American cinema of the 1940s themes and variations

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Format: Buch
Sprache:English
Veröffentlicht: Oxford Berg 2006
Ausgabe:1. publ. outside North and South America and the Philippines
Schriftenreihe:Screen decades
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Datensatz im Suchindex

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adam_text CONTENTS Acknowledgments ¡x TimelinerThe 1940s x¡ Introduction: Movies and the 1940s ι WHEELER WINSTON DIXON 1940 Movies and the Reassessment of America 22 MATTHEW BERNSTEIN 1941 Movies on the Edge of War 48 SARAH KOZLOFF 1 942 Movies and the March to War 74 STEVEN JAY SCHNEIDER 1 943 Movies and National Identity 94 CATHERINE L. PRESTON 1944 Movies and the Renegotiation of Genre 117 NICHOLAS SPENCER 1945 Movies and the March Home 140 KRISTINE BUTLER KARLSON 1 946 Movies and Postwar Recovery 1 62 WHEELER WINSTON DIXON 1 947 Movies and the Enemy Within 1 82 TONY WILLIAMS 1 948 Movies and the Family 200 JOANNA RAPF 1 949 Movies and the Fate of Genre 222 MARCIA LANDY Select Academy Awards, 1940-1949 245 Works Cited and Consulted 25 1 Contributors 26 1 Index 263 he 1940s was a watershed decade for American cinema and the nation. Shaking off the grim legacy of the Depression, Hollywood launched an unprecedented wave of production, generating some of its most memorable classics, including Citizen Kane, Rebecca, The Lady Eve, Sergeant York, and How Green Was My Valley In 1942, Hollywood joined the national war effort with a vengeance, creating a series of patriotic and escapist films, such as Casablanca, Mrs. Miniver, The Road to Morocco, and Yankee Doodle Dandy. With the end of the war, returning GIs faced a new America, in which the country had been transformed overnight. Film noir reflected a new public mood of pessimism and paranoia, in such classic films of betrayal and conflict as Kiss of Death, Force of Evil, Caught, and Apology for Murder, depicting a poisonous universe of femme fatales, crooked lawyers, and corrupt politicians. With the threat of the atom bomb lurking in the background and the beginnings of the Hollywood Blacklist, the 1940s was a decade of crisis and change. Featuring essays by a group of respected film scholars and historians, American Cinema of the 1940s brings this dynamic and turbulent decade to life. Illustrated with many rare stills and filled with provocative insights, the volume will appeal to students, teachers, and to all those interested in cultural history and American film of the twentieth century. Wheeler Winston Dixon is the James Ryan Endowed Professor of Film Studies at the University of Nebraska, Lincoln, and editor of the Quarterly Review of Film and Video.
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spellingShingle American cinema of the 1940s themes and variations
Filmkunst gtt
Sociale aspecten gtt
Film
Geschichte
Gesellschaft
Motion pictures Social aspects United States
Motion pictures United States History
Film (DE-588)4017102-4 gnd
subject_GND (DE-588)4017102-4
(DE-588)4078704-7
title American cinema of the 1940s themes and variations
title_alt American cinema of the nineteen forties
title_auth American cinema of the 1940s themes and variations
title_exact_search American cinema of the 1940s themes and variations
title_full American cinema of the 1940s themes and variations ed. by Wheeler Winston Dixon
title_fullStr American cinema of the 1940s themes and variations ed. by Wheeler Winston Dixon
title_full_unstemmed American cinema of the 1940s themes and variations ed. by Wheeler Winston Dixon
title_short American cinema of the 1940s
title_sort american cinema of the 1940s themes and variations
title_sub themes and variations
topic Filmkunst gtt
Sociale aspecten gtt
Film
Geschichte
Gesellschaft
Motion pictures Social aspects United States
Motion pictures United States History
Film (DE-588)4017102-4 gnd
topic_facet Filmkunst
Sociale aspecten
Film
Geschichte
Gesellschaft
Motion pictures Social aspects United States
Motion pictures United States History
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