The fundamentals of animation

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1. Verfasser: Wells, Paul 1961- (VerfasserIn)
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Veröffentlicht: Lausanne AVA Publ. 2006
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Datensatz im Suchindex

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adam_text CONTENTS INTRODUCTION 006_ ANIMATION AND POPULAR CULTURE 010_ WHY ANIMATION? KEY PRINCIPLES AND PROCESSES 012_ INTRODUCTION 014_ CONCEPT 018_ RESEARCH 024_ PREPARATION 026_ NARRATIVE DRAWING 028_ TECHNIQUE AND APPROACH 033_ STORY AND DESIGN 034_ DESIGN AS CONCEPT 036_ STORYBOARDS AND NARRATIVE 038_ STORYBOARDS AND COMPOSITION 043_ CHARACTER AND MOVEMENT 046_ CHARACTER DEVELOPMENT 050_ LAYOUT AND THINKING CINEMATICALLY 056_ SOUND 064_ TECHNIQUE 070 _ THE ANIMATOR AS INTERPRETER 070 _ SCRIPT AND SCENARIO 076 _ ANIMATED GAGS AND COMIC EVENTS 078 _ THE ANIMATOR AS PERFORMER 080_ THE ANIMATOR AS EDITOR 082_THE ANIMATOR AS DIRECTOR APPLICATIONS AND OUTCOMES 086_ INTRODUCTION 088_ DRAWN AND CEL ANIMATION 088_ A BRIEF HISTORY 092_ WALK CYCLES 098_ DRAWING AND AESTHETIC TRADITION 1 00_ 3D STOP-MOTION ANIMATION 1 00_ A BRIEF HISTORY 104_ SOUND AND STOP-MOTION ANIMATION 106_ STOP-MOTION ANIMATION AND SATIRE 110_ A FIRST EXPERIENCE 114_ ANIMATION FOR CHILDREN 117_ CLAY ANIMATION 122_ DIGITAL ANIMATION 1 22 A BRIEF HISTORY 125_ COMPUTER-GENERATED ANIMATION 126_ CGI INDEPENDENT STUDIO WORK 130_ A SUPERIOR EXAMPLE OF CGI 132_ DIGITAL EFFECTS AND 3D ANIMATION 134_ ROTOSCOPE AND MOTION CAPTURE 136_ COMBINING LIVE ACTION AND ANIMATION USING MOTION CAPTURE FOR CGI 140_ THE MERITS OF FLASH 142_ ENHANCING FLASH TECHNIQUES 146_ ALTERNATIVE METHODS 146_ A BRIEF HISTORY 148_ FINE ART PRACTICES 152_ A PHILOSOPHICAL APPROACH 158_ ANIMATED DOCUMENTARY CONTEXTS 160 INTRODUCTION 162_ POST-PRODUCTION 162_ SPECIAL EFFECTS 165_ SOUND IN POST-PRODUCTION 166 CRITICAL EVALUATION 168_ PORTFOLIO 170 _ SHOW REEL 171_CV/RESUME 174 _ COLLABORATION 176 _ WORKING AS AN INDEPENDENT 178 _ THE PITFALLS 180_ POSTGRADUATE OPPORTUNITIES 182_ MAKING AN INDEPENDENT FILM 184_ SCREENING OPPORTUNTIES 184_ MARKETS 185_ FESTIVALS 187 .CONTEXTS APPENDIX 192_ BIBLIOGRAPHY AND WEBOGRAPHY 194_ INDEX 196_ CREDITS AND ACKNOWLEDGEMENTS CONTENTS
adam_txt CONTENTS INTRODUCTION 006_ ANIMATION AND POPULAR CULTURE 010_ WHY ANIMATION? KEY PRINCIPLES AND PROCESSES 012_ INTRODUCTION 014_ CONCEPT 018_ RESEARCH 024_ PREPARATION 026_ NARRATIVE DRAWING 028_ TECHNIQUE AND APPROACH 033_ STORY AND DESIGN 034_ DESIGN AS CONCEPT 036_ STORYBOARDS AND NARRATIVE 038_ STORYBOARDS AND COMPOSITION 043_ CHARACTER AND MOVEMENT 046_ CHARACTER DEVELOPMENT 050_ LAYOUT AND THINKING CINEMATICALLY 056_ SOUND 064_ TECHNIQUE 070 _ THE ANIMATOR AS INTERPRETER 070 _ SCRIPT AND SCENARIO 076 _ ANIMATED GAGS AND COMIC EVENTS 078 _ THE ANIMATOR AS PERFORMER 080_ THE ANIMATOR AS EDITOR 082_THE ANIMATOR AS DIRECTOR APPLICATIONS AND OUTCOMES 086_ INTRODUCTION 088_ DRAWN AND CEL ANIMATION 088_ A BRIEF HISTORY 092_ WALK CYCLES 098_ DRAWING AND AESTHETIC TRADITION 1 00_ 3D STOP-MOTION ANIMATION 1 00_ A BRIEF HISTORY 104_ SOUND AND STOP-MOTION ANIMATION 106_ STOP-MOTION ANIMATION AND SATIRE 110_ A FIRST EXPERIENCE 114_ ANIMATION FOR CHILDREN 117_ CLAY ANIMATION 122_ DIGITAL ANIMATION 1 22 A BRIEF HISTORY 125_ COMPUTER-GENERATED ANIMATION 126_ CGI INDEPENDENT STUDIO WORK 130_ A SUPERIOR EXAMPLE OF CGI 132_ DIGITAL EFFECTS AND 3D ANIMATION 134_ ROTOSCOPE AND MOTION CAPTURE 136_ COMBINING LIVE ACTION AND ANIMATION USING MOTION CAPTURE FOR CGI 140_ THE MERITS OF FLASH 142_ ENHANCING FLASH TECHNIQUES 146_ ALTERNATIVE METHODS 146_ A BRIEF HISTORY 148_ FINE ART PRACTICES 152_ A PHILOSOPHICAL APPROACH 158_ ANIMATED DOCUMENTARY CONTEXTS 160 INTRODUCTION 162_ POST-PRODUCTION 162_ SPECIAL EFFECTS 165_ SOUND IN POST-PRODUCTION 166 CRITICAL EVALUATION 168_ PORTFOLIO 170 _ SHOW REEL 171_CV/RESUME 174 _ COLLABORATION 176 _ WORKING AS AN INDEPENDENT 178 _ THE PITFALLS 180_ POSTGRADUATE OPPORTUNITIES 182_ MAKING AN INDEPENDENT FILM 184_ SCREENING OPPORTUNTIES 184_ MARKETS 185_ FESTIVALS 187 .CONTEXTS APPENDIX 192_ BIBLIOGRAPHY AND WEBOGRAPHY 194_ INDEX 196_ CREDITS AND ACKNOWLEDGEMENTS CONTENTS
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spelling Wells, Paul 1961- Verfasser (DE-588)137207352 aut
The fundamentals of animation Paul Wells
Lausanne AVA Publ. 2006
196 S. zahlr. Ill.
txt rdacontent
n rdamedia
nc rdacarrier
Computeranimation (DE-588)4199710-4 gnd rswk-swf
Computeranimation (DE-588)4199710-4 s
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spellingShingle Wells, Paul 1961-
The fundamentals of animation
Computeranimation (DE-588)4199710-4 gnd
subject_GND (DE-588)4199710-4
title The fundamentals of animation
title_auth The fundamentals of animation
title_exact_search The fundamentals of animation
title_exact_search_txtP ˜Theœ fundamentals of animation
title_full The fundamentals of animation Paul Wells
title_fullStr The fundamentals of animation Paul Wells
title_full_unstemmed The fundamentals of animation Paul Wells
title_short The fundamentals of animation
title_sort the fundamentals of animation
topic Computeranimation (DE-588)4199710-4 gnd
topic_facet Computeranimation
url http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014928055&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
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