Classical rhetoric and the visual arts in early modern Europe
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| 1. Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge [u.a.]
Cambridge Univ. Press
2007
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| Ausgabe: | 1. publ. |
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| Online-Zugang: | Table of contents only Inhaltsverzeichnis Klappentext |
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| 245 | 1 | 0 | |a Classical rhetoric and the visual arts in early modern Europe |c Caroline van Eck |
| 250 | |a 1. publ. | ||
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| 300 | |a XII, 225 S. |b zahlr. Ill. | ||
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| 650 | 4 | |a Kunst | |
| 650 | 7 | |a Retorik - historia - antiken |2 sao | |
| 650 | 7 | |a Övertalning |2 sao | |
| 650 | 4 | |a Art |x Language | |
| 650 | 4 | |a Persuasion (Rhetoric) |x History | |
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Datensatz im Suchindex
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| adam_text | CONTENTS
Illustrations
Acknowledgements
INTRODUCTION: RHETORIC AND VISUALITY
Notes
Part I: Theory
ONE: REPRESENTATION AND PERSUASION IN ALBERTl S
DE PICTURA
Gesture between presence and representation
Rhetorical concepts in
De Pictura
Compositio as a cardinal virtue of style
Painting considered as pictorial representation
Painting as persuasive representation
Notes
TWO: THE FOUNDATIONS OF PERSUASIVE ARCHITECTURE
Introduction
Architecture is a science
Architecture and rhetoric provide the foundations of society
The use of rhetoric in formulating treatises and articulating the
design process
Is architecture an art of representation?
Conclusion
Notes
Part II: Invention
THREE: HOW TO ACHIEVE PERSUASION IN PAINTING:
THE COMMON GROUND
Introduction
Composition
and the common ground in ancient rhetoric
61
Achieving a common ground in Renaissance painting: composition
and linear perspective
65
Moving the spectator through imaginative involvement
73
Notes
84
FOUR: MUTE ELOQUENCE. VISUAL PERSUASION IN ENGLISH
ARCHITECTURE OF THE SEVENTEENTH AND
EIGHTEENTH CENTURIES
89
Introduction
89
Art became a piece of statecraft
Statecraft and stagecraft: constructing a classical past
Inigo Jones reconstructs Stonehenge
Sublime architecture
Architecture speaks a language of its own
Notes
Part III: Interpretation
FIVE: RHETORICAL INTERPRETATION OF THE VISUAL ARTS
Invention and interpretation in rhetoric
Art as theatre: Bartolommeo Maranta on an Annunciation by Titian
Vivacità,
living presence and humanity
Laocoön
I am
Notes
SIX: ONLY THE HUMAN CAN SPEAK TO MAN: RHETORICAL
INTERPRETATIONS OF ARCHITECTURE
Introduction
The shaddowes that
signifie
Typology
Walter Montague s typological defence of courtly splendour
Sir Christopher Wren on the Temple of Peace
Character and style in French architectural theory of the late eighteenth
century
Notes
CODA
Notes
Bibliography
Index: names and concepts
Index: rhetorical terms
In this book Caroline van
Eck
examines
what roles classical rhetoric played in visual
persuasion in the arts and architecture of
early modern Europe. Rhetoric is the study
of persuasive Communication. Originally
its main concern was persuasive speech, but
from its first systematic treatments by
Aristotle, Cicero and Quintilian it gave
great importance to the use of visual means
of persuasion
-
gesture, facial expression or
vivid description. This is the first full-length
study to look at the issue of visual persua¬
sion in this period, both in architecture and
the visual arts, and to investigate what roles
rhetoric played in visual persuasion, from
the perspective of artists and of viewers.
|
| adam_txt |
CONTENTS
Illustrations
Acknowledgements
INTRODUCTION: RHETORIC AND VISUALITY
Notes
Part I: Theory
ONE: REPRESENTATION AND PERSUASION IN ALBERTl'S
'DE PICTURA'
Gesture between presence and representation
Rhetorical concepts in
De Pictura
Compositio as a cardinal virtue of style
Painting considered as pictorial representation
Painting as persuasive representation
Notes
TWO: THE FOUNDATIONS OF PERSUASIVE ARCHITECTURE
Introduction
Architecture is a science
Architecture and rhetoric provide the foundations of society
The use of rhetoric in formulating treatises and articulating the
design process
Is architecture an art of representation?
Conclusion
Notes
Part II: Invention
THREE: HOW TO ACHIEVE PERSUASION IN PAINTING:
THE COMMON GROUND
Introduction
Composition
and the common ground in ancient rhetoric
61
Achieving a common ground in Renaissance painting: composition
and linear perspective
65
Moving the spectator through imaginative involvement
73
Notes
84
FOUR: MUTE ELOQUENCE. VISUAL PERSUASION IN ENGLISH
ARCHITECTURE OF THE SEVENTEENTH AND
EIGHTEENTH CENTURIES
89
Introduction
89
'Art became a piece of statecraft'
Statecraft and stagecraft: constructing a classical past
Inigo Jones reconstructs Stonehenge
Sublime architecture
'Architecture speaks a language of its own'
Notes
Part III: Interpretation
FIVE: RHETORICAL INTERPRETATION OF THE VISUAL ARTS
Invention and interpretation in rhetoric
Art as theatre: Bartolommeo Maranta on an Annunciation by Titian
Vivacità,
living presence and humanity
'Laocoön
I am'
Notes
SIX: ONLY THE HUMAN CAN SPEAK TO MAN: RHETORICAL
INTERPRETATIONS OF ARCHITECTURE
Introduction
'The shaddowes that
signifie'
Typology
Walter Montague's typological defence of courtly splendour
Sir Christopher Wren on the Temple of Peace
Character and style in French architectural theory of the late eighteenth
century
Notes
CODA
Notes
Bibliography
Index: names and concepts
Index: rhetorical terms
In this book Caroline van
Eck
examines
what roles classical rhetoric played in visual
persuasion in the arts and architecture of
early modern Europe. Rhetoric is the study
of persuasive Communication. Originally
its main concern was persuasive speech, but
from its first systematic treatments by
Aristotle, Cicero and Quintilian it gave
great importance to the use of visual means
of persuasion
-
gesture, facial expression or
vivid description. This is the first full-length
study to look at the issue of visual persua¬
sion in this period, both in architecture and
the visual arts, and to investigate what roles
rhetoric played in visual persuasion, from
the perspective of artists and of viewers. |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Eck, Caroline van 1959- |
| author_GND | (DE-588)132129442 |
| author_facet | Eck, Caroline van 1959- |
| author_role | aut |
| author_sort | Eck, Caroline van 1959- |
| author_variant | c v e cv cve |
| building | Verbundindex |
| bvnumber | BV022545804 |
| callnumber-first | N - Fine Arts |
| callnumber-label | N72 |
| callnumber-raw | N72.L36 |
| callnumber-search | N72.L36 |
| callnumber-sort | N 272 L36 |
| callnumber-subject | N - Visual Arts |
| classification_rvk | FB 4050 LH 61020 LH 65700 |
| ctrlnum | (OCoLC)229464821 (DE-599)BVBBV022545804 |
| dewey-full | 701/.17 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 701 - Philosophy of fine & decorative arts |
| dewey-raw | 701/.17 |
| dewey-search | 701/.17 |
| dewey-sort | 3701 217 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte Philologie / Byzantinistik / Neulatein |
| discipline_str_mv | Kunstgeschichte Philologie / Byzantinistik / Neulatein |
| edition | 1. publ. |
| era | Geschichte 1450-1800 gnd Geschichte 1600-1800 gnd Geschichte 1300-1600 gnd |
| era_facet | Geschichte 1450-1800 Geschichte 1600-1800 Geschichte 1300-1600 |
| format | Book |
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| geographic | Europa England (DE-588)4014770-8 gnd |
| geographic_facet | Europa England |
| id | DE-604.BV022545804 |
| illustrated | Illustrated |
| index_date | 2024-09-20T13:29:36Z |
| indexdate | 2024-09-27T16:41:23Z |
| institution | BVB |
| isbn | 9781107687851 9780521844352 |
| language | English |
| lccn | 2007008730 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-015752182 |
| oclc_num | 229464821 |
| open_access_boolean | |
| owner | DE-29 DE-739 DE-12 DE-19 DE-BY-UBM DE-11 DE-188 DE-Y3 DE-255 DE-Y2 DE-Y7 DE-473 DE-BY-UBG DE-355 DE-BY-UBR |
| owner_facet | DE-29 DE-739 DE-12 DE-19 DE-BY-UBM DE-11 DE-188 DE-Y3 DE-255 DE-Y2 DE-Y7 DE-473 DE-BY-UBG DE-355 DE-BY-UBR |
| physical | XII, 225 S. zahlr. Ill. |
| psigel | gbd_4_0810 |
| publishDate | 2007 |
| publishDateSearch | 2007 |
| publishDateSort | 2007 |
| publisher | Cambridge Univ. Press |
| record_format | marc |
| spellingShingle | Eck, Caroline van 1959- Classical rhetoric and the visual arts in early modern Europe Alberti, Leon Battista 1404-1472 De re aedificatoria (DE-588)4124953-7 gnd Geschichte Konstestetik sao Konstfilosofi sao Kunst Retorik - historia - antiken sao Övertalning sao Art Language Persuasion (Rhetoric) History Visual communication Europe History Architekturtheorie (DE-588)4112587-3 gnd Perspektive (DE-588)4045301-7 gnd Beeinflussung (DE-588)4005203-5 gnd Ästhetik (DE-588)4000626-8 gnd Rhetorik (DE-588)4076704-8 gnd Kunst (DE-588)4114333-4 gnd |
| subject_GND | (DE-588)4124953-7 (DE-588)4112587-3 (DE-588)4045301-7 (DE-588)4005203-5 (DE-588)4000626-8 (DE-588)4076704-8 (DE-588)4114333-4 (DE-588)4014770-8 |
| title | Classical rhetoric and the visual arts in early modern Europe |
| title_auth | Classical rhetoric and the visual arts in early modern Europe |
| title_exact_search | Classical rhetoric and the visual arts in early modern Europe |
| title_exact_search_txtP | Classical rhetoric and the visual arts in early modern Europe |
| title_full | Classical rhetoric and the visual arts in early modern Europe Caroline van Eck |
| title_fullStr | Classical rhetoric and the visual arts in early modern Europe Caroline van Eck |
| title_full_unstemmed | Classical rhetoric and the visual arts in early modern Europe Caroline van Eck |
| title_short | Classical rhetoric and the visual arts in early modern Europe |
| title_sort | classical rhetoric and the visual arts in early modern europe |
| topic | Alberti, Leon Battista 1404-1472 De re aedificatoria (DE-588)4124953-7 gnd Geschichte Konstestetik sao Konstfilosofi sao Kunst Retorik - historia - antiken sao Övertalning sao Art Language Persuasion (Rhetoric) History Visual communication Europe History Architekturtheorie (DE-588)4112587-3 gnd Perspektive (DE-588)4045301-7 gnd Beeinflussung (DE-588)4005203-5 gnd Ästhetik (DE-588)4000626-8 gnd Rhetorik (DE-588)4076704-8 gnd Kunst (DE-588)4114333-4 gnd |
| topic_facet | Alberti, Leon Battista 1404-1472 De re aedificatoria Geschichte Konstestetik Konstfilosofi Kunst Retorik - historia - antiken Övertalning Art Language Persuasion (Rhetoric) History Visual communication Europe History Architekturtheorie Perspektive Beeinflussung Ästhetik Rhetorik Europa England |
| url | http://www.loc.gov/catdir/toc/ecip0712/2007008730.html http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015752182&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015752182&sequence=000002&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT eckcarolinevan classicalrhetoricandthevisualartsinearlymoderneurope |