Trance and transformation of the actor in Japanese Noh and Balinese masked dance-drama
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Lewiston, NY [u.a.]
Mellen
2004
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| Schriftenreihe: | Studies in theatre arts
30 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
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| 245 | 1 | 0 | |a Trance and transformation of the actor in Japanese Noh and Balinese masked dance-drama |c Margaret Coldiron |
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Datensatz im Suchindex
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| adam_text | TRANCE AND TRANSFORMATION
OF THE ACTOR IN JAPANESE NOH
AND BALINESE MASKED DANCE-DRAMA
Margaret Coldiron
Studies in Theatre Arts
Volume 30
The Edwin Mellen Press
Lewiston Queenston Lampeter
Contents
List of Illustrations xi
Foreword xiii
Preface (Professor John Emigh, Brown University) xv
Acknowledgements xxiii
Chapter 1 Orientation 1
Transformation and Trance 2
Why Masks? 3
Why THESE Masks? 6
The Influence of Noh and Balinese Dance-Drama 9
upon Western Theoreticians
Gordon Craig and the Ubermarionette 10
Artaud and the animated hieroglyphs 12
Jacques Copeau s Mask Work! 13
The Rise of Intercultural Theatre 17
The Actor s Consciousness and Noh and Balinese Masks 17
Trance and Transformation of the Actor 19
Scope of the Study 20
Chapter 2 The Mask: Art Object, Pedagogical Tool 21
or Transformational Mechanism?
Influences on the Current Study 21
On Masks 23
Mask as Object 23
Pedagogy: Mask as Tool 26
Performance Theory and the Theatre-Ritual Nexus 29
The Efficacy-Entertainment Braid 31
Performance and Cultural Context 34
The Actor s Consciousness 35
The Process of Transformation 37
Transformation vs Transportation 37
Transformational Mechanisms
A Framework for Examining the Performer s Process
Ritual Trance
Conclusion
Chapter 3 Masks and Balinese Culture
A Labyrinth of Complexities
An Embattled Paradise
Agama Hindu-Bali
Ritual and the Arts
Caste
Traditional Balinese Masked Drama
Topeng
Sidha Karya
Calonarang
Tenget
The Mask Making Process
Ritual Preparations
Carving
Painting and Completion
Dance Training
Pedagogy
Ritual Requirements
Taksu
Summary
Chapter 4 Japanese Mask Tradition and Noh Drama
A Foreign Country, An Obscure Art
Folk Mask Traditions
The Development of Noh Drama
Raising Status
Court Dances and Popular Entertainments
The Sanjo
A Sacred Performance Art
Noh and Religious Ritual
Shinto
Buddhism
Esoteric Buddhism
Zen
Noh, Spirituality and the Reconciliation of Opposites
The Noh Stage
Noh Plays
Music
Hierarchy
Noh Masks
IX
Maskmaking
Carver-actors
Training
Becoming a shite
The Way of Noh
The Noh Aesthetic
Jo-Ha-Kyu
Monomane
Hana
Yugen
Kokoro
Chapter 5 Balinese Masks in Practice
A Performance of Topeng Pajegan
Waiting for the Pedanda
Preparation
Topeng Keras
Topeng Tua
The Speaking Masks
Sidha Karya
Aftermath
The Performer s Process: A Surrender of the Self
Training
Music
Costume
Masks
Carver-dancers
Marrying the Masks
The Topeng Performance State
Magic Masks: Barong and Rangda
A Question of Identity
The Play
The Masks
The Performers
The Costumes
Calonarang at the Pura Dalem, Bona Village, Gianyar
The Setting
The Performance
Preliminary Dances
The Drama
Rangda
Completion
Trance and The Masked Performer
Conclusion
Chapter 6 Noh Masks in Performance 241
Takigi Noh at the Suwa-Jin-Ja, Sado Island 242
The Rehearsal 244
The Costumes 247
The Masks • 250
The Performance 253
Secular Entertainment or Sacred Art? 260
Hagoromo and Tom in Matsuyama 261
Preparation 262
Hagoromo 264
Transition 270
Toru, Part One 271
Transformation 272
Toru, Part Two 274
Post-performance 278
Performing in the Noh Mask 279
The Noh Performer as Medium 283
Chapter 7 The Consciousness of the Masked Actor 287
Transformation, Consciousness and the Mask 288
Elements of the Transformation Process 289
Ritual, Theatre and Consciousness 290
Altered States 294
What is Trance? 296
The Physiology of Trance 300
Driving Mechanisms and Mediating Elements 307
Sensory Deprivation 308
Charting the Trance Process 310
Body, Mind and Mask 310
Sacred Masks 313
Conclusion 316
Chapter 8 The Mask and Transformation 319
The Path Ahead 322
The Power of the Mask 323
Glossary 1 Balinese Terms 325
Glossary 2 Japanese Terms 329
Works Consulted 335
Books 335
Films 344
Index 345
|
| any_adam_object | 1 |
| author | Coldiron, Margaret |
| author_facet | Coldiron, Margaret |
| author_role | aut |
| author_sort | Coldiron, Margaret |
| author_variant | m c mc |
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| dewey-full | 792.02/8/019 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 792 - Stage presentations |
| dewey-raw | 792.02/8/019 |
| dewey-search | 792.02/8/019 |
| dewey-sort | 3792.02 18 219 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines Sozial-/Kulturanthropologie / Empirische Kulturwissenschaft |
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| series | Studies in theatre arts |
| series2 | Studies in theatre arts |
| spellingShingle | Coldiron, Margaret Trance and transformation of the actor in Japanese Noh and Balinese masked dance-drama Studies in theatre arts Dansdrama's gtt Extase gtt Maskers gtt Nō gtt aActing xPsychological aspects aMasks aNō aTopeng Sunda aCalonarang Metamorphose (DE-588)4038931-5 gnd Maske (DE-588)4037845-7 gnd Nō-Spiel (DE-588)4131488-8 gnd Schauspieler (DE-588)4052154-0 gnd Theater (DE-588)4059702-7 gnd |
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| title | Trance and transformation of the actor in Japanese Noh and Balinese masked dance-drama |
| title_auth | Trance and transformation of the actor in Japanese Noh and Balinese masked dance-drama |
| title_exact_search | Trance and transformation of the actor in Japanese Noh and Balinese masked dance-drama |
| title_full | Trance and transformation of the actor in Japanese Noh and Balinese masked dance-drama Margaret Coldiron |
| title_fullStr | Trance and transformation of the actor in Japanese Noh and Balinese masked dance-drama Margaret Coldiron |
| title_full_unstemmed | Trance and transformation of the actor in Japanese Noh and Balinese masked dance-drama Margaret Coldiron |
| title_short | Trance and transformation of the actor in Japanese Noh and Balinese masked dance-drama |
| title_sort | trance and transformation of the actor in japanese noh and balinese masked dance drama |
| topic | Dansdrama's gtt Extase gtt Maskers gtt Nō gtt aActing xPsychological aspects aMasks aNō aTopeng Sunda aCalonarang Metamorphose (DE-588)4038931-5 gnd Maske (DE-588)4037845-7 gnd Nō-Spiel (DE-588)4131488-8 gnd Schauspieler (DE-588)4052154-0 gnd Theater (DE-588)4059702-7 gnd |
| topic_facet | Dansdrama's Extase Maskers Nō aActing xPsychological aspects aMasks aNō aTopeng Sunda aCalonarang Metamorphose Maske Nō-Spiel Schauspieler Theater Bali |
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