Proceedings of the 1999 International Computer Music Conference October 22 - 27, 1999
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| Format: | Tagungsbericht Buch |
| Sprache: | English |
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San Francisco, Calif.
Internat. Computer Music Assoc. [u.a.]
1999
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| adam_text | PROCEEDINGS OF THE 1999 INTERNATIONAL COMPUTER MUSIC CONFERENCE
ORGANIZED BY TSINGHUA UNIVERSITY CHINA PERFORMING ARTS AGENCY JC PUBLIC
RELATIONS & DEVELOPMENT LTD. THE INTERNATIONAL COMPUTER MUSIC
ASSOCIATION WITH SUPPORT FROM SIXTH SENSE TECHNOLOGY & CULTURAL EXCHANGE
LTD. BEIJING TOURISM GROUP OCTOBER 22-27,1999 JOSEF FUNG, CONFERENCE
CHAIR UB/TIB HANNOVER 89 121 265 501 SATURDAY OCTOBER 23 9:30-10:50
PAPER SESSION LA AUDIO ANALYSIS & RESYNTHESIS I 9:30 FROM EXPRESSIVE
NOTATION TO MODEL-BASED SOUND SYNTHESIS: A CASE STUDY OF THE ACOUSTIC
GUITAR MIKAEL LAURSON, JARMO HIIPAKKA, CUMBUR ERKUT, VESA VALIMAKI,
MATTI KARJALAINEN, MIKA KUUSKANKARE 9:55 SIMULATION OF PLUCKED STRINGS
EXHIBITING TENSION MODULATION DRIVING FORCE TERO TOLONEN, CUMHUR ERKUT,
VESA VALIMAKI, MATTI KARJALAINEN 10:20 ANALYSIS AND CRITICAL-BAND-BASED
GROUP WAVETABLE SYNTHESIS OF PIANO TONES HUA ZHENG, JAMES BEAUCHAMP
9:30-10:50 PAPER SESSION LB COMPOSITION SYSTEMS AND TECHNIQUES I 9:30
HIGHER-LEVEL COMPOSITIONAL CONTROL IN MUSIC SKETCHER: MODIFIERS AND
SMART HARMONY DANIEL OPPENHEIM, STEVE ABRAMS, DON PAZEL, JAMES WRIGHT
9:55 COMPOSING WITH MULTI-CHANNEL SPATIALISATION AS AN ASPECT OF
SYNTHESIS MICHAEL CLARKE 10:20 PWCOLLIDER - A VISUAL COMPOSITION TOOL
FOR SOFTWARE SYNTHESIS MIKAEL LAURSON 10:00-11:00 DEMONSTRATION 1 A NEW
CONTINUOUS MULTIMODAL MUSICAL CONTROLLER USING WIRELESS MAGNETIC TAGS
KAI-YUH HSIAO, JOSEPH PARADISO 10:00-11:00 POSTER SESSION 1 ROOM 1
EVALUATION OF ARCHITECTURES FOR SOUND GENERATION SYSTEMS WITH RESPECT TO
INTERACTIVE GESTURAL CONTROL AND REALTIME PERFORMANCE PAUL MODLER, ROSS
KIRK ROOM 2 IT S SHO TIME AN INTERACTIVE ENVIRONMENT FOR SHO(SHENG)
PERFORMANCE NAGASHIMA YOICHI, TONO-ITO TAMAMI ROOM 3 A COMPARATIVE
LATENCY STUDY OF HARDWARE AND SOFTWARE PITCH-TRACKERS LILIT YOO, ICHIRO
FUJINAGA 13 N 20 24 28 32 36 11:00-12:20 PAPER SESSION 2A AUDIO ANALYSIS
& RESYNTHESIS IX 11:00 DATA COMPRESSION OF SINUSOIDAL MODELING
PARAMETERS BASED ON PSYCHOACOUSTICS MASKING GUILLERMO GARCIA, JUAN
PAMPIN 40 11:25 ATS: A LISP ENVIRONMENT FOR SPECTRAL MODELING JUAN
PAMPIN 44 11:50 RESYNTHESIS OF PIANO STRING VIBRATIONS BASED ON PHYSICAL
MODELING LAURENT DAUDET, PHILIPPE GUILLEMAIN, RICHARD KRONLAND-MARTINET
48 11:00-11:50 PAPER SESSION 2B COMPOSITION SYSTEMS AND TECHNIQUES II
11:00 PIECE: A MUSIC LANGUAGE EDITOR SYNCHRONIZED WITH GRAPHICAL VIEWS
SATOSHI NISHIMURA 52 11:25 TWO COMPOSITIONS FOR INTERACTIVE DANCE WAYNE
SIEGE1 56 11:30-12:30 DEMONSTRATION 2 HOW TO PRODUCE CHINESE FOLK MUSIC
USING REGULAR MIDI EQUIPMENT SHUILING LIU, JUNPING GONG 60 11:30-12:30
POSTER SESSION 2 ROOM 1 COMEXOS: A NETWORKED SOUND MANIPULATION PRIMER
LOUISA YONG 62 ROOM 2 ANTIALIASING FOR NONLINEARITIES: ACOUSTIC MODELING
AND SYNTHESIS APPLICATIONS HARVEY THORNBURG 66 ROOM 3 SOUND OF CHINA:
COMPUTER MUSIC YING YU 70 14:00-15:20 PAPER SESSION 3A SOUND SYNTHESIS
METHODS I 14:00 SECOND-ORDER RECURSIVE OSCILLATORS FOR MUSICAL ADDITIVE
SYNTHESIS APPLICATIONS ON SIMD AND VLIW PROCESSORS ADRIAN FREED, TODD
HODES 74 14:25 SPECTRAL LINE BROADENING WITH TRANSFORM DOMAIN ADDITIVE
SYNTHESIS ADRIAN FREED 78 14:50 GENERATING PITCHES IN TRANSIENTS BY A
PERCUSSIVE EXCITATION PATRICJC FOURCADE, SYLVAIN MANGIAROTTI, CLAUDE
CADOZ 82 14:00-14:50 PAPER SESSION 3B MUSIC IN CHINA 14:00 THE DESIGN
AND IMPLEMENTATION OF A PROCESSING SYSTEM OF QIN SCORE (JIANZIPU)
QINS(L.O) SIXIN LI 85 14:25 VOICE CREATION AND THE CHINESE FOLK MUSIC
SHUILING LIU, JUNPING GONG 89 14:30-15:30 DEMONSTRATION 3 APPLICATIONS
OF THE PROCESSOR ENHANCED MEMORY MODULE FOR MUSIC SIGNAL PROCESSING
STEVEN TRAUTMANN, NGAI-MAN CHEUNG, CHRISTOPHER POLETTO 92 14:30-15:30
POSTER SESSION 3 ROOM 1 FEEPING CREATURES RODNEY BERRY 94 ROOM 2
CREATING THREE-DIMENSIONAL COMPUTER ANIMATIONS USING SPECTRAL DATA AND
OPENGL TIM KREGER 91 ROOM 3 HEIGHTENING ACCESS AND COHESION WITHIN THE
WORLDS OF ELECTROACOUSTIC MUSIC: THE PROMOTION OF TRIANGULATION IN
CREATIVITY,DEVELOPMENT AND SCHOLARSHIP LEIGH LANDY 100 1 15:30-16:50
PAPER SESSION 4A SOUND SYNTHESIS METHODS II 15:30 MODALYS IN JMAX:
REAL-TIME MODAL-SYNTHESIS FRANCISCO IOVINO, OLIVIER LARTILLOT, NORBERT
SCHNELL 15:55 AN APPROACH TO SOUND MORPHING BASED ON PHYSICAL MODELING
TAKAFUMI HIKICHI, NAOTOSHI OSAKA 16:20 SOUND MODELING OF TRANSIENT AND
SUSTAINED MUSICAL SOUNDS SOLVI YSTAD, PHILIPPE GUILLEMAIN, RICHARD
KRONLAND-MARTINET 15:30-16:50 PAPER SESSION 4B MUSIC DATA STRUCTURES AND
REPRESENTATION 15:30 15:55 TOWARDS DIGITAL MUSICAL ACTIONS ALAIN
BONARDI, FRANCIS ROUSSEAUX THE USE OF MELODIC SEGMENTATION FOR
CONTENT-BASED RETRIEVAL OF MUSICAL DATA MASSIMO MELUCCI, NICOLA ORIO 104
108 112 116 120 16:20 CONTENT ANALYSIS AND QUERIES IN A SOUND AND MUSIC
DATABASE STEPHEN TRAVIS POPE, NICOLA ORIO, PIERRE ROY 16:00-17:00
DEMONSTRATION 4 SNAP -SOUND NETWORK AGENT PROJECT- MULTI AGENT SYSTEM
USING CSOUND IN THE INTERNET FUMITAKE OHNAKA 16:00-17:00 POSTER SESSION
4 ROOM 1 PIANO MASTER CLASSES VIA THE INTERNET JOHN YOUNG, ICHIRO
FUJINAGA ROOM 2 KINETIC SOUND SCULPTURES - STELE AND VIOLA SPEZZATA
GERHARD ECKEL ROOM 3 ASPEN/EXPLORE: A MULTIPROCESSING ASSISTANT FOR
ELECTROACOUSTIC MUSIC COMPOSERS AMBROSE FIELD 124 131 135 138 141 SUNDAY
OCTOBER 24 9:30-10:50 PAPER SESSION 5A AUDIO ANALYSIS & RESYNTHESIS III
9:30 AUTOMATIC CAPTURE FOR SPECTRUM-BASED INSTRUMENT MODELS ROGER
DANNENBERG, MINORU MATSUNAGA 145 9:55 INVERSION OF A PHYSICAL MODEL OF A
TRUMPET THOMAS HELIE, CHRISTOPHE VERGEZ, JEAN LEVINE, XAVIER RODET 149
10:20 SINOLA: A NEW ANALYSIS/SYNTHESIS METHOD USING SPECTRUM PEAK SHAPE
DISTORSION, PHASE AND REASSIGNED SPECTRUM GEOFFROY PEETERS, XAVIER RODET
153 9:30-10:20 PAPER SESSION 5B MUSIC EDUCATION 9:30 THE COMPUTER MUSIC
EDUCATION IN THE MUSIC COMPOSITION & ENGINEERING DEPARTMENT OF WUHAN
CONSERVATORY OF MUSIC ZHONGLIANG TONG 157 9:55 THE VIRTUAL SOUND ON LINE
- COMPUTER MUSIC COURSES ON THE INTERNET RICCARDO BIANCHINI, ALESSANDRO
CIPRIANI 161 10:00-11:00 DEMONSTRATION 5 THE SYNTHESIS TOOLKIT (STK)
PERRY COOK, GARY SCAVONE 164 10:00-11:00 POSTER SESSION 5 ROOM 1
MUSICALLY INTELLIGENT AGENT FOR COMPOSITION AND INTERACTIVE PERFORMANCE
KEIJI HIRATA, TATSUYA AOYAGI ROOM 2 EVOLUTIONARY STRATEGIES FOR
SPONTANEOUS MAN-MACHINE INTERACTION PETER BEYIS ROOM 3 TOWARD REAL-TIME
RECOGNITION OF ACOUSTIC MUSICAL INSTRUMENTS ICHIRO FUJINAGA, ANGELA
FRASER 167 171 175 11:00-12:20 PAPER SESSION 6A AUDIO ANALYSIS &
RESYNTHESIS IV 11:00 GRANULAR SYNTHESIS OF SOUND TEXTURES USING
STATISTICAL LEARNING ZIV BAR-JOSEPH, DANI LISCHINSKI, MICHAEL WERMAN,
SHLOMO DUBNOV, RAN EL-YANIV 11:25 SUPPORTING THE SOUND DESCRIPTION
INTERCHANGE FORMAT IN THE MAX/MSP ENVIRONMENT MATTHEW WRIGHT, SAMI
KHOURY, RAYMOND WANG, DAVID ZICARELLI, RICHARD DUDAS 11:50 ALTERATION OF
THE VIBRATO OF A RECORDED VOICE DANIEL ARFIB, NATHALIE DELPRAT
11:00-11:50 PAPER SESSION 6B ARTIFICIAL INTELLIGENCE 11:00 LEARNING
MODELS FOR INTERACTIVE MELODIC IMPROVISATION BELINDA THORN 11:25 MOTOR
NEURON BASED VIRTUAL DRUMMER PAULI LAINE 11:30-12:30 DEMONSTRATION 6 THE
MUSICIAN S SOFTWARE MALL - A SET OF COMPOSITION AND PERFORMANCE ORIENTED
APPLICATIONS FOR SOUND SYNTHESIS EDUARD RESINA, XAVIER SERRA 11:30-12:30
POSTER SESSION 6 ROOM 1 AVOIDING THE FITNESS BOTTLENECK : USING GENETIC
ALGORITHMS TO COMPOSE ORCHESTRAL MUSIC RODNEY WASCHKA ROOM 2 CREATING
MUSIC IN A MACHINE AGE: THE RELATIONS BETWEEN TOOLS, COMPOSER, AND MUSIC
MAKING MACHINES TANG-CHUN LI ROOM 3 ASPECTS OF STOCHASTIC MUSIC CONRAD
BERHOERSTER 178 182 186 190 194 197 201 204 208 14:00-15:20 PAPER
SESSION 7A SOUND SYNTHESIS METHODS III 14:00 FROM TIMBRE MODULATION
METHOD TO RESEARCH THE RELATION BETWEEN ELECTRONIC MUSIC AND CHINESE
MUSICAL TRADITION CENSONG LENG 212 14:25 FRICTION AND APPLICATION TO
REAL-TIME PHYSICAL MODELING OF A VIOLIN STEFANIA SERAFIN, XAVIER RODET,
CHRISTOPHE VERGEZ 216 14:50 NONLINEAR MODELING AND SYNTHESIS OF THE
KANTELE A TRADITIONAL FINNISH STRING INSTRUMENT VESA VALIMAKI, MATTI
KARJALAINEN, TERO TOLONEN, CUMHUR ERKUT 220 14:00-15:20 PAPER SESSION 7B
PERFORMANCE INTERFACES I 14:00 CATHEDRAL: AN INTERACTIVE WORK FOR THE
WEB ANTHONY DE RITIS 224 14:25 DESIGN OF A FLUTE INTERFACE TO CONTROL
SYNTHESIS MODELS SOLVI YSTAD, THIERRY VOINIER 228 14:50 BOSSA: THE
DECONSTRUCTED VIOLIN RECONSTRUCTED DAN TRUEMAN, PERRY COOK 232
14:30-15:30 DEMONSTRATION 7 MUSIC CREATION FROM MOVING IMAGE AND
ENVIRONMENTAL SOUND SHOGO TAKAHASHI, HIDEYUKI SAWADA, SHUJI HASHIMOTO,
KENJI SUZUKI 240 14:30-15:30 POSTER SESSION 7 ROOM 1 STATISTICAL VS.
CONNECTIONIST MODELS OF BEBOP IMPROVISATION DOMINIK HORNEL, JOACHIM
LANGNICKEL, BASTIAN SANDBERGER, BORJE SIELING . 244 ROOM 2 COMMON
PRACTICE NOTATION VIEW: A SCORE REPRESENTATION FOR THE CONSTRUCTION OF
ALGORITHMS DONNCHA 0 MAIDIN 248 ROOM 3 FEEDBACK IN MUSICAL COMPUTER
APPLICATIONS PAULI LAINE, KAI LASSFOLK 252 15:30-16:50 PAPER SESSION 8A
AUDIO SIGNAL PROCESSING I 15:30 ADAPTIVE ADDITIVE SYNTHESIS OF SOUND
AXEL ROEBEL 256 15:55 STRUCTURED ADDITIVE SYNTHESIS TOWARDS A OF SOUND
TIMBRE AND ELECTROACOUSTIC MUSIC FORMS AFYRIAM DESAINTE-CATHERME-
SYLVAIN MARCHAND 16:20 AUDIO SIGNAL REPRESENTATION AND PROCESSING IN
TIME-FREQUENCY DOMAIN YE WANG, MIIKKA VILERMO 15:30-16:20 PAPER SESSION
8B PERFORMANCE INTERFACES II 15:30 PERFORMANCE FACTORS IN CONTROL OF
HIGH-DIMENSIONAL SPACES GUY GARNETT. CAMILLE GOUDESEUNE 15:55
MUSICSPACE: A CONSTRAINT-BASED CONTROL SYSTEM FOR MUSIC SPATIALIZATION
FRANCOIS PACHET, OLIVIER DELERUE 16:00-17:00 DEMONSTRATION 8 COMPOSING
FOR THE DIGITAL DANCE INTERFACE WAYNE SIEGEL, JENS JACOBSEN 16:00-17:00
POSTER SESSION 8 ROOM 1 DIXIELAND-GAMELAN BAND? ENCOUNTERS OF AN
ALGORITHMIC KIND JAMES HARLEY ROOM 2 BONIFICATION OF SOCIAL DATA ALBERTO
DE CAMPO, MARIANNE EGGER-DE-CAMPO ROOM 3 SMATBAM! -SERVING TIME-BASED
MEDIA IN THE PERFORMING ARTS CAROLA BOEHM, STEPHEN ARNOLD 260 264 268
272 276 278 281 284 MONDAY OCTOBER 25 9:30-10:50 PAPER SESSION 9A
ACOUSTICS OF MUSICAL INSTRUMENTS AND VOICE I 9:30 A DIGITAL VERSION OF
THE PHOTOSONIC INSTRUMENT DANIEL ARFIB, JACQUES DUDON 9:55 REED
INSTRUMENTS MODULAR REPRESENTATION AND THEIR INTERACTIVE REAL TIME
SIMULATION CORDIS-ANIMA JEAN-LOUP FLORENS, J. GERMOND 10:20 FROM SONG OF
BIRDS TO EXTENDED VIRTUAL REED INSTRUMENTS - PHYSICAL MODELLING OF
BIRDS VOCAL TRACKS AND APPLICATION TO A NEW KING OF SOUND SUSTAIN
VIRTUAL INSTRUMENTS CLAUDE CADOZ, JEAN-LOUP FLORENS. SYLVAIN GUBIAN 288
291 295 9:30-10:20 PAPER SESSION 9B MUSIC ANALYSIS I 9:30 CONTENT-BASED
RETRIEVAL AND INDEXING METHODS FOR MUSIC DATABASES YUZURU HIRAGA 9:55 A
COMPUTER-ASSISTED MUSIC ANALYSIS SYSTEM: DAPHNE JIANLI LIU, RUMI HIRAGA,
SHIGERU IGARASHI 10:00-11:00 DEMONSTRATION 9 VMCI, AN INTERFACE TO
CONTROL CSOUND IN REAL-TIME UNDER WINDOWS GABRIE1 MA LDONADO 10:00-11:00
POSTER SESSION 9 ROOM 1 MIDISHARE JOINS THE OPEN SOURCE SOFTWARES
DOMINIQUE FOBER, STEPHANE LETZ, YANN ORLAREY ROOM 2 A COMPARISON OF FEED
FORWARD NEURAL NETWORK ARCHITECTURES FOR PIANO MUSIC TRANSCRIPTION
MATIJA MAROLT ROOM 3 USING RELATIVE INTERVAL SLOPE IN MUSIC INFORMATION
RETRIEVAL KJELL LEMSTROM, PAULI LAINE, SAMI PERTTU 299 303 307 311 314
317 11:00-12:20 PAPER SESSION 10A ACOUSTICS OF MUSICAL INSTRUMENTS AND
VOICE II 11:00 BANDED WAVEGUIDES: TOWARDS PHYSICAL MODELING OF BOWED BAR
PERCUSSION INSTRUMENTS GEORG ESSL, PERRY COOK 11:25 PHYSICAL MODELING BY
DIRECTLY SOLVING WAVE PDE MARCO PALUMBI, LORENZO SENO 11:50 APPLYING
STRAIGHT TOWARD MUSIC SYSTEMS - ACCURATE F0 ESTIMATION AND APPLICATION
FOR DATA-DRIVEN SYNTHESIS - HARUHIRO KATAYOSE, HIDEKI KAWAHARA
11:00-11:50 PAPER SESSION 10B MUSIC ANALYSIS II 11:00 A THEORETICAL
FRAMEWORK FOR ELECTRO-ACOUSTIC MUSIC MARY SIMONI, BENJAMIN BROENING,
CHRISTOPHER ROZELL, COLIN MEEK, GREGORY WAKEFIELD 11:25 SEGMENTATION AND
INTERPRETATION IN ATONAL MUSIC JOHN DOERKSEN 321 325 329 333 337
11:30-12:30 DEMONSTRATION 10 INSPECT AND RESPECT: SPECTRAL MODELING,
ANALYSIS AND REAL-TIME SYNTHESIS SOFTWARE TOOLS FOR RESEARCHERS AND
COMPOSERS SYLVAIN MARCHAND, ROBERT STRANDH 11:30-12:30 POSTER SESSION 10
ROOM 1 APPLICATIONS OF PRINCIPAL DIFFERENTIAL ANALYSIS TO DATA REDUCTION
AND EXTRACTION OF MUSICAL FEATURES OF SOUND SUZANNE WINSBERG, PHILIPPE
DEPALLE ROOM 2 ANALYSIS AND RESYNTHESIS OF PERCUSSION SOUNDS: TWO
METHODS COMPARED JAMES BEAUCHAMP ROOM 3 SPECTRAL ENVELOPE ESTIMATION AND
REPRESENTATION FOR SOUND ANALYSIS-SYNTHESIS DIEMO SCHWARZ, XAVIER RODET
341 345 347 351 14:00-14:50 PAPER SESSION LLA ACOUSTICS OF MUSICAL
INSTRUMENTS AND VOICE III 14:00 MODELING WIND INSTRUMENT SOUND RADIATION
USING DIGITAL WAVEGUIDE GARY SCAVONE 14:25 AUDIBILITY OF INHARMONICITY
IN STRING INSTRUMENT SOUNDS, AND IMPLICATIONS TO DIGITAL SOUND SYNTHESIS
HANNA JARVELAINEN, VESA VALIMAKI, MATTI KARJALAINEN 14:00-15:20 PAPER
SESSION LIB INTERACTIVE PERFORMANCE SYSTEMS I 14:00 THE SENSORG:
TIME-COMPLEXITY AND THE DESIGN OF A MUSICAL CYBERINSTRUMENT TAMAS
UNGVARY, ROEL VERTEGAAL 14:25 CONDUCTOR FOLLOWING WITH ARTIFICIAL NEURAL
NETWORKS TOMMI ILMONEN, TAPIO TAKALA 14:50 VIRTUAL CONDUCTING PRACTICE
ENVIRONMENT GUY GARNETT, FERNANDO MALVAR-RUIZ, FRED STOLTZFUS
14:30-15:30 DEMONSTRATION 11 GESTURAL CONTROL OF A REAL-TIME PHYSICAL
MODEL OF A BOWED STRING INSTRUMENT STEFANIA SERAFIN, XAVIER RODET,
RICHARD DUDAS, MARCELO WANDERLEY 355 359 363 367 371 375 14:30-15:30
POSTER SESSION 11 ROOM 1 A PARAMETRIC MODEL OF EXPRESSIVENESS IN MUSICAL
PERFORMANCE BASED ON PERCEPTUAL AND ACOUSTIC ANALYSES SERGIO CANAZZA,
ANTONIO RODA, NICOLA ORIO 379 ROOM 2 MODELLING THE MOTIVIC PROCESS OF
MELODIES WITH MARKOV CHAINS KARIN HOTHKER, DOMINIK HORNEL 383 ROOM 3
FORMALIZING THE CONCEPT OF SOUND HANS KAPER, SEVER TIPEI 387 15:30-16:50
PAPER SESSION 12A AUDIO SIGNAL PROCESSING II 15:30 THE TIMBRE SPACE OF
THE CLASSICAL GUITAR AND ITS RELATIONSHIP WITH THE PLUCKING TECHNIQUES
NICOLA ORIO 391 15:55 USING ADVANCED GUIDO AS A NOTATION INTERCHANGE
FORMAT HOLGER HOOS, KEITH HAMEL, KAI RENZ 395 16:20 COMMON LISP MUSIC
UPDATE REPORT JUAN PAMPIN, FERNANDO LOPEZ-LEZCANO 399 15:30-16:20 PAPER
SESSION 12B INTERACTIVE PERFORMANCE SYSTEMS II 15:30 THE NOTATION OF
INTERACTIVE MUSIC: LIMITATIONS AND SOLUTIONS MARGARET SCHEDEL 403 15:55
INTERACTIVE MULTIMODAL MOBILE ROBOT FOR MUSICAL PERFORMANCE KENJI
SUZUKI, TAKESHI OHASHI, SHUJI HASHIMOTO 407 16:00-17:00 DEMONSTRATION 12
ARMADILLO: REAL TIME AND NON-REAL TIME ANALYSIS OF MUSICAL SOUNDS ON A
POWER MACINTOSH TIMOTHY MADDEN, JAMES BEAUCHAMP 411 16:00-17:00 POSTER
SESSION 12 ROOM 1 BINARY DECISION TREE CLASSIFICATION OF MUSICAL SOUNDS
KRISTOFFER JENSEN, JENS ARNSPANG 414 ROOM 2 IMPROVING INSTRUMENTAL SOUND
SYNTHESIS BY MODELING THE EFFECTS OF PERFORMER GESTURE MARCELO
WANDERLEY, PHILIPPE DEPALLE, OLIVIER WARUSFEL 418 ROOM 3 SOUND
PROCESSING KIT - AN OBJECT-ORIENTED SIGNAL PROCESSING FRAMEWORK KAI
LASSFOLK 422 TUESDAY OCTOBER 26 9:30-10:20 PAPER SESSION 13A EXPRESSIVE
ENVIRONMENTS 9:30 EXPRESSIVE PROCESSING OF AUDIO AND MIDI PERFORMANCES
IN REAL TIME SERGIO CANAZZA, RICCARDO DIFEDERICO, CARLO DRIOLI, ANTONIO
RODA, GIOVANNI DEPOLI 425 9:55 VISUAL MANIPULATION ENVIRONMENT FOR SOUND
SYNTHESIS, MODIFICATION AND PERFORMANCE NAOTOSHI OSAKA, TAKAFUMI HIKICHI
429 9:30-10:50 PAPER SESSION 13B MACHINE RECOGNITION I 9:30 COMPARATIVE
STYLE ANALYSIS WITH NEURAL NETWORKS DOMINIK HORNEL, FRANK OLBRICH 433
9:55 LOW-DELAY SINGING VOICE ALIGNMENT TO TEXT ALEX LOSCOS, PEDRO CANO,
JORDI BONADA 437 10:20 SCORE-PERFORMANCE MATCHING USING HMMS PEDRO CANO,
ALEX LOSCOS 441 11:00-12:20 PAPER SESSION 14A INTERACTIVE PERFORMANCE
SYSTEMS III 11:00 JMAX RECENT DEVELOPMENTS FRANCOIS DECHELLE, MAURIZIO
DECECCO, ENZO MAGGI, NORBERT SCHNELL 445 11:25 MUSICLOTH: A DESIGN
METHODOLOGY FOR THE DEVELOPMENT OF A PERFORMANCE INTERFACE LONNY CHU 449
11:50 INTERACTIVE MUSIC FOR INSTRUMENTED DANCING SHOES JOSEPH PARADISO,
ERIC HU, KAI-YUH HSIAO . 453 11:00-12:20 PAPER SESSION 14B MACHINE
RECOGNITION II 11:00 A CONTENT-AWARE SOUND BROWSER DOUGLAS KEISLAR,
THORN BLUM, JAMES WHEATON, ERLING WOLD 457 11:25 MODEL-BASED MUSICAL
TRANSCRIPTION ANDREW STERIAN, MARY SIMONI, GREGORY WAKEFIELD 460 11:50
REALTIME CHORD RECOGNITION OF MUSICAL SOUND: A SYSTEM USING COMMON LISP
MUSIC TAKUYA FUJISHIMA 464 11:30-12:30 DEMONSTRATION 13 MODELING THE
WOODSTOCK GAMELAN FOR SYNTHESIS LYDIA AYERS, ANDREW HOMER 468
11:30-12:30 POSTER SESSION 13 ROOM 1 THE WAVEVERB MULTI-CHANNEL ROOM
ACOUSTICS MODELLING SYSTEM DAMIAN MURPHY, DAVID HOWARD 472 ROOM 2
ANALYSIS OF PERCUSSION FOR TIMBRE MEASUREMENT AND SYNTHESIS YEEON LO,
DAN HITT 476 ROOM 3 THE SOUNDING DISTANCE SENSATION AND ITS SIGNIFICANCE
OF ARTISTIC REPRESENTATION HUAMING XUE 480 14:00-15:20 PAPER SESSION 15A
ROOM ACOUSTICS 14:00 HIGHER ORDER AMBISONIC SYSTEMS FOR THE
SPATIALIZATION OF SOUND DAVID MALHAM 484 14:25 VOLUMETRIC MODELING OF
ACOUSTIC FIELDS IN CNMAT S SOUND SPATIALIZATION THEATRE ADRIAN FREED,
ARNOLD KAUP, SAMI KHOURY, DAVID WESSEL 488 14:50 MODELLING DIFFUSION AT
THE BOUNDARY OF A DIGITAL WAVEGUIDE MESH JOEL LAIRD, PAUL MASRI, NISHAN
CANAGARAJAH 492 14:00-14:50 PAPER SESSION 15B MACHINE RECOGNITION III
14:00 GUESSING THE COMPOSER S MIND : APPLYING UNIVERSAL PREDICTION TO
MUSICAL STYLE GERARD ASSAYAG, SHLOMO DUBNOV, OLIVIER DELERUE 496 14:25
EMBRACING THE COMPOSER: OPTICAL RECOGNITION OF HAND-WRITTEN MANUSCRIPTS
KIA NG, DAVID COOPER, EWAN STEFANI, ROGER BOYLE, NICK BAILEY 500
14:30-15:30 DEMONSTRATION 14 MUSICAL APPLICATIONS OF NEW FILTER
EXTENSIONS TO MAX/MSP ADRIAN FREED, TRISTAN JEHAN 504 14:30-15:30 POSTER
SESSION 14 ROOM 1 EXTENDING MUSICAL MIXING: ADAPTIVE COMPOSITE SIGNAL
PROCESSING CHRISTOPHER PENROSE 508 ROOM 2 MULTIMEDIA APPLICATION OF TIME
COMPRESS/STRETCH OF SOUND BY GRANULATION TAKEBUMI ITAGAKI, DONALD KNOX
512 ROOM 3 BLEEP, BUZZ, BLURP : THE CHALLENGE OF TEACHING NEW WAYS TO
LISTEN BONNIE MIKSCH, LEON COUCH 515 15:30-16:50 PAPER SESSION 16A REAL
TIME SYSTEMS 15:30 NETWORK AUDIO PERFORMANCE AND INSTALLATION ATAU
TANAKA 15:55 TIME IN DISTRIBUTED REAL-TIME SYSTEMS ELI BRANDT, ROGER
DANNENBERG 16:20 COMPOSING WITH THE YORK POLYPHONIC REAL-TIME SINGING
SYNTHESIZER IAN GIBSON, DAVID HOWARD, ANDREW TYRRELL 15:30-16:50 PAPER
SESSION 16B AESTHETICS 15:30 POSTFORMALISM KENNETH FIELDS 15:55
REVISITING KONTAKTE: ISSUES OF HISTORY, PERFORMANCE AND INTUITION
MICHAEL CLARKE 16:20 AESTHETICS OF DESIGNING AN ADAPTIVE FUZZY SYSTEM
FOR EVALUATION OF THE COMPUTER MUSIC MLADEN MILICEVIC 16:00-17:00
DEMONSTRATION 15 ENCYCLOPEDIA OF CLASSICAL MUSIC VICTOR ABRAMIAN
16:00-17:00 POSTER SESSION 15 ROOM 1 CROSS-MODAL SIMILARITY IN LIGHT AND
TIMBRE: INTERACTIONS IN SPEEDED DISCRIMINATION DAVID SULLIVAN, ICHIRO
FUJINAGA ROOM 2 WARM: A FRAMEWORK FOR MODELLING RESONANT ACOUSTIC
ENVIRONMENTS JOEL LAIRD, TOM HUNS, PAUL MASRI, NISHAN CANAGARAJAH ROOM 3
SIMULTANEITY IN INTERACTIVE COMPUTER MUSIC STEFFEN BRANDORFF 519 523 527
531 535 538 542 545 549 WEDNESDAY OCTOBER 27 9:30-10:50 PAPER SESSION
17B HISTORY OF ELECTRO ACOUSTIC MUSIC I 9:30 PROTEIC VOICES IN THE
COMPUTER MUSIC REPERTORY (1972-1997) ANASTASIA GEORGAKI 9:55 HUMAN VOICE
TREATMENT IN VARIOUS TYPES OF ELECTROACOUSTIC MUSIC ALEXANDRA HETTERGOTT
10:20 SPEECH-BASED COMPUTER MUSIC: SELECTED WORKS BY CHARLES DODGE AND
PAUL LANSKY MADELYN BYRNE 10:00-11:00 DEMONSTRATION 16 DIGITAL MUSIC
RESEARCH GROUP (BRISTOL, UK) STUDIO REPORT NISHAN CANAGARAJAH, PAUL
MASRI, JOEL LAIRD 10:00-11:00 POSTER STUDIO REPORT 1 ROOM 1 CENTER FOR
NEW MUSIC AND AUDIO TECHNOLOGIES (CNMAT) STUDIO REPORT RICHARD ANDREWS
ROOM 2 FEDERAZIONE CEMAT AND CENTRES OF COMPUTER MUSIC RESEARCH AND
PRODUCTION IN ITALY GISELLA BELGERI, GIUSEPPE DIGIUGNO ROOM 3 THE DESIGN
AND IMPLEMENTATION OF AN INTEGRATED HIGH PERFORMANCE COMPUTER MUSIC
SYSTEM FOR RESEARCH AND POSTGRADUATE TEACHING AT THE UNIVERSITY OF YORK,
UK TONY MYA TT 553 557 561 565 569 573 577 11:00-12:20 PAPER SESSION 17A
MPEG-4 AND MPEG-7 11:00 AUDIO DESCRIPTORS AND DESCRIPTOR SCHEMES IN THE
CONTEXT OF MPEG-7 XAVIER SERRA, PERFECTO HERRERA, GEOFFROY PEETERS 11:25
VIRTUAL ACOUSTICS RENDERING IN MPEG-4 MULTIMEDIA STANDARD RIITTA
VAANANEN, JYRI HUOPANIEMI 11:50 CROSS-CODING SDIF INTO MPEG-4 STRUCTURED
AUDIO MATTHEW WRIGHT, ERIC SCHEIRER 581 585 589 11:00- 11:50 PAPER
SESSION 18B HISTORY OF ELECTRO ACOUSTIC MUSIC II 11:00 RTCMIX AND THE
OPEN SOURCE / FREE SOFTWARE MODEL DAVID TOPPER 11:25 MAGIC MUSIC FROM
THE TELHARMONIUM .REYNOLD WEIDENAAR 11:30-12:30 DEMONSTRATION 17
PATCHMIX: A CMIX INSTRUMENT-BUILDER MARA HELMUTH 11:30-12:30 POSTER
STUDIO REPORT 2 ROOM 1 CCRMA STUDIO REPORT FERNANDO LOPEZ-LEZCANO ROOM 2
GRAMMA: THE NEW MUSIC IN AN OLD ARCHITECTURE MARIACRISTINA DEAMICIS ROOM
3 ANGLIA POLYTECHNIC UNIVERSITY - STUDIO REPORT DOUGLAS NUNN 597 600 602
605 609 613
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| indexdate | 2024-12-23T16:13:05Z |
| institution | BVB |
| institution_GND | (DE-588)6019696-8 |
| language | English |
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| physical | 615 S. Ill., graph. Darst., Notenbeisp. |
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| spellingShingle | Proceedings of the 1999 International Computer Music Conference October 22 - 27, 1999 Composition (Musique) par ordinateur - Congrès Musique par ordinateur - Congrès Son - Traitement par ordinateur - Congrès Computermusik (DE-588)4113239-7 gnd |
| subject_GND | (DE-588)4113239-7 (DE-588)1071861417 |
| title | Proceedings of the 1999 International Computer Music Conference October 22 - 27, 1999 |
| title_auth | Proceedings of the 1999 International Computer Music Conference October 22 - 27, 1999 |
| title_exact_search | Proceedings of the 1999 International Computer Music Conference October 22 - 27, 1999 |
| title_full | Proceedings of the 1999 International Computer Music Conference October 22 - 27, 1999 organized by Tsinghua University ... Josef Fung, conference chair |
| title_fullStr | Proceedings of the 1999 International Computer Music Conference October 22 - 27, 1999 organized by Tsinghua University ... Josef Fung, conference chair |
| title_full_unstemmed | Proceedings of the 1999 International Computer Music Conference October 22 - 27, 1999 organized by Tsinghua University ... Josef Fung, conference chair |
| title_short | Proceedings of the 1999 International Computer Music Conference |
| title_sort | proceedings of the 1999 international computer music conference october 22 27 1999 |
| title_sub | October 22 - 27, 1999 |
| topic | Composition (Musique) par ordinateur - Congrès Musique par ordinateur - Congrès Son - Traitement par ordinateur - Congrès Computermusik (DE-588)4113239-7 gnd |
| topic_facet | Composition (Musique) par ordinateur - Congrès Musique par ordinateur - Congrès Son - Traitement par ordinateur - Congrès Computermusik Konferenzschrift 1999 Peking |
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