Post-imperial Brecht politics and performance, east and south

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1. Verfasser: Kruger, Loren 1958- (VerfasserIn)
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Veröffentlicht: Cambridge [u.a.] Cambridge Univ. Press 2004
Ausgabe:1. publ.
Schriftenreihe:Cambridge studies in modern theatre
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Datensatz im Suchindex

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adam_text Contents List of illustrations vi Acknowledgments ix List of abbreviations xii Introduction i 1 The political history of theatre and theory: Brecht and his contemporaries 19 2 Realism, socialism, and modernism in the production play 56 3 Broadcasting (a)socialism: Brecht, Miiller, and Radio Fatzer 133 4 Specters and speculation: Brechtian futures on the glocal market iji 5 The dis illusion of apartheid: Brecht and South Africa 21s 6 Realistic Engagement and the limits of solidarity: Athol Fugard in (East) Germany 281 7 Truth, reconciliation, and the ends of political performance 337 Coda 376 Index 3J 8 v Illustrations Jacket: Arthur Molepo in Junction Avenue Theatre Company s Love, Crime and Johannesburg (1999). Photograph by Ruphin Coudyzer. FPPSA; www.ruphin.com Chapter 2: Fig. 1: Regine Lutz and Ekkehart Schall in Katzgraben (Berlin, 1953) by Erwin Strittmatter; adapted and directed by Brecht. Photograph reprinted with permission from the Stiftung Akademie der Kunste Bertolt Brecht Archive (SAdK/BBA). 68 Fig. 2: The New Household : Lutz as Elli, Giinter Gnass as her father Kleinschmidt and Angelika Hurwicz as her mother in Katzgraben. Photograph reprinted with permission from the SAdK/BBA. 78 Fig. 3: Studiere ihn tot : Lutz and Hurwicz in Katzgraben. Photograph reprinted with permission from the SAdK/BBA. 79 Fig. 4: The Model Worker s Burden : Dieter Montag in Der Lohndriicker [1956) by Heiner Miiller, adapted and directed by the author (Berlin 1988). Photograph by Sybille Bergemann; Stiftung Akademie der Kunste: courtesy of the Theaterdokumentation. 12s Fig. 5: Visions of abundance and the HO queen in Der Lohndriicker (1988]. Photograph by Sybille Bergemann; courtesy of the SAdK: TD. 127 vi Illustrations Fig. 6: The paralyzed functionary and the secret service man. Michael Gwisdek and Hermann Beyer in Dei Lohndriicker (1988). Photograph by Sybille Bergemann courtesy of the SAdK: TD. 130 Chapter 3: Fig. 7: Right to left: Heiner Miiller and Jorg Michael Koerbl rehearsing Radio Fatzei (Berlin 1987). Photograph by Grischa Meyer. 149 Chapter 4: Fig. 8: Henry Hiibchen and cast in Hautpmanns Weber , adapted and directed by Frank Castorf (Berlin 1998). Photograph by Ingolf SeideL courtesy of the Volksbiihne. 196 Fig. 9: Gotz Schulte as the tenor in Die Massnahme (1930] by Brecht. Directed by Klaus Emmerich (Berlin 1997). Photograph by Ute Eichel; courtesy of the Berliner Ensemble. 205 Fig. 10: Mira Partecke (in skirt) and comrades in Die Massnahme (1997). Photograph by Ute Eichel; courtesy of the Berliner Ensemble. 206 Chapter 5: Fig. 11: Garment worker in the Kappiekommando (Johannesburg, 1938). Photograph courtesy of the William Cullen Library, University of the Witwatersrand. 230 Fig. 12: The Dream Picture : Winston Tshona as Sizwe in Sizwe Bansi Is Dead (London, 1972). Photograph by Donald Cooper. 247 Fig. 13: John, Winston, Athol and the Fictive Pass in Sizwe Bansi Is Dead by Athol Fugard, John Kani, and Winston Ntshona (Cape Town, 1972) Photograph courtesy of the National English Literary Museum, Grahamstown, South Africa. 250 vii Illustrations Fig. 14: The Situation of the Situation. Patrick Shai and Megan Kruskal in Sophiatown, directed by Malcolm Purkey (Johannesburg, 1986). Photograph by Ruphin Coudyzer, FPPSA; www.ruphin.com 270 Fig. 15: Arthur Molepo as the guerrilla turned banker in Love, Crime and Johannesburg, directed by Malcolm Purkey (1999). Photograph by Ruphin Coudyzer ¥T~PSA;www.ruphin.com 275 Chapter 6: Fig. 16: Right to left: Christian Grashof (John) and Alexander Lang (Winston) in Die Insel by Fugard, Kani, and Ntshona, trans. Eva Walch (Berlin, 1978), directed by Klaus Erforth and Alexander Stillmark. Photograph by Eva Keimlein, courtesy of the Stadtmuseum, Berlin. 300 Fig. 17: A Return to Blackface? Giinther Zscackel as Sizwe in Sizwe Bansi ist tot by Fugard, Kani, and Ntshona, trans. Walch. Directed by G. Elisabeth Zillmer (Schwerin, 1976). Photograph reprinted with permission from the SAdK: TD. 31s Fig. 18: Reframing the Dream Picture : Martin Seifert as Styles in Sizwe Bansi ist tot (Schwerin, 1976). Photograph reprinted with permission from the SAdK/TD. 316 Fig. 19: Zschackel and Seifert struggle with the pass in Sizwe Bansi ist tot (1976). Photograph reprinted with permission from the SAdK/TD. 317 Fig. 20: Sister and brother in Turkish Berlin. Dilruba Saatci as Filiz and Celal Bozat as Mahmut in Merhaba und Tschiifi, adaptation in Turkish and German of Athol Fugard s Hello and Goodbye (1965); adapted and directed by Yiiksel Yolcu (Berlin, 2000). Photograph by Jorg Metzger. 334 viii
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spellingShingle Kruger, Loren 1958-
Post-imperial Brecht politics and performance, east and south
Brecht, Bertolt <1898-1956> - Appréciation - Afrique du Sud
Brecht, Bertolt <1898-1956> - Critique et interprétation
Brecht, Bertolt <1898-1956> - Pensée politique et sociale
Brecht, Bertolt <1898-1956> Appreciation South Africa
Brecht, Bertolt <1898-1956> Criticism and interpretation
Brecht, Bertolt <1898-1956> Political and social views
Brecht, Bertolt 1898-1956 (DE-588)118514768 gnd
Politieke aspecten gtt
Postkolonialisme gtt
Toneelstukken gtt
Toneelvoorstellingen gtt
Drama
Politik
Politisches Theater (DE-588)4046587-1 gnd
subject_GND (DE-588)118514768
(DE-588)4046587-1
title Post-imperial Brecht politics and performance, east and south
title_auth Post-imperial Brecht politics and performance, east and south
title_exact_search Post-imperial Brecht politics and performance, east and south
title_full Post-imperial Brecht politics and performance, east and south Loren Kruger
title_fullStr Post-imperial Brecht politics and performance, east and south Loren Kruger
title_full_unstemmed Post-imperial Brecht politics and performance, east and south Loren Kruger
title_short Post-imperial Brecht
title_sort post imperial brecht politics and performance east and south
title_sub politics and performance, east and south
topic Brecht, Bertolt <1898-1956> - Appréciation - Afrique du Sud
Brecht, Bertolt <1898-1956> - Critique et interprétation
Brecht, Bertolt <1898-1956> - Pensée politique et sociale
Brecht, Bertolt <1898-1956> Appreciation South Africa
Brecht, Bertolt <1898-1956> Criticism and interpretation
Brecht, Bertolt <1898-1956> Political and social views
Brecht, Bertolt 1898-1956 (DE-588)118514768 gnd
Politieke aspecten gtt
Postkolonialisme gtt
Toneelstukken gtt
Toneelvoorstellingen gtt
Drama
Politik
Politisches Theater (DE-588)4046587-1 gnd
topic_facet Brecht, Bertolt <1898-1956> - Appréciation - Afrique du Sud
Brecht, Bertolt <1898-1956> - Critique et interprétation
Brecht, Bertolt <1898-1956> - Pensée politique et sociale
Brecht, Bertolt <1898-1956> Appreciation South Africa
Brecht, Bertolt <1898-1956> Criticism and interpretation
Brecht, Bertolt <1898-1956> Political and social views
Brecht, Bertolt 1898-1956
Politieke aspecten
Postkolonialisme
Toneelstukken
Toneelvoorstellingen
Drama
Politik
Politisches Theater
Südafrika (Staat)
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