Shades of black assembling black arts in 1980s Britain
A history of the last twenty years of Black arts in Britain, focusing on the eighties when, in the midst of social unrest in many cities with large ethnic populations, the Black arts scene exploded into life.
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| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Durham [u.a.]
Duke Univ. Press
2005
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| Schlagworte: | |
| Online-Zugang: | Table of contents Inhaltsverzeichnis Klappentext |
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| 245 | 1 | 0 | |a Shades of black |b assembling black arts in 1980s Britain |c David A. Bailey, Ian Baucom, and Sonia Boyce, ed. |
| 264 | 1 | |a Durham [u.a.] |b Duke Univ. Press |c 2005 | |
| 300 | |a XXV, 340 S. |b Ill. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Documentation from a conference and exhibition held at Duke University in 2001. | ||
| 500 | |a Includes bibliographical references and index | ||
| 520 | 3 | |a A history of the last twenty years of Black arts in Britain, focusing on the eighties when, in the midst of social unrest in many cities with large ethnic populations, the Black arts scene exploded into life. | |
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| 648 | 7 | |a Geschichte 1980-2005 |2 gnd |9 rswk-swf | |
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Datensatz im Suchindex
| _version_ | 1819595677789847552 |
|---|---|
| adam_text | xi David
A. Bailey, Ian Baucom, and
Sonia
Boyce
Shades of Black: Assembling the
1980s
ііЛі
1
I
IJC
PART ONE
iGXtS
1
Stuart Hall
Assembling the
1980s:
The Deluge —and After
21
Rasheed Araeen
The Success and Failure of the Black Arts Movement
35
Keith Piper
Wait, Did I Miss Something? Some Personal Musings on the
1980s
and Beyond
41
Lubaina Himid
Inside the Invisible: For/Getting Strategy
49
Kobena Mercer
Iconography after Identity
59
susan pui
san lok
A to
Y
(Entries for an Inventionry of Dented
ľ s)
67
Zineb Sedira
in collaboration with Jawad Al-Nawab
On Becoming an Artist: Algerian, African, Arab, Muslim, French, and
Black British? A Dialogue of Visibility
77
Yong Soon
Min
and Allan deSouza
CoRespondents
89
Judith Wilson
Triangular Trades: Late-Twentieth-Century Black Art and
Transatlantic Cultural Commerce
103
Dawoud Bey
Collaborative Projects: Toward a More Inclusive Practice
109
Stan Abe
Why Asia Now? Contemporary Asian Art and the Politics of Multicuituralism
115
Naseem Khan
Choices for Black Arts in Britain over Thirty Years
123
Gitane
Tawadros
A Case of Mistaken Identity
133
COLOR PLATES
PART TWO
the conference
166
Conference Papers and Speakers
167
Jean Fisher Dialogues
PART THREE
time lines
199
Adelaide Bannerman Introduction
210
Time Lines
PART FOUR
recommended
reí
307
Leon Wainwright Introduction
309
Histories and Positions
312
Visual Practices
314
Exhibitions and Display
316
Institutions, Policies, and Reports
319
Contributors
327
Acknowledgments
329
Index
In the
ígSos-at
the height of Thatcherism and in the
wake of civil unrest and rioting in a number of British
cities—the Black Arts Movement burst onto the British art
scene with breathtaking intensity, changing the nature
and perception of British culture irreversibly. This richly
illustrated volume presents a history
ofthat
movement.
It brings together in a lively dialogue leading artists,
curators, art historians, and critics, many of whom were
actively involved In the Black Arts Movement. Combining
cultural theory with anecdote and experience, the
contributors debate how the work of the black British
artists of the
1980s
should be viewed historically. They
consider the political, cultural, and artistic developments
that sparked the movement even as they explore the
extent to which such a diverse body of work can be said
to constitute a distinct artistic movement. The essayists
examine the movement in relation to artistic practice,
public funding, and the transnational art market and
reflect on its legacy for today s artists and activists.
Shades of Black includes a unique catalog of images, an
extensive list of suggested readings, and a descriptive
timeline situating the movement
vis-à-vis
relevant
artworks and films, exhibitions, cultural criticism, and
political events from
i960
to
2000.
|
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| dewey-full | 704.03/96041/09048 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 704 - Special topics in fine and decorative arts |
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| dewey-search | 704.03/96041/09048 |
| dewey-sort | 3704.03 596041 49048 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| era | Geschichte 1980-1990 gnd Geschichte 1980-2005 gnd |
| era_facet | Geschichte 1980-1990 Geschichte 1980-2005 |
| format | Book |
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| id | DE-604.BV019848100 |
| illustrated | Illustrated |
| indexdate | 2024-12-23T18:17:22Z |
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| language | English |
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| publishDate | 2005 |
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| publisher | Duke Univ. Press |
| record_format | marc |
| spellingShingle | Shades of black assembling black arts in 1980s Britain aArt, Black zGreat Britain vCongresses aArt, British y20th century vCongresses aMulticulturalism in art vCongresses aPostcolonialism and the arts vCongresses Schwarze (DE-588)4116433-7 gnd Schwarze Motiv (DE-588)4116434-9 gnd Kunst (DE-588)4114333-4 gnd |
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| title | Shades of black assembling black arts in 1980s Britain |
| title_auth | Shades of black assembling black arts in 1980s Britain |
| title_exact_search | Shades of black assembling black arts in 1980s Britain |
| title_full | Shades of black assembling black arts in 1980s Britain David A. Bailey, Ian Baucom, and Sonia Boyce, ed. |
| title_fullStr | Shades of black assembling black arts in 1980s Britain David A. Bailey, Ian Baucom, and Sonia Boyce, ed. |
| title_full_unstemmed | Shades of black assembling black arts in 1980s Britain David A. Bailey, Ian Baucom, and Sonia Boyce, ed. |
| title_short | Shades of black |
| title_sort | shades of black assembling black arts in 1980s britain |
| title_sub | assembling black arts in 1980s Britain |
| topic | aArt, Black zGreat Britain vCongresses aArt, British y20th century vCongresses aMulticulturalism in art vCongresses aPostcolonialism and the arts vCongresses Schwarze (DE-588)4116433-7 gnd Schwarze Motiv (DE-588)4116434-9 gnd Kunst (DE-588)4114333-4 gnd |
| topic_facet | aArt, Black zGreat Britain vCongresses aArt, British y20th century vCongresses aMulticulturalism in art vCongresses aPostcolonialism and the arts vCongresses Schwarze Schwarze Motiv Kunst Großbritannien Ausstellungskatalog 2001 Durham NC Konferenzschrift 2001 Durham NC |
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