Tuning, timbre, spectrum, scale
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London [u.a.]
Springer
2005
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| Ausgabe: | 2. ed. |
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| Online-Zugang: | Inhaltsverzeichnis |
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| 100 | 1 | |a Sethares, William A. |d 1955- |e Verfasser |0 (DE-588)115370781 |4 aut | |
| 245 | 1 | 0 | |a Tuning, timbre, spectrum, scale |c William A. Sethares |
| 250 | |a 2. ed. | ||
| 264 | 1 | |a London [u.a.] |b Springer |c 2005 | |
| 300 | |a XVIII, 426 S. |b Ill., graph. Darst. |c 24 cm. |e 1 CD-ROM ; 12 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Includes bibliographical references (p. [381]-397) and index | ||
| 650 | 4 | |a Accordage | |
| 650 | 4 | |a Acoustique | |
| 650 | 7 | |a Acústica musical |2 larpcal | |
| 650 | 7 | |a Escala musical |2 larpcal | |
| 650 | 7 | |a Intervalo (música) |2 larpcal | |
| 650 | 4 | |a Musique - Acoustique et physique | |
| 650 | 4 | |a Musique - Intervalles et gammes | |
| 650 | 4 | |a Psychoacoustique | |
| 650 | 7 | |a Som (música) |2 larpcal | |
| 650 | 4 | |a Timbre | |
| 650 | 4 | |a Musik | |
| 650 | 4 | |a Music |x Acoustics and physics | |
| 650 | 4 | |a Musical intervals and scales | |
| 650 | 4 | |a Psychoacoustics | |
| 650 | 4 | |a Sound | |
| 650 | 4 | |a Tone color (Music) | |
| 650 | 4 | |a Tuning | |
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Datensatz im Suchindex
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|---|---|
| DE-BY-TUM_katkey | 1691798 |
| DE-BY-TUM_location | 02 |
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| _version_ | 1820896560951590912 |
| adam_text | CONTENTS PRELUDE V ACKNOWLEDGMENTS IX VARIABLES, ABBREVIATIONS,
DEFINITIONS XVII 1 THE OCTAVE IS DEAD . . . LONG LIVE THE OCTAVE 1
INTRODUCING A DISSONANT OCTAVE * ALMOST ANY INTERVAL CAN BE MADE CON-
SONANT OR DISSONANT BY PROPER CHOICE OF TIRNBRE. 1.1 A CHALLENGE 1 1.2 A
DISSONANCE METER 4 1.3 NEW PERSPECTIVES 5 1.4 OVERVIEW 8 2 THE SCIENCE
OF SOUND 11 WHAT IS SOUND MADE OF? HOW DOES THE FREQUENCY OF A SOUND
RELATE TO ITS PITCH? HOW DOES THE SPECTRUM OF A SOUND RELATE TO ITS
TIMBRE? HOW DO WE KNOW THESE THINGS? 2.1 WHAT IS SOUND? 11 2.2 WHAT IS A
SPECTRUM? 13 2.3 WHAT IS TIMBRE? 27 2.4 FREQUENCY AND PITCH 32 2.5
SUMMARY 37 2.6 FOR FURTHER INVESTIGATION 38 3 SOUND ON SOUND 39 PAIRS OF
SINE WAVES INTERACT TO PRODUCE INTERFERENCE, BEATING, ROUGH- NESS, AND
THE SIMPLEST SETTING IN WHICH (SENSORY) DISSONANCE OCCURS. XII CONTENTS
3.1 PAIRS OF SINE WAVES 39 3.2 INTERFERENCE 39 3.3 BEATS 40 3.4 CRITICAL
BAND AND JND 43 3.5 SENSORY DISSONANCE 45 3.6 COUNTING BEATS 48 3.7 EAR
VS. BRAIN 49 4 MUSICAL SCALES 5 1 MANY SCALES HAUE BEE.N USED THROUGHOUT
THE CENTURIES. 4.1 WHY USE SCALES? 51 4.2 PYTHAGORAS AND THE SPIRAL OF
FIFTHS 52 4.3 EQUAL TEMPERAMENTS 56 4.4 JUST INTONATIONS 60 4.5 PARTCH
64 4.6 MEANTONC AND WELL TEMPERAMENTS 65 4.7 SPECTRAL SCALES 66 4.8 REAL
TUNINGS 70 4.9 GAMELAN TUNINGS 73 4.10 MY TUNING IS BETTER THAN YOURS 73
4.11 A BETTER SCALE? 74 5 CONSONANCE AND DISSONANCE OF HARMONIE SOUNDS
77 THE WORDS CONSONANCE AND DISSONANCE HAUE HAD MANY MEANINGS. THIS
BOOK FOCUSES PRIMARILY ON SENSORY CONSONANCE AND DISSONANCE. 5.1 A BRIEF
HISTORY 77 5.2 EXPLANATIONS OF CONSONANCE AND DISSONANCE 81 5.3 HARMONIE
DISSONANCE CURVES 86 5.4 A SIMPLE EXPERIMENT 94 5.5 SUMMARY 95 5.6 FOR
FURTHER INVESTIGATION 95 6 RELATED SPECTRA AND SCALES 97 THE
RELATIONSHIP BETWEEN SPECTRA AND TUNINGS IS MADE PRECISE USING
DISSONANCE CURVES. 6.1 DISSONANCE CURVES AND SPECTRUM 97 6.2 DRAWING
DISSONANCE CURVES 99 6.3 A CONSONANT TRITONE 101 6.4 PAST EXPLORATIONS
104 6.5 FOUND SOUNDS 113 6.6 PROPERTICS OF DISSONANCE CURVES 120
CONTENTS XIII 6.7 DISSONANCE CURVCS FOR MULTIPLE SPECTRA 125 6.8
DISSONANCE SURFACES 127 6.9 SUMMARY 130 7 A BELL, A ROCK, A CRYSTAL
131 THREE CONCRETE EXAMPLES DERNONSTRATE THE USEFULNESS OF RELATED
SCALES AND SPECTRA IN MUSICAL EOMPOSITION. 7.1 TINGSHAW: A SIMPLE BELL
131 7.2 CHACO CANYON ROCK 139 7.3 SOUNDS OF CRYSTALS 145 7.4 SUMMARY 153
8 ADAPTIVE TUNINGS 155 ADAPTIVE TUNINGS MODIFY THE PITEHES OF NOTES AS
THE MUSIC EVOLVES IN RESPONSE TO THE INTERVALS PLAYED AND THE SPECTRA OF
THE SOUNDS EMPLOYED. 8.1 FIXED VS. VARIABLE SCALES 155 8.2 THE HERMODE
TUNING 157 8.3 SPRING TUNING 159 8.4 CONSONANCE-BASCD ADAPTATION 162 8.5
BEHAVIOR OF THE ALGORITHM 164 8.6 THE SOUND OF ADAPTIVE TUNINGS 172 8.7
SUMMARY 177 9 A WING, AN ANOMALY, A RECOLLECTION 179 ADAPTATION: TOOLS
FOR RETUNING, TECHNIQUES FOR EOMPOSITION, STRATEGIES FOR LISTENING. 9.1
PRACTICAL ADAPTIVE TUNINGS 179 9.2 A REAL-TIME IMPLEMENTATION IN MAX 180
9.3 THE SIMPLINED ALGORITHM 182 9.4 CONTEXT, PERSISTENCE, AND MEMORY 184
9.5 EXAMPLES 185 9.6 COMPOSITIONAL TECHNIQUES AND ADAPTATION 189 9.7
TOWARD AN AESTHETIC OF ADAPTATION 194 9.8 IMPLEMENTATIONS AND VARIATIONS
196 9.9 SUMMARY 198 10 THE GAMELAN 199 IN THE SAME WAY THAT WESTERN
HARMONIC INSTRUMENTS ARE RELATED TO WESTERN SCALES, SO THE INHARMONIC
SPECTRURN OF GAMELAN INSTRUMENTS ARE RELATED TO THE GAMELAN SCALES. XIV
CONTENTS 10.1 A LIVING TRADITION 199 10.2 AN UNWITTING ETHNOMUSICOLOGIST
201 10.3 THE INSTRUMENTS 202 10.4 TUNING THE GAMELAN 211 10.5 SPECTRUM
AND TUNING 216 10.6 SUMMARY 220 11 CONSONANCE-BASED MUSICAL ANALYSIS 221
THE DISSONANCE SCORE DEMONSTRATES HOW SENSORY CONSONANCE AND DIS-
SONANCE CHANGE OVER THE COURSE OF A MUSICAL PERFORMANCE. WHAT CAN BE
SAID ABOUT TUNINGS USED BY DOMENICO SCARLATTI USING ONLY THE EXTANT
SONATAS ? 11.1 A DISSONANCE SCORE 221 11.2 RECONSTRUCTION OF
HISTORICAL TUNINGS 232 11.3 WHAT S WRONG WITH THIS PICTURE? 242 12 FROM
TUNING TO SPECTRUM 245 HOW TO FIND RELATED SPECTRA GIVEN A DESIRED
SCALE. 12.1 LOOKING FOR SPECTRA 245 12.2 SPECTRUM SELECTION AS AN
OPTIMIZATION PROBLEM 245 12.3 SPECTRA FOR EQUAL TEMPERAMENTS 247 12.4
SOLVING THE OPTIMIZATION PROBLEM 251 12.5 SPECTRA FOR TCTRACHORDS 254
12.6 SUMMARY 266 13 SPECTRAL MAPPINGS 267 HOW TO RELOCATE THE PARTIALS
OF A SOUND FOR COMPATIBILITY WITH A GIVEN SPECTRUM, WHILE PRESERVING THE
RICHNESS AND CHARACTER OF THE SOUND. 13.1 THE GOAL: LIFE-LIKE INHARMONIC
SOUNDS 267 13.2 MAPPINGS BETWEEN SPECTRA 269 13.3 EXAMPLES 277 13.4
DISCUSSION 284 13.5 SUMMARY 289 14 A MUSIC THEORY FOR 10-TET 291 EACH
RELATED SPECTRUM AND SCALE HAS ITS OWN MUSIC THEORY. 14.1 WHAT IS
10-TET? 291 14.2 10-TET KEYBOARD 292 14.3 SPECTRA FOR 10-TET 293 14.4
10-TET CHORDS 294 CONTENTS XV 14.5 10-TET SCALCS 300 14.6 A PROGRESSION
300 14.7 SUMMARY 301 CLASSICAL MUSIC OF THAILAND AND 7-TET 303
SEVEN-TONE EQUAL TEMPERAMENT AND THE RELATIONSHIP BETWEEN SPECTRUM AND
SCALE IN THAI CLASSICAL MUSIC. 15.1 INTRODUCTION TO THAI CLASSICAL MUSIC
303 15.2 TUNING OF THAI INSTRUMENTS 304 15.3 TIMBRE OF THAI INSTRUMENTS
305 15.4 EXPLORING 7-TET 310 15.5 SUMMARY 316 SPECULATION, CORRELATION,
INTERPRETATION, CONCLUSION 317 16.1 THE ZEN OF XENTONALITY 317 16.2
COEVOLUTION OF TUNINGS AND INSTRUMENTS 318 16.3 TO BOLDLY LISTEN 320
16.4 NEW MUSICAL INSTRUMENTS? 322 16.5 SILENCE HATH NO BEATS 324 16.6
CODA 324 APPENDICES 327 A. MATHEMATICS OF BEATS: WHERE BEATS COME FRORN
329 B. RATIOS MAKE CENTS: CONVERT FRORN RATIOS TO CENTS AND BACK AGAIN
331 C. SPEAKING OF SPECTRA: HOW TO USE AND INTERPRET THE FFT ... . 333
D. ADDITIVE SYNTHESIS: GENERATING SOUND DIRECTLY FRORN THE SINE WAVE
REPRESENTATION: A SIMPLE COMPUTER PROGRAM, 343 E. HOW TO DRAW DISSONANCE
CURVES: DETAILED DERIVATION OF THE DISSONANCE MODEL, AND COMPUTER
PROGRAMS TO CARRY OUT THE CALCULATIONS 345 F. PROPERTIES OF DISSONANCE
CURVES: GENERAL PROPERTIES HELP GIVE AN INTUITIVE FEEL FOR DISSONANCE
CURVES 349 G. ANALYSIS OF THE TIME DOMAIN MODEL: WHY THE SIMPLE TIME
DOM,AIN MODEL FAITHFULLY REPLICATES THE FREQUENCY DOMAIN MODEL 355 H.
BEHAVIOR OF ADAPTIVE TUNINGS: MATHEMATICAL ANALYSIS OF THE ADAPTIVE
TUNINGS ALGORITHM 361 I. SYMBOLIC PROPERTIES OF -TABLES: DETAILS OF THE
SPECTRUM SELECTION ALGORITHM 365 J. HARMONIE ENTROPY: A MEASURE OF
HARMONICITY 371 K. FOURIER S SONG: PROPERTIES OF THE FOURIER TRANSFORM
375 L. TABLES OF SCALES: MISCELLANEOUS TUNINGS AND TABLES 377 XVI
CONTENTS B: BIBLIOGRAPHY 381 D: DISCOGRAPHY 395 S: SOUND EXAMPLES ON THE
CD-ROM 399 V: VIDEO EXAMPLES ON THE CD-ROM 411 W: WORLD WIDE WEB AND
INTERNET REFERENCES 413 INDEX 417
|
| any_adam_object | 1 |
| author | Sethares, William A. 1955- |
| author_GND | (DE-588)115370781 |
| author_facet | Sethares, William A. 1955- |
| author_role | aut |
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| author_variant | w a s wa was |
| building | Verbundindex |
| bvnumber | BV020006262 |
| callnumber-first | Q - Science |
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| callnumber-raw | QC225.7 |
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| callnumber-subject | QC - Physics |
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| classification_tum | PHY 295f |
| ctrlnum | (OCoLC)55502420 (DE-599)BVBBV020006262 |
| dewey-full | 534 |
| dewey-hundreds | 500 - Natural sciences and mathematics |
| dewey-ones | 534 - Sound and related vibrations |
| dewey-raw | 534 |
| dewey-search | 534 |
| dewey-sort | 3534 |
| dewey-tens | 530 - Physics |
| discipline | Physik Musikwissenschaft |
| edition | 2. ed. |
| format | Book |
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| id | DE-604.BV020006262 |
| illustrated | Illustrated |
| indexdate | 2024-12-23T18:21:04Z |
| institution | BVB |
| isbn | 1852337974 9781852337971 |
| language | English |
| lccn | 2004049190 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-013327921 |
| oclc_num | 55502420 |
| open_access_boolean | |
| owner | DE-29T DE-898 DE-BY-UBR DE-1102 DE-91G DE-BY-TUM DE-11 |
| owner_facet | DE-29T DE-898 DE-BY-UBR DE-1102 DE-91G DE-BY-TUM DE-11 |
| physical | XVIII, 426 S. Ill., graph. Darst. 24 cm. 1 CD-ROM ; 12 cm |
| publishDate | 2005 |
| publishDateSearch | 2005 |
| publishDateSort | 2005 |
| publisher | Springer |
| record_format | marc |
| spellingShingle | Sethares, William A. 1955- Tuning, timbre, spectrum, scale Accordage Acoustique Acústica musical larpcal Escala musical larpcal Intervalo (música) larpcal Musique - Acoustique et physique Musique - Intervalles et gammes Psychoacoustique Som (música) larpcal Timbre Musik Music Acoustics and physics Musical intervals and scales Psychoacoustics Sound Tone color (Music) Tuning Musik (DE-588)4040802-4 gnd Frequenzanalyse (DE-588)4155397-4 gnd |
| subject_GND | (DE-588)4040802-4 (DE-588)4155397-4 |
| title | Tuning, timbre, spectrum, scale |
| title_auth | Tuning, timbre, spectrum, scale |
| title_exact_search | Tuning, timbre, spectrum, scale |
| title_full | Tuning, timbre, spectrum, scale William A. Sethares |
| title_fullStr | Tuning, timbre, spectrum, scale William A. Sethares |
| title_full_unstemmed | Tuning, timbre, spectrum, scale William A. Sethares |
| title_short | Tuning, timbre, spectrum, scale |
| title_sort | tuning timbre spectrum scale |
| topic | Accordage Acoustique Acústica musical larpcal Escala musical larpcal Intervalo (música) larpcal Musique - Acoustique et physique Musique - Intervalles et gammes Psychoacoustique Som (música) larpcal Timbre Musik Music Acoustics and physics Musical intervals and scales Psychoacoustics Sound Tone color (Music) Tuning Musik (DE-588)4040802-4 gnd Frequenzanalyse (DE-588)4155397-4 gnd |
| topic_facet | Accordage Acoustique Acústica musical Escala musical Intervalo (música) Musique - Acoustique et physique Musique - Intervalles et gammes Psychoacoustique Som (música) Timbre Musik Music Acoustics and physics Musical intervals and scales Psychoacoustics Sound Tone color (Music) Tuning Frequenzanalyse |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=013327921&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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