The visual seen and unseen insights into Tom Stoppard's art
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Wrocław
Wydawn. Uniw. Wrocławskiego
2004
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| Schriftenreihe: | Acta Universitatis Wratislaviensis
Dramat - teatr ; 9 Acta Universitatis Wratislaviensis 2629 |
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| Online-Zugang: | Inhaltsverzeichnis |
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Datensatz im Suchindex
| _version_ | 1819663387757379584 |
|---|---|
| adam_text | EWA K^BLOWSKA-LAWNICZAK
The Visual Seen
and Unseen
Insights into Tom Stoppard s Art
Wroclaw 2004
Wydawnictwo Uniwersytetu Wroclawskiego
Contents
Preface 7
I Vision, Visuality, and Image in Context 11
Vision, Visuality and the Verbal Bias 12
Liberation from Scenography and Movement towards a Variously Defined Event 17
Word and image Contract and the Concept of Theatre 21
Avant-garde Contributions to the Visual Project 23
Anti-illusionism 24
Against Autonomy 26
Against Language and the Logic of the Conscious 30
Reconstructing the Concept of the Modern Visual Field: Vision, Spectator and Object 36
II Playing with Perspective(s) in the Early Plays 63
The Collapse of Perspective and the Fall of the Cartesian Subject in Albert s Bridge 65
Striving to Restore the Collapsed Perspective: Enter a Free Man 73
Anti-retinality and Multiperspectivism in Artist Descending a Staircase 80
Multiperspectivism and Labyrinthine Patterning in Travesties 94
III Denigration of Vision in Rosencrantz and Guildenstem Are Dead: Legitimation Crisis
and the Field of Desire 105
Legitimation According to Lyotard 107
Does Hamlet Provide a Legitimating Grand Narrative? Ill
Hamlet s Metanarrative and the Lyotardian petit recit 115
Lyotardian petit recit and the Stoppardian Predilection for Games 118
The Field of Desire 122
IV The Paranoid Eye and the Panoptic Eye of Surveillance 131
Generating Worlds in The Real Inspector Hound: From Epistemology to Ontology 133
Visuality According to Magritte: Resemblance and Similitude 146
The Panoptic Eye of Surveillance in Every Good Boy Deserves Favour 163
V The Body and the Hyperreal in the Theatrical Field of Vision: Jumpers 173
Influences 174
Triggering-off the Hyperreal 175
The Moon or the Cosmic Body 178
General Structure and Visual Complexity 180
Jumpers in the Moon 182
The Fantasy of Male and Female Bodies in the Field of Vision 185
The Circus Body and the Stripper 193
Body and New Technologies of Vision: Corpse, Robot, Mannequin and Skin 199
Philosophical Coda 203
6 Contents
VI Visualizing Auto/Biography in the Intercultural Imperial Discourses of Indian Ink
and in The Invention of Love 208
The Travelling Spectator/Seer in Indian Ink: Seeing and Being Seen as Travelling
Spectator and Object of Biographical Account 216
The Painter s First Contract 224
The Second Contract 227
Dissolution of Collectingness 232
Auto/Biography and Monument in The Invention of Love 237
VII Seeing and Reading: The Loss of Prospects and the Privilege of Shortsightedness in
Arcadia 253
Conclusion 273
Appendix 1: The Arab by Charles Stuart Caverley 279
Appendix 2: The Elephant in the Moon by Samuel Butler 280
Works Cited 282
Tom Stoppard 282
Playtexts 282
Interviews 282
Articles 283
Critical Approaches, Theory and History 284
Visuality 291
Other Sources 297
Electronic/Internet Sources 300
Coda: Wizualnosc widzialna i niewidzialna Studium sztuki dramatycznej Toma Stopparda 302
Index of Names 311
List of Illustrations 318
|
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| discipline | Anglistik / Amerikanistik |
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| illustrated | Illustrated |
| indexdate | 2024-12-23T18:16:50Z |
| institution | BVB |
| isbn | 8322925255 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-013152542 |
| oclc_num | 62782767 |
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| owner_facet | DE-12 DE-11 |
| physical | 317 S. Ill. |
| publishDate | 2004 |
| publishDateSearch | 2004 |
| publishDateSort | 2004 |
| publisher | Wydawn. Uniw. Wrocławskiego |
| record_format | marc |
| series | Acta Universitatis Wratislaviensis |
| series2 | Acta Universitatis Wratislaviensis : Dramat - teatr Acta Universitatis Wratislaviensis |
| spellingShingle | Kębłowska-Ławniczak, Ewa 1956- The visual seen and unseen insights into Tom Stoppard's art Acta Universitatis Wratislaviensis Stoppard, Tom Criticism and interpretation Stoppard, Tom 1937- (DE-588)118618695 gnd Art in literature Vision in literature Unsichtbarkeit (DE-588)4345668-6 gnd Perspektive (DE-588)4045301-7 gnd Sichtbarkeit (DE-588)4373371-2 gnd |
| subject_GND | (DE-588)118618695 (DE-588)4345668-6 (DE-588)4045301-7 (DE-588)4373371-2 |
| title | The visual seen and unseen insights into Tom Stoppard's art |
| title_auth | The visual seen and unseen insights into Tom Stoppard's art |
| title_exact_search | The visual seen and unseen insights into Tom Stoppard's art |
| title_full | The visual seen and unseen insights into Tom Stoppard's art Ewa Kębłowska-Ławniczak |
| title_fullStr | The visual seen and unseen insights into Tom Stoppard's art Ewa Kębłowska-Ławniczak |
| title_full_unstemmed | The visual seen and unseen insights into Tom Stoppard's art Ewa Kębłowska-Ławniczak |
| title_short | The visual seen and unseen |
| title_sort | the visual seen and unseen insights into tom stoppard s art |
| title_sub | insights into Tom Stoppard's art |
| topic | Stoppard, Tom Criticism and interpretation Stoppard, Tom 1937- (DE-588)118618695 gnd Art in literature Vision in literature Unsichtbarkeit (DE-588)4345668-6 gnd Perspektive (DE-588)4045301-7 gnd Sichtbarkeit (DE-588)4373371-2 gnd |
| topic_facet | Stoppard, Tom Criticism and interpretation Stoppard, Tom 1937- Art in literature Vision in literature Unsichtbarkeit Perspektive Sichtbarkeit |
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