The view from the Vysotka a portrait of Russia today through one of Moscow's most famous addresses

"Completed shortly before Joseph Stalin's death in 1953, the vysotkii, or "sky houses," still dominate the Moscow skyline today. Seven in all, they were the Soviet answer to the American skyscraper, transforming the Soviet capital from a feudal backwater into the city of the futu...

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1. Verfasser: Nivat, Anne 1969- (VerfasserIn)
Format: Buch
Sprache:English
French
Veröffentlicht: New York St. Martin's Press 2004
Ausgabe:1st U.S. ed.
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520 1 |a "Completed shortly before Joseph Stalin's death in 1953, the vysotkii, or "sky houses," still dominate the Moscow skyline today. Seven in all, they were the Soviet answer to the American skyscraper, transforming the Soviet capital from a feudal backwater into the city of the future. With their soaring towers and gothic architectural details, the vysotkas were intended to be enduring monuments to the workers state and to the glories of Communism - though they were built on the backs of slave laborers and, initially, the prerogative only of the Soviet elite. Now these imposing giants lie on the fault line between a world that has vanished and one still emerging from its ruins." "When she moved to Moscow several years ago, journalist and Russia expert Anne Nivat settled into one of the vysotkas, the one that happens to overlook the Kremlin. She became fascinated by the building and learned everything she could about its history 
520 1 |a As she got to know her neighbors and fellow tenants, Nivat discovered that they included some of the building's original inhabitants or their descendants, hand-chosen by Stalin and his henchman Lavrenti Beria (arrested and executed for high treason shortly after Stalin's death) - KGB operatives, Bolshoi ballerinas, and artists of Soviet agitprop. Living side by side with them were representatives of the "new Russia' - entrepreneurs, foreign investors, and oligarchs; as any Moscow real estate agent will tell you, Stalin-era buildings in today's market are some of the most coveted addresses in the city." "By means of this decaying but still elegant Soviet icon, Nivat gives us a way of grasping the complexities of a country struggling to come to terms with its past and define its future. She allows the tenants of her vysotka to speak for themselves, to offer their perspectives on where Russia has been and where it is going 
520 1 |a Some are keenly nostalgic for the days when the state dictated life. Others have prospered in the confusion that has reigned since the Evil Empire's fall and look to a market-driven economy to guide Russia to the Promised Land. Still other fall someplace between the two, anxious but hopeful, longing for yet also fearful of change." "Taken together, the portraits of the vysotka's inhabitants provide a panorama of Russia today. The View from the Vysotka shows us life from the inside, evoking both the forces that have swept through this vast and fascinating nation over the course of the last half-century, as well as a building that has managed to endure them."--BOOK JACKET 
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Datensatz im Suchindex

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dewey-hundreds 900 - History & geography
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spelling Nivat, Anne 1969- Verfasser (DE-588)123300495 aut
Maison haute
The view from the Vysotka a portrait of Russia today through one of Moscow's most famous addresses Anne Nivat ; translated from the French by Frances E. Forte
1st U.S. ed.
New York St. Martin's Press 2004
XXVI, 228 S.
txt rdacontent
n rdamedia
nc rdacarrier
"Completed shortly before Joseph Stalin's death in 1953, the vysotkii, or "sky houses," still dominate the Moscow skyline today. Seven in all, they were the Soviet answer to the American skyscraper, transforming the Soviet capital from a feudal backwater into the city of the future. With their soaring towers and gothic architectural details, the vysotkas were intended to be enduring monuments to the workers state and to the glories of Communism - though they were built on the backs of slave laborers and, initially, the prerogative only of the Soviet elite. Now these imposing giants lie on the fault line between a world that has vanished and one still emerging from its ruins." "When she moved to Moscow several years ago, journalist and Russia expert Anne Nivat settled into one of the vysotkas, the one that happens to overlook the Kremlin. She became fascinated by the building and learned everything she could about its history
As she got to know her neighbors and fellow tenants, Nivat discovered that they included some of the building's original inhabitants or their descendants, hand-chosen by Stalin and his henchman Lavrenti Beria (arrested and executed for high treason shortly after Stalin's death) - KGB operatives, Bolshoi ballerinas, and artists of Soviet agitprop. Living side by side with them were representatives of the "new Russia' - entrepreneurs, foreign investors, and oligarchs; as any Moscow real estate agent will tell you, Stalin-era buildings in today's market are some of the most coveted addresses in the city." "By means of this decaying but still elegant Soviet icon, Nivat gives us a way of grasping the complexities of a country struggling to come to terms with its past and define its future. She allows the tenants of her vysotka to speak for themselves, to offer their perspectives on where Russia has been and where it is going
Some are keenly nostalgic for the days when the state dictated life. Others have prospered in the confusion that has reigned since the Evil Empire's fall and look to a market-driven economy to guide Russia to the Promised Land. Still other fall someplace between the two, anxious but hopeful, longing for yet also fearful of change." "Taken together, the portraits of the vysotka's inhabitants provide a panorama of Russia today. The View from the Vysotka shows us life from the inside, evoking both the forces that have swept through this vast and fascinating nation over the course of the last half-century, as well as a building that has managed to endure them."--BOOK JACKET
Geschichte 1900-2000
Post-communism Russia (Federation)
Alltag (DE-588)4001307-8 gnd rswk-swf
Russlandbild (DE-588)4051053-0 gnd rswk-swf
Moscow (Russia) Biography
Moscow (Russia) Intellectual life 20th century
Vysotnyj žiloj dom Moskau (DE-588)4712807-0 gnd rswk-swf
(DE-588)4006804-3 Biografie gnd-content
Vysotnyj žiloj dom Moskau (DE-588)4712807-0 g
Alltag (DE-588)4001307-8 s
Russlandbild (DE-588)4051053-0 s
DE-604
spellingShingle Nivat, Anne 1969-
The view from the Vysotka a portrait of Russia today through one of Moscow's most famous addresses
Post-communism Russia (Federation)
Alltag (DE-588)4001307-8 gnd
Russlandbild (DE-588)4051053-0 gnd
subject_GND (DE-588)4001307-8
(DE-588)4051053-0
(DE-588)4712807-0
(DE-588)4006804-3
title The view from the Vysotka a portrait of Russia today through one of Moscow's most famous addresses
title_alt Maison haute
title_auth The view from the Vysotka a portrait of Russia today through one of Moscow's most famous addresses
title_exact_search The view from the Vysotka a portrait of Russia today through one of Moscow's most famous addresses
title_full The view from the Vysotka a portrait of Russia today through one of Moscow's most famous addresses Anne Nivat ; translated from the French by Frances E. Forte
title_fullStr The view from the Vysotka a portrait of Russia today through one of Moscow's most famous addresses Anne Nivat ; translated from the French by Frances E. Forte
title_full_unstemmed The view from the Vysotka a portrait of Russia today through one of Moscow's most famous addresses Anne Nivat ; translated from the French by Frances E. Forte
title_short The view from the Vysotka
title_sort the view from the vysotka a portrait of russia today through one of moscow s most famous addresses
title_sub a portrait of Russia today through one of Moscow's most famous addresses
topic Post-communism Russia (Federation)
Alltag (DE-588)4001307-8 gnd
Russlandbild (DE-588)4051053-0 gnd
topic_facet Post-communism Russia (Federation)
Alltag
Russlandbild
Moscow (Russia) Biography
Moscow (Russia) Intellectual life 20th century
Vysotnyj žiloj dom Moskau
Biografie
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