The silent cinema reader

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Format: Buch
Sprache:English
Veröffentlicht: New York Routledge 2004
Ausgabe:1. publ.
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MARC

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Datensatz im Suchindex

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adam_text Contents List of illustrations ix Notes on contributors xi Acknowledgements xv Lee Grieveson and Peter Kramer INTRODUCTION 1 PROLOGUE INTRODUCTION 11 1 Charles Musser AT THE BEGINNING: MOTION PICTURE PRODUCTION, REPRESENTATION AND IDEOLOGY AT THE EDISON AND LUMIERE COMPANIES 15 PART I Film projection and variety shows INTRODUCTION 31 2 Tom Gunning NOW YOU SEE IT, NOW YOU DON T : THE TEMPORALITY OF THE CINEMA OF ATTRACTIONS 41 3 Frank Gray THE KISS IN THE TUNNEL (1899), G. A. SMITH AND THE EMERGENCE OF THE EDITED FILM IN ENGLAND 51 4 Richard Abel THE CINEMA OF ATTRACTIONS IN FRANCE, 1896 1904 63 Vi CONTENTS PART II Storytelling and the nickelodeon INTRODUCTION 77 5 Charles Musser MOVING TOWARDS FICTIONAL NARRATIVES: STORY FILMS BECOME THE DOMINANT PRODUCT, 1903 1904 87 6 Richard Abel PATHE GOES TO TOWN: FRENCH FILMS CREATE A MARKET FOR THE NICKELODEON, 1903 1906 103 7 Ben Singer MANHATTAN NICKELODEONS: NEW DATA ON AUDIENCES AND EXHIBITORS 119 PART III Cinema and reform INTRODUCTION 135 8 Tom Gunning FROM THE OPIUM DEN TO THE THEATRE OF MORALITY: MORAL DISCOURSE AND THE FILM PROCESS IN EARLY AMERICAN CINEMA 145 9 Roberta E. Pearson and William Uricchio HOW MANY TIMES SHALL CAESAR BLEED IN SPORT: SHAKESPEARE AND THE CULTURAL DEBATE ABOUT MOVING PICTURES 155 10 Lee Grieveson FIGHTING FILMS: RACE, MORALITY, AND THE GOVERNING OF CINEMA, 1912 1915 169 PART IV Feature films and cinema programmes INTRODUCTION 187 11 Charles J. Maland A STAR IS BORN: AMERICAN CULTURE AND THE DYNAMICS OF CHARLIE CHAPLIN S STAR IMAGE, 1913 1916 197 12 Shelley Stamp AN AWFUL STRUGGLE BETWEEN LOVE AND AMBITION: SERIAL HEROINES, SERIAL STARS AND THEIR FEMALE FANS 210 13 Ben Brewster TRAFFIC IN SOULS (1913): AN EXPERIMENT IN FEATURE LENGTH NARRATIVE CONSTRUCTION 226 CONTENTS vii 14 Linda Williams RACE, MELODRAMA, AND THE BIRTH OF A NATION (1915) 242 15 Kristin Thompson THE INTERNATIONAL EXPLORATION OF CINEMATIC EXPRESSIVITY 254 PART V Classical Hollywood cinema INTRODUCTION 271 16 Peter Kramer THE MAKING OF A COMIC STAR: BUSTER KEATON AND THE SAPHEAD (1920) 279 17 Gaylyn Studlar THE PERFECT LOVER ?: VALENTINO AND ETHNIC MASCULINITY IN THE 1920S 290 18 Sumiko Higashi THE NEW WOMAN AND CONSUMER CULTURE: CECIL B. DEMILLE S SEX COMEDIES 305 19 Ruth Vasey THE OPEN DOOR: HOLLYWOOD S PUBLIC RELATIONS AT HOME AND ABROAD, 1922 1928 318 PART VI European cinemas INTRODUCTION 329 20 Yuri Tsivian NEW NOTES ON RUSSIAN FILM CULTURE BETWEEN 1908 AND 1919 339 21 Kristin Thompson EARLY ALTERNATIVES TO THE HOLLYWOOD MODE OF PRODUCTION: IMPLICATIONS FOR EUROPE S AVANT GARDES 349 22 David Bordwell MONUMENTAL HEROICS: FORM AND STYLE IN EISENSTEIN S SILENT FILMS 368 23 Joseph Garncarz ART AND INDUSTRY: GERMAN CINEMA OF THE 1920S 389 Bibliography 401 Index 416
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title The silent cinema reader
title_auth The silent cinema reader
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title_full The silent cinema reader ed. by Lee Grieveson ...
title_fullStr The silent cinema reader ed. by Lee Grieveson ...
title_full_unstemmed The silent cinema reader ed. by Lee Grieveson ...
title_short The silent cinema reader
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