bernadette Nelson |
| title_short | Cristóbal de Morales |
| title_sort | cristobal de morales sources influences reception |
| title_sub | sources, influences, reception |
| topic | Morales, Cristóbal de <ca. 1500-1553> Criticism and interpretation Morales, Cristóbal de 1500-1553 (DE-588)100833187 gnd Musik Composers Spain Music Spain 16th century History and criticism |
| topic_facet | Morales, Cristóbal de <ca. 1500-1553> Criticism and interpretation Morales, Cristóbal de 1500-1553 Musik Composers Spain Music Spain 16th century History and criticism Spanien |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015865332&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV019268424 |
| work_keys_str_mv | AT reesowen cristobaldemoralessourcesinfluencesreception |