Twentieth century American drama critical concepts in literary and cultural studies
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Datensatz im Suchindex
_version_ | 1819657371976204288 |
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adam_text | CONTENTS
VOLUME I
1900-1939
Acknowledgements
xvii
Chronological Table of Reprinted Articles and Chapters
xxi
Introduction
1
PARI 1
Critical overviews
5
1
Some new American plays
7
WILLIAM DEAN HOWELLS
2
Some American plays from the feminist viewpoint
14
FLORENCE KIPER
3
The Negro and the American stage
22
V.
li.
В.
Du BOIS
4
The drama of Negro life
24
ALAIN LOCKE
5
A criticism of the Negro drama as it relates to the Negro
dramatist and artist
29
EULALIE SPENCE
6
The American realist playwrights
31
mary
McCarthy
7
Comedy and the comic spirit in America
44
ERIC BENTLEY
CONTENTS
PART
2
Susan Glaspell
53
8
Murder, she wrote : the genesis of Susan Glaspell s Trifles
55
LINDA BEN-ZVI
9
Extract from Susan Glaspell in Context
79
J. ELLEN GAINOR
PART
3
The
1920s 109
10
Voodoo, music, and humor:
Zora Neale
Hurston s antidotes
for the Color Struck
111
MARTHA
GILMAN
BOWER
11
Sensualizing and sanctifying technology: Machinal
(1928) 134
DENNIS G. JERZ
PART
4
Eugene O Neill
161
12
Trying to like O Neill
163
ERIC BHNTLEY
13
Brief Encounter: The Hairy Ape
175
TIMO TIUSANEN
14
Extract from Contour in Time
187
TRAVIS BOGARD
15
Novelization and the drama of consciousness in
Strange Interlude
208
KURT EISEN
16
The banished prince revisited: a feminist reading of
More Stately Mansions
215
LAURIN PORTER
17
The Emperor Jones: naturalistic tragedy in
hemispheric perspective
234
PHILIP J. HANSON
VI
CONTENTS
18 Eugene
O Neill and The Myth of America :
Ephraim
Cabot as the American Adam
248
MARK A. MOSSMAN
PART
5
The
1930s 259
19
The technique of the living newspaper
261
ARTHUR
ARĽNT
20
The shifting pacifism of Robert E. Sherwood
267
R. BAIRD SIIUMAN
21
Psychodrama on Broadway: three plays of psychodrama
by Philip Barry
274
DAVID C. GILD
22
The very high comedy of Philip Barry
291
GERALD WHALES
23
Maxwell Anderson s dramatic theory and Key Largo
295
JEFFREY D. MASON
24
Chaos and cruelty in the theatrical space: Horse Eats Hat,
Hellzapoppin , and the pleasure of farce in depression America
313
MARK FRARNOW
25
From protest to soul
fest: Langston
Hughes Gospel plays
328
josiiPH McLaren
26
Atom and Eve: a consideration of Gertrude Stein s
Doctor Faustus Lights the Lights
346
SARAH BAY-CHENG
PART
6
Lillian Hellman
367
27
Lillian Hellman s Watch on the Rhine: realism, gender,
and historical crisis
369
VIVIAN M. PATRAKA
28
Murdering the lesbian: Lillian Hellman s The Children s Hour
387
MARY TITUS
VH
CONTENTS
VOLUME
II
1940-1959
Acknowledgements
ix
Introduction
1
PART
7
Overview
5
29
American
playwrights and the birth of the atomic age
7
CHARLES A. CARPENTER
PART
8
Arthur Miller
37
30
Tragedy and the common man
39
ARTHUR MILLER
31
The realism of Arthur Miller
43
RAYMOND WILLIAMS
32
Acres of diamonds: Death of a Salesman
53
THOMAS E. PORTER
33
Arthur Miller s Incident at Vichy: a Sartrean
interpretation
76
LAWRENCE D. LOWENTIIAL
34
Arthur Miller s The Crucible: backgrounds and sources
89
ROBERT A. MARTIN
35
Unblessed rage for order: Arthur Miller s
After the Fall
103
STEVEN R.
CENTOLA
36
Rediscovering the witches in Arthur Miller s
The Crucible: a feminist reading
110
WENDY SCHISSEL
37
Informers
123
BRENDA MURPHY
VIU
CONTENTS
38
Issues
of identity in Broken Glass: a humanist response to
a postmodern world
139
SUSAN C. W. ABBOTSON
39
Extract from The Temptation of Innocence in the Dramas
of Arthur Miller
152
TERRY
OTTĽN
40
Extract from Arthur Miller: A Critical Study
163
CHRISTOPHER BIGSBY
PART
9
Tennessee Williams
181
41
The synthetic myth
183
ESTHER MERI.E JACKSON
42
The distorted mirror: Tennessee Williams
self-portraits
203
NANCY M.
TISCHLER
43
Realism and theatricalism in A Streetcar Named
Desire
214
MARY ANN
CORRIGAN
44
When ghosts supplant memories: Tennessee Williams
Clothes for a Summer Hotel
226
THOMAS P.
ADLER
45
Sleeping with Caliban: the politics of race in
Tennessee Williams s Kingdom of Earth
240
PHILIP C. KOLIN
46
The pleasures of brick: Eros and the gay spectator in
Cat on a Hot Tin Roof
258
ROBRRT F. «ROSS
47
Williams: masculinity and homophobia
271
JOHN M. CLUM
48
The inexpressible regret of all her regrets : Tennessee
Williams s later plays as Artaudian theater of cruelty
289
ANNETTE J. SADDIK
49
Extract from A true story of our time
310
MICHAEL
PALLÉR
IX
CONTENTS
PART
10
Selected playwrights
333
50
Social and cultural prophecy in the works of William Inge
335
JANE
COURANT
51
Sounding the rumble of dreams deferred:
Lorraine Hansberry s A Raisin in the Sun
353
HELENE KEYSSAR
52
Nobody knows best: Carson McCullers s plays as
social criticism
385
BROOKE
HORVÁTH
AND LISA LOGAN
VOLUME III
1960-1979
Acknowledgements
ix
Introduction
1
PART
11
Issues
5
53
Which theatre is the absurd one?
7
EDWARD Al.BEE
54
Homosexual drama and its disguises
13
STANLEY KAUFFMANN
55
The Black Arts Movement
Π
LARRY NEAL
56
Redefining Black theatre
31
MARGARET B. WILKERSON
57
Realism, narrative, and the feminist playwright:
a problem of reception
45
JEAN1E FORTE
58
American drama, feminist discourse, and dramatic form:
in defense of critical pluralism
58
PATRICIA R. SCHROEDER
CONTENTS
PART
12
Edward Albee
73
59
Who s afraid of Edward Albee?
75
RICHARD SCHECHNER
60
Why so afraid?
79
ALAN SCHNEIDER
61
The verbal murders of Edward Albee
82
RUBY COIIN
62
Albee s Seascape: humanity at the second threshold
98
THOMAS P.
ADLER
63
Thematic unity in the theater of Edward Albee
106
MATTHEW C. ROUDANl i
64
Edward Albee s A Delicate Balance: a rite of passage from
sterility to tranquility
112
GENE A. PLUNKA
65
Staging hypereloquence: Edward Albee and
the
monologic
voice
121
DEBORAH R.
GEIS
66
Albee s substitute children: reading adoption as
a performative
129
JILL R. DEANS
PARI 13
The
1960s 151
67
Performance theatre: Dionysus in
69
and The Serpent
153
FOSTER
HIRSCH
68
Bullins,
Baraka,
and Elder: the dawn of grandeur in
Black drama
165
LANCE JEFFERS
69
The corrupted warrior heroes:
Amiri
Baraka s
The Toilet
178
ROBERT L.
TENER
70
Theater of Black reality: The Blues drama of Ed
Bullins
187
W.
D.
Ii.
ANDREWS
Xl
CONTENTS
71
Extract
from The Experimental Theatre
198
J. W.
FENN
PART
14
Maria Irene
Fornes
205
72
Wordscapes
of the body: performative language as
Gestus in Maria Irene Fornes s plays
207
DEBORAH R.
GEIS
73
Fefu and her friends
225
DIANE LYNN MOROFF
PART
15
The
1970s 251
74
Search and destroy: the drama of the Vietnam war
253
TOBY
SILVERMAN
ZINMAN
75
Rethinking identification: Kennedy, Freud,
Brecht 277
ELIN
DIAMOND
76
Ntozake Shange: the vengeance of difference, or
the gender of black cultural identity
292
TEJUMOLA OLANIYAN
77
David
Rabe:
men under fire
319
CARLA
J. McDONOUGH
78
The comic vision of Lanford Wilson
354
MARTIN J. JACOBI
79
The Black comedy of urban neurosis: John Guare s
The House of Blue Leaves
369
GENE A. PLUNKA
80
Extract from Popular Culture Icons in Contemporary
American Drama: Arthur Kopit s Indians
383
KONSTANTINOS
BLATANIS
XII
CONTIÌNTS
VOLUME
IV
1980-2000
Acknowledgements
ix
Introduction
1
PART
16
Issues of ethnicity
5
81
Staging America: the subject of history in Chicano/a theatre
7
W. B. WORTHEN
82
Teatro
Chicano
and the seduction of nostalgia
32
CATHERINE WILEY
83
Marisol,
angels, and apocalyptic migrations
48
JON D. ROSSINI
84
David Henry Hwang s M. Butterfly and Philip Kan Gotanda s
Yankee Dawg You Die: repositioning Chinese American
marginality on the American stage
61
JAMBS S.
ΜΟΥ
PARI
17
Sam Shepard
71
85
Mythic levels in Shepard s True West
73
TUCKER ORBISON
86
Sam Shepard s pornographic visions
88
LYNDA HART
87
Sam Shepard
101
MARC ROBINSON
PART
18
David Mamet
131
88
The politics of gender, language and hierarchy in
Mamet s
Oleanna 133
CHRISTINE MACLEOD
ХШ
CONTENTS
89
Glengarry Glen Ross, David Mamet
147
ROBERT VORLICKY
90
Decoding cipher space: David Mamet s The Cryptogram
and America s dramatic legacy
178
JANIÌT
V. HAEDICKE
PART
19
August Wilson
191
91
Fences: the sins of the father
... 193
KIM
PIÌREIRA
92
Ma Rainey s Black Bottom: singing Wilson s Blues
209
HARRY J. ELAM, JR
93
A transplant that did not take: August Wilson s views on
the Great Migration
225
SANDRA G. SHANNON
PART
20
Marsha Norman
235
94
Feminism and the canon: the question of universality
237
JILL DOLAN
95
Jessie and Thelma revisited: Marsha Norman s conceptual
challenge in night Mother
261
WILLIAM W. DEMASTES
PAR!4
21
Tony Kushncr
273
96
Ambivalence,
utopia,
and a queer sort of materialism:
how Angels in America reconstructs the nation
275
DAVID SAVRAN
97
Angels, monsters, and Jews: intersections of queer and
Jewish identity in Kushner s Angels in America
300
JONATHAN FREEDMAN
XIV
CONTIÌNTS
PART
22
Selected playwrights
319
98
Feminism, postmodernism, and The Heidi Chronicles
321
BETTli
MANDL
99
Any baggage you don t claim, we trash: living with(in) history
in Wolfe s The Colored Museum
329
MARC SILVERSTEIN
100
The Dining Room: A Tocqueviliian take on the decline of
WASP culture
347
BRUCE A. McCONACHIE
101
The sexual world of Paula
Vogel
358
ROBERT M. POST
102
The instability of meaning in Suzan-Lori Parks s
The America Play
369
HAIKE FRANK
103
John
Guare
382
ROBERT J.
ANDREÁCH
Index
404
XV
|
any_adam_object | 1 |
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dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 812 - American drama in English |
dewey-raw | 812.509 |
dewey-search | 812.509 |
dewey-sort | 3812.509 |
dewey-tens | 810 - American literature in English |
discipline | Anglistik / Amerikanistik |
era | Geschichte 1900-2000 Geschichte 1900-2000 gnd |
era_facet | Geschichte 1900-2000 |
format | Book |
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id | DE-604.BV022198369 |
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language | English |
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spellingShingle | Twentieth century American drama critical concepts in literary and cultural studies American drama 20th century History and criticism Drama (DE-588)4012899-4 gnd Theater (DE-588)4059702-7 gnd |
subject_GND | (DE-588)4012899-4 (DE-588)4059702-7 (DE-588)4078704-7 (DE-588)4143413-4 |
title | Twentieth century American drama critical concepts in literary and cultural studies |
title_auth | Twentieth century American drama critical concepts in literary and cultural studies |
title_exact_search | Twentieth century American drama critical concepts in literary and cultural studies |
title_full | Twentieth century American drama critical concepts in literary and cultural studies ed. by Brenda Murphy ... |
title_fullStr | Twentieth century American drama critical concepts in literary and cultural studies ed. by Brenda Murphy ... |
title_full_unstemmed | Twentieth century American drama critical concepts in literary and cultural studies ed. by Brenda Murphy ... |
title_short | Twentieth century American drama |
title_sort | twentieth century american drama critical concepts in literary and cultural studies |
title_sub | critical concepts in literary and cultural studies |
topic | American drama 20th century History and criticism Drama (DE-588)4012899-4 gnd Theater (DE-588)4059702-7 gnd |
topic_facet | American drama 20th century History and criticism Drama Theater USA Aufsatzsammlung |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015409842&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
work_keys_str_mv | AT murphybrenda twentiethcenturyamericandramacriticalconceptsinliteraryandculturalstudies |