An introduction to America's music
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| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York [u.a.]
Norton
2001
|
| Ausgabe: | 1. ed. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
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Datensatz im Suchindex
| _version_ | 1804128782711259136 |
|---|---|
| adam_text | nerica s
MUS1C
RICHARD CRAWFORD
W W NORTON
amp;
COMPANY
NEW YORK
LONDON
20NTE NT S
Preface ix
PART ONE
Trie First Three Centuries
1 The First Song: Native American Music 3
2 European Inroads: Early Christian Music Making 12
3 From Ritual to Art: The Flowering of Sacred Music 22
4 Old, Simple Ditties: Colonial Song, Dance, and Home
Music Making 42
5 Performing By Particular Desire: Early Military,
Concert, and Theater Music 56
6 Maintaining Oral Traditions: African Music in
Early America 69
7 Correcting the Harshness of Our Singing:
New England Psalmody Reformed 81
PART TWO
Trie Nineteenth Century
8 Edification and Economics: The Career of
Lowell Mason 91
9 Singing Praises: Southern and Frontier
Devotional Music 101
10 Be It Ever So Humble: Theater and Opera, 1800-1860 111
11 Blacks, Whites, and the Minstrel Stage 123
12 Home Music Making and the Publishing Industry 137
13 From Jeanie to Dixie: Parlor Songs, 1800-1865 149
14 Of Yankee Doodle and Ophicleides: Bands and Orchestras,
1800 to the 1870s 169
vi CONTENTS
15 From Church to Concert Hall: The Rise of
Classical Music 181
16 From Log House to Opera House: Anthony Philip Heinrich
and William Henry Fry 193
17 A New Orleans Original: Gottschalk of Louisiana 203
18 Two Classic Bostonians: George W Chadwick and
Amy Beach 214
19 Edward MacDowell and Musical Nationalism 227
20 Travel in the Winds: Native American Music
from 1820 236
21 Make a Noise!: Slave Songs and Other Black Music to
the 1880s 249
22 Songs of the Later Nineteenth Century 265
23 Stars, Stripes, and Cylinders: Sousa and
the Phonograph 281
24 After the Ball: The Rise of Tin Pan Alley 292
PART THREE
The Twentieth Century
25 To Stretch Our Ears: The Music of Charles Ives 309
26 Come On and Hear: The Early Twentieth Century 325
27 Blues, Jazz, and a Rhapsody: The Jazz Age Dawns 344
28 The Birthright of All of Us: Classical Music, the Mass
Media, and the Depression 356
29 All That Is Native and Fine: American Folk Song
and Its Collectors 369
30 From New Orleans to Chicago: Jazz Goes National 382
31 Crescendo in Blue: Ellington, Basie, and
the Swing Band 393
32 The Golden Age of the American Musical 408
33 Classical Music in the Postwar Years 421
34 Rock Around the Clock: The Rise of Rock and Roll 436
35 Songs of Loneliness and Praise: Postwar Popular Trends 448
Contents vii
36 Jazz, Broadway, and Musical Permanence 461
37 Melting Pot or Pluralism?: Popular Music and Ethnicity 475
38 The Beatles, Rock, and Popular Music 488
39 Trouble Girls, Minimalists, and The Gap: The 1960s to
the 1980s 496
40 Black Music and American Identity 510
Acknowledgments 521
Index 525
|
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| title | An introduction to America's music |
| title_auth | An introduction to America's music |
| title_exact_search | An introduction to America's music |
| title_full | An introduction to America's music Richard Crawford |
| title_fullStr | An introduction to America's music Richard Crawford |
| title_full_unstemmed | An introduction to America's music Richard Crawford |
| title_short | An introduction to America's music |
| title_sort | an introduction to america s music |
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