Works of music an essay in ontology
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| 1. Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oxford [u.a.]
Oxford Univ. Press
2007
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| Ausgabe: | 1. publ. |
| Schlagworte: | |
| Online-Zugang: | Table of contents only Inhaltsverzeichnis |
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| 100 | 1 | |a Dodd, Julian |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Works of music |b an essay in ontology |c Julian Dodd |
| 250 | |a 1. publ. | ||
| 264 | 1 | |a Oxford [u.a.] |b Oxford Univ. Press |c 2007 | |
| 300 | |a XI, 286 S. | ||
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| 500 | |a Includes bibliographical references and index | ||
| 650 | 7 | |a Muziekfilosofie |2 gtt | |
| 650 | 4 | |a Musik | |
| 650 | 4 | |a Music |x Philosophy and aesthetics | |
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Datensatz im Suchindex
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|---|---|
| adam_text | WORKS OF MUSIC / DODD, JULIAN : 2007 TABLE OF CONTENTS /
INHALTSVERZEICHNIS INTRODUCTION THE TYPE/TOKEN THEORY INTRODUCED
MOTIVATING THE TYPE/TOKEN THEORY : REPEATABILITY NOMINALIST APPROACHES
TO THE ONTOLOGY OF MUSIC MUSICAL ANTI-REALISM THE TYPE/TOKEN THEORY
ELABORATED TYPES I : ABSTRACT, UNSTRUCTURED, UNCHANGING TYPES INTRODUCED
AND NOMINALISM REPELLED TYPES AS ABSTRACTA TYPES AS UNSTRUCTURED
ENTITIES TYPES AS FIXED AND UNCHANGING TYPES II: PLATONISM INTRODUCTION
: ETERNAL EXISTENCE AND TIMELESSNESS TYPES AND PROPERTIES THE ETERNAL
EXISTENCE OF PROPERTIES RECONSIDERED TYPES AND PATTERNS DEFENDING THE
TYPE/TOKEN THEORY I UNSTRUCTUREDNESS AND ANALOGICAL PREDICATION MUSICAL
WORKS AS FIXED AND UNCHANGING ABSTRACTNESS AND AUDIBILITY (AGAIN) WORKS
AND INTERPRETATIONS CONCLUSION AND RESUM E DEFENDING THE TYPE/TOKEN
THEORY II : MUSICAL PLATONISM PLATONISM IT IS : REPLIES TO ANDERSON AND
LEVINSON THE EXISTENCE CONDITIONS OF WORKS OF MUSIC COMPOSITION AS
CREATIVE DISCOVERY THE NATURE OF THE COMPOSITIONAL PROCESS : REPLIES TO
OBJECTIONS COMPOSITION AND AESTHETIC APPRAISAL : A REPLY TO LEVINSON
COMPOSITION AND AESTHETIC APPRAISAL : UNDERSTANDING INTERPRETATION, AND
CORRECTNESS MUSICAL WORKS AS CONTINUANTS : A THEORY REJECTED A THEORY
INTRODUCED EXPLICATING AND MOTIVATING THE CONTINUANT VIEW THE CONTINUANT
VIEW AND REPEATABILITY FURTHER OBJECTIONS TO THE CONTINUANT VIEW -
MUSICAL WORKS AS COMPOSITIONAL ACTIONS : A CRITIQUE CURRIE S ACTION-TYPE
HYPOTHESIS DAVIES S PERFORMANCE THEORY SONICISM I : AGAINST
INSTRUMENTALISM SONICISM INTRODUCED SONICISM MOTIVATED : MODERATE
EMPIRICISM INSTRUMENTATION : TIMBRAL SONICISM INTRODUCED SCORES
INSTRUMENTATION, ARTISTIC PROPERTIES, AND AESTHETIC CONTENT LEVINSON S
REJOINDER SONICISM II : AGAINST CONTEXTUALISM INTRODUCTION : FORMULATING
CONTEXTUALISM CONTEXTUALIST ONTOLOGICAL PROPOSALS LEVINSON S
DOPPELGANGER THOUGHT-EXPERIMENTS ARTISTIC, REPRESENTATIONAL, AND
OBJECT-DIRECTED EXPRESSIVE PROPERTIES AESTHETIC AND NON-OBJECT-DIRECTED
EXPRESSIVE PROPERTIES CONCLUSION: THE PLACE OF CONTEXT. DIESES
SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT.
|
| adam_txt |
WORKS OF MUSIC / DODD, JULIAN : 2007 TABLE OF CONTENTS /
INHALTSVERZEICHNIS INTRODUCTION THE TYPE/TOKEN THEORY INTRODUCED
MOTIVATING THE TYPE/TOKEN THEORY : REPEATABILITY NOMINALIST APPROACHES
TO THE ONTOLOGY OF MUSIC MUSICAL ANTI-REALISM THE TYPE/TOKEN THEORY
ELABORATED TYPES I : ABSTRACT, UNSTRUCTURED, UNCHANGING TYPES INTRODUCED
AND NOMINALISM REPELLED TYPES AS ABSTRACTA TYPES AS UNSTRUCTURED
ENTITIES TYPES AS FIXED AND UNCHANGING TYPES II: PLATONISM INTRODUCTION
: ETERNAL EXISTENCE AND TIMELESSNESS TYPES AND PROPERTIES THE ETERNAL
EXISTENCE OF PROPERTIES RECONSIDERED TYPES AND PATTERNS DEFENDING THE
TYPE/TOKEN THEORY I UNSTRUCTUREDNESS AND ANALOGICAL PREDICATION MUSICAL
WORKS AS FIXED AND UNCHANGING ABSTRACTNESS AND AUDIBILITY (AGAIN) WORKS
AND INTERPRETATIONS CONCLUSION AND RESUM'E DEFENDING THE TYPE/TOKEN
THEORY II : MUSICAL PLATONISM PLATONISM IT IS : REPLIES TO ANDERSON AND
LEVINSON THE EXISTENCE CONDITIONS OF WORKS OF MUSIC COMPOSITION AS
CREATIVE DISCOVERY THE NATURE OF THE COMPOSITIONAL PROCESS : REPLIES TO
OBJECTIONS COMPOSITION AND AESTHETIC APPRAISAL : A REPLY TO LEVINSON
COMPOSITION AND AESTHETIC APPRAISAL : UNDERSTANDING INTERPRETATION, AND
CORRECTNESS MUSICAL WORKS AS CONTINUANTS : A THEORY REJECTED A THEORY
INTRODUCED EXPLICATING AND MOTIVATING THE CONTINUANT VIEW THE CONTINUANT
VIEW AND REPEATABILITY FURTHER OBJECTIONS TO THE CONTINUANT VIEW -
MUSICAL WORKS AS COMPOSITIONAL ACTIONS : A CRITIQUE CURRIE'S ACTION-TYPE
HYPOTHESIS DAVIES'S PERFORMANCE THEORY SONICISM I : AGAINST
INSTRUMENTALISM SONICISM INTRODUCED SONICISM MOTIVATED : MODERATE
EMPIRICISM INSTRUMENTATION : TIMBRAL SONICISM INTRODUCED SCORES
INSTRUMENTATION, ARTISTIC PROPERTIES, AND AESTHETIC CONTENT LEVINSON'S
REJOINDER SONICISM II : AGAINST CONTEXTUALISM INTRODUCTION : FORMULATING
CONTEXTUALISM CONTEXTUALIST ONTOLOGICAL PROPOSALS LEVINSON'S
DOPPELGANGER THOUGHT-EXPERIMENTS ARTISTIC, REPRESENTATIONAL, AND
OBJECT-DIRECTED EXPRESSIVE PROPERTIES AESTHETIC AND NON-OBJECT-DIRECTED
EXPRESSIVE PROPERTIES CONCLUSION: THE PLACE OF CONTEXT. DIESES
SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT. |
| any_adam_object | 1 |
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| author | Dodd, Julian |
| author_facet | Dodd, Julian |
| author_role | aut |
| author_sort | Dodd, Julian |
| author_variant | j d jd |
| building | Verbundindex |
| bvnumber | BV022445465 |
| callnumber-first | M - Music |
| callnumber-label | ML3800 |
| callnumber-raw | ML3800 |
| callnumber-search | ML3800 |
| callnumber-sort | ML 43800 |
| callnumber-subject | ML - Literature on Music |
| classification_rvk | LR 56800 |
| ctrlnum | (OCoLC)76064547 (DE-599)BVBBV022445465 |
| dewey-full | 781.1/7 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.1/7 |
| dewey-search | 781.1/7 |
| dewey-sort | 3781.1 17 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| edition | 1. publ. |
| format | Book |
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| illustrated | Not Illustrated |
| index_date | 2024-07-02T17:34:17Z |
| indexdate | 2024-07-09T20:57:45Z |
| institution | BVB |
| isbn | 0199284377 9780199284375 |
| language | English |
| lccn | 2006036280 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-015653443 |
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| physical | XI, 286 S. |
| publishDate | 2007 |
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| publisher | Oxford Univ. Press |
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| spelling | Dodd, Julian Verfasser aut Works of music an essay in ontology Julian Dodd 1. publ. Oxford [u.a.] Oxford Univ. Press 2007 XI, 286 S. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Muziekfilosofie gtt Musik Music Philosophy and aesthetics Musikphilosophie (DE-588)4123809-6 gnd rswk-swf Musikästhetik (DE-588)4040808-5 gnd rswk-swf Musikphilosophie (DE-588)4123809-6 s Musikästhetik (DE-588)4040808-5 s DE-604 http://www.loc.gov/catdir/toc/ecip074/2006036280.html Table of contents only LoC Fremddatenuebernahme application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015653443&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Dodd, Julian Works of music an essay in ontology Muziekfilosofie gtt Musik Music Philosophy and aesthetics Musikphilosophie (DE-588)4123809-6 gnd Musikästhetik (DE-588)4040808-5 gnd |
| subject_GND | (DE-588)4123809-6 (DE-588)4040808-5 |
| title | Works of music an essay in ontology |
| title_auth | Works of music an essay in ontology |
| title_exact_search | Works of music an essay in ontology |
| title_exact_search_txtP | Works of music an essay in ontology |
| title_full | Works of music an essay in ontology Julian Dodd |
| title_fullStr | Works of music an essay in ontology Julian Dodd |
| title_full_unstemmed | Works of music an essay in ontology Julian Dodd |
| title_short | Works of music |
| title_sort | works of music an essay in ontology |
| title_sub | an essay in ontology |
| topic | Muziekfilosofie gtt Musik Music Philosophy and aesthetics Musikphilosophie (DE-588)4123809-6 gnd Musikästhetik (DE-588)4040808-5 gnd |
| topic_facet | Muziekfilosofie Musik Music Philosophy and aesthetics Musikphilosophie Musikästhetik |
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